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7 Comidas que NO ME COMO ni aunque ME PAGUEN
Easy Potato Gnocchi Recipe
Homemade Potato Gnocchi are endlessly better than store-bought and they are freezer friendly. Sauté them and serve with bacon and sour cream, or simply toss them in pesto sauce or warm marinara.
⬇️⬇️⬇️⬇️ RECIPE BELOW ⬇️⬇️⬇️⬇️
Ingredients for Potato Gnocchi:
►2 lbs russet potatoes (4 large)
►1 large egg, beaten
►1 cup all-purpose flour, (add more if potatoes were boiled and more moist) plus more to dust
►1 tsp salt, plus more to boil gnocchi
►1/4 tsp black pepper
►1/4 cup Ricotta cheese, drained if liquid is present
Options To Serve:
►Bacon and sour cream
►Warm Marinara Sauce, garnished with Parmesan
►Pesto sauce
🖨 PRINT RECIPE HERE: coming soon
Fastest Baked Potatoes:
Favorite Mashed Potatoes:
Potato Pierogi:
Homemade Marinara:
Homemade Pesto Sauce:
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►Gnocchi Paddle:
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⏱️TIMESTAMPS⏱️
0:00 Intro
0:49 How to boil & prep potatoes
2:08 Adding rest of ingredients
2:37 Kneading the dough
3:35 Rolling & dividing the dough
4:03 How to shape gnocchi
5:02 How to freeze gnocchi
5:18 Prepping sauces for gnocchi
6:03 How to cook gnocchi
6:40 Pairing gnocchi with sauces
7:54 Taste test
10:41 Guest taste tester
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Natasha’s Kitchen
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USA
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Law & Order: Season 21; Jeffrey Donovan (Burn Notice) to Star in NBC Series Revival – canceled + renewed TV shows
Photo by PopularImages/Depositphotos
The Law & Order revival has its lead. Jeffrey Donovan, best known for his role on Burn Notice, has joined the cast as an NYPD detective, per Deadline. No other details were revealed about his role, and there will be more additions to the cast. Word has it that Sam Waterston and Anthony Anderson are in talks to return to the series and franchise.
It was announced earlier this fall that the series would return to NBC after a decade away. It will join Law & Order: Special Victims Unit and Law & Order: Organized Crime.
What do you think? Are you excited to see Jeffrey Donovan on Law & Order? Do you plan to watch the revival on NBC?
Mick Jenkins Shines the Spotlight on the Elephant in the Room
Mick Jenkins’ third studio album, Elephant in the Room, confronts the issues that haunt his relationships with others, wedging between him and the world. Across the album, the Chicago MC’s deft flows and cool delivery explore the unspoken barriers in his personal and professional life. At some points, Jenkins himself appears as the titular elephant — an underappreciated giant in a too-small box, trying to learn from the silent confusion of everyone else in the room.
Jenkins’ rise to prominence came with the release of his 2014 mixtape The Water(S)—an immersive conceptual piece that proved his wordsmithing alongside artists like Noname, Saba, and Chance the Rapper as Chicago underwent a bloom of soulful, innovative rappers. Jenkins took two more projects to explore the lyrically dense landscape of his breakout tape, filtering his messages through metaphors around water, ginger ale, and “The Healing Component” (T.H.C.).
Elephant in the Room, in turn, picks up on some of the concepts from Jenkins’ critically acclaimed second studio album, Pieces of a Man (2018), the Gil Scott-Heron-inspired deep dive into the contradictions of his identity and personal history. “Reflections,” perhaps the most vulnerable moment on the album, explores Jenkins’ relationship with his estranged father, celebrates his self-awareness, and criticizes his father’s lack thereof. “Put a mirror in a n—- face and he’ll run,” he snarls on the song’s chorus. “Put that mirror to my face/I didn’t run away, I ran in place,” he raps, alluding to the cover of Pieces of a Man, where he stands with his reflection split among shards of glass.
Beat selection continues to be a key weapon in Jenkins’ arsenal, as he enlists production from Saba, Lophiile, Thelonious Martin and Monte Booker on the album. Like his 2019 EP The Circus, Elephant in the Room offers a more uniform spread of instrumentals than the soundscapes on past projects. Moving away from the immersive, fully-underwater distortion of his mixtapes, the album’s minimal grooves are less distinctive but perhaps better suited to Jenkins’ shifting lyrical styles.
“Scottie Pippen,” the album’s final single, sets a new tone for Jenkins, as he atones for mistakes in his relationship with his wife over a mournful guitar sample, crooning the titular metaphor on its chorus: “I would never win it all on my own, without you.” “Gucci tried to tell me” is the album’s joyous counterpart, where he sings “Lost in the sauce/and that sauce is yours” over warm, funky bass.
At the same time, Jenkins’ familiar strengths are on full display. Lead single “Contacts” has braggadocious flow he always reserves a track for (see “P’s & Q’s” on Wave[s], “Daniels Bloom” on The Healing Component, “Same Ol” on The Circus), but he pulls out a bouncy new flow for album highlight “Stiff Arm,” featuring a spoken word piece from Chicago “performance artivist” Ayinde Cartman. Activism has long been a prominent issue in Jenkins’ music, going back to the Strange Fruit-sampling “Martyrs” off of The Water(S), or “11,” the track he recorded in response to the failure of a grand jury to indict officer Daniel Pantaleo for the murder of Eric Garner. On “Things you can die for if doing while Black,” Jenkins uses the album’s theme of personal space to highlight the ways in which police violence brings death to Black people going about the most mundane rituals.
As a whole, Elephant in the Room lands somewhere between concept piece and exhibition, balancing an array of new and familiar styles. While navigating the emotional distance in his relationships, Jenkins explores and refines the technique that first launched him from the fertile ground of his hometown Chicago. Seven years after his breakthrough, he remains one of the best writers in the game—but rather than a big fish in a small pond, he’s only showing room for growth.
Nashville Restaurant Adds Kitchen Tipping Line to Checks
Photo: Oscar Wong/Getty Images
A Nashville restaurant called Church & Union has added a tip line for kitchen employees so diners can supplement the wages of cooks and other workers, according to local station WSMV. Cooks and porters typically make much less money than service employees, who earn a subminimum wage but can bring money home in gratuities. This disparity has been a primary motivation for restaurateurs who have done away with tipping.
At Church & Union, executive chef Adam Hodgson told WSMV that, with this new plan, he expects kitchen employees “will bring home anywhere from $15,000 to $17,000 this year in tips,” which sounds nice for the restaurant’s cooks. (Tipping, regardless, still leaves peoples’ income at the discretion of customers.)
Other operators have tried to create a more equitable system for paying employees. In Brooklyn, the recently opened Santa Fe BK pays its cooks $18 an hour along with what the owners are calling a surge bonus, i.e., a percentage of the restaurant’s sales during employees’ shifts. Over in Manhattan, meanwhile, Dame has trained cooks to be servers so they can legally take home earnings from the tip pool.
Arizona Mom Waiting For Bus Fatally Shot ‘For No Apparent Reason’ | News
An Arizona mother five was reportedly killed while standing at a bus stop and her family is searching for answers as to why.
According to AZ Family, on October 15, Cleopatra Morton was waiting for a bus in west Phoenix when she was fatally shot.
“Someone took her life for no apparent reason,” Morton’s ex-husband, Kobie Morton, told the publication.
RELATED: Warren, Ohio Black Woman Killed At Home While Planning Son’s Funeral
KZAZ reports Phoenix police responded to a call at around 10 p.m., and when they arrived at the scene they found the 45-year-old mother shot. She was pronounced dead at the scene.
No suspects have yet been named and no arrests have been made. Morton’s family is reeling from the sudden loss and don’t know what to do.
“She always made us laugh,” Morton’s stepson, Kobie Morton, told AZFamily. “That is what I will miss most about her.”
Morton’s family has set up a GoFundMe page to help pay for her funeral.
Anyone with information related to the case is asked to contact Silent Witness anonymously at 480-WITNESS.
Spy x Family Anime Adaptation Officially Announced
A Spy x Family anime adaptation is officially in the works, as WIT STUDIO announced it would head up the series by releasing a brief teaser trailer for it.
MORE: Demon Slayer Mugen Train Toy Adorably Serves You Sushi
Alongside the trailer, some new visuals were released as well, which showcase some early artwork of the upcoming anime. The show is expected to land in 2022.
You can check out the brief Spy x Family anime teaser trailer below:
The anime adaptation will feature Takuya Eguchi in the role of elite spy Loid Forger, while the voice actors for Yor and Anya are still unknown. Kazuhiro Furuhashi (Dororo) is directing the anime, with Kazuaki Shimada (The Promised Neverland) providing character designs, and [K]NoW_NAME (Sakura Quest) providing music for the adaptation.
MORE: Josee, the Tiger and the Fish Gets November LA Screenings
“Agent Twilight, the greatest spy for the nation of Westalis, has to infiltrate an elite private school,” reads the official synopsis for the manga. “In order to do so he assumes the identity of psychiatrist Loid Forger, adopts an orphan girl, and marries a city hall employee. Unknown to him, his daughter Anya is a telepath and his wife Yor is an assassin. The three learn to become a family while working to complete Twilight’s missions and maintain world peace.
