Which pretty much tracks, considering how swimmingly the rest of her life is going. While older sister Kate Middleton set forth her future as a real life princess (yes, her official descriptor is Duchess of Cambridge, but one day she’ll be Queen Consort and in the meantime she gets to wear a tiara on the regular) circa freshman year of college when she made friends with Prince William at Scotland’s University of St Andrews, Pippa’s life has been no less charmed.
Thanks to her 2017 wedding to Matthews, the 37-year-old lives in a palace of sorts (a $22 million, five-story townhouse in London’s ritzy Chelsea neighborhood, recently renovated to include an in-home gym, underground movie theater and his-and-hers dressing rooms), has access to her own reported multi-billion-dollar fortune and will one day inherit a title of her own, when hedge fund manager Matthews, 45, is named Laird of Glen Affric, a distinction currently held by his father. (He and his Lady will also lay claim to the family’s 10,000-acre Scottish estate.)
And now that she’s expecting her second child, she and Matthews are “thrilled,” a source told Page Six. “The entire family is delighted.”
For Sunita Mani, 2020 has been a year of professional peaks and valleys. At the same time that she was headlining movies for the first time in her career, GLOW, the beloved Netflix comedy she starred in for three seasons, was unceremoniously canceled by the streaming giant. The move, which Netflix blamed on the pandemic, not only blindsided the show’s devoted fanbase, but also its cast, who had already begun filming the fourth season. Soon after the cancellation was announced, Mani posted a letter to her Instagram account that she and five other castmates—all women of color—sent to the show’s producers during its pandemic-related hiatus, lamenting the show’s failures to live up to the standards of diversity and inclusion it first set with such a multicultural ensemble. “GLOW has been marketed as a diverse ensemble, but for all of us diverse cast members, it has never lived up to these ideals,” Mani said on Instagram. “Since Season 1, the show has planted racial stereotyping into our character’s existence, yet your storylines are relegated to the sidelines in dealing with this conflict or have left us feeling like checked-boxes on a list.” Mani said the letter was positively received, and suggested that those issues were going to be addressed in the new season, which made the show’s cancelation even more difficult to absorb.
None of this is new for the 33-year-old Tennessee native. Mani has spent nearly a decade navigating the capricious world of show business, first as a stand-up comedian, and then as a member of the Cocoon Central Dance Team, a three-person act which combines comedy and movement. As a performer of South Asian descent, she has had to question whether or not she belongs because of her talent, or because the project needed someone of her ethnicity. This year, she’s made her own case with a pair of performances that highlight her range. In the contemporary indie comedy Save Yourselves!, she played one half of a couple who has to deal with an alien invasion while disconnecting in upstate New York. Then, she swerved into dark fare with the thriller Evil Eye, part of an anthology that Blumhouse released on Amazon Prime last fall. Mani, who was recently cast opposite Oscar Isaac and Jessica Chastain in the HBO limited series Scenes From a Marriage, recently connected with the comedian and musician Reggie Watts to discuss her early days in the showbiz trenches, battling imposter syndrome, and learning to be enough.
———
SUNITA MANI: Well, hi.
WATTS: Long time no see.
MANI: How are you?
WATTS: Me good.
MANI: I’m wearing my mask right now. I’m on a little walk. I’ve been laying flat on my back a lot so I decided to get up and put these things in motion. I’m actually a little sore. I was in a little bit of dance rehearsal.
WATTS: With the Cocoon Central Dance Team?
MANI: Yeah. We all got tested and made a video together for a project. It was really wild to be in the same place at the same time, together. It was a celebration.
WATTS: Wowzers. I love that you guys are attacking. That’s how I came to know you, you know?
MANI: Yeah. It’s pretty wild.
WATTS: That’s something that I wanted to talk about. Take me through your trajectory when you moved to New York. Why did you want to move?
MANI: I ended up in New York by way of Boston. I was at Emerson College and always wanted to live in New York, but I just went to Boston instead. I think I was too nervous. I didn’t really know what I was doing in college, but I got so wrapped up in the comedy scene, because it looked so fun, and it was. I had that dream for myself. Perform with my friends, put on our shows. But we had to also feed ourselves, and pay rent, and have jobs, so we grew up. Cocoon was born out of that misery of that growing pain. It’s like, “Oh, shit. Adulthood.” We would host shows at our house. We had no furniture. We had an exposed brick wall. We thought that was really cool for a backdrop of a show. So we taped a mic handle to a broom handle, and would host these shows. Basically they were just parties, but we took them a little bit seriously, and performed an opening number for them. That was the first of Cocoon Central Dance Team. Then I feel like I met you in New York at shows. It’s so amazing to be billed on these variety shows, alongside you and people who are doing this. That’s where I knew I belonged.
WATTS: With Cocoon, you approach things like you’re taking an art form, or medium, that isn’t necessarily immediately associated with comedy per se, and you’re making it into a comedic element. Or, even better than that, I would say an absurdist element. Cocoon could go in a few different places, right? You guys could be at an experimental film festival or an actual dance event, but then you also can be on a tiny stage doing your stuff. So it’s super flexible, but when you bring it into the comedy thing, there’s so much horsepower there. All three of you are so crazy charismatic.
MANI: Did you feel like, when you were in a music program, that you belonged there? I feel like I could never take myself seriously in education. I always had to be a clown.
WATTS: 100 percent. That was my problem. I studied piano starting at age five. Once I discovered Monty Python, I just started seeing everything as ridiculous, absurd, and funny. So when I would have my assignments to do a piano piece, I would start with the piece, but then I would improvise and roll in with some other stuff. I learned music theory up to a point, and then I got disinterested with it and was more interested in doing dumb, silly things. What I get from all of that is that I like to be myself. I could say I’m a comedic performer and an improviser, but I think defining yourself by what you’re not is super crucial in the engine of motivation for yourself and your life course. I definitely see that in you, because of the similarities of having strong ties to another culture. Growing up in the United States as a brown person, and then integrating with all these different systems, and being a smart person, I’m sure you don’t define yourself by your race. You don’t lead by that. At least I never did when I was growing up. I knew I was different compared to the majority. But I didn’t lead that way. I led by my character. I led by my personality and my viewpoint.
MANI: I really avoided defining myself by my ethnicity. I just wanted it removed, almost entirely, because I was so aware of it. I wanted to thwart it, and be like, it doesn’t exist. But now I feel like I’m coming back to a place where there is more integration of my culture and my identity. It’s hard to parse out exactly the mix of what is and what isn’t from my Indian culture. It’s like this new level of awareness that feels a little stinky, but dance comedy and a lot of acting, you don’t have to think too much, hopefully. Especially not with dancing. Just do. I feel like I’m in a stinky phase of my identity right now. And we’re in a stinky place in time.
WATTS: How so?
MANI: We are totally redefining structures. And as you say, it’s so important. I have more language, for instance, of how to talk about my identity, and my experiences, because more people are talking about their experiences in having multicultural backgrounds. It’s helpful. But it is like, there’s more space to exist in, and it’s almost hard for me, because the confines, the things to push against were so defining for me growing up, and now it’s like, “Oh, I have more space. Oh, shit. What do I do? What do I do with this space?”
WATTS: How did you become an actor?
MANI: As a kid, I think I did want to be an actor, but I couldn’t really say it out loud, or I didn’t let myself think that far or dream that big. So it was far away. But I really love it, and I think it’s such a cool job. I think it was a couple seasons into Glow that I was able to say, “I think I’m an actor now.”
WATTS: Do you ever feel like you have imposter syndrome? When you are acting do you ever feel like, “What am I doing?”
MANI: Oh my god. All the time. It’s something I definitely compound with being a woman and part of a diversity quotient. I can really rip the rug out from under myself and be like, “Wow, I’m only here because I’m a brown woman. Otherwise, I wouldn’t have this show.” It’s always there a little bit. I know it’s not healthy, and it’s not always real, but it’s there because it feels like I’m not allowed to be in the room with my Julliard-trained actor friends, because they’re amazing. But at the same time, I am someone who learns on the job. I do feel like I’ve been schooled because I’m watching people like Gayle Rankin and Betty Gilpin and Alison Brie on set. It’s a different type of learning, but I do feel like I’ve gotten opportunities because of the rise of diversity. It’s amazing, and at the same time it’s like, “Wait. Did I earn this? Should I be here?” There’s always something chasing me like, “You’re not enough.”
WATTS: With the diversity hire aspect of it, do you ever think of that as an advantage in this climate?
MANI: I think with Glow, I was so happy it was me because I believed in this role just as much as anyone, if not more than anyone. I’m going to bring my personal experience to this. That’s an advantage. It’s a good thing that I’m here.
WATTS: Aside from your desire to perform, do you ever think about how you might influence someone of color, and also women? Do you view yourself as someone who helps people push themselves into knowing that they can do these types of things?
MANI: I don’t hear from that many people outside of my friend circle, but sometimes I’ll get an email, or a comment, that’s like, “This really helped me.” Or, “I’m so glad I could see this representation.” Sometimes it’s from Indian women and sometimes it’s from anybody. And that’s making more sense to me now, that I can have that impact. I didn’t really feel that until recently. You have albums, and you have recorded documents of things. How do you look back on those? Do you have a different relationship with it as you’re making it?
WATTS: I think of them as snapshots of moments in time. It’s funny, because I thought about the idea of recording all the way back to when I was a kid and had a tape recorder, and I remember hearing my voice back from a recorded medium, and I was so fascinated with that. You’re kind of dividing yourself. You’re able to step out by yourself and go, “Oh, interesting.” Which is just an incredible feeling. That brings me to your film, Evil Eye. When does that emerge, or has it emerged already?
MANI: It was released on Amazon on October 13th. It was part of this series of films that came out. Blumhouse and Amazon partnered up to make an anthology series of horror movies. Four were released this year, and then they’re going to release four more next year. Our movie, Evil Eye, got to be in the first set and it was a thrill. Honestly, it’s not that scary, so if you’re a horror buff, I think you’ll be disappointed.
WATTS: I don’t like horror movies. I find them a little boorish, but I’m glad to hear that it’s not that scary, so now I can watch it. What was that like? That was your first film without it being a thing created by friends?
MANI: Yes, I met a bunch of strangers. I’m super excited by one of the castmates in particular. Sarita Choudhury, who plays my mom in the movie. That was the reason why I did the movie, because I’m not normally up for a horror movie. I was suspicious of the whole thing, but it is an Indian led cast, which is cool. I’m also weirdly suspicious of that, too. I’m like, “Hmm. What is this about?” But I loved being around so many people of south Asian descent. I wasn’t alone. That was really exciting. My character in that movie is slowly dragged into the horror movie. The mom’s character is living the horror movie more so in the plot of the movie, and my character is catching up.
WATTS: Wow. That’s a trip. Okay, I’m looking forward to seeing it now. What do you have coming up in the future?
MANI: This is a wild time, but I’m excited to hold on to a few ideas that I have that I want to write and turn into a TV show or a film, to just have something to work through all this anxiety. It’s nice because I feel like I’m writing a little bit of an escape for myself. I’m still working with Cocoon. We’re also writing and trying to work on the TV project together. And man, I don’t know. Still do this acting thing. Still auditioning, and hopefully cool stuff pans out. But I don’t mind not knowing. Hopefully I can keep my pen to the page. I’m not super inspired right now. I was a few months ago.
WATTS: I really look forward to that. You’re definitely one of my favorite actors now. You’re completely unique, and your expressiveness is huge.
MANI: That’s so kind. I think the world of you, so it’s nice to be on your mind in this way.
WATTS: Well I guess that’s it. We did it. Thanks to Andy Warhol.
The phrase “if you can’t laugh at yourself” has served as the opening for a number of age-old sayings, and the idea is almost always correct. On some level, we should all be able to laugh at ourselves and not take things too seriously. A number of celebrities have no problem poking fun at themselves, and Kevin Hart is probably one of the most self-deprecating comedians in the industry. And just recently, the actor took to social media to make a joke about his height using a tall chair.
Jazz afrocubano “Big Bad Dena” de AC Jazz Project del album “Conga Buena” (2013). Agarrense fuerte de la descarga a partir del minuto 1:05!
Musicos: Josiel Perez Hernandez (trompeta y direccion), Yosmel Montejo (bajo), Fermin Sifontes (teclado), Joel Nunez (saxo), Santiago Santiuste (congas) con invitados especiales Luis Conte (Congas) y Calixto Oviedo (drums). Viva el jazz afro-cubano! Viva la musica cubana!
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One thing you can say about this pandemic is that as it gets worse, the comfort food gets better. Take, for instance, Rita Sodi’s new cacio e pepe lasagna, which she unveiled as a special a couple weeks ago at her West Village restaurant, I Sodi: 21 firm but tender sheets of handmade pasta, each one judiciously slicked with besciamella and an innovative cacio e pepe sauce so good, Sodi plans to bottle and sell it to go online.
The innovative bit involves boiling Pecorino rinds for six hours to make a stock that acts as the base for the sauce.
The crazy genius part of cacio e pepe lasagna, though, is cacio e pepe lasagna itself: just the idea of taking two crowd–pleasing, superstar pasta dishes and molding them into one superb slab of starch. While many New York chefs have attempted to capture the essence of spaghetti cacio e pepe by adapting it to other forms — pizza, popcorn, ravioli, and doughnuts all spring to mind — no one has ever seen fit to give a lasagna the CEP treatment.
(Wait, sorry, our internet was down and we neglectedto Google it. As it turns out, cacio e pepe lasagna is a thing — mainly, it seems, in Italy.) For her part,Sodi, who is from Florence and a bit of a lasagna expert, says she has never seen it before. The idea just popped into her head one day. “I was like, Rita, why after 12 years in business you didn’t think before to do a cacio e pepe lasagna?” Not that she’s taking credit. “I didn’t invent anything,” she says. “I just put things together in a different way.”
In any case, the point we’d like to make is that lasagna noodles and cacio e pepe sauce go together like bacon and eggs — at least when put together by Rita Sodi. If only she sold this stuff by the hotel pan, we’d take a to-go tray back to our apartment and never leave till spring.
Rapper Offset is defending his wife Cardi B and her chart-topping hit song “WAP” following rapper Snoop Dogg’s recent criticism claiming that song is a bit too vulgar.
“I love Snoop man, but she grown. I don’t get in female business,” the Migos rapper told TMZ. “I hate when men do that. I don’t do that.”
During a recent interview with Central Ave, Snoop Dogg gave his opinion on the platinum song, which features Megan Thee Stallion.
“To me, it’s like, it’s too fashionable when that is secrecy, that should be a woman’s…that’s like your pride and possession,” Snoop told host Julissa Bermudez. “That’s your jewel of the Nile. That’s what you should hold onto. That should be a possession that no one gets to know about until they know about it.”
RELATED: Snoop Dogg Says Cardi B Needs To ‘Slow Down’ Rapping About Sex
Offset continued his comments saying the song is for entertainment and is still a number one song.
“Anybody can say what they wanna say, that’s six-time platinum in three or four months…it wasn’t that bad cause it went No. 1,” he said.
The “Clout” rapper also made it clear that there needs to be continuous support for women in the rap and music industry.
“As rappers, we talk about the same sh**,” he said, speaking about male artists. “It’s a lot of women empowerment, don’t shoot it down. We’ve never had this many artists that’s female artists running this sh**. They catching up to us, passing us, setting records.”
CS Collectibles: Darth Maul, Batman Beyond, Wonder Woman & More!
Hello and welcome to the latest edition of CS Collectibles, ComingSoon.net’s newest weekly column that brings you the best in premium collectibles! Find out all the latest on statues, figures, posters, cards, eBay deals, Amazon deals & much more below!
A clever and powerful Imperial. A formidable opponent. The Moff Gideon™ Premium Format™ Figure depicts this fiercely determined Officer as seen in the Star Wars™ series The Mandalorian™ streaming on Disney+. Pre-Order today! https://t.co/bywET8yGkc#StarWars#TheMandalorianpic.twitter.com/gBU68Qp1ya
“There is no sacrifice too great to save someone I love.”
Sideshow presents the Wonder Woman Bust, joining your league of DC Comics collectibles.
The polyresin Wonder Woman Bust measures 9.5” tall as the Amazon warrior holds her Lasso of Truth at the ready. As depicted from the waist up, Diana of Themyscira is clad in her iconic costume, featuring her sculpted red bodice, golden armor and tiara, and silver Bracelets of Submission. The Lasso of Truth is also fully sculpted, detailed to mimic the appearance of rope as she wields it against injustice across the DC Universe. Sitting atop a Themysciran pillar-inspired base, this detailed bust captures Wonder Woman’s fierce devotion to love and honor in a dangerous world.
By the goddess! Bring home an Amazon champion to your Justice League collection with the Wonder Woman Bust today.
Wonder Woman DC Comics Bust – $250.00 from: Sideshow Inc.
“Hey, I put my life on the line all the time.”
Sideshow presents the Batman Beyond Premium Format™ Figure, soaring his way into our line of DC Comics collectibles.
The Batman Beyond Premium Format™ Figure measures 21” tall as the sleek-suited Terry McGinnis jets off the top of a futuristic Gotham City base. Gone are the stone gargoyles of the past, updated into more technological gunmetal gray paneling with red accents befitting Batman’s own upgrades as the dark defender of the night.
The polyresin Batman Beyond Premium Format™ Figure features a fully sculpted Batsuit with detailed musculature and varied textures to reflect the armored and tactical elements of his costume. As the inheritor of Bruce Wayne’s heroic mantle, Terry McGinnis wears a silver utility belt and has striking red wings along with a red bat symbol on his chest, giving him a high-tech look. This highly-dynamic statue also features detailed elements of sculpted flame and rocket exhaust as Batman takes to the skies to tackle a new era of crime in Neo-Gotham.
The Exclusive Edition of the Batman Beyond Premium Format™ Figure includes an alternate animated portrait with a more streamlined cowl design and larger ear points. Animate your DC Comics collection with this exclusive display option.
Take your collection to the future and bring home the Batman Beyond Premium Format™ Figure today!
Batman Beyond DC Comics Premium Format™ Figure – $595.00 from: Sideshow Inc.
Diamond Select
A Diamond Select Toys release! Nothing can stop the Juggernaut! The X-Men’s most unstoppable foe is captured mid-charge in this approximately 11-inch resin statue. Featuring detailed sculpting and paint applications, this sculpture is limited to an edition of only 3,000 pieces and comes packaged with a numbered certificate of authenticity. Designed by Nelson X. Asencio, sculpted by Sam Greenwell.
A Diamond Select Toys release! The Scarecrow stalks in this new PVC diorama in the DC Comics Gallery line! Standing approximately 10″ tall, Jonathan Crane wields a pitchfork and spreads fear as the latest sculpture from DST. Made of high-quality PVC and featuring detailed sculpting and paint applications, it comes packaged in a full-color window box. Designed by Caesar, sculpted by Alterton.
Purchase DIAMOND SELECT TOYS DC Gallery: Scarecrow PVC Figure here!
Mondo
Rick & Morty, the portal popping pair, are now HUGE figures to add to your wubbalubbadubdub collection! Each features neck, hand, and ankle articulation, interchangeable heads and hands, accessories, and all with the smell of adventure!
Rick stands approximately 11.5″ tall, and Morty stands approximately 8″ tall, and that’s the wayyyyyy the news goes!
Rick & Morty Rick and Morty Sixth Scale Figure Set – $100.00 from: Sideshow Inc.
By the Power of Grayskull, you too can have the Power! Mondo is proud to bring you the next figure in our Masters of the Universe sixth scale figure line- Man-At-Arms! Featuring over 30 points of articulation, fabric costume elements, and a lot of accessories (and we mean a lot!), this is the most powerfully man at arms figure you will ever find, from here to the government of Eternia!
Man At Arms Masters of the Universe Sixth Scale Figure – $190.00 from: Sideshow Inc.
Iron Studios
Following the worldwide success of the Avengers: Endgame movie, Sideshow and Iron Studios are proud to announce the latest statue from the Legacy Replica 1:4 Scale line – Thor! Based on the likeness of Chris Hemsworth from the film, this statue is hand-painted and limited edition.
Endgame fans, don’t miss your chance to add the God of thunder to your collection!
Thor Marvel Statue – $760.00 from: Sideshow Inc.
Sideshow and Iron Studios present the Night Monkey Art Scale 1:10 Battle Diorama Series Statue!
The Night Monkey Statue is part of a battle diorama based on the hit film Spider-Man: Far From Home. This statue is approximately 10.2″ tall. The Battle Diorama Series will feature additional characters from the hit film.
A must-have for fans of Spider-Man: Far From Home!
Night Monkey Marvel 1:10 Scale Statue – $125.00 from: Sideshow Inc.
Prime 1 Studios
“No more work for hire. From today, I’ll decide who needs to die.”
Sideshow and Prime 1 Studio are proud to present the Deathstroke 1:3 Scale Statue from the DC Comics Universe. Part of an experimental super-soldier program where he gained enhanced strength, agility, healing factor and intelligence, Deathstroke became a mercenary soon and rapidly gained a reputation as one of the world’s greatest assassins.
This Deathstroke statue comes with a variety of weapons and swap-out arms to choose from such as a right hand holding a Samurai sword or a left hand holding an M4 Rifle. This collectible statue also comes with two alternate masked portraits. Deathstroke stands on a Grim Reaper base design.
DC fans, don’t miss your chance to make Deathstroke a part of your collection!
Deathstroke DC Comics Statue – $1,049.00 from: Sideshow Inc.
“Take a good look Bruce. What do you see? You’ve never fought someone with all your training. Your discipline. See it yet? I’m not him in a batsuit. I’m you. You. How you are supposed to be without the codes. Without the rules. Except one. BATMAN. ALWAYS. WINS.”
Sideshow and Prime 1 Studio are proud to present the Batman Who Laughs Statue from Dark Nights: Metal. The Batman Who Laughs is a supervillain in the DC Comics universe. He is a “Jokerrized” version of Batman who originated from the Dark Multiverse. He is the team leader of the Dark Knights and their goal is to help their master Barbatos plunge the Multiverse into complete and utter darkness. This course of action makes them enemies of the Justice League. He serves as the secondary antagonist of the event Dark Nights: Metal.
This is a must have for all DC Comics Dark Nights: Metal fans!
Batman Who Laughs Deluxe Version DC Comics Statue – $1,399.00 from: Sideshow Inc.
PCS Collectibles
“Li’s pain…his anger… it’s fueling his power.”
Sideshow and PCS present the Spider-Man Negative Zone Suit 1:3 Scale Statue, swinging in direct from the world of Marvel’s Spider-Man.
The Spider-Man Negative Zone Suit 1:3 Scale Statue captures all of the action and web-slinging thrills of the hit video game in a dynamic collectible format. The statue measures 24” tall as Peter Parker leaps into battle against Martin Li, also known as the villainous Mister Negative. Charged up with semi-translucent negative energy, Li’s mystical and monstrous Demon form serves as the statue base and brings fans back to the center of an epic boss battle translated right from the screen to your shelf.
The Spider-Man Negative Zone Suit 1:3 Scale Statue features a fully sculpted costume based on the incredible color negative costume design featured in Marvel’s Spider Man. The Negative Zone Suit features a black and white inverted color scheme, black spider symbols on the chest and back, and unique teal shading throughout in order to recreate the mesmerizing movement of the game’s negative energy effects. Additionally, the figure features detailed webbed and paneled costume sections, sculpted with realistic textures to further give the appearance of suit fabric.
The Exclusive Edition of the Spider-Man Negative Zone Suit 1:3 Scale Statue features a flexible web accessory for Spider-Man’s hand, giving your display an extra THWIP of detail as Spidey swings onto the scene.
Defeat your Demons and bring home the Spider-Man Negative Zone Suit 1:3 Scale Statue by PCS today.
Spider-Man Negative Zone Suit Marvel Statue – $1,200.00 from: Sideshow Inc.
“Beauty is refined in battle.”
Sideshow and PCS Collectibles present the Karin: Season Pass 1:4 Scale Statue, ready to join the battle of Street Fighter collectibles.
The Karin Statue measures 17” tall, with the snobbish fighter standing on a lush beach-themed base with a sandcastle, a shovel, and the foamy blue surf. This video game collectible captures Karin Kanzuki’s elite summer style, based on one of her wearable outfits in Street Fighter V.
Faithfully recreated based on her in-game character model, Karin’s summer costume is entirely sculpted and features a breezy white jacket and a patterned bikini. The Kanzuki heiress has a toned, athletic physique and decorative, colorful jewelry including necklaces, bracelets, and strapped sandals. Her portrait is detailed with large, perfectly curled blonde ringlets beneath a wide-brimmed sun hat with a large pink bow, completing Karin’s posh ensemble.
The Exclusive Edition of the Karin Statue includes a 11×17” signed art print by artist Edwin Huang. This Street Fighter collectible artwork is a must-have for fans of the iconic video game!
Refine your collection and bring home the Street Fighter Karin: Season Pass 1:4 Scale Statue from PCS Collectibles today!
ALMOST GONE!!!
Karin Street Fighter Statue – $460.00 from: Sideshow Inc.
Hot Toys
Darth Maul surprised many Star Wars fans with his appearance in Solo: A Star Wars Story. The audience discovered that the deadly Darth Maul has survived to build an empire of his own as the true leader of Crimson Dawn. Operating from his homeworld of Dathomir, Maul commanded the crime syndicate with the help of refined figurehead and terrifying enforcer Dryden Vos, who traversed the galaxy on his lavish yacht entertaining and brutally imposing the will of his master. After his death, Dryden’s first lieutenant Qi’ra assumed control over the territories, working closely with Maul to continue their rule.
Sideshow and Hot Toys present the Darth Maul Sixth Scale Collectible figure from Solo: A Star Wars Story
Skillfully crafted based on the appearance of Darth Maul in the film, the sixth scale collectible figure features a newly developed head sculpt with stunning likeness, finely tailored outfit and robe, highly detailed robotic legs, Maul’s iconic double-bladed lightsaber with LED light-up function and interchangeable lightsaber blades emulating the weapon in motion. This Star Wars figure also includes a selection of interchangeable hands for posing options, a specialized seat for Maul and a figure base.
The Sixth scale Darth Maul will surely be a great addition to your Star Wars Collectibles!
Darth Maul Star Wars Sixth Scale Figure – $274.00 from: Sideshow Inc.
As one of the most popular and bizarre elements of the Marvel Universe, the Venom symbiote can possess people and give them powers in the process. This alien entity can shift from host to host and has managed to become entangled with characters! So what if Venom symbiote possessed Deadpool?
Sideshow and Hot Toys are very excited to bring to you the brand new sixth scale collectible figure that captures the wildly popular character – Venompool from an impressive lineup of Marvel Contest of Champions!
Expertly crafted based on the unique appearance of Venompool in the game, the collectible figure stands approximately 36.5cm tall and features a newly developed head sculpt with 3 pairs of interchangeable eyepieces and 2 interchangeable long tongues to create numerous combinations of expressions. This figure includes a skillfully tailored red and black suit capturing numerous fine details, signature weapons including a pair of katanas and a pistol, last but not least, a variety of interchangeable hands available for different gestures!
This special edition is available in select markets and includes an additional grinning head sculpt as a bonus item exclusively for collectors!
It is time to recruit this insanely cool Venompool to your unique collection!
Celebrate this creepy classic with these Nightmare Before Christmas 3 3/4″ scale ReAction Figures. Jointed like retro action figures, each figure is packaged on a retro style 6″ by 9″ illustrated backing card.
Celebrate this creepy classic with these Nightmare Before Christmas 3 3/4″ scale ReAction Figures. Jointed like retro action figures, each figure is packaged on a retro style 6″ by 9″ illustrated backing card.
Get a surprise assortment of premium pop culture collectibles and gear from your favorite TV shows, movies, games, comics and more delivered to your door every month!
Click here to order!
Wizards of the Coast
Ready to rock? To celebrate our #Secretversary, we’re having a special event! Join us on December 10 at https://t.co/TIF8ZcpyFf for some music and Magic. pic.twitter.com/VJDoq8aSof
