âŠïžLyrics belowâ„ïžBest 80s music, MĂșsica de los 80, Best duets, Musical Collaborations
Rick James And Teena Marie – Happy
Album Trowin’ Down – Soul Music
Lyrics:
Lady, I can understand your problems and your worries
When you love a man like me
And if you donât mind I will try to say âI love youâ in this song now
Listen to this melody
You belong to me
I belong to you, yes, I do
And we belong to each other, lady
Listen to me, baby
Thereâll be times when Iâll be down and Iâll be troubled
Trying to be that rising star
But donât worry, I will never in our lifetime bust your bubble
Or bring you down from where you are
Youâre a queen to me
And Lord knows Iâm a king to you, yeah
And we belong to each other, baby
Yeah
You go to my head
Youâre a part of everything I say and do
You go to my head
And you keep me happy
Ooh, baby, I can understand your worries and your problems
Trying to be a rising star
And if youâre lonely all you have to do is call my name out
And Iâll be there where you are
You belong to me
Lord knows I belong to you
And we belong to each other, baby
Yeah
You go to my head
Baby, youâre a part of everything I say and think and do
(You go to my head)
Every time we make love on the bed you go to my head
And Iâm givinâ all my love to you
You go to my head, baby (Ooh…)
Can I bring it down and talk to you awhile
Can I talk to you (Ooh…), woman, can I talk to you
(Ooh…ooh…ooh…ooh…ooh…ooh…ah)
Can I talk to you, baby
{You keep me happy} When weâre makinâ love under stars aglow
{You keep me happy}
{You keep me happy} Kissing you all over from your head to your toes (Ooh…)
{You keep me happy} Caressing you, touching you (Ooh…ooh…ooh…)
Kissinâ every little part of you (Ooh…ooh…)
{You keep me happy}
{You keep me happy} When Iâm lovinâ you and I (Mmm, hmm)
{You keep me happy} With my arms around you squeezinâ you tight
(Mmm, hmm, mmm, mmm)
{You keep me happy} When we do all the things that only you and I can see (Mmm)
{You keep me happy} You go from the bottom of my toes to the top of my head
(You go from the bottom of my toes to the top of my head)
{You keep me happy} You keep me happy
Teena Marie hits:
If I Were A Bell – Dear Lover – My Dear Mr. Gaye – Just Us Two – Shadow Boxing – Lovergirl – Out On A Limb – Work It – Cassanova Brown – Ooo La La La
Basmati Rice – 1 Cup
(Buy:
(Buy:
Tomato – 4 Nos
Garlic Finely Chopped
Onion – 2 Nos Finely Chopped
Chopped Green Capsicum
Chopped Red Capsicum
Chopped Yellow Capsicum
Chopped Carrot
Green Peas
Oil – 1 Tbsp (Buy:
Butter – 1 Tbsp (Buy:
Chilli Powder – 1 Tsp (Buy:
Salt – 1 Tsp (Buy:
Pepper – 1/2 Tsp (Buy:
Cumin Powder – 1/2 Tsp (Buy:
Oregano – 2 Tsp
Water – 2 Cups
Method:
1. Soak the basmati ricein water and keep it aside.
2. Blanch the tomatoes in hot water.
3. Once the tomatoes are blanched, let it cool, peel the skin.
4. Grind the tomatoes into a puree along with chilli powder
5. To a wide pan, add oil and butter.
6. Once the butter melts, add chopped garlic and onions.
7. Once the onion turns transparent, add salt, pepper, cumin powder and mix it.
8. Now add the washed basmati rice and mix it without breaking the rice.
9. Toast the rice for about 2 mins on medium flame.
10. Now add green capsicum, red capsicum, yellow capsicum, carrot, peas and mix gently.
11. Add the ground tomato puree and mix everything.
12. Add Oregano and saute the rice.
13. Finally add water, cover the pot, reduce the flame and let it cook for 20 mins.
14. Delicious Mexican rice is ready.
Corn Pulao
Ingredients
Corn Kernels – 180 Gms
Ghee – 2 Tbsp
Cardamom, Cinnamon, Cloves & Star Anise
Cumin Seeds – 1/2 Tsp
Onion – 2 Nos Thinly Sliced
Green Chili – 2 Nos Slit
Ginger Garlic Paste – 1 Tsp Pounded
Salt – 1/2 Tsp
Basmati Rice – 1 Cup
Coconut Milk – 1 Cup Diluted
Method:
Method
To a pressure cooker, add ghee and add the whole spices
Add onions, green chillies and saute
Add ginger-garlic paste and saute along
Add corn kernels and mix well
Add salt and mix well
Add soaked basmati rice and mix well
Add coconut milk (if you don’t have coconut milk, you can use regular milk or you can skip it) and water and mix well
Pressure cook the pulao
Finally, garnish it with coriander leaves and serve it hot with some raita or any gravy of your choice.
A recent night at Branded Saloon in Prospect Heights. Photo: Poupay Jutharat
If you live in my little pocket of Brooklyn, where Prospect and Crown Heights bleed into each other, youâve probably seen Elijah Bah. He has certainly seen you. He opened NĂ»rish on the corner of Washington Avenue and Bergen Street in October of 2019 with the hopes of settling in during the winter and spring. Obviously, his plans changed less than six months later, but Bah, an immigrant born in Guinea who â this is not hyperbole â charms every person he meets, could nevertheless be seen at his restaurant from open to close nearly every single day from March 2020 until he finally took a break this past April.
Bahâs food is reliable â I get the restaurantâs jerk-chicken sandwich once a week â but more than that, he truly understands what it takes to be the owner of a local business, that you have to be out there, literally. Standing outside of your business saying hello to everybody, or working behind the counter because one of your employees got sick. âWeâre celebrities, man,â Bah says. âThatâs neighborhoods â I know everybody by a first-name basis,â he continues as one neighbor Iâve seen walking his dog for the last year walks in and shakes his hand. Bah introduces us, and I realize itâs the first time Iâve been introduced to somebody new in over a year.
During the darkest points of the pandemic, it was the neighborhoodâs restaurants that first gave me a glimmer of hope. Specifically, it was friends talking about a âmust-haveâ breakfast burrito at Ursula. It was the feeling I had when the sadness of losing MeMeâs was assuaged by the joy of watching new businesses fill that space and turn into KIT, a restaurant-incubator hybrid that houses up-and-coming projects like Dacha 46 and Black Cat Wines. It was seeing the line of people outside LaLou to stock up on wine, and it was the socially distant queue of people waiting for their Sunday bagels outside Greenbergâs.
We were all stuck here, and we needed to rally around our locals. For my wife and me, that meant dropping into Branded Saloon on Vanderbilt whenever we passed by â not to celebrate, but because we truly believed that any little thing helped and we didnât want to see the best little dive on the street go away. When the weather was warm, and Branded got the OK, they built a makeshift outdoor bar that quickly became the hottest party in the neighborhood. When the weather was good, Branded was a sea of drinkers surrounded by the barâs colorful murals, painted by the Soho Renaissance Factory, of LGBTQ icons like RuPaul and Marsha P. Johnson. (I once overheard a customer call the barâs summer vibe âFire Island, Brooklyn.â) But when the weather cooled off, people went away and things became dire once more. Even now, thereâs no guarantee that Branded will make it through. âIt is really dependent on the weather,â the barâs manager, Patrick Fromuth says. âWeâre still not safe yet.â
The Open Streets program, and other makeshift outdoor spaces, prevented some businesses from closing completely.
Since reopening, Branded Saloon has become a popular gathering spot for neighbors.
Even with customers flocking, owners warn they arenât completely out of the weeds yet.
Live music outside Branded.
Photographs by Poupay Jutharat
For Fromuth and owner Gerard Kouwenhoven, staying in business for the past 17 months meant making numerous impossible choices they never could have imagined â like last winter, when the bar was freezing because heâd had to decide whether to pay staff or the heating bill. âTo quantify âhardâ during a pandemic,â Formuth says, âis impossible.â
One of the beautiful things about the city is that no matter how many bland buildings and chain businesses might come up, no two neighborhoods are alike. Yet, as I talked with other people I knew in the hospitality business across NYC, I started to see that they had largely the same experience as the people who run Branded, where they were almost totally dependent on the support of locals. For some, theyâd already had some standing with the neighborhood, which was helpful. For others, the pandemic has been a true trial by fire.
In Crown Heights, Hunky Dory quickly gained a rabid following after it opened in February of 2019. (In true neighborhood-joint fashion, its brunch was a big draw.) But when restaurants were forced to close, owner Claire Sprouse had to turn Hunky Dory into a glorified takeout window that served mostly coffee and kolache, devastating the businessâs bottom line. Eventually she added outdoor seating in an adjacent lot â âThere is no doubt in mind that we 100 percent would not be open today if we did not have access to the lot,â Sprouse says â and ran a small general store inside, selling wine, books, and assorted kitchen products. At times, it was nearly impossible to keep going, and Sprouse was forthcoming about her struggles as an operator. On Instagram, sheâd post about abysmal sales, often owing to bad weather: If it snowed, the place might make a few hundred bucks at most. It wasnât pretty, but it was honest. âI want to use my voice to be transparent about the hardships involved in owning a small business in a city with such high stakes,â she explains, before adding that the community support is what sheâs most thankful for. âI wonât lie, there have been a lot of happy tears sent my way over this time.â
Pretty much every New Yorker went through this in the past year â the fear that the places they love wouldnât make it through the pandemic. And, of course, many did not. The city failed, the state failed, and the federal government failed the entire industry. So we clung to the places that were still there. We bought coffee that we could have just as easily made at home, ordered out even after we got groceries, drank too many to-go drinks because we heard that they were helping. It wasnât exactly signing up to fight in a war, but a lot of us did whatever we could because we cared for these places, and also maybe because it gave us some feeling of control over the situation, like spending ten bucks could really help the world get back to the way it had been.
The more I talked to the bar and restaurant people in my neighborhood, the more I started to recognize a common theme that made me a little more hopeful for the future: Maybe people are coming out of the pandemic with a stronger appreciation for the workers and places where we eat and drink and live our lives. At the very least, some operators say they saw a shift in public perception that helped them make it through the darkest times.
âI am a better human being because of the hard work that I was able to do, because a lot of people didnât have the opportunity to work, and couldnât for their own safety and their families,â Fromuth says. âIf I didnât have the toil and work and community support at Branded, I would not be in the mental space that I am in today.â
The Forever Purge is now in theaters and sees a group of anarchists that âdecide to overtake America through an unending campaign of mayhem and massacre.â The film stars Ana de la Reguera in the lead role and was directed by Everardo Gout from a script by James DeMonaco.
RELATED:Â Ana de la Reguera Discusses Freaking Out During The Forever Purge
ComingSoonâs Alyse Wax spoke with The Forever Purge producer Jason Blum about the filmâs themes, why itâs his favorite in the series, and why heâs so excited about Halloween Kills. Check out the video below or read the full transcript.
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Alyse Wax:Â How did we get to The Forever Purge? Can you tell me a little bit about how the idea came up?
Jason Blum: James DeMonaco, who wrote all these movies, and directed the first three, it was his idea to do a Purge with no rules. A Purge with what happens when all the rules go out the window. So anarchy reigns forever. I thought it was a great idea. I thought it was a new take on the franchise. I loved it. I encouraged him to do it. I think itâs my favorite of all The Purge movies. I just love that notion of you let anarchy in a little bit and it takes over.
Is there anywhere to go after this, now that weâve got The Forever Purge, can we go back?
Well, I think there are lots of places to go. James says itâs the last movie, but Iâm not giving up yet, so hopefully, Iâll get a few more movies out of him. I wouldnât want to make a purchase order without James, but Iâm not ready to let him quit quite yet.
The Purge movies have gotten progressively more intense and more insane. Is that because of the way that film franchises work, they get bigger the longer they go, or do you think it has to do with the discourse in this country?
I think both. I think the discourse has unfortunately inspired James to go bigger. I also think the audience expects every movie to be better than the last one. So both of those things are at work.
All of The Purge movies have political socioeconomic overtones, but this one seems especially intense. Can you talk a little bit about what inspired that?
Yeah. I mean, I think James really felt the wall was a horrible idea and this was a movie about that. Thereâs two sides to a wall, so, so I think thatâs what inspired the movie.
Youâve got a ton of films coming up. What are you most looking forward to?
Iâm most looking forward to Halloween, which has been a year delayed and I think the movie is amazing. I love it. The fans are going crazy to see it. I canât wait for them finally to have the chance to see it. I think itâs going to be such a big deal in the fall. I love the movie. So thatâs probably what Iâm most looking forward to in terms of our movies is finally getting Halloween out there. Shortly thereafter, we have a new Scott Derrickson movie called The Black Phone, which I just saw a week ago, which is also terrific, very different, very original. So those are our two next theatrical movies, which Iâm excited for audiences to get a chance to see.
Fresh off his rave-ready collab, âNeed Youâ alongside Russian duo Phlegmatic Dogs, Aussie sensation Wax Motif dropped the next release pulled from his highly anticipated artist album back in June. He linked up with singer and guitarist of the four-piece Sunrose band, Jaxon Rose, on âThrills,â a low-slung R&B-flecked house number penned about chasing highs in a hedonistic Hollywood fashion.
Today, the music video dropped, reflecting a similar hedonistic high with a theme of doing the most to chase the thrill, produced and directed by Sir John.
âThe song always gives me that LA Downtown late-night âgoing home from a partyâ feel, and at the time, my life felt really transitional like that, lots of partying, meeting new people and going new places,â says Wax Motif. âOn the album, itâs one of the tracks that feels like an important piece of my whole story so far and always makes me feel like itâs my first night out clubbing in Hollywood again.â