Can Delilahâs and Tamaraâs friendship survive the first season of the Delilah TV show on OWN? As we all know, the Nielsen ratings typically play a big role in determining whether a TV show like Delilah is cancelled or renewed for season two. Unfortunately, most of us do not live in Nielsen households. Because many viewers feel frustrated when their viewing habits and opinions arenât considered, we invite you to rate all of the first season episodes of Delilah here.
An OWN drama series, the Delilah TV show stars Maahra Hill, Jill Marie Jones, Susan Heyward, Ozioma Akagha, Candace B. Harris, Kelly Jacobs, Khalil Johnson, and Braelyn Rankins. Delilah Connolly (Hill) is a headstrong and highly principled lawyer who lives in Charlotte, North Carolina. She left a demanding white-shoe law firm a decade ago and hung up her own shingle so she could make raising her kids her top priority. Now, she takes on cases the big firms ignore and finds herself, more often than not, going head-to-head with the powerful and privileged as she fights for the disenfranchised. In addition to raising her two kids, Maia (Jacobs) and Marcus (Rankins), Delilah also cares for her young nephew Dion (Johnson) and manages her relationship with her frustrating ex (Lyriq Bent). At work, she has the support of her new and ambitious assistant, Demetria Barnes, (Heyward) and Harper Omereoha (Akagha) Delilahâs unfailingly sunny secretary. As the series begins, Delilahâs about to go up against her best friend, Tamara Grayson (Jones) in court for the first time. Delilah has always represented the underdogs while Tamara has always represented the wealthy and powerful.
What do you think? Which season one episodes of the Delilah TV series do you rate as wonderful, terrible, or somewhere between? Do you think that Delilah should be cancelled or renewed for a second season on OWN? Donât forget to vote, and share your thoughts, below.
Zack Snyderâs Justice League leaked on HBO Max early
In a moment sure to please some fans while devastating those who werenât quick enough to take advantage of it, HBO Max hit a bit of a speed bump Monday night when the highly-anticipated Zack Snyderâs Justice League debuted on the streaming service just over a week ahead of its scheduled debut.
RELATED:Â Zack Snyderâs Justice League TV Spot Reveals New Footage of Joker & Darkseid
One Twitter user, Doug Bass of Charlotte, North Carolina, took to the social media site to share a pic from the four-hour-plus DC Extended Universe blockbuster, calling out the streamer and noting he originally was intending to watch the recently-released Tom & Jerry feature film.
The Hollywood Reporter Senior Staff Writer Ryan Parker also took to Twitter to share he was able to log on and view the film in lieu of the family adventure and that even when pressing pause on the film it still showed as Tom & Jerry.
While Bass noted in a subsequent post that his feed for the Snyder Cut was severed after nearly an hour of viewing, thereâs no telling how many viewers caught the superhero title and how far they made it in before their feed was similarly cut, if it was at all.
Zack Snyderâs Justice League will be hitting HBO Max as a four-hour movie on March 18. It was originally revealed at DC FanDome that the movie will release on HBO Max in 2021 by being broken up into four one-hour parts that will also be released as one four-hour film, but will now solely be released as a one-off film instead of the four-part series. Snyder says that there will be no after-credits scenes. The film reportedly cost around $70 million in order to properly finish the editing and visual effects of the directorâs original vision, as well as the additional photography. The original post-production crew is also expected to return along with the cast members to record additional dialogue for the cut.Â
Fueled by the heroâs restored faith in humanity and inspired by Supermanâs selfless act, Justice League sees Bruce Wayne enlist the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroesâBatman, Wonder Woman, Aquaman, Cyborg, and The Flashâit may already be too late to save the planet from an assault of catastrophic proportions.
Justice League, which features a screenplay from Chris Terrio from a story by Snyder and Terrio, stars Ben Affleck as Batman, Henry Cavill as Superman, Gal Gadot as Wonder Woman, Jason Momoa as Aquaman, Ezra Miller as The Flash, Ray Fisher as Cyborg, Willem Dafoe as Nuidis Vulko, Jesse Eisenberg as Lex Luthor, Jeremy Irons as Alfred Pennyworth, Diane Lane as Martha Kent, Connie Nielsen as Queen Hippolyta, with J.K. Simmons as Commissioner Gordon, and Amy Adams as Lois Lane.
RELATED: Zack Snyderâs Justice League Chapter Titles Revealed, Plus New Teaser!
Released in November 2017, the film earned mixed reviews from critics and audiences alike, praising the action and performances from Gadot and Miller while criticizing every other aspect of the film, namely the inconsistent tone that many fault Joss Whedon (The Avengers)Â for after taking over directorial duties from Snyder. With a large budget of $300 million and a break-even point of $750 million, the film is considered a box office bomb having grossed only $658 million.
Mark veins and Shöckface link up with Canadian based singer, songwriter and producer Bromar for their new RnB electronic crossover record âShatter.â
The collaborative duo, mark veins and Shöckface have been on a tear as of late with a frenzy of releases over the past couple months. After working on a string of trap heaters like âResurrectionâ and âTherapy,â veins and Shöckface have returned accompanied by the help of Candian singer Bromarâs crooning topline. From a melodic and eerie introduction to an emotionally stirring build, veins and Shöckface make you feel as if you were entrapped in a relationship that is only bound to break your heart. As the buildup on âShatterâ fades and the drop commences a touch of hyperwave is added to the mix and all the emotional energy is unleashed.Â
mark veins and Shöckface continue to bring their âhyperwaveâ dubbed sound to the forefront of their productions on each release. The sound to which they are leading the way, âhyperwave,â consists of the duos signature abrasive synths, eerie vocal textures, and unorthodox rhythm.Â
On âShatter,â the two producers paint soundscapes filled with heartbreak and sorrow as Bromar sings âlove is like a drug, that sh*t really bad for my healthâ speaking on past toxic relationships. Bromar sings about how his previous run in âbroke his heart into pieces shatteredâ and a barrage of sub bass lines, glitchy fills and white noise overtake the record. With the pace at which Shöckface and mark veins are putting out music it does not seem like they have any plans of halting the collaborations as they continue to imprint their hyperwave sound into the minds and souls of listeners all over the world.
Paramore singer Hayley Williams has branched out on her own in the last year with a pair of well-received solo albums, a spate of cover tunes â she even hand-delivered a song, âMy Limb,â to a fanâs Nashville home. The busy artistâs latest endeavor is her acoustic version of âThe Nurse Who Loved Me,â a 1996 song from under-appreciated Los Angeles band Failure.
On Instagram, Williams shared that âthe sun is out, the laundry is drying so⊠one of my favorite songs of all time on one of my favorite albums of ever. go listen to the real thingâ @failurebandig âThe Nurse Who Loved Meâ left my cringey ending in there bc thats showbiz babyâ
Failure came of age alongside peers including Tool and Rage Against the Machine, broke up in 1997 and reunited in 2014. Failure frontman Ken Andrews became a producer, working with Chris Cornell, Beck, A Perfect Circle and many more artists. In fact, A Perfect Circle also did a version of âThe Nurse Who Loved Meâ on their 2003 album Thirteenth Step.
Itâs not the first time Williams has sung a Failure tune; Paramore covered Failureâs âStuck on Youâ on their 2006 EP The Summer Tic.
Read our review of Flowers For Vases/Descansos here.
Following the May 2020 release of Petals for Armor, her debut solo album, Williams performed songs from the album in a Tiny Desk (Home) set.
The author at work in her restaurantâs kitchen. Photo: Summer Staeb/Courtesy of All Time
There is an unofficial ritual that happens at our restaurant, All Time, every day at 4:30 p.m. âWill anyone have coffee?â someone asks the mostly empty dining room. We brew a fresh pot, the lights dim, and the sky shifts to warm hues of pink and yellow. There is a shuffling of tables and the crashing of ice over wine bottles. A hostâs heels click across the checkered floor, and the phone rings, aggressively. At 4:59, either âThese Daysâ or âDoctor My Eyesâ will play because we always start the night with a Jackson Browne song.
Coffee in hand, I am suspended between night and day. I make last-minute menu changes, light the dining-room candles, debate eating a cookie, attempt to chart the coming nightâs mayhem, give in to the cookie, and begin service.
Thinking back fills me with deep longing. These days at 4:30 p.m., the lights remain bright, the servers arenât around, and we just staple tickets to paper bags. Our cooks slide food into boxes to be eaten elsewhere.
We are in Los Angeles. Parts of California are reopening, not just patios but now even indoor dining rooms. Weâll have the green light soon. Many people expect us to jump at the chance, to ditch the temporary takeout setup, and to welcome our guests back. The phone is ringing with reservation requests â and itâs going to be a while until we open again.
There are the obvious deterrents: Spacing tables eight feet apart on our 400-square-foot patio at a 50 percent reduction in capacity isnât financially viable. The risk to our staff would rise considerably, and we have major work to do to rewire the restaurant for yet another new structure. But those reasons are not our main motivation to hold off on sit-down service. We made a promise to our staff, to our guests, and to one another: to provide nourishment that encompasses more than just food. Protecting the mental and physical health of our team is part of that, but thereâs more. Being âallowedâ to reopen does not address the gaping divide between the stunted service we could offer and the nurturing service that defines us.
I would argue that we miss service more than you do. At our restaurant in the best of times, Kelsey would probably let you know about a new band. Jessica would raise a glass with you to toast your good news. Brion could get you a table at some new Japanese restaurant you didnât even know existed. Meaningful hospitality relies on generosity and openness; those connections are how we draw meaning from our work.
All of us â servers, runners, hosts, managers, owners â are part of your experience. We know your birthdays, your food allergies, how you like your coffee. Our work is to intuit your needs or to introduce you to your new favorite wine. Our purpose is to create a space where we can see one another.
Now, though, our smiles are invisible. Handshakes and hugs are out of the question. Even kneeling down next to a table to feel closer, to convey that we care, couldnât happen. Masks and face shields arenât just personal protection. They prevent us from tasting what you taste or having normal conversation. They create a barrier between us and you thatâs both physical and emotional. They also send a signal: We are the help, we are peripheral. But if we arenât laughing and having a good time, our guests likely wonât be either.
Thatâs not to say that every interaction with every table has to be profound or that everyone even wants to be taken on some journey. But when you eliminate the very possibility for connection, it reduces our work to a transaction. Itâs just focaccia for money, nothing more.
In thinking about reopening, I ask myself, What are we willing to give up? How much can we sterilize an experience without killing it? I donât judge those who do reopen â our entire industry is flailing to survive â but I also wonât be complicit in further distancing myself and our staff from the essence of what we do.
I know we are luckier than most. Weâve been able to keep our business afloat with takeout and delivery when many â most â of our colleagues and friends have not. Weâve been graced with the unwavering support of a loyal community that has spent very precious dollars with us. But itâs more than luck. Itâs an extension of the values we share; it reflects the fact that we are in a relationship with you. So itâs also our responsibility to reciprocate that generosity when we can do it wholly. And joyously.
Until itâs safe to huddle at the pass to try a dish, to bump into each other while we squeeze between table three and table eight, or to have a disastrous night and then share family meal, weâre holding off on reopening. Until then, Iâll still be longing for my 4:30 ritual, forced to enjoy the quiet when the chaos doesnât arrive.
Ashley B. Wells owns and operates All Time restaurant with her husband, Tyler.
Alexis Ren Is The New 'Sports Illustrated' Swimsuit Rookie | Access Hollywood
Sports Illustrated revealed their latest rookie for the 2018 Swimsuit Issue, Alexis Ren, and sheâs already making waves for her striking beauty! After conquering Instagram with nearly 11M followers, Alexis’ dream of landing the SI Swimsuit Edition is finally coming true. Check out her stunning looks, poses & bikini bod inspiration.
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Alexis Ren Is The New ‘Sports Illustrated’ Swimsuit Rookie | Access Hollywood