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Maxwell – Whenever Wherever Whatever

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Maxwell’s official music video for ‘Whenever Wherever Whatever’. Click to listen to Maxwell on Spotify:

As Featured on Maxwell’s Urban Hang Suite. Click to buy the track or album via iTunes:
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Lyrics:

Lead me on girl if you must
Take my heart and my love
Take of me all that you want
And if there’s a thing that you need
I’d give you the breath that I breathe
N’ if ever you yearn for the love in me
Whenever Wherever Whatever

#Maxwell #WheneverWhereverWhatever #Vevo #Pop #OfficialMusicVideo

Marvel’s Blade Rumor: Wesley Snipes’ Trilogy Never Brought This Character In

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If true, it would be the first time that fans of the Blade property will see the vampire slayer’s daughter in action on the big screen. Back in 2015, comic book writer Tim Seeley announced that he would helm a new series for Marvel that would follow Fallon Grey as she took over the family business from her father. The project ended up falling through, but if this rumor pans out, it could have huge implications for the MCU and Blade.

Lil Baby Shares Video for New Song “Real As It Gets”: Watch

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Lil Baby has returned with his first single of the year. “Real As It Gets” features Louisville, Kentucky rapper EST Gee. Check out the Caleb Jermale-directed music video for the track below.

Late last year, Lil Baby dropped visuals for two new tracks, “Errbody” and “On Me.” His most recent LP My Turn came out last February. In the following months, he teamed up with RMR and Future for a remix of “Dealer,” released “The Bigger Picture” in response to the national protests over police brutality, featured on Davido’s song “So Crazy,” and more.

Read about Lil Baby and Gunna’s 2018 single “Never Recover” [ft. Drake] on the Ones.





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TEENA MARIE " OUT ON A LIMB" (R.I.P.)

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REACTION VIDEO

Lagrimas Negras – Emilio Ibañez con Pedro Pablo & Three Cuban Jazz

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Emilio Ibañez cantando Lagrimas Negras con Pedro Pablo & Three Cuban Jazz

Glitchcore Duo XIX on How to Create a Glitchy Banger

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Photo by Adam Degross. Left to right: Yung Skyda and Karm the Tool.

Much like everything else these days, TikTok has resurfaced yet another slice of the marvelous aughts. Punk-influenced music has caught the attention of the music industry, including people like Yung Skayda and Karm the Tool, the duo behind XIX; they create angsty, incendiary, and ultimately disruptive songs like “Kismet,” last year’s single from their EP 19, which to date has over 20 million streams. Their music, as with most internet-born wonders, defies the boundaries of genre. They call it glitchcore—an exhilarating mix-and-mash of sounds, vibes, and post-punk fashion, topped with lyrics like “I ain’t even flex a single stack, bruh (Fuck)/I’m living my lifе like a Bratz doll.” XIX’s music sounds like the internet and reeks of rebellious youth—an appropriate, if not perfect, response to the current times. On the occasion of the release of their latest song, “Toxic,” featuring BENKRO, the duo took some time to teach us how to create a glitchcore banger. Party time, excellent.

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Step 1:

You’ve got to start with a beat. Whether you make one or find a beat online, choose it very wisely. 

Step 2:

Looping the beat with the volume on blast and vibing is an essential part of making a glitchy banger. 

Step 3:

Fire up your Notes app and get to writing something catchy.

Step 4:

Once you’ve listened to beat on repeat for so long that it feels like torture, it’s time to lay down some vocals. Since glitchcore takes many forms, feel free to rap, scream, whisper, or whatever makes you happy. 

Step 5:

Sing your heart out.

 Step 6:

Now that you’ve got your vocals, add some compression to make sure your voice is coming in at a consistent volume level. The more compression you use, the more robotic you can sound, so don’t be afraid to go a little crazy with it for a glitchcore song. 

Step 7: 

It’s time for the sauce. You should only share the recipe for special occasions.

Step 8:

Adding a bitcrusher will make your voice sound dirty and futuristic at the same time. Needless to say, use it.

Step 9:

Slice and dice your favorite notes in the melody and duplicate them in the empty spaces between words. This is where you put the GLITCH in GLITCHcore.

Step 10:

Now that you’ve finally got all your pieces together, what better way to end the session than to jam out to your glitchy creation?

 

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Workers Rally to Save NYC’s Jing Fong

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Jing Fong workers, community members, and activists gathered on Tuesday to protest the Chinatown restaurant’s closing.
Photo: Scott Heins

At the corner of Canal and Centre Street in Chinatown, it was a sunny 25 degrees outside, but the cold air wasn’t the only thing that was biting: Dozens of people had come out for a rally outside the East Bank building to support the employees of the dim sum banquet hall Jing Fong. In February, the restaurant’s owners had announced they would vacate the current location and close the dining room on March 7. The restaurant will remain open for takeout and delivery, as well as keep its outdoor patio, “until further notice,” per a statement. (An Upper West Side location remains open.)

“Us workers, we demand the original or new business owners to continue to operate a restaurant to guarantee job opportunities,” said Liang Chen, speaking to a large group of Jing Fong workers, local residents, and activists spilling out onto Centre Street. A server employed there for 16 years, he was one of two employees who spoke on behalf of the 70 people who will soon be out of work and thrust into the restaurant industry’s employment crisis.  “We want to work, we want to live, and we want to prevent Chinatown from being destroyed.”

The action was organized by 318 Restaurant Workers Union and Youth Against Displacement, which represents around 70 of Jing Fong’s 150 employees, and supported by other anti-gentrification and workers groups including Take Back the Bronx, the Laundry Workers Center, Educators Against Displacement, and more. While East Bank isn’t home to Jing Fong, it is owned by the same landlord, father and son developers Alex and Jonathan Chu, whose family has reportedly been involved in Chinatown real estate for 50 years. The New York Times has described them as “one of the largest landlords in Chinatown”; according to 318, the Chus are the largest in the neighborhood. They’ve also come under fire from local activists who say they’re contributing to gentrification. In response to a city jail-expansion plan that would give the the Museum of Chinese in America $35 million in funding, one group, the Chinatown Art Brigade, called for the younger Chu’s removal from the museum’s board.

From left: Vincent Cao (left) of the Chinese Staff and Workers Association and Zishun Ning (right) of the Coalition to Protect Chinatown and the Lower East Side. Photo: Scott HeinsPhoto: Scott Heins

From left: Vincent Cao (left) of the Chinese Staff and Workers Association and Zishun Ning (right) of the Coalition to Protect Chinatown and the Lower…
From left: Vincent Cao (left) of the Chinese Staff and Workers Association and Zishun Ning (right) of the Coalition to Protect Chinatown and the Lower East Side. Photo: Scott HeinsPhoto: Scott Heins

As Chinatown’s largest restaurant, and New York’s largest Chinese restaurant, Jing Fong is a gravitational center in the neighborhood. When I asked one person why they were at the rally they told me, “Everyone has celebrated their birthdays at Jing Fong.” The need for this place to bind the community together was a theme repeated throughout the rally. “You destroy Jing Fong, you basically destroy Chinatown,” says Kai Wen Yang of the Chinese Staff and Workers Association. “It’s not just the size of it. It’s actually because people have birthdays, they have weddings, cultural events.”

It is also the neighborhood’s only unionized restaurant since the closing of Silver Palace, which was Chinatown’s first unionized restaurant and a site of its own labor struggles. (Silver Palace was located where the luxury Hotel 50 Bowery, which the Chu family developed, now stands.) In a letter to the landlords, the 318 Restaurant Workers Union’s president Nelson Mar writes that the closing Jing Fong will “severely damage the overall Chinatown much worse than what has been done by the pandemic,” which has disproportionately affected Chinatowns around the world. The union estimates 10,000 people a week ate at the restaurant before COVID, and Vincent Cao, who worked at Joy Luck Palace and is now with the Chinese Staff and Workers Association, said of the employees, “They know everything happening in Chinatown.” (In 2018, Joy Luck Palace closed to the public, then reopened, then eventually closed again after ownership clashed with the restaurant’s union.)

At yesterday’s rally, speakers including Yolanda Zhang from Youth Against Displacement, led a picket line and chants of “save Chinatown” and “stop destroying Chinatown.” One sign read “Not Another Silver Palace”; another read “Don’t Be A Ding Dong Keep Open Jing Fong.” Margaret Lee, an artist and a member of the Peter Kwong Immigrant Learning Center, implored the landlords to meet the crowd. “Alex Chu and Jonathan Chu come downstairs and open the door,” she said. The Chus did not come down, despite the repeated requests, but one cop did meander over to the building’s glass door and post up there for a while. The union’s demands, presented in the letter to the Chus, were also read. The letter called on the landlords to cease the eviction and “commit to keeping the dining room open,” to work with the employer to continue operating through the lease, and to sit down with the union and Lam.

A protester at the rally.
Photo: Scott Heins

“I think we can put a little bit of pressure on the landlord to help the owner out, and the lease can be negotiated. If the restaurant owner wants to keep the restaurant open that’s also what the workers want,” says Caitlin Kelmar of Youth Against Displacement, which is part of the Coalition to Protect Chinatown and the Lower East Side. (An umbrella group, the Coalition also includes the 318 union.) “I think the situation could change and maybe their interests won’t be so aligned in the future, but I think right now we’re fighting for the same goal, and the workers can mobilize in a way that the owners can’t,” says Kelma.

Like the crowd that spilled out onto Centre Street, anxieties bubbled over about what this could mean for the future of Chinatown itself, which is already facing gentrification and displacement of longtime residents, as well as unconcealed racism and a spike in violence against Asian Americans.

“Those of us here protesting the closing are also wondering, where are all these politicians who claim to be against anti-Asian violence? Where’s [city councilwoman] Margaret Chin? Where are they? Isn’t this violence?” says Zishun Ning of the Coalition to Protect Chinatown and the Lower East Side. “If you’re really, really against anti-Asian violence … stop this stuff from happening.”

Cao, the restaurant worker, spoke to concerns about the neighborhood: “Why do they have to kick them out?” he wonders. “They already made so much money in the past. That’s why we’re here, to urge the landlord, the owner, the union to sit down and work this out.” Cao, who was involved in planning the rally, adds, “It would really destroy Chinatown. It’s why we spent so much time — they’re sending a really bad message. Chinatown is going to change. For them it’s great, they make money. They don’t care who lives here.”

Shao Qing Chen, Yolanda Zhang, and Jing Fong server Liang Cheng.
Photo: Scott Heins

While Jing Fong’s employees are supposed to get severance, they won’t have an easy time finding new jobs during a full-blown employment crisis in New York’s restaurant industry. The unemployment rate in the city’s restaurant industry was 43.4 percent in December, the most recent data available. While it will likely get better as the weather warms up and more people get vaccinated, the restaurant industry — especially in hard-hit immigrant neighborhoods like Chinatown — has a long road ahead to recovery. “Everywhere is closed,” Chen says. “The landlord during the pandemic, especially right now, displacing us, closing the dining hall — many, many people lost their jobs.”

In a statement provided by a rep, Jonathan Chu writes, “Nobody has tried harder to keep Jing Fong in this space than we have.” However, Jing Fong’s future on Elizabeth Street was apparently uncertain even before the pandemic began. “Long story short, they wanted the space back,” Claudia Leo, Jing Fong’s director of marketing and PR, says. That’s when the owners started exploring their options, she says. “We’re not too sure whether or not they wanted to renew the lease.”

“Nobody wanted Jing Fong to succeed more than the Chus,” the rep, Eric F. Phillips of the PR firm Edelman, wrote when asked about this. “The sad reality is, while the pandemic has made this even more obvious, this extremely large space was not sustainable for Jing Fong’s business. The restaurant’s owners know that.”

Asked about specifics like rent forgiveness, the rep declined to comment, pointing to information in the statement, including that the restaurant’s rent had not been raised since 1993 and that the owners hadn’t paid rent in a year. According to Leo, the owners paid some rent through PPP loans, and the Chus worked with them on partial rent relief. The Lams have also been paying real estate taxes. Leo expressed sympathy for both the Chu family and the employees. “At the end of the day, they’re fighting for their jobs,” she says.

After the rally, I reached out to the East Wind Snack Shop chef Chris Cheung, who grew up in Brooklyn and Chinatown and has been a vocal advocate for Chinatown’s cuisine and the city’s Chinese restaurant community. “I have seen great restaurants in Chinatown close, and I feel the loss of food I grew up on that I will never eat again, and another traditional link to what used to be gone,” he told me. “This time is different, though. It’s not the usual closing. It’s like it was taken from us rather than just a loss.”

A protester at the rally.
Photo: Scott Heins



Hollywood latest action movie 2021

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Hollywood latest action movie 2021

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Paul Bettany Shares How His WandaVision Suit Impacts His Eating

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Paul Bettany has learned that turning into his WandaVision character involved a bit of sacrifice. 

The 49-year-old actor, who plays Vision in the Marvel Cinematic Universe, appeared on The Late Show on Wednesday, March 3, where host Stephen Colbert wanted to know how much of his character’s impressive chest belongs to the actor himself, and how much is Hollywood smoke and mirrors. 

“I’m going to get very specific with you now,” Paul replied. “About 42 inches of it is my chest. About eight inches just isn’t. But it’s not digital. It’s a suit that, you know, you wear. They they give you a muscle suit.”

The host responded with delight in the knowledge that he doesn’t need to be quite as envious as he had been about the A Beautiful Mind star’s physique. However, this doesn’t mean Paul could just indulge whenever he felt so inclined. 

“But the interesting thing is what you discover, is that you can’t join in the sort of COVID pandemic banana bread-eating phantasmagoria,” Paul continued. “Because when you wear the muscle suit, and you have a banana bread belly, it’s very obvious. The jig’s up.”

FATEH KARWA DEE NEW PUNJABI SONG| Sarba Randhwa| Kundi Muchh Recod Pb31

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WORTH THE KADAR#SARBA RANDHAWA #KUNDIMUCHHRECODPB31&DEEP CHEEMA PRESENTS

KUNDI MUCHH RECOD PB31 Proudly presents Official video of MOST awaited Song ‘FATEH KARWA DEE’ in soulfull SARBA RANDHAWA

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Published year : 2020
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