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20th Century Studios Taps Dan Trachtenberg to Helm Fifth Predator Movie

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20th Century Studios Taps Dan Trachtenberg to Helm Fifth Predator Movie

20th Century Studios taps Dan Trachtenberg to helm fifth Predator movie

It’s been nearly five years since Dan Trachtenberg last stepped in the director’s chair for his feature debut, 10 Cloverfield Lane, and now it looks as though he’s found his next project in the form of a fifth Predator film at 20th Century Studios, according to Deadline.

RELATED: Exclusive: Alice Braga Talks Predators 10th Anniversary!

Plot details are currently unknown on the film, but sources report that it will not pick up on the unresolved plot threads from the fourth installment in the sci-fi action franchise, 2018’s The Predator, co-written and directed by original film co-star Shane Black (The Nice Guys). That film ended with the military, led by Boyd Holbrook (The Fugitive), finding a special mech suit entitled the Predator Killer onboard the titular creature’s ship built to help humanity fight against the alien race.

The script for the forthcoming fifth title is set to be penned by Patrick Aison, who’s previously worked as a writer and producer on Fox’s Wayward Pines, Audience Network’s Kingdom, Amazon Prime Video’s Jack Ryan and USA Network’s Treadstone. John Davis, who has been attached as producer of the franchise since the 1987 original, is set to once again produce the film.

The original Predator centered on a group of elite paramilitary soldiers heading into a guerrilla-held territory of Central America on an operation to rescue hostages, only to encounter the technologically-advanced titular alien and enter into a fight for their lives. Starring Arnold Schwarzenegger, the original film was a smash success, grossing nearly $100 million at the box office and garnering positive reviews from critics in the years since its initial negative reception. It success spawned a franchise that included three sequels, two film crossovers with the Alien franchise, five video games and countless comics and novels.

RELATED: Tom Holland Starts Filming on Spider-Man 3 as Uncharted Wraps

After helming the acclaimed short films Portal: No EscapeMore Than You Can Chew and the Black Mirror episode “Playtest,” Trachtenberg went on to make his feature directorial debut in Paramount Pictures’ 10 Cloverfield Lane, which was a critical darling and grossed over $110 million at the global box office. He was briefly attached to the upcoming film adaptation of Sony’s Uncharted before dropping out of the project, which is now being helmed by Venom‘s Ruben Fleischer.

(Photo Credit: Theo Wargo/Getty Images)



Kash Doll Shares New Song With Mulatto, Benny the Butcher, and DJ Infamous: Listen

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Detroit rapper Kash Doll and Atlanta’s DJ Infamous have shared a new single “Bad Azz,” featuring Atlanta rapper Mulatto and Buffalo rapper Benny the Butcher. The track is also co-written by Hitmaka and London Jae and produced by OG Parker and Smash David. Hear “Bad Azz” below (via Infamy/BMG/Republic Records).

Kash Doll released her debut album Stacked last year. She also featured on PUSHA-T’s single “Sociopath.” Earlier this year, she was on Big Sean’s massive Detroit posse cut “Friday Night Cypher.”

Mulatto, a 2020 XXL Freshman, recently featured on 2 Chainz’s “Quarantine Thick.” She released her debut project Queen of da Souf back in August.



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Square Biz – Teena Marie | Karaoke Version | KaraFun

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Download MP3:

Sing Online:

* This version contains a low volume vocal guide to help you learn the song. The karaoke version without the vocal guide is available on www.karafun.com. This recording is a cover of Square Biz as made famous by Teena Marie – This version is not the original version, and is not performed by Teena Marie. This instrumental/playback version contains a vocal guide, the lyrics and backing vocals.

All the assets on KaraFun channels are used by permission under licensing agreement with rights holders (music composition, sound re-recording).

Amigo Skate, Cuba

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Skateboards are considered contraband in Cuba. But since Russian soldiers pulled out in the 80’s leaving behind their decks, there has been a renegade culture of skaters who thrive. Supported by a charity group out of Miami who smuggles skateboards into the communist country to help inspire at-risk youth in a positive manner and to ultimately get skateboarding into acceptance and to open a skate park in Havana.

Kaikkialla vs Maramba – Emotional transfer

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2016 VA – BergGeister

Best Mumbai Street Food Recipes | मुंबई की फेमस स्ट्रीट फ़ूड अब घर पर बनाये आसानी से | Must Try

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Best Mumbai Street Food Recipes | मुंबई की फेमस स्ट्रीट फ़ूड अब घर पर बनाये आसानी से | Must Try
Ghar pe baithkar asaani se banaye yeah 4 famous aur lajawaab street food jo ki hain mumbai ki special. Friends video acha laga to ise jaroor like aur share karein apne saare friends ke saath. Mere channel ko subscribe karna mat bhooliye.

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Scream 5’s Jack Quaid Jokes About The Movie’s Title

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As for 5cream, that title quickly went viral when the fifth Scream movie was announced, and it looks like the cast and crew also enjoyed joking about it while shooting. The joke is actually a reference to Scream 4, which was stylized as SCRE4M during that movie’s marketing. 5cream would be a hilariously weird choice for the movie’s name, but still preferable than the official title for some fans.

Label Profile: Billain Just Dropped His ‘Codename ‘ EP on His New Mentem Label and It’s the Beginning of an Era

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The Codename EP is the first solo multi-track release from Billain since he brought down the house in 2019 with his epic, long-form sonic movie of an album, Nomad’s Revenge. It was a groundbreaking LP in many respects, mostly because it combined so many genres, created a few of its own and contained gaming-or-action-movie-like dialogue.

It’s pretty easy to imagine that a drop like that would take a lot out of a person and so it’s not really a surprise that Billain appears to have taken it easy lo these 16 months. He’s had a smattering of solo and collab tracks on Invisible, Bad Taste and Othercide but beyond that, there was a palpable gap in the bass music world that really could only be filled with the likes of this Bosnian visionary. Luckily, that gap has once again been filled, if not expanded, with Codename.

The EP is just the beginning, as Your EDM came to find out, as Billain has also teamed up with Codex (not to be confused with Cod3x) on their new label, Mentem. It seems like the prefect fit; most of Billain’s fans know he also works on video games and movie scores and both members of Codex (Ranko is in Serbia near Billain and Djordje is stationed in New Zealand) are also involved with cinema in CGI visuals and other aspects. With Billain on A&R and all three pumping out insanely interesting and emotive music, it’s a pretty solid combination, and that’s notwithstanding the huge project announcement they have coming up (stay tuned for that bombshell).

So aside from marrying deep bass, cool visuals and cinematic scores, what will Mentem be about? Billain and the Codex boys are decidedly and unsurprisingly vague and cryptic, saying only that it’s “cyberneuro international music collective originating from Serbia and stretching far beyond the reach of universe.” In terms of sound and vision, they want to keep it loose, which, again, makes sense if you know these guys. From what we’ve gleaned, all three producers have been sitting on a mountain of unreleased and somewhat uncategorizable music, but the idea to put it out on Mentem didn’t happen right away. The first release on Mentem was in 2015: a dual single from everyone’s favorite melder of amens and deep bass, War. From there, it was about one or two releases per year until this year, with newcomers Bohemian and Hermetik’s whip-snared shocker single “Protocol”/”The Real Power” and now Code Name.

Given the trajectory of Nomad’s Revenge, one would expect Billain to drop a whole bunch of experimental, obscure and possibly beatless work on us right away, but with the title track and his collab with Codex, “Netsphere” Both tracks are aggressive, fast as hell D&B tracks, so this should please Billain’s neuro adherents. There’s still lots of experimentation and interest points for the sound design nuts, however. This is another way to know Codex and Billain will work well together: they both have the ability to smash as much sound as possible into a phrase in a way that’s so awesome it almost rewires one’s brain for a second.

Surprisingly (or maybe not given Billain’s following after Nomad’s Revenge, the last track on Codename is garnered the most interest from the bass world. It’s been featured already on Noisia’s podcast and the video, since going up on YouTube on Wednesday evening, has already had over 3,500 views and lots of “mind blown” comments. It’s an interesting, experimental journey though sound design with vintage 80s synth roots and lots of ambient scoring. The video is pretty amazing, but the sound in the track is also so visceral that one can easily conjure up one’s own visuals while listening.

With a new label and a stellar new EP and lots more projects in the works, we’d still caution against saying Billain’s back up to full speed; those of us who know Billain know he’s probably not even in second gear yet. With partners that are in alignment with his elaborate and impressive vision and a platform that will support that vision and far beyond, there’s no limit to what Mentem can do. It opens up opportunities for fringe artists while having a solid D&B core. Add in the visual elements and music that knows no bounds from their current roster…the face of bass is about to be changed forever, for the better.

Codename just dropped today, November 20 on Mentem and can be purchased on Beatport or streamed on Spotify and Soundcloud. If you haven’t already gleaned this from the above 700-odd words, be sure to keep an eye on this label in the coming months.



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Teena Marie-I Need Your Lovin'

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Du bon son Disco/Funk
Enjoy 🙂

Crossover | Latin-Jazz Sinfónica | Neue Philharmonie

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Latin, Jazz und klassische Musik in einem Konzert ist für viele unvorstellbar. Julia Diederich ist eine leidenschaftliche Salsa-Musikerin und Komponistin. Seit Jahren hat sie die Idee mit sich herumgetragen Latin, Jazz und Sinfonik zu vereinen. Als sie auf den Jazz-Musiker Christoph König und den Dirigenten Andreas Schulz traf, konnte sie endlich die Idee in die Tat umsetzen. Gemeinsam gründeten sie Latin Jazz Sinfónica! Gemeinsam kreiierten sie mit den Kompositionen von Julia Diedrich eine einzigartige Crossovermusik.

Es ist für viele unvorstellbar, da Latin und Jazz Bands eher in kleinen Besetzungen auftreten. Ein Orchester dagegen kann bis zu 70 MusikerInnen beherbergen. Konzerte von Jazz und Latin finden gewöhnlich an anderen Orten statt als Sinfonieorchester. Die Verbindung dieser drei Musikstile eröffnet uns die Möglichkeit an verschieden Orten aufzutreten. Entstanden ist eine einzigartige Symbiose der drei Musikstile. Jazz mit seinen Wurzeln im amerikanischen New Orleans ist auf afrikanische Wurzeln zurückzuführen und hat eine dynamische Bewegungsrhythmik. Dieses ist auch im Latin beherbergt, dessen Wurzeln in Südamerika zu finden sind. Das Orchester ergänzt mit europäischer Sinfonik. Gemeinsam sind fulminante Kompositionen entstanden, die das Publikum mitreist und zum Tanzen auffordernd aufgeführt werden. Ein Konzertabend nimmt die ZuhörerInnen mit auf eine musikalische Reise um die halbe Welt.

Unser Auftritt bei der 50. Internationalen Jazzwoche Burghausen mit dem Ramon Valle Trio:

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