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Lisa Stansfield – All Around the World (Live At The Royal Albert Hall 1994)

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Lisa Stansfield – All Around The World (Live At The Royal Albert Hall 1994)
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Lyrics
I don’t know where my baby is
But I’ll find him, somewhere, somehow
I’ve got to let him know how much I care
I’ll never give up looking for my baby

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

We had a quarrel and I let myself go
I said so many things, things he didn’t know
And I was oh oh so bad
And I don’t think he’s comin’ back, mm mm

He gave the reason, the reasons he should go
And he said thing he hadn’t said before
And he was oh oh so mad
And I don’t think he’s comin’ back, comin’ back

I did too much lyin’
Wasted too much time
Now I’m here and cryin’, I, I, I

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

So open hearted, he never did me wrong
I was the one, the weakest one of all
And now I’m oh oh so sad
I don’t think he’s comin’ back, comin’ back

I did too much lyin’
Wasted too much time
Now I’m here and cryin’, I, I, I

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

I’m going to find him, my baby

I did too much lyin’
Wasted too much time
Now I’m here and cryin’, I, I, I

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

I’ve been around the world
Lookin’ from my baby
Been around the world
And I’m gonna, I’m gonna find him

Been around the world and I, I, I
I can’t find my baby
I don’t know when, I don’t know why
Why he’s gone away
And I don’t know where he can be, my baby
But I’m gonna find him

Lucy Dacus’s Grub Street Diet

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Lucy Dacus and her shellfish.
Illustration: Lindsay Mound

Last week, indie rocker Lucy Dacus finished her tour with three sold-out shows at Brooklyn Steel in East Williamsburg. Her band was out in support of her third album, Home Video, which our friends at Vulture called her ā€œmost personal and powerful workā€ yet. After an isolating lockdown, Dacus says getting back onstage was a relief. ā€œIt sounds corny, but I missed it so much,ā€ she says. ā€œIt’s felt like a real victory to return to it and be like, Yeah, this is what I do, and I’m not a fumbling novice — it’s what I know how to do.ā€Ā 

Monday, October 25
Leftover mashed sweet potato from Loving Hut. Our tour manager, Carly, is vegan, and whenever she’s putting in an order somewhere, I’ll check it out with her. It’s not always easy for her to do, but she tours a lot and knows where to get good food in every city. Vegan food is great a lot of the time because I think those restaurants have something to prove, so they put in extra effort to make sure it tastes good. One of my favorite restaurants is Vedge. It’s a fancy vegan spot in Philly that is out-of-this-world good.

I was a pescatarian for about six years. Why is that an annoying word? Anyway, I was eating fish more sparingly before, but I’m all in now. I stopped a couple of months ago when the tour started up again because I’ve been told since the beginning, by doctors and an EMT, that I should eat meat — for my overall health but also because I had a vocal injury, and there’s something in red meat specifically that is healthy for your vocal cords. It’s really stupid how night-and-day different I feel when I’ve eaten meat because I was without it for six years. I still would be, but I think I have to listen to my bod on that one.

Ate a cookie from a place in D.C. Someone brought them to the show at 9:30 Club, where we played before coming to New York, and I had one left over. I don’t know where they were from. They were just in my purse.

For lunch, I had the Wifey sandwich from Foster Sundry. I’ve come to find that it’s a beloved spot. That was my first experience. My friend Mac got it for me.

I felt like it had all of the aspects of a satisfying sandwich. It was big. The bread was good. The ingredients were quality. I had it around brunch time, and it had egg so it felt like breakfast. But it also had aĆÆoli, whitefish, potatoes, and greens on it, so it felt like lunch. I just felt completely satiated. It had that kind of salty, hearty feeling.

We were playing our first night at Brooklyn Steel. A lot of times, I’ll just eat meals out of what we get from the rider, and I had a few things at the venue, including a seaweed snack, a Verona cookie — those Pepperidge Farm ones with jelly in the middle — and some cheese on bread. Sometimes the cheeses they get are really cool. Sometimes they’ll get Kraft. I think the cheese from that day was some local sheep’s cheese. Along with those snacks, my drummer, Ricardo, had a leftover chicken wing from the restaurant Dokebi, so I ate that, too.

My real meal was pad see ew with fried tofu from Sage. That’s one of my go-to comfort foods. I got it delivered. During COVID, we haven’t been going out at all while on tour, so it’s all been delivery. Generally, I really love going out. When I’m playing, my day’s really segmented, pretty much minute by minute, so there’s this gap between sound check and the show when you have time to eat. If you can squeeze in going to a restaurant, that’s always a fun treat, but I don’t know. I’ve been feeling really shy recently, and this tour was the first time people were lining up around the block to get in. So if I left the venue, people would see me. Sometimes it just feels easier to get delivery.

Tuesday, October 26
For breakfast, I had a banana from the rider and then the Hokkaido bento from Okonomi for a weird 4 p.m. meal, not really lunch or dinner. Oh my God, it was the best thing.

There were scallops and salmon and crab and roe and uni and rice. I want to get it again. It’s cute. It’s in a little box that’s packed to the brim, and it feels like a little package.

That was a recommendation. I have a friend who was living in that neighborhood and then moved to France. I hit her up and asked where to go, and she sent me to Okonomi. But they don’t have seating right now. During the tour, though, we’ve had pretty strict COVID rules, so all my meals have been delivery or takeout.

After the show, we had white pizza. Occasionally, we’ll order pizzas, or our wonderful vegan tour manager will order pizzas while we’re onstage so when we get offstage, there’s pizza. That’s pro-level moves.

I don’t usually eat pizza because I don’t eat tomatoes — a low-acid diet helps my voice — but man, that was good. I don’t know where it was from, but not only was the pizza good, just having midnight postshow pizza feels so good.

Wednesday, October 27
Bagels from Edith’s, mackerel spread. Our bassist, Dom, knows somebody who works there and said to come by. We got a bag of bagels and had a little bagel party on the roof of our Airbnb. We ate them with the band that was opening for us, Bartees Strange — who are incredible, by the way — because we were saying good-bye to them.

Got a banana smoothie from Shop on Metropolitan Avenue. I went to that spot with my dad because his hotel was across the street. He came to the show the night before. He loved it because there were some Aussies working there, and he loves an Australian accent.

I think he just gets a kick out of accents. He’s from Mississippi, so for the first half of his life, he didn’t meet that many people who were different from him. Now he’s traveled more. He comes to a lot of my shows. I get to introduce him to cool people. He’s just got a great attitude about life, and I think he just gets a kick out of interacting with various people’s lives. We had to sit outside because that’s our COVID protocol, and it was very cold but it was cute to have warm beverages and chill out together.

We went our separate ways, and I headed into the city because I was hosting a screening at Metrograph. I couldn’t watch the movies, though, because I couldn’t be in the room. I had chosen both of those movies, and they were The Beaches of AgnĆØs, by AgnĆØs Varda, and Amarcord, by Fellini. I’ve wanted to pair them because they’re both different approaches to a biography in film, and I’m so pissed I didn’t get to watch them.

Our COVID protocol means I can’t actually share a space for that long, so to kill time I went to Wah Fung No. 1. That felt so special because when I was in high school, I would take the Chinatown bus to New York. It was a $20 round trip from Richmond, Virginia. I’d do whatever I was going to do, go to a show or the Met or sleep on a friend’s floor. I’d always eat my first meal at Wah Fung and then again before catching the bus back because it would pick up and drop off nearby. Since I stopped eating meat, though, I had not had that meal, and it felt very nostalgic. It’s $4.75 for a giant, heaping helping of pork.

I was with Carly, and she wanted vegan ice cream. We dropped by Orchard Grocer, this vegan spot not far from Metrograph. It’s funny to eat ice cream in the cold, but it’s also kind of fun.

After, we went to McNally Jackson. I had met two authors last month, Lina Meruane and Horacio Castellanos Moya, and I bought all their books that the store carries. On the front table, I saw a new book from a friend of a friend, Melissa Lozada-Oliva, that was released that same day. I thought, This is so cool. I’ve been enjoying it.

My friend brought spanakopita and a fava-bean dip from Kiki’s to the theater, and we ate outside on the sidewalk. I could tell it was good food, especially the dip, but it had been sitting so it kind of hardened. I have it on my to-do list to go back there.

Thursday, October 28
Got an avocado-and-egg sandwich to go from Egg Shop. I went there with my manager and then walked around McCarren Park. We were just eating and walking and talking. We were having a meeting, basically, but it didn’t feel like that.

Later I had a fish burrito from Dobeki. It was good, but it was small and I was so hungry after. It was half the size of a burrito. When I get a burrito, I want a full meal. I want my stomach to feel fully to the brim. Luckily, somebody else donated one of their pastor tacos from some other restaurant because I had said I was still hungry.

That night, we played our third and final show at Brooklyn Steel. When we got offstage, the venue had bought us three bottles of Champagne, one for each show, and a box of macarons and some really pretty flowers. It was just such a sweet, generous gesture.

It gave us a chance for the whole band to ā€œcheersā€ each other. We had brought this plastic folding table and a bunch of lawn tables on tour, and we’d just set up next to the bus on the sidewalk or street. We did that and drank Champagne and ate the macarons together. It was a really sweet moment.

Friday, October 29
We had to head back to D.C. overnight, and I was up until 4:30 so I felt like shit in the morning. The lack of sleep was the real problem. I didn’t get too fucked up on the Champagne, but staying up until 4:30 is just brutal, especially when you have to sleep in a little bunk that’s going on bumpy roads all night. It’s not good news. Everyone else was getting food. I was like, ā€œJust get me something.ā€ So they got me an egg sandwich. I don’t remember having feelings about it, but it did revive me.

Ethiopian scraps. Other people went and got Ethiopian food. They all got super-full because each of them got a veggie combo, but none of them liked the cabbage. That’s my favorite thing, so I just cleaned up everybody’s cabbage, carrots, and injera.

I was so confused about other people not liking the cabbage, but I wasn’t going to question it because it was to my benefit. It seems like a lame thing to like, but I feel like it’s versatile. It can be crunchy. It can be not. It can be tender. It can be cold. It can be warm. It takes on flavor pretty well. It can kind of thicken up other things. I feel like it’s good. In soups, it’s good. In sandwiches, it’s good. I just had a pasta dish last night with cabbage in it that was amazing. You can kind of cook it like onions, and it sort of has a similar thing going on. Yeah, I think cabbage is underrated.

For dinner, I got Sushi Keiko delivered. Unagi and toro are probably my favorite two things to eat sushi-wise. Unagi is so hearty and sweet, and, if you want to eat it slowly, it’s always cooked. If I get a bunch of stuff, I know I can keep that in the fridge for a day if I need to.

I’m not a cook. I sort of wish I was, but I don’t wish it so much that I’ve actually put effort into being one. Growing up, I would eat the same five meals with my family. We’d have Hamburger Helper. We’d have pork loin. We’d have chicken breasts. And we’d have canned green beans. Simple-palate types of things. I only started eating good food when I went to college, and only recently have I committed to the fact that food makes me so happy.

I sort of have this complex where whenever I spend money, I feel guilt, so I don’t shop. I’m critical, and I wonder, Am I being wasteful? Am I being selfish? Am I not prioritizing someone else this money could have gone to? I have all this internal dialogue — but not with food, and that’s such a gift because you have to eat every day. To have a good relationship with it and to enjoy it is really special. It’s not always been that easy. I had complicated feelings about food when I was younger. I would just smell a dessert instead of eating it, just body-image type of stuff. I’m past that, and it does feel really good.

I do have a funny memory of when I was really young, like 8 years old, going to the grocery store near my house in rural, suburban Virginia, and seeing the sushi counter and being like, ā€œWhat is that?ā€ And my parents responding, ā€œOh, that’s gross. Don’t worry about it.ā€ I was like, ā€œI want it.ā€ One, I loved it. Two, I loved having taste that wasn’t my parents’. It was an identity-building exercise to seek something out, engage with it, and like something that wasn’t handed down to me. I still really love sushi, and it’s one of the foods that makes me feel the best physically.

We played the last show of the entire tour that night. Maybe through this, you’ve realized that I tend to like luxe food. Maybe you didn’t. Maybe everyone loves luxe food. But our soundperson, Emily, she doesn’t. Her requests on the rider were Oreos, Red Bull, and Pop-Tarts. That’s what she lived on. People say Red Bull is an acquired taste. I’m like, Why would you try to acquire that?

When I saw a Pop-Tart on the bus, I said, ā€œI’m going to eat a fucking Pop-Tart,ā€ and it was awesome. I wasn’t allowed to have them as a kid, and I would eat them when I went to sleepovers at friends’ houses the next morning and feel like I was getting away with something. I don’t usually buy them, though. I feel like maybe I remember really liking the blueberry flavor. I’m not into the cinnamon flavor.

I have a band full of snobs. The guys really like pĆ©t-nats and orange wine and skin-contact wines. I’ll take a sip of stuff if it’s really good. Everyone’s a little bit older now; no one’s really trying to get fucked up. We’re kind of past the rock-band antics. We’re not trashing hotel rooms. We’re getting in our pajamas and splitting a bottle of wine. It’s really fun to be in our snob era together.

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Charlie Murphy’s True Hollywood Stories: Rick James & Prince – Chappelle’s Show

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Charlie Murphy’s True Hollywood Stories: Rick James & Prince – Chappelle’s Show

Charlie Murphy recalls two strange brushes with celebrity: one with a basketball-playing Prince and another with a face-punching Rick James. (Contains strong language.)

About Chappelle’s Show:
It’s not just a show – it’s a social phenomenon. Dave Chappelle’s singular point of view is unleashed through a combination of stand-up bits and street-smart sketches. Hailed by critics and beloved by fans, Chappelle’s Show brings the funk and the noise – and some of the funniest comedy on television.

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Meghan McCain Attacks Whoopi Goldberg And ‘The View’ In New Memoir | News

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Just a fews months after leaving The View, Meghan McCain is slamming her former co-hosts in a new memoir.

In an excerpt for Variety, McCain said in Bad Republican that the iconic talk show ā€œbreeds drama: producers can’t control hosts, manage conflict or control leaking. My take on the show is that working at The View brings out the worst in people.ā€

She also said, ā€œI believe that all the women and the staff are working under conditions where the culture is so f****d up, it feels like quicksand.ā€

The former Fox News pundit didn’t stop there. She took aim at moderator Whoopi Goldberg, saying, ā€œThe thing about Whoopi, though, is that she yields so much power in culture and television, and once she turns on you, it can create unfathomable tension at the table. I found her open disdain for me more and more difficult to manage as the years went on and it became more frequent.ā€

RELATED: Black Twitter Reacts To Meghan McCain Leaving ‘The View’

McCain addressed viral moments, like when Goldberg told the 36-year-old, who famously and repeatedly talked over her co-hosts, ā€œGirl, please stop talking.ā€ She also brought up another moment where Whoopi responded with a simple ā€œokayā€ after a long diatribe from the conservative commentator.

McCain claims she was ā€œreally hurtā€ and said in her memoir, ā€œDay after day, week after week, these things take a toll.ā€

She also complained about original host Joy Behar. When the 79-year-old said she didn’t miss her after she had been on maternity leave, McCain claims she broke into ā€œuncontrollable sobbingā€ off camera. According to her, she told producers she wanted an apology — Behar refused.

RELATED: Sunny Hostin Dragged Meghan McCain To A Constitutional Hell In Less Than 30 Seconds

Additionally, McCain credited herself for The View’s high ratings, ā€œThe View wouldn’t have had the ratings that it did during my four years if I was like the conservative co-hosts who succeeded Elisabeth Hasselbeck.ā€

For years, there were allegations that it was Meghan McCain who made the show a toxic work environment. Back in January of 2020, Page Six reported ā€œtensions have been highā€ and the hosts ā€œhave lost patienceā€ with Meghan McCain.

Meghan McCain’s Bad Republican is available on Audible on Oct. 21.



OUR OCTOBER READS IN REVIEW & OUR ANTICIPATED NOVEMBER READS

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**CURRENTLY READING**
We’ve fallen in love with this book! It’s funny, sweet, swoony, and has a fabulous message about body positivity and accepting who you are.
We think you’ll love this book too!Ā 

Available to purchase now:Ā  EbookĀ  PaperbackĀ Ā 

ā€˜Britta didn’t plan on falling for her personal trainer, and Wes didn’t plan on Britta. Plans change and it’s unclear if love, career, or both will meet them at the finish line.’


THIS DUET WAS OUR WEEKEND READING ADDICTION!
See our ReviewĀ 
HEAVEN or HELL (St Simeon Prep Duet) by TRILINA PUCCI

Addictive! Emotional! Gripping!

š‡šžā€™š¬ šš šœš«š¢š¦š¢š§ššš„ā€”ššš§ ššš›šØš¦š¢š§ššš­š¢šØš§.
š–šžā€™š«šž š°š«šØš§š  š¢š§ šžšÆšžš«š² š°ššš².
If only I could’ve convinced my heart.
We were gorgeously young and desperate for one another.
Our love story’s bathed in crimson and drenched in bullets.
Because sometimes, Romeo comes with tattoos, guns, and a taste for blood.

Check out the Duet below
✿Just Like Heaven – Heaven or Hell Duet (St Simeon Prep) by Trilina Pucci –  Ebook
✿Sinning Like Heaven – Heaven or Hell Duet (St Simeon Prep) by Trilina Pucci –  Ebook

Ā 


NOVEMBER ANTICIPATED READS!
Want to know which books are on our TBR’s for November?

There’s a real mixed bag awaiting us on our Kindles, and we can’t wait to lose ourselves in them all!
Check them out below and click on the Pre Order links for more details.

✿Sinning Like Heaven – Heaven or Hell Duet (St Simeon Prep #2) by Trilina Pucci – TBB Rec – Available to Pre Order Ebook
✿The Fastest Way to Fall by Denise WilliamsĀ  – TBB Rec – Available to Pre Order Ebook
✿Elves with Benefits by Jana Aston – Available to Pre Order Ebook
✿Empire of Desire by Rina KentĀ  – Available to Pre Order Ebook
✿Beautifully Broken Redemption (The Sutter Lakes Series #5) by Catherine Cowles – Available to Pre Order Ebook
✿One Night with a Nutcracker by Jana Aston – Available to Pre Order Ebook
✿The Enigma (Unlawful Men #2) by Jodi Ellen Malpas – – Available to Pre Order Ebook
✿The Bachelor on the Shelf by Jana Aston – – Available to Pre Order Ebook



The Batman Synopsis Unveiled For WB’s ‘Edgy, Action-Packed Thriller’

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Warner Bros. Pictures has finally revealed the official synopsis for Matt Reeves’ highly-anticipated The Batman, which is currently slated to arrive in theaters on March 4, 2022. The synopsis mainly teases Robert Pattinson’s much intense portrayal of the Dark Knight, describing this version of the Gotham hero as a disillusioned and desperate vigilante who struggles with controlling his rage.

ā€œIt is an edgy, action-packed thriller that depicts Batman in his early years, struggling to balance rage with righteousness as he investigates a disturbing mystery that has terrorized Gotham,ā€ reads The Batman synopsis. ā€œRobert Pattinson delivers a raw, intense portrayal of Batman as a disillusioned, desperate vigilante awakened by the realization that the anger consuming him makes him no better than the ruthless serial killer he’s hunting.ā€

RELATED:Ā Batman: Caped Crusader Will Be More ā€˜Batman: The Animated Series Than Batman: The Animated Series’

The Batman is directed by Matt Reeves from a screenplay he co-wrote with Peter Craig. The superhero film stars Robert Pattinson as Batman/Bruce Wayne, ZoĆ« KravitzĀ as Selina Kyle/Catwoman, Paul Dano as Riddler, Jeffrey Wright as GCPD’s James Gordon, John Turturro as Carmine Falcone, Peter Sarsgaard as Gotham D.A. Gil Colson,Ā Andy Serkis as Alfred Pennyworth, and Colin Ferrell as Oswald Cobblepot/ Penguin. It will also feature Barry Keoghan, Jayme Lawson, Alex Ferns, and twins Max and Charlie Carver.

During last year’s DC FanDome, Reeves confirmed that the movie will focus on Bruce Wayne’s second year as Batman, and, per Walter Hamada, that the film isĀ set in a different universeĀ separate from theĀ Justice LeagueĀ DCEU characters. The filmmaker also previously teased that they will be telling a detective story that follows a series of murders that open up the history of corruption in Gotham and how Bruce’s family is linked.

RELATED:Ā The Batman Trailer is Full of Intrigue and Reasons to Be Excited About DC’s Future

The BatmanĀ is being produced by Reeves and Dylan Clark (theĀ Planet of the ApesĀ films) with Simon Emanuel, Michael E. Uslan, Walter Hamada, and Chantal Nong Vo serving as executive producers.



8 New Albums You Should Listen to Now: Snail Mail, Summer Walker, and More

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With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week’s batch includes new albums from Snail Mail, Summer Walker, Model Home, Dijon, Hana Vu, Darius Jones, Doran, and Mortiferum. Subscribe to Pitchfork’s New Music Friday newsletter to get our recommendations in your inbox every week. (All releases featured here are independently selected by our editors. When you buy something through our affiliate links, however, Pitchfork earns an affiliate commission.)

Snail Mail: Valentine [Matador]

Lindsey Jordan is back with her second album as Snail Mail. Jordan wrote Valentine in 2019 and 2020 and recorded it with producer Brad Cook, who has worked with Bon Iver, Waxahatchee, Bruce Hornsby, and many others. The new LP follows 2018’s Lush, and, ahead of its release, Snail Mail shared the title track, ā€œBen Franklin,ā€ and ā€œMadonna,ā€ all of which arrived with stylish music videos. Read Pitchfork’s feature interview ā€œSnail Mail Can’t Help But Confess.ā€

Listen on Apple Music
Listen on Spotify
Listen on Tidal
Listen on Amazon Music
Listen/Buy at Bandcamp
Buy at Rough Trade

Summer Walker: Still Over It [LVRN/Interscope]

Still Over It is the second album from Atlanta singer Summer Walker. The follow-up to Walker’s 2019 debut Over It and 2020’s Life on Earth EP includes the recent single ā€œEx for a Reasonā€ (with City Girls’ JT), as well as collaborations with SZA, Pharrell Williams, Lil Durk, Ari Lennox, and Omarion. Still Over It opens with narration from Cardi B and closes with narration from Cardi B and Ciara.

Listen on Apple Music
Listen on Spotify
Listen on Tidal
Listen on Amazon Music
Buy at Rough Trade



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If I Were a Bell

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Provided to YouTube by Sony Music Entertainment

If I Were a Bell Ā· Teena Marie

Lovergirl: The Teena Marie Story

ā„— 1990 Sony Music Entertainment Inc.

Released on: 1997-02-11

Background Vocal, Vocal: Brenda Lee Eager
Background Vocal, Vocal: Carmine Twillie
Background Vocal, Vocal: Julia Waters-Tillman
Background Vocal, Vocal: Maxine Waters-Willard
Guitar: Nick Brown
Guitar: Dan Huff
Guitar: Paul Jackson Jr.
Guitar: Tom McDermott
Guitar: Greg Poree
Guitar: Corrado Rustici
Guitar: Nikki Slick
Guitar: David Taylor
Guitar: David T. Walker
Keyboards, Percussion, Piano, Drum Programmer: Walter Afanasieff
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Wyman Brown
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Darren Carmichael
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Randy Kerber
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Brian Kilgore
Bass, Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Allen McGrier
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Fred Mirza
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Dan Radlauer
Keyboards, Percussion, Piano, Synthesizer, Drum Programmer: Jimmy Stewart
Percussion: Paulinho Da Costa
Drums: Preston Glass
Drums: Nick Ceroli
Drums: Vincent Charles
Drums: Steve Ferrone
Drums: James Gadson
Drums: Paul Hines
Drums: John Robinson
Drums: Narada Michael Walden
Drums: Michael White
Keyboards: John Bokowski Jr.
Piano, Synthesizer, Drum Programmer: John Bokowski
Bass: Stanley Clarke
Bass: Nathan East
Bass: Anthony Jackson
Bass: James Jamerson
Bass: Abraham Laboriel
Bass: Nathan Watts
Alto Saxophone, Tenor Saxophone: Gary Herbig
Alto Saxophone, Tenor Saxophone: Ernie Watts
Alto Saxophone, Tenor Saxophone: Danny Lemelle
Alto Saxophone, Tenor Saxophone: Mickey Hearn
Horn: Dick Hyde
Horn: Chuck Findley
Trumpet: Gary Grant
Trombone: Charlie Loper
Executive Producer: Alicia P. Gladden
Executive Producer: Cheryl Dickerson
Engineer, Mixing Engineer: Bobby Brooks

Auto-generated by YouTube.

Cuban Jazz Piano Shed

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Shedding an original composition entitled ā€œEquivocalā€ composed in 2018 while I was a student at UNT College of Music.

Feel The Deep – The Deep House DJs Selection – vol.50

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This Video include 20 tracks of Various Artists.
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Track list:

Feel The Deep – The Deep House DJs Selection – vol.50
———————————
1 | 00:00 | Basement Underground – Music Togheter
2 | 05:42 | Black Jag – The Race
3 | 12:19 | Logic House – Relatively
4 | 16:13 | Jeff Desmond – Dangerous Liaisons
5 | 19:47 | Frank Funk – Around the House
6 | 23:04 | Congaboyz – Papillons
7 | 28:46 | Tashiko Honda – Extasy In Heaven
8 | 32:14 | 5th Avenue – Just A Part Of Me
9 | 36:22 | Deep Republic – Strange Situation
10 | 39:49 | Deesko Deep – Disco Deep
11 | 45:35 | Kongotron – A Child’s Impulse
12 | 51:18 | Ronny Santos – Living Music
13 | 54:40 | Jeff Kanna – Buckshot
14 | 1:00:16 | Yves St. John – Hurry!
15 | 1:05:31 | Sound Masterz – Give It Up Now

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Playlist Feel The Deep:

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