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Charlie Wilson ft. Fantasia – I Wanna Be Your Man

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*No Copyright Infringement intended* Givin’ u tha latest in Hip-Hop, R&B, and Reggae… I’ll even throw in some upcoming traccs by upcomin’ Samoan artists too… Be sure to subscribe… Be sure to look for me on Facebook… You can find me under Dj L*UCE* Screwz, be sure to include the asterisks in there… *Listen in HD for best audio quality*

Ape vs. Monster is the Mockbuster You Didn’t Know You Needed

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Ape vs. Monster

If Godzilla vs. Kong didn’t settle the debate then certainly The Asylum’s Ape vs. Monster will.

The Asylum’s latest film is taking aim at Legendary’s latest MonsterVerse title Godzilla vs. Kong. The official poster for the kaiju film was released today and the marketing says it is going to be “the greatest of all time!” While no synopsis has been released, it’s pretty clear that a reptile-like monster and a giant ape will be duking it out.

RELATED: Godzilla vs. Kong Director: You Kind of Shoot Three Movies & Pick the Best

If you’re unfamiliar with The Asylum, the indie film company produces low-budget films and often produces mockbusters that are based upon major blockbuster films. The Asylum is set for a busy 2021 with Aquarium of the Dead, The Rebels of PT-218 and Insect on its slate for this year. The studio is most famous for creating the Sharknado franchise and the Syfy original series Z Nation.

The company has faced legal action over its films before. 20th Century Fox threatened to sue the company over The Day the Earth Stopped for its similar title to The Day the Earth Stood Still. Meanwhile. Universal Pictures sued over American Battleship for infringing on Battleship and forced the film to be renamed as American Warships. Most recently, Age of the Hobbits was forced to be renamed Lord of the Elves after receiving a restraining order from studios involved with The Hobbit.

The Ape vs. Monster trailer will premiere on May 3 at 10 a.m. ET/7 a.m. PT.

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RELATED: Godzilla vs. Kong Stays Atop the Domestic Box Office Despite 58% Drop



Madi Releases Empowering Anthem “%”

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Madi just released her debut album, Forsaken, last year but she’s already back with her second single of 2021 and it’s a fierce, empowering anthem to women everywhere.

Filled with gritty synths and a confidence-laden vocal performance, Madi takes no prisoners in speaking her mind about putting herself first when others only want to take and take.

“Time and time again I’ve helped boys become ‘better’ boys at the expense of my own health. It turns out that I was only really meant to be a part of their life for their own character development, and so I was only really met with sour thank you’s and cheap breakup excuses… Life’s too short to stay bitter though, so naturally, I choose to write an aggressive song about it instead.” – Madi

Check it out below!

 

Photo via Jennica Mae Abrams



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TEEN REACTS TO RICK JAMES – super freak FIRST TIME HEARING REACTION!!!

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Today we reacted to rick james – super freak
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Jazz Drummer Q-Tip of the Week: It's All About Style and Attitude!!

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Instagram: Qdjazz
Website: Www.Quincydavisjazz.com

I am a proud endorser of Zildjian cymbals, Vic Firth sticks and Tama drums and used the following equipment in this video:

CYMBALS
22” Dry Complex II
20″ Bounce Prototype
14″ Custom Special Dry

DRUMS
Starclassic (Maple Molten Brown Burst)
14X18 BD
16X14 FT
14X14 FT
8X12 TT
6.5X14 Snare Drum

STICKS
Quincy Davis Signature Stick (available for purchase at www.Quincydavisjazz.com)

Quincy
University of North Texas
Professor of Jazz Drum Set

Wolfgang Van Halen Shares ‘Feel’ From Upcoming Mammoth WVH Debut

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Laurie Woolever’s Grub Street Diet

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Laurie Woolever and her sundae.
Illustration: Margalit Cutler

This travel book, for sure, is not about answering questions about Tony’s life or motivation,” says Laurie Woolever of World Travel: An Irreverent Guide, the final book that Anthony Bourdain worked on. “This book is really about celebrating the work that he did while he was here.” Published this week, the book was shepherded by Woolever — his assistant, friend, and, since 2016, co-author — who completed it almost entirely after his death. An editor and writer in Jackson Heights, Woolever has also explored what “New American” food looks like in her neighborhood, where reportedly 167 languages are spoken; she co-hosts the Carbface podcast; and she is currently at work on an oral history of Bourdain’s life. 

Tuesday, April 13
I start the morning with a big glass of cold water and a big cup of coffee, with whole milk. I have dicked around over the years with various not-milks in my coffee, but the calorie savings are never worth it, to me, and half and half is too much. I use Café Bustelo in a pour-over pitcher. I can’t believe I ever bothered with any other coffee. It is so good and strong, none of the weird acidity that seems to plague every high-end coffee. My local Foodtown often has it on special: two 10-ounce bricks for $5. I love Foodtown. It’s where I feel most grounded. Lately their ice-cream situation has been a real shambles — there will always be pints covered with ice and frost, and you know they’ve been through a couple of thaw-and-refreeze cycles — and the fruit is overpriced and sometimes the music truly makes me want to die, but it is still one of my favorite places in my neighborhood, if not the world.

I really love ice cream. I don’t fuck around with big tubs of Turkey Hill or Breyers. I want the little pints. Recently, I’ve started making a sundae for my son that I’ve loved since childhood. When I was a kid, I did things to entertain or annoy my older sister, and when I was 8, it occurred to me to order something a little gross, which is black-raspberry ice cream with butterscotch sauce, salted peanuts, and whipped cream. Everyone else thought it was disgusting; I ordered it to tweak them. And I loved the combination, sweet and savory. It’s not a revolutionary concept, but as an 8 year-old in the early ’80s, this was upsetting to people. I’ve introduced my son to it, and he liked it well enough, though he’s more of a chocolate and marshmallow guy.

Since November, in dreaded anticipation of having my photo taken or possibly being on TV to promote the book World Travel, I have been, ahem, dieting. I use an app whose name rhymes with Zoom, or Stool Boom. “Oh, but it’s not actually a diet, it’s a lifestyle change. In this new lifestyle, you’ll follow a strict calorie budget, and every time you choose certain foods, the app we will subtly activate the years of guilt and shame conditioning around food and body image that are a fact of life for people of your generation.” Cool, cool, here’s several hundred dollars, thanks for the pep talk.

After an hour or so of obsessively refreshing social media and trying not to read the comments on An Important Piece of Press about the book, I make myself a slab of dry Mestemacher three-grain toast and put some kosher salt on it. It’s that weird oblong brown bread in the packaging with a picture of a trim lady doing Pilates or running on a beach, and it’s pretty horrible right out of the package, but good when toasted. I chase it with a half-shot of refrigerated Pepto-Bismol.

After a few phone interviews, I heat up a bowl of butternut-squash soup that I made the other night, using a reduced-butter variation on a recipe from Vegetable Simple, Eric Ripert’s new vegetable cookbook, which comes out on the same day as World Travel, for which I did recipe testing and editing. Before I met this recipe, which is just squash, turmeric, ginger, butter, and water, I didn’t understand the point of butternut-squash soup, but now I am a complete convert.

I take a nap and wake up in time to run to an appointment about opening a new IRA. On the way out, I grab the little bag of Cadbury mini eggs that I’d bought at half-price for my 12 year-old son, who is playing Minecraft and not paying attention, and I eat them on the way to the bank, which is of course a terrible decision.

I stop by Duane Reade to replace the stolen mini eggs and when I get home, I have a full shot of chilled Pepto and, later, some cold sliced leftover steak with lots of salt, a hardboiled egg, also heavily salted, and a Yasso frozen-yogurt vanilla bar, which is pretty light on flavor and body, but sweet enough, and cold.

I pick up takeout from the Queensboro for dinner — two orders of Chinese-style steamed flounder with tamari, ginger, and scallion oil, served with little containers of white rice and garnished with superthin spears of asparagus, and peas. It’s just a perfect dish, and generous portions, of which I put some back in the fridge, and add some pressed tofu to the leftover sauce, to marinate overnight.

Wednesday, April 14
I haven’t been sleeping very well lately. Is it because I make my coffee way too strong, and often drink a cup after dinner? Is it because I have been talking and writing and thinking nonstop about this book and my beloved late co-author? Is it because I am going through a painful, brand-new breakup and am not particularly hungry? There is no way, as the saying goes, of knowing for sure.

I make a pot of coffee and share a little bit with my son, who gulps it down with no sugar, which fills me with irrational pride. I make a toasted bagel (Lender’s, in your grocer’s freezer) with cream cheese for him, and have the leftover flounder and vegetables, with some of the marinated tofu, for myself.

I love my tofu press. When I got divorced a few years ago and moved into my own apartment, I was judicious about how much kitchen stuff I brought with me. I cook multiple meals every day using less than half of the equipment I had in my married-lady kitchen, and I try not to add anything new. Then, in a moment of weakness, I read an article about why you need a tofu press, and now I have one, and I fucking love it. To slowly crank down on the tofu like I’m operating an extremely gentle torture device is the kind of soft kink that I think we can all enjoy in these COVID times.

I do a radio interview, then go out to run a few errands. I shop for food every day, sometimes more than once. There’s a new greengrocer in my neighborhood, in a prime corner store that used to be a GNC, which will be my only attempt at a “nature is healing” joke. I am thrilled to see that they have replaced the pristine National Retail Chain White walls and shelving units with wood paneling and dim lighting. Because the greengrocer is so new, their prices are insanely low — I get a mango, a bunch of seedless red grapes, two avocados, and a half-pound of mushrooms for $4. I feel guilty walking past my standby greengrocer, which is empty. I’ll continue to shop there once the new place resets their prices.

Back at my desk, I eat some of the grapes and have some more coffee, and some seltzer. Later, I pull the last chunk of a frozen whole-wheat baguette out of the freezer and eat it toasted with salt, along with another joyless Yasso bar.

I do phone and video interviews all afternoon and just guzzle more seltzer and coffee. By the end of it, I feel like absolute shit, just aggrieved and exhausted and lonely and miserable. I eat some of the marinated tofu out of the container, standing up in the kitchen, and yet another fucking Yasso bar.

Later, while watching King of Staten Island, I eat more grapes, and the last of the butternut squash soup.

Thursday, April 15
Coffee, whole milk, water.

No interviews today, and my son is with his dad for the next few days, so I’m only responsible for my own food. I’m trying to finish writing an article about — surprise, surprise — the best food destinations, according to Tony Bourdain.

I set a timer for 30 minutes, do as much as I can, then pause to toast a piece of that Mestermacher bread, to which I add some mashed avocado and nutritional yeast. My fridge is full of healthy fruits and vegetables and leftover marinated tofu and hard-boiled eggs and cooked rye berries, but all I really want is permanent financial and professional security, and a slice of white cake with white icing.

I go into Manhattan to sign copies of World Travel at Kitchen Arts and Letters, then walk down Lexington to pick up a sandwich at Pastrami Queen. I stop first at Eli’s Essentials to see if there’s anything I might want to take home, like a slice of white cake with white icing, but that’s not really their thing, and the big fondant-iced cookies with the names of the Oscar-nominated films painted on them are not really doing it for me.

As I’m looking around I realize that the beautiful blonde woman in expensive-looking workout clothes, sitting alone on a stool at the north-facing window, is former Real Housewife of New York City Dorinda Medley. The woman behind the counter hands her a bag of something and she says, “Oh boy!” with such genuine joy and excitement that it makes me really happy for her. I later see on her Instagram that she’s been using and promoting Nutrisystem, so I suppose that being handed any actual food item at all would be cause for such a pure emotional response.

It’s very quiet at Pastrami Queen, just one other customer there. I order the sandwich and carry it home on the subway. I think maybe I’ll only eat half of it, but it is so perfect and delicious that I just go for it. I love it: the soft rye bread and the juicy pastrami, with a fleeting but distinctive hit of coriander that reminds me, funny enough, of the taste of the best stuff at Superiority Burger, a vegan place. The mustard comes on the side and it’s just great, while the Russian dressing (also on the side) is sweet and wholly unnecessary. I make and drink the better part of a pot of coffee so I won’t pass out on the phone with my shrink.

I’m full all day from that sandwich so I have dinner kind of late — the remains of the marinated tofu, mixed with some spinach and red lentils that I‘d cooked earlier in the week. It’s raining pretty hard but I want something sweet, so I walk a few blocks to Lety’s, a very good and consistent local bakery, and get a macaroon. They’re big, sized somewhere between a golf ball and my fist, and always perfectly caramelized and crunchy on the outside.

Friday, April 16
I’m up way too early to finish that piece, which I’m now behind deadline on. I reheat yesterday’s coffee, drink a big glass of cold water, and, when the sun comes up, toast the Mestermacher bread and again put avocado, salt and nutritional yeast on it. This is something I can and do eat almost every day. Sometimes I’ll get that frozen Ezekiel bread, but I don’t love it; it tastes like the really boring ghost of bread. I tried Dave’s Killer Bread, but I found it too sweet, and the whole “ripped guy with big guitar” logo is too overtly about dick-size anxiety for my tastes.

Mid-morning, I finish the last of the red lentils and spinach with a dollop of mango pickle from a jar, which is such an easy and great way to make lentils and vegetables interesting. I finish and submit the piece, then have back-to-back phone interviews, so I make a fresh pot of coffee and keep drinking it til the end of the last phone call, after which I take a full shot of cold Pepto and a very long nap, and wake up hungry.

I go out with some cash but no plan, and end up getting an order of beef momos from the Amdo Kitchen truck in my neighborhood. There are eight in an order, and they come with spicy pickled radishes, plus red hot sauce, which I later learn is called sepen, and a neutral white sauce to cut the heat. I grate a raw carrot and blanch some green beans and asparagus, and make a little dinner of it, which I eat while watching the first episode of Joyce Chen Cooks, from 1966, as preparation to record an episode of my podcast, Carbface, this weekend.

Once COVID hit, we kind of floundered around for a new Carbface format that didn’t involve having guests in a studio, and my partner Chris suggested we watch and recap cooking shows. We just did a three-episode Julia Child arc, and are now watching Joyce make, tonight, egg foo young.

Saturday, April 17
I eat a mango and drink some coffee and water for breakfast.

I’m going to Portale for dinner tonight with my friend Jonathan, who is something of a regular there from pre-COVID times. As he is a man of science and medicine who takes it all very seriously, I trust his judgment about reserving an indoor table. It’s the first time I’ll be indoor dining since last March.

I’m working on some writing in the afternoon, and trying to eat really light in anticipation of dinner. At one point, I switch from writing my thing to writing an absolutely unhinged, angry email. I decide to save it to drafts and see how I feel after eating something small. I heat up a mug of Brodo beef bone broth to which I add some soy sauce. While it’s in the microwave, I eat a few almonds and think, as I always do, about the fact that they are Barack Obama’s favorite snack.

I’m a very late bone-broth adopter, only because it was so absurdly hyped at first, and I’ll admit to sometimes rejecting trends on principle. I made one batch of my own, but the reward-to-work ratio felt unbalanced to me. It wasn’t much cheaper to buy all those bones and aromatics, plus I then had to roast them, and tend this simmering pot for hours, and my apartment smelled like suet for days afterward, and the bones made an alarming amount of condensation in the trash can. The whole thing reminded me of Adam Driver famously giving up on his daily whole-chicken habit because “it got tiring” and “it’s a mess.”

I delete the angry email, eat a tablespoon of peanut butter, and go into Manhattan for dinner.

It’s weird but not completely alien to be back in a dining room. There’s a harmless vogue now for pretending that we have all completely lost every social skill as a result of being pandemic-isolated. I do think the past year has poked some useful holes in our collective social artifice, but I also think that artifice is going to regenerate, like a healthy young starfish, once we’ve got a critical mass of vaccinated people looking to reenter the physical world of work and sex and clout-chasing.

I order a bottle of still water before Jonathan arrives, because I’ve dined out with him enough to know that he’ll disapprove with comic exaggeration, seeing it as an unnecessary extravagance.

I order the cappellacci with peas and pancetta, which is just terrific. We split an order of the herb-crusted cod, then I have the chicken with hen-of-the-woods mushrooms and cauliflower, and olive-oil cake with cherry compote for dessert. It’s all so good and professional and pleasing; without a doubt the daintiest, fanciest thing I have eaten in over a year of cooking almost every meal for myself. I love the transparent dividers between each table, and I hope this becomes a new norm in post-COVID times. It feels great to be out in the world, among people, but I still don’t want to overhear your dinner conversation.

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Why Hollywood Won't Cast Calista Flockhart Anymore

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Why Hollywood Won't Cast Calista Flockhart Anymore

Calista Flockhart got her big break in the ’90s with her starring role in Ally McBeal. Despite appearing in several successful shows since, she seems to be missing in action lately. Where is Calista Flockhart, and what has she been up to?

Even those who don’t know Calista Flockhart from her own work are probably familiar with her husband, Harrison Ford. Flockhart and Ford got together in 2002 after meeting at the Golden Globes, and they went public with their relationship in 2003. Despite their 22-year age gap, the couple has been inseparable ever since. As former Ally McBeal co-star James Marsden explained,

When Ford isn’t acting, he’s passionate about aviation. But in March 2015, the actor was taken to the emergency room after being injured in a plane crash. Naturally, Flockhart didn’t want to leave Ford’s side, and when he was released from the hospital, she was reportedly completely focused on helping him recover. It’s more than understandable that someone might want to dial back on work after such a cary experience like that. Keep watching to learn Why Hollywood Won’t Cast Calista Flockhart Anymore!

#CalistaFlockhart #Hollywood

Family comes first | 0:16
No more movies | 1:10
Not a workaholic | 1:41
Easing into retirement? | 2:15
Different priorities | 3:03
Bad press | 3:39
The rumor mill | 4:25
Ally McBeal reboot | 5:15

Read full article:

Season Two Of ‘A Black Lady Sketch Show’ Brings Even More Laughs To The Party

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If you don’t already know, A Black Lady Sketch Show is all the things hilarious. It’s the first variety sketch series written, directed, and performed solo by Black women. Created by Robin Thede, who’s also the executive producer along with Issa Rae, the show is “a narrative series set in a limitless magical reality full of dynamic, hilarious characters and celebrity guests. The show presents sketches performed by a core cast of Black women.” In just one season, A Black Lady Sketch Show received three Emmy nominations including one for Outstanding Variety Sketch Series.

BET.com caught up with Robin Thede, Gabrielle Dennis, Ashley Nicole Black, and new cast member Skye Townsend to talk about why Black Women’s jokes matter, working with their idols, and the power of a Beyonce hoodie.

BET.com: I think ‘A Black Lady Sketch Show will be an institution for Black women comedic performers, directors, and writers. Why was it so important for you to center all kinds of Black women in sketch comedy?

Robin Thede: Wow. Thank you for saying that. I think that’s exactly what we had in mind. So many of us have auditioned for SNL and or been on other sketch shows. This is like my seventh sketch show and they’ve done other sketch shows. I just got tired of waiting for other people to give me the chance that I knew I could create for myself.

Then beyond me, this wasn’t going to be just the Robin Thede Sketch Show. I wouldn’t want to watch that. Then I was like, “I know so many funny Black women, it would just be a shame to not bring together a group and to have this forum.” We brought in our legends like Angela Bassett, Patti LaBelle, and this season Gabrielle Union and all these amazing people that we get to see in a way that the world doesn’t allow us to be seen so often.

Nobody was pitching Angela Bassett sketch comedy roles. I said to her, “Why did you take this job? She said, “I did it because you asked and no one asks.”  I think that is so wild.

RELATED: Robin Thede Releases Full Mockumentary Based On Spoof ‘The Hairmaid’s Tale’ And It’s More Hilarious Than The Original

It’s not only important that there are Black women in the cast, writing the words, directing the show doing all the hair, makeup, the clothing, it’s important in totality. It’s a judgment-free space where you get to be yourself without explanation. And I think that’s what makes it so we’re attracted not only for the guest stars but also for our viewers

BET.com: Speaking of the Emmys, I read that you had on a Beyoncé hoodie when you found out the show was Emmy-nominated. That’s some serious good luck.

Robin Thede: I did. I did. And I saw first that we had been nominated for a variety sketch series. And that to me, was it I was like, great. we got an Emmy nomination; I was freaking out. And then I got a text from our studio and said, congratulations on your three nominations. And I was like, ‘What else did we get nominated for!!??’ Then I saw directing and guest Actress for Angela. It just blew me away to have a season that had aired over a year ago. To have a brand-new show be recognized in that way by an Academy that is traditionally you know, really only honors SNL, let’s be honest. 

Key and Peele broke through and that’s pretty much it in terms of Black people and the Emmys since the “In Living Color” days. So, I think that was critical for us to be able to break through that barrier and I hope it continues.

Robin Thede

Robin Thede

(Photo by: Andrew Lipovsky/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)

BET.com: Gabrielle, you’ve been on several different casts and ensembles. What’s different about the comedic chemistry on A Black Lady Sketch Show?

Gabrielle Dennis: You know what? The mixologist Robin Beaty put it together. I mean, she knew she knew what ingredients were needed. And she knew what each of us brings to the table and like putting together a singing group, you know, you’re finding all the parts, you know, who’s singing soprano who’s singing, you know, all the layers, right? 

And then when we get there, it’s not only the personality, the talent, the dedication, the commitment, the love, the craft, like all of those things have to merge. Because you can be talented and be a complete jerk and nobody wants to work with you. Or you could be an amazing sweetie pie and not be funny, you know? There are so many elements that have to come together. Hats off to Robin for knowing which people to put together. I think the chemistry comes from the common thread of us all loving what we do and respecting each other as artists.

Coming to work with that kind of magic every day is pretty special. It’s nothing like I’ve ever been able to experience before. So, you appreciate it. You are 1,000% grateful for being able to stand on two feet on the ground, living, breathing, laughing, and surrounded by so much talent.

Gabrielle Dennis

Gabrielle Dennis

(Photo by Leon Bennett/Getty Images)

BET.com: Skye, you come from a family that knows a few things about comedy (your dad is Robert Townsend). Do you believe that comedians are born or made?

Skye Townsend: Wooooo! You came in hot with that one. I like that. I’m in my family, we call it ‘funny bones.’ I think certain people are born funny. But I think that in order to get to a place of being a really incredible comedian, everybody must work at their gift. And that comes with understanding things such as timing, pacing yourself, such as trusting your instincts? Who are you studying as a comedian?

You know, my dad always says, ‘If you only have one influence, you got a problem.’ I have somebody I love for physical comedy. I have somebody I love for character work. I have somebody I love for animation. And so, I think you’re born funny, but I think they’re really smart ones who work at their craft, but still keep that core authenticity.

Skye Townsend

Skye Townsend

(Photo by Gregg DeGuire/WireImage)

BET.com: Lastly, Ashley, you’ve been behind the scenes as a writer. In your view, what are some challenges for Black women who are creatives in comedy?

Ashley Nicole Black: I think traditionally, the pressure I’ve experienced is when I get scripts for my consideration or to audition for roles. It’s a lot of the same character over and over again, the way that people imagine a plus-sized Black woman. What I love about sketch comedy, in general, is getting to play a lot of different characters.

On this show, specifically, because this show gets so wild and so crazy, Robin is going to give you a couple of parts that you’re like ‘I don’t even know how to play this. Nobody would cast me this.’ Some of the things that this woman has convinced me that I could do…there’s one where I play like the thotiest character. What I love about this show is there is no box. The box isn’t even anywhere near our set. We have torn it up, dismantled it, and it’s gone.

I hope the audience can see themselves and be like, “Yes! I’m tired of seeing us do the same thing over and over again!  I’m excited to see this weird, fun, crazy, sexy, or whatever it is that we’re bringing.

Ashley Nicole Black

Ashley Nicole Black

(Photo by Stefanie Keenan/Getty Images for The Hollywood Reporter)

A Black Lady Sketch Show premeires on Friday, April 23 and airs on HBO Max every Friday following at 11pm PT/ET.

(Photo by Amy Sussman/Getty Images)



Contemporary/Hip-Hop Dancer – Austen Acevedo – Semi Finals Week!

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He’s considered the Justin Bieber of Dance….but i don’t see the resemblance, maybe just that they’re both young but still. He’s good at doing contemporary but his hip hop looks a little rough still…i think he should stick to contemporary but he’ll probably get lots of fans…we’ll see. C+

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