My daily dose of milk enrich with Goodness ,freshness & Nutrition . Download COUNTRY DELIGHT App to order it .
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Music: As Leaves Fall
Musician: @iksonmusic
My daily dose of milk enrich with Goodness ,freshness & Nutrition . Download COUNTRY DELIGHT App to order it .
#recipes #loveforcooking #indianrecipes
Music: As Leaves Fall
Musician: @iksonmusic

(Photos: ABC)
There’s good news for the casts and crews of The Wonder Years and Home Economics. ABC has ordered nine additional episodes of each show, bringing their respective season orders to 22 installments each. Both family comedies air on Wednesday nights.
The Wonder Years TV show was inspired by the original 1988 series. This incarnation stars Don Cheadle, Elisha “EJ” Williams, Dule Hill, Saycon Sengbloh, Laura Kariuki, Julian Lerner, Amari O’Neil, and Milan Ray. Set in the late 1960s, the series takes a nostalgic look at the Williams family — Black middle-class residents of Montgomery, Alabama — through the point of view of imaginative 12-year-old son Dean (Williams). Dean narrates the story as an adult (Cheadle). His hopeful and humorous recollections of his past spotlight the ups and downs of growing up in that time and place, as well as the friendship, laughter, and lessons Dean encountered along the way.
The first season of The Wonder Years averages a 0.51 rating in the 18-49 demographic and 2.63 million viewers in the live+same day ratings (including DVR playback through 3:00 AM).
The Home Economics TV show stars Topher Grace, Caitlin McGee, Jimmy Tatro, Karla Souza, Sasheer Zamata, Shiloh Bearman, Jordyn Curet, Chloe Jo Rountree, and JeCobi Swain. The show takes a look at the heartwarming yet super-uncomfortable and sometimes frustrating relationship between three adult siblings of the Hayworth family. Connor (Tatro) is the youngest and most successful sibling in the family. He runs his own private equity firm and his marriage has fallen apart. He has a daughter named Gretchen (Bearman). Tom (Grace) is the middle sibling and is a middle-class author who is struggling. He is married to Marina (Souza), a former attorney, and they have three kids. Sarah (McGee) is the eldest sibling and an out-of-work child therapist who’s barely making ends meet. She is married to Denise (Zamata), a teacher, and they have two kids and live in a cramped Bay Area loft.
The second season of Home Economics averages a 0.36 rating in the 18-49 demographic and 2.00 million viewers in the live+same day ratings (includes all DVR playback through 3:00 AM). Compared to season one, that’s down by 22% in the demo and down by 22% in viewership.
❤️ https://t.co/XuAvwMdFyX
— Topher Grace (@TopherGrace) October 26, 2021
#TheWonderYears has been picked up for a FULL SEASON! Congratulations to the amazing cast and crew! 🥳🎉❤️ pic.twitter.com/RU32azlv1b
— The Wonder Years (@WonderYearsABC) October 26, 2021
What do you think? Do you enjoy these Wednesday night comedies? Are you glad to hear they’ll have more episodes this season?
Twelve years ago, Enjambre was on the brink of breaking up before taking off due to another pandemic, 2009’s swine flu pandemic. Fortunately, the band hung in there and have released seven albums that blended the romanticism of Mexican folk music with rock and roll that’s rooted in the U.S. Amidst the ongoing COVID-19 pandemic, the guys decided to translate the allure of their Spanish alternative rock into English on their EP Ambrosia.
“Because of the pandemic, we finished the record [Próximos Prójimos] and we couldn’t go out and tour with it, so we were like, ‘Why don’t we just do that English thing?’” Luis Humberto Navejas tells SPIN over Zoom.
With last year’s plans to tour the Próximos Prójimos album in Mexico and the U.S. sidelined, Luis Humberto started work on Ambrosia while in quarantine during the COVID-19 pandemic.
“We always wanted to record an EP in English,” Navejas adds. “We’re from Zacatecas, but we also consider ourselves from the states. It was just natural for us to want to explore that area.”
Enjambre’s bicultural sound is the soul of the band. Luis Humberto formed the group with his brothers, Rafael and Julián, and drummer Ángel Sánchez in Zacatecas, Mexico. The Navejas brothers grew up on classic rock, Mexican rancheras, and boleros that their dad listened to. When he moved to Orange County for work, they went with him and recorded their first album, 2008’s El Segundo Es Felino. From the buzz behind their debut, they were booking live gigs in nearby L.A. Enjambre gained a local fanbase, but they wanted more. The guys moved to Mexico City and worked part-time jobs while chasing their music dreams. That almost came to a halt during the swine flu pandemic.
“It was very discouraging,” Rafael Navejas recalls of that time. “Luis was about to throw in the towel. It was a very challenging time, but we always believed in what we were doing. We believed we had something to offer, that our music was unique.”

Enjambre played on through the pandemic, performing in bars and opening other bands’ shows. At the same time, their music was attracting major labels and later that year, the band reached a licensing deal with EMI to distribute their breakthrough album, 2010’s Daltónico. Enjambre hit its stride with its loudest LP at the time. Songs like the dreamy “Dulce Soledad” amped up the alternative allure behind the band. The album struck a chord with the mainstream, and suddenly, Enjambre was headlining their own shows in Mexico.
“We started experiencing for the first time massive audiences,” Rafael says. “We started experiencing for the first time massive audiences.”
Now Enjambre is looking to translate its success into English with the band’s follow-up to Próximos Prójimos, the Ambrosia EP. There was an English song on Daltónico, but this is the first time that they tackled a project fully in that language.
“To me [the EP] feels a little bit like an extension of Próximos Prójimos,” Luis Humberto says. “We were still with that inertia. We had finished recording that record and everything was still fresh.”
On the lead single “Delorean,” Enjambre seeks to right any past mistakes through time travel, evoking the time machine from the Back to the Future movies. Luis Humberto sings in awe about taking Marty McFly’s ride for a spin. The music video opens like a public broadcasting channel where the host pokes fun at the band going English by mimicking a gringo accent in Spanish.
“Since the song has a nostalgic feeling, I thought it would be interesting to have this nostalgic symbol, this car from this film that I watched when I was a kid,” Luis Humberto says.
The futuristic theme runs through the four songs on Ambrosia. In the raucous “Crash,” Luis Humberto seemingly comments on influencer culture in social media. “You are running from the mirror, you show yourself only with filters,” he sings. On the EP’s stunning closer, “Upgrade,” he takes his stance on today’s technology into hyperdrive.
“The way that we live nowadays is very influenced by what we see in our cell phones,” Luis Humberto says. “We’re a culture now that’s very dependent on this apparatus, and that’s very sci-fi like now. We always have to upgrade. We’re succumbing to this technology. It’s a song about that with a very romantic frosting.”
As venues reopen, Enjambre are starting to tour again while amassing new fans. Elvis Costello enlisted Luis Humberto for last month’s Spanish Model album, covering the pub rock legend’s “Hand in Hand” in Spanish with Chilean singer Francisca Valenzuela. As for the future of Enjambre, the guys hope to continue reaching more people in any language.
“The plan is to keep recording, to keep making music, and to keep traveling,” Julián Navejas says.
Luis Humberto adds, “All we wanted to do was get onstage and play our songs. We’ve been doing it for a long time now and we’re still getting away with it. That’s the next goal, to do it until we can’t.”
Tab. score is here
No.064
I’ve made a tablature of this song and hope that it’ll help for who wants to play this old tune.
1980년 영화 Fame에서 Irene Cara가 불렀던 곡을 그 이듬해에 Nikka Costa가 불러서 크게 히트했던 곡입니다. 라이브 버전 영상대로 청음해서 악보 만들었습니다.
Cadence’s Buffalo-mushroom sandwich.
Photo: DeSean McClinton-Holland
T
hese are trying times for stout, beefeating non-vegans like me. Expressions like “plant-based” have been on the lips of breathlessly trendy restaurant folk for years, of course. Lately, however, and especially in the strange new COVID era, the advances in this ever-expanding genre — a refuge, in ancient beefeating lore, for sprout-munching, lactose-intolerant commune dwellers and assorted other kooks — have been downright alarming. Novel techniques (for faux milk, faux cheeses, faux meat of every variety) are being developed with the kind of avid ingenuity usually reserved for rocket programs. Talented young cooks are stampeding into the space, grand old masters are struggling to keep up, and, as my Underground Gourmet colleagues have reported, first-class vegan restaurants are beginning to pop up around town the way upscale burger joints used to do not so long ago.
Among the many plant-based hot spots I keep hearing about is Cadence, a “soul and southern foodways”–themed establishment that opened a while ago among the crowded storefronts along 7th Street in the East Village. It’s one of the latest members of Overthrow Hospitality, a rapidly expanding self-described “Vegan Hospitality Group” (eight downtown venues and counting) run by a culinary entrepreneur named Ravi DeRossi, who is a vegan convert and animal-rights activist. The chef in the kitchen is Shenarri Freeman, a classically trained cook from Richmond, Virginia, whose specialties include vegan interpretations of down-home classics like cornbread, smoked grits, and great helpings of potato salad that look like something you’d encounter at a bountiful church picnic in the southern countryside.
Like those of other prominent New York restaurateurs in their early years (Danny Meyer and David Chang among them), DeRossi’s little nest of restaurants occupy their own special terroir — in this case a multi-block section of the East Village — and they tend to exude the same practical, casually ornate, homespun look, as if you were dropping in to a semi-private dining club or neighborhood bar. There are no tables in the narrow, railroad dining space at Cadence — just a long countertop, lined with 12 comfortable barstools covered in crushed orange velvet, where you nurse your predinner glasses of blueberry-lavender lemonade or hard apple cider. There’s a dining lean-to outside in the great COVID-era tradition, and in clement weather, a few tables are set up here and there on the sidewalk, each topped with what looked to me like the chef’s own dinner plates and a single brightly colored plastic flower.
At Cadence, every indoor seat is at the bar.
Photo: DeSean McClinton-Holland
The first thing our group of skeptical non-vegans tasted was the potato salad, which turns out to be a Freeman-family recipe and is served in a large wheel-shaped portion in the center of the plate. The chef uses red potatoes boiled with the skins on (cooked with a pinch of salt, according to family tradition, and mixed with the usual chopped celery, red onions, etc., and an updated hint of dill and Dijon), and despite the presence of an egg-free mayonnaise called Vegenaise, I had to suppress the urge, as I devoured one tangy, smooth spoonful after another, to call out loudly for a cheeseburger or a side of fried chicken. There was an excellent wedge salad on the table too, though the dish we couldn’t stop nattering about was a bowl of soupy, deeply flavorful smoked grits, which the chef garnishes with corn-and-tomato salsa, chunks of mushroom, and a pile of frizzled shallots.
“I don’t remember vegan cooking like this when I was in culinary school,” a chef friend said as we wondered at these shallots, along with a skillet of maple cornbread that our bubbly and loquacious server informed me later on was drizzled with a substance called “bee-free honey” made with apples (“They do bad things to those bees!”). Freeman’s fried lasagna has gotten a lot of press, and rightly so, though it disappeared from the table so quickly that we had to call for a second order to examine the Bolognese that is made with a combination of Beyond Meat’s beef and Italian sausage and a hefty dose of Cabernet. Ditto (on another visit) the uncanny version of a fried-chicken sandwich, which the kitchen makes with chunks of crisped oyster mushrooms rolled in a Buffalo-style spicy sauce, all squeezed with slices of avocado and a mysteriously tasty faux-buttermilk dressing between a warm, crunchy-topped pretzel bun.
If there’s one complaint about Cadence, it’s that the menu’s too small, although that’s probably to be expected given that we’re dealing with vegan interpretations of a cuisine famous for its time-honored recipes for roasted, simmered, and deep-fried animal proteins. I don’t think I’ll be ordering the savory, overthick, borderline gummy “black-eyed-pea garlic pancake” on future visits, but a crab-cake doppelgänger called “palm cake” (made with hearts of palm and chickpeas) is a thing of beauty, and so were the various pies and cobblers we sampled for dessert. The berry-rich house cobbler is another bountiful Sunday-church-picnic special (yes, Freeman’s aunt was a practiced church-picnic cook), though the dish I’m still thinking about weeks later is the apple pie, which is set in a thick shortening crust and tastes of nutmeg and cinnamon and a strange, almost magical hint of maple sugar.
Maple-buttermilk cornbread.
Cadence cobbler with ice cream and blueberry compote.
Photographs by DeSean McClinton-Holland
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Public Enemy co-founder Flavor Flav was arrested on domestic battery charges earlier this month in Las Vegas, Nev. Now his lawyer is speaking out about the allegations, vowing that the rapper will be heard.
According to TMZ, an Oct. 5 criminal complaint states the 62-year-old is accused of poking a woman in the nose, throwing her down and grabbing her phone. It’s unknown if Flav knew the victim.
The Henderson Police Department booked Flav, born William Drayton Jr.,and he was charged with misdemeanor battery constituting domestic violence.
David Chesnoff, Flav’s attorney, told TMZ, “In alleged domestic violence cases, there are often 2 sides to the story and we will explain our side in the courtroom and not in the media.”
Flav has not made a public statement on his arrest. However, on Tuesday (Oct. 19) he celebrated one year of sobriety, tweeting, “1 year up,,, lotz more to go,,, next year I pray my whole family will be walkin the same path I am.”
Stan Lee was known for his cameo appearances in various television shows, films, and video games. He continued to turn up on screen after his death in November 2018, tastefully showing up through references or tributes instead of cameos. The Guardians of the Galaxy game contains one of these references and is a loving Easter egg buried in one of its optional areas.

The Easter egg can be found in The Collector’s emporium on Knowhere a few hours into the game. Players can get into the emporium by rekindling a friendship at the nearby bar or, presumably, through paying the entry fee. There are many items on display in the showcase from Frogjolnir to Snowbird’s tiara to Kang the Conqueror’s Time Chair, but there is also a familiar pair of glasses called the “Cosmic Glasses” on the right side of the exhibit near the exit. Interacting with the case gives the following description:
“If you see a relic before you, you’re in luck. Occasionally, a pair of lenses manifest, eyewear that belongs to a powerful cosmic entity seemingly capable of being anywhere in the galaxy at any given time. He has appeared throughout history in multiple worlds and I suspect he will continue to do so throughout the future as well. Though we do not know his motives, many believe this mysterious being has had a profound impact on our galaxy. Excelsior!”
RELATED: Guardians of the Galaxy Review: Flarkin’ Fantastic

Lee has made cameos in many other Marvel video games before and was most recently in both of Insomniac Games’ Spider-Man titles. He even had a small speaking role in the 2018 entry and was fully modeled inside the game. Insomniac later added a memorial to the credits after he passed away. Miles Morales went a step further as it had a full statue of the man outside of his in-game restaurant, which unlocks the “Best Fries in Town” trophy if players find it, as shown in the above picture.
RELATED: Interview: Guardians of the Galaxy Devs Speak About Going From Stealth to Marvel-Level Action
However, Lee has not popped up in every recent Marvel game. 2020’s Avengers game, strangely, did not have any references to him. Marvel Ultimate Alliance 3 also did not have a Lee cameo either, despite his appearance in its 2009 predecessor. Some consider the inclusion of Willie Lumpkin during a special (and incredibly difficult) post-game mission in Iron Man VR to be a sly allusion to Lee as he played Lumpkin in the 2005 Fantastic Four movie, but that seems like a stretch.