Last month, Coldplay began teasing a new project called “Alien Radio” with a series of mysterious symbols. Within hours, the code was cracked by fans and internet sleuths, who discovered that the band would be releasing a song called “Higher Power” on May 7.
Now that it’s May 7 in certain parts of the world, the Max Martin-produced track has been released, and it’s out of this world (in a literal sense). Rather than dropping a simple lyric video or clips from quarantine, the Goop divorcee and crew partnered with French ESA astronaut (and current mission commander on the International Space Station) Thomas Pesquet to broadcast a special performance of the song from space itself.
The recorded performance (appropriately titled “Extraterrestrial Transmission”) comes complete with holographic dancing aliens while the band jams in an industrial lot surrounded by shipping containers. Alongside of the outer space-themed premiere, Chris Martin and friends also revealed an extremely long-distance conversation that they had with Pesquet in the buildup to the release.
Not including their Apple Music exclusive Reimagined release from last spring, the track is the first new music from the titans of mom-friendly piano-driven pop-rock since 2019’s Everyday Life.
“Batdance” from ‘Batman’ (1989)
☔️ Listen to more Prince here
📺 Watch all the official Prince videos here
🔔 Subscribe to the Prince channel and “ring the bell” to turn on notifications
Follow Prince:
☔️ Website
🌎 Prince Store
📣 Facebook
📸 Instagram
📱 Twitter
Explore the Official Prince Playlists:
The Prince Videography
Prince: Live Performances
Prince ♡ Music is Medicine
Prince / MPLS
*******************
Welcome to the Official Prince YouTube channel – celebrating the life, creative works and enduring legacy of Prince Rogers Nelson. Prince’s fearless creative vision, musical virtuosity, and wildly prolific output graced the world with one of the most universally beloved bodies of work of all time. Prince’s hit songs ‘Purple Rain’, ‘When Doves Cry’, ‘Kiss’, ‘Raspberry Beret’, and ‘Little Red Corvette’ are just a small sample of his revolutionary blend of rock, funk, R&B and new wave pop that shattered barriers and empowered millions. In the 1980s, Prince made history by being one of the first black artists to have their videos in heavy rotation on MTV. The Prince Estate is proud to present these groundbreaking videos alongside all of Prince’s releases to inspire and educate fans and celebrate Prince in his totality. Subscribe to the channel and check back for new additions, including music videos, performance clips, official Prince playlists, announcements, and more!
You’re My Star · The Isley Brothers · Ronald Isley
Baby Makin’ Music
℗ 2006 The Island Def Jam Music Group
Released on: 2005-06-14
Producer: Tim & Bob
Associated Performer, Recording Arranger: Tim & Bob
Studio Personnel, Recording Engineer, Associated Performer, Drum, Bass (vocal), Keyboards: Tim Kelley
Studio Personnel, Recording Engineer: Rich Balmer
Studio Personnel, Mixer: Kevin Davis
Studio Personnel, Engineer: Sean Tallman
Associated Performer, Background Vocalist: Ronald Isley
Associated Performer, Background Vocalist: Kandy Isley
Associated Performer, Additional Keyboards: Bob Robinson
Associated Performer, Acoustic Guitar: Ernest Isley
Composer Lyricist: Tim Kelly
Composer Lyricist: Bob Robinson
Composer Lyricist: Curtis Mayfield
When lockdown restrictions forced the closure of dining rooms around the country, it seemed like a gold rush for Big Delivery, the collection of app-based services like DoorDash, GrubHub, Seamless, and others that act as third parties to connect hungry users with restaurants. Restaurant owners desperate for revenue had no choice but to turn to them. Customers stuck at home went from standing in line to ordering online; the act even took on something like a moral imperative as customers were told delivery could “save” the industry. In reality, what looked like a delivery boom now seems more like a delivery bust in disguise. DoorDash and GrubHub both owned up to losing $155.9 million and $145 million, respectively, last year, and it seems very likely things won’t get better, short of a total ghost-kitchen takeover. Here’s why.
Growth Probably Isn’t As Big As It Seems Last year, the major delivery platforms experienced major growth: UberEats reported its restaurant base grew by 75 percent, while DoorDash increased revenue by 241 percent during 2020. However, according to a new study published by Daniel Minh McCarthy and Elliot Shin Oblander, an assistant professor of marketing at Emory and a Ph.D. student at Columbia Business School, respectively, the gains the industry experienced last year can be attributed mostly to a “substitution away from dine-in behavior.” And, contrary to what reps from delivery companies have argued about user growth, they’re mostly splitting, not increasing, customers with restaurants, with users signing up for multiple services instead of unique customers.
According to McCarthy and Oblander — who looked at credit-card, geolocation, and restaurant data collected from Earnest Research, YipitData, and SafeGraph — the pandemic created an estimated $19.3 billion in revenue for delivery companies. This accounted for roughly 70 percent of growth, as The Wall Street Journal noted. While sales did grow by 122 percent last year, if the pandemic hadn’t kept people from dining in restaurants, the number would have been just 38 percent. Furthermore, McCarthy and Oblander write, the growth in the past year represented a U-turn: Pre-pandemic, customer acquisition was falling, as was order frequency, and growth was stalling.
It stands to reason, then, that as diners are allowed to return to restaurants without restrictions, “sales may drop sharply” on the delivery platforms. McCarthy and Oblander believe the growth experienced by the platforms in 2020 is not going to last. “We just kind of imagine it would be what we just saw last year but in reverse,” McCarthy says.
Still, the authors offer the caveat that delivery companies may benefit from some behavioral changes, including an increase in both long-term remote work and consumers who have gotten used to ordering delivery. “I think that there’s a segment of people who had never tried delivery before that now have been exposed, so you kind of pulled forward some of that demand,” McCarthy says, before cautioning that “delivery is not going to be viewed as some sort of patriotic service to the country or something when we return to business as usual.”
Regulators Are Eyeing the Services’ Most Controversial Tactic For years, restaurant owners have complained about the apps listing their businesses without consent, creating fake websites that appear to be run by the businesses, and other practices critics have called predatory. Doing something about these practices may feel like a hopeless task, as just four companies, Civil Eats reported last year, control nearly the entire market.
There may be some momentum nationwide to tackle these practices, which are now illegal in California as of January and may soon be illegal in Illinois, where State Senator Melinda Bush introduced the Fair Food Delivery Act, which would make these practices illegal and fine companies $1,000 per violation per day. It would also allow restaurants to recover damages. The bill passed through the state senate and is awaiting a vote in the house, while similar bills have been introduced in Rhode Island and New York.
Listing businesses without consent has been critical to the platforms’ expansion, and these practices are one way the companies drive up sales. GrubHub alone made 23,000 websites that appeared to be operated by restaurant owners and listed alternative phone numbers that were created by GrubHub. Any time a call is made to one of those numbers, even if it’s just to ask a question about dine-in service, GrubHub gets a commission.
Local Governments Are Looking at Other Ways to Empower Delivery Workers Eliminating fake websites and app listings isn’t the only local legislation being considered: Last week, New York City councilmembers Carlina Rivera, Justin Brannan, and Brad Lander introduced four bills aimed at addressing concerns facing delivery workers. If made law, the initiatives would require food-delivery services to allow workers to set limits on distances and routes, require businesses to provide delivery couriers with insulated food-delivery bags, require food-service establishments to provide access to toilets for food-delivery workers, and establish a minimum per-trip payment.
City Councilmember Carlos Menchaca told news website The City that the legislative package followed months of conversations with Los Deliveristas Unidos, a group of largely Indigenious Mexican and Central American delivery workers. During the pandemic, Los Deliveristas Unidos organized to bring attention to their working conditions and demand better pay and treatment, including the use of bathrooms and safe waiting areas.
There could be more changes in store. In April, New York City Councilmember Mark Gjonaj floated the idea of making the city’s delivery-fee cap permanent (it’s currently set at 20 percent, down from fees as high as 30 percent), and in Chicago, an alderman has introduced a bill to extend the city’s expired delivery-fee cap at least through the fall. DoorDash already seems to be trying to circumvent this and recently announced a new fee structure that offers options including a 15 percent fee. Since the caps were first floated, Big Delivery’s representatives have argued they are, in fact, bad for restaurants. GrubHub CEO Matt Maloney described them as “ineffective at best and actually harmful at worse,” claiming they lead to a loss in orders. More recently, DoorDash CEO Tony Xu described them to Bloomberg TV as “bad policy.” DoorDash claims the caps cost it $36 million in business during the fourth quarter alone.
Despite the claims from Big Delivery, restaurateurs say that the fee caps were necessary and that companies like DoorDash were charging exorbitant fees. Even if apps lead to more orders, this can still be a bum deal for restaurateurs and their employees. “Even at 20 percent, it still makes it tough for the restaurants to make money. I’ve talked to a few restaurants that are on platforms, and it just seems like their volume might go up, but their profits are around the same,” says John Nguyen, who, with Nhu Ton, owns Com Tam Ninh Kieu and Bánh Vietnamese Shop House. “So their employees are kind of overworked, and the restaurant really isn’t seeing a huge profit margin there.”
Restaurateurs Are Actively Looking for Alternative Solutions Over the past year, a string of smaller delivery companies has launched, ones marketing themselves as more socially conscious and/or better business partners for restaurateurs. Some are focused on specific communities, like Black and Mobile, an online delivery service specifically for Black-owned restaurants. One restaurateur who was in the process of opening a business when the restaurant shutdown happened told Grub Street that they refused to use platforms like GrubHub — even though there was no outdoor or indoor dining at the time. “They basically make it impossible for you to make money,” she said. “It’s always been like this. I don’t want to be involved in that system with those services.”
Meanwhile, restaurateurs who had once found it necessary to use an established delivery platform now want to avoid getting involved at all. Nguyen says that while he and Ton used UberEats for their first restaurant, Com Tam Ninh Kieu, they elected to forgo a major delivery partner at their newer establishment, Bánh, instead using the courier service Relay (which itself has been the subject of complaints and lawsuits from workers). The idea, Nguyen explains, is to help the restaurant establish its own identity in consumers’ minds. “It’s an online food court,” he says. “I knew that if I started off on UberEats or any of the other platforms, it was going to be nearly impossible for me to get off of it. Once people know you from UberEats and from GrubHub, from DoorDash, those are the only places they’re going to go to for your restaurant.”
Customers Have Proven They Want to Order Directly From Operators During the pandemic, an entire ecosystem of digital pop-ups — informal businesses that are largely operated through social-media platforms like Instagram — have proliferated. Out-of-work cooks, servers, bakers, bartenders, and other professionals turned to the pop-ups when they found themselves out of work. Pop-ups allowed people to do their own thing and cook food or make drinks they love or are passionate about. During one stretch of last year, I found myself mostly ordering from pop-ups, getting Montreal-style bagels, Vietnamese chicken rice, Korean tripe stew, and more.
Like ghost kitchens, these businesses often lack physical spaces, but unlike ghost kitchens, they have the potential to create direct connections with the customers who seek them out. What made this past year’s boom of Instagram pop-ups exciting was how personal many of them seemed, sometimes offering food that no one else could.
Ryan Sheckler wasn’t exactly living his best life on the set of Life of Ryan, his MTV reality show that aired from 2007 to 2008.
More than 10 years later, the pro skateboarder is accusing the production team of name-calling and manipulating his romantic relationships for ratings. On Wednesday, May 5, Ryan opened up on In Depth with Graham Bensinger about why the TV series “rocked” him to his core.
He said the interference in his relationships was “the last straw” for him. “That’s already a very intimate piece of your life that you don’t want people to know about or see,” he said. “So, we break up once and then cameras are on, we break up again, cut. Now, the mood’s really awkward. And then, you know, they come over to me and they’re like, ‘Hey, that wasn’t enough. We need to do it again.'”
Ryan, now 31, went on, “And so that’s where the show became acting and it became like this thing where it was like, ‘This is not what we signed up for and this is not what it started out as.'”
You can’t help but feel for Taika Waititi’s little one while she’s in timeout but, after experiencing it, she’ll have likely learned from said incident. But let’s also hope she didn’t miss out on anything too cool while sitting in that corner.
Thor: Love and Thunder is set to open in theaters on May 6, 2022.
Iceage are back with another song from their new album Seek Shelter before it arrives this Friday, May 7. “High & Hurt” is out today as the first installment of this year’s Adult Swim Singles Program. Listen to it below.
This year’s Adult Swim Singles Program will roll out a new song every week. Announced participants in the series include Dawn Richard, KeiyaA, Pink Siifu, Moor Mother, Jlin, Chromeo, Flock of Dimes, Armani Caesar, Duma, Billy Woods & the Koreatown Oddity, Backxwash + Dreamcrusher, Oranssi Pazuzu, Cloud Rat, Mourning [A] BLKstar, and more.
This is my reaction to Portuguese Love by Teena Marie! Make sure to like, subscribe and turn on notifications if you enjoyed this video!!!
If you’re new here, let me introduce myself! I’m Jack… and this is Jack Reacts! I’m born and raised in Jacksonville, Florida. DUUUVAL!!!! I post reactions, reviews, and a variety of other videos on a daily basis. If you like this video or this style of content, make sure to hit that subscribe button and turn on notifications. Also, if you all have any requests for me to react to, make sure to comment them down below. Much Love!
Become a member of the channel and get access to exclusive perks:
Besides Patreon, if you’d like to directly support me, I humbly accept donations through paypal, which you can find here:
No matter the amount, your support is much appreciated and I can’t thank you enough!!!
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.