Aqui mi primera vez bailando en un grupo de Baile
jejeje, fue una buena experiencia =D
gracias Ivan por esto y pues vamos por Altamira jajajaja.
Khazel Party Dance
Degrassi: HBO Max Orders Next Installment of Teen Drama Series – canceled + renewed TV shows
Degrassi is returning to the small screen. HBO Max ordered a revival of the teen drama on Thursday. Lara Azzopardi and Julia Cohen will run things behind the scenes for the 10-episode series with a debut set for 2023.
Degrassi has been on the air for four decades in one way or another. Degrassi: The Next Generation aired on Teen Nick for 385 episodes.
HBO Max revealed more about the revival in a press release.
“School is back in session at HBO Max as WarnerMedia Kids & Family announced today it has greenlit Degrassi, a brand-new version of WildBrain’s award-winning youth franchise of the same name. The new teen and family series helmed by showrunners Lara Azzopardi (Backstage, The Bold Type, Mary Kills People) and Julia Cohen (Riverdale, A Million Little Things, The Royals) will include 10 hour-long episodes and is expected to launch in the US exclusively on HBO Max in 2023. Additionally, HBO Max has picked up the U.S. rights for the entire 14-season library of the franchise’s longest running and most popular installment, Degrassi: The Next Generation which will become available on the platform this spring. Degrassi will also become available at a later date on Cartoon Network.
A reprise of the original teen drama, Degrassi is a character-driven series about the high school experience and the thrilling, often painful journey of self-discovery. Set in Toronto, the new series explores a group of teenagers and school faculty living in the shadow of events that both bind them together and tear them apart. The show travels deep into the hearts and homes of diverse, complicated characters, as they struggle to find their new normal, reaching for hope, redemption and love.
“Series after series, the Degrassi franchise continues to make an indelible impact on young viewers looking for trustworthy and authentic storytelling,” said Amy Friedman, Head of Kids & Family Programming, Warner Bros. “WildBrain continues to artfully capture high school life in a compelling format that can be experienced seamlessly on HBO Max.”
Eric Ellenbogen, CEO of WildBrain, said: “I’m delighted that our first-ever commission from HBO Max is for Degrassi, a truly venerable franchise with a highly devoted and passionate audience. This is yet another evergreen property from our vast IP library that we are reviving with a fresh vision and creative-first approach.”
Josh Scherba, President of WildBrain, said: “Now in its fourth decade, Degrassi is one of those beloved evergreen properties that demands to be refreshed for each new generation. Stephanie Betts, our Chief Content Officer, along with showrunners, Lara Azzopardi and Julia Cohen, have envisioned an evolution for Degrassi that, while staying true to the fundamental honesty, humanity and integrity of the brand, promises fans a journey into exciting new territory, both creatively and dramatically. We’re delighted to be partnering with HBO Max to deliver this new vision to fans and extend Degrassi’s legacy.”
Azzopardi and Cohen said: “What excites us maybe the most about reviving this beloved franchise is turning it into a truly serialized one-hour drama. We’re honored to be given the opportunity to lead this evolution and bring this iconic series back into people’s homes.”
Degrassi will be produced by WildBrain Studios and developed by Azzopardi and Cohen who also serve as executive producers. Filming will take place in Toronto during summer 2022. The series and Degrassi library are distributed worldwide by WildBrain.”
What do you think? Are you excited about the return of Degrassi on HBO Max?
And Just Like That… @EveryOutfitOnSATC Spills Tea with Mel Ottenberg
From @EveryOutfitonSATC.
And Just Like That… has all of New York talking, the stock market shaking (looking at you, Peloton), and the haters eating crow. Picking up 20 years after its hot late-’90s predecessor left off, the HBO Max original sees Sarah Jessica Parker reprise her iconic role as (an older, wiser) Carrie Bradshaw—alongside Cynthia Nixon’s Miranda Hobbes and Kristin Davis’s Charlotte York—leaving die-hard Sex and the City experts with a lot to process. To make sense of it all, our editor-in-chief Mel Ottenberg consulted Chelsea Fairless and Lauren Garroni—the founders of the viral @EveryOutfitonSATC Instagram account, hosts of the Every Outfit podcast, and authors of We Should All Be Mirandas—to shed some light on the matter. Below, the trio hopped on Zoom for a chat about Carrie’s nicotine addiction, the demise of Century 21, and the SATC episodes that never stop giving. — ERNESTO MACIAS
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LAUREN GARRONI: Oh wow, we’re doing video?
CHELSEA FAIRLESS: I like seeing your face. By the way, is that snow on your beret?
GARRONI: I think it’s just a little bit of fluff. I live in L.A. just like you do.
FAIRLESS: Sorry, I’m very conscious of this because my apartment is full of fake snow from Christmas. You should see what it did to my Skims Cozy Collection robe, it was a real nightmare.
GARRONI: Oh no. I was looking at Jen Atkin’s Instagram and she posted a video of her cleaning the window with a Dyson being like, “I’m never doing a flocked tree again!”
FAIRLESS: Yep, that was me.
GARRONI: Evidently, she sold her stake in Ouai.
FAIRLESS: I’m sure she cleaned up. Now they’ll change all the formulas, and we won’t want to use it anymore.
GARRONI: I’m glad she’s adopted the Sophia Amoruso guide to not being cancelled, which is just moving on from something within five years of starting it.
FAIRLESS: It’s pretty genius…
GARRONI: Speaking of, CNN is launching CNN Plus, and they just signed Alison Roman to do a show. She has a new stew with cabbage in it that I saw in a newsletter.
FAIRLESS: Can you make it and report back?
GARRONI: I mean, I can just make it for all of us. Capitalism has me feeling like a socialist lately.
FAIRLESS: You are dressed for the revolution…
GARRONI: I will forever be haunted by the moment when you and Mel were dm-ing about Emily in Paris, and Mel was like, “I don’t believe that people are actually wearing berets.” I’m like, “Well?!” [Points to her head]
FAIRLESS: It’s very… it’s giving Emily in Paris.
GARRONI: What else can we talk about while we wait for Mel?
FAIRLESS: Well, I’m not about to tell anyone where I buried a body. I’m not about to spill the tea to Interview magazine about the location of the body. Here he is now.
MEL OTTENBERG: Lauren, your hair!
GARRONI: Welcome, Mel. During the pandemic, it was my goal to become more thotty, so I’m back to long blonde hair.
OTTENBERG: It’s also Carolyn Bessette-Kennedy’s birthday and you’re both really serving it. Did either of you even know? [All laugh]
GARRONI: Mel, you’ll be happy to know Chelsea started Real Housewives, she started with Salt Lake City.
FAIRLESS: Because it’s not that intimidating to me, there’s only two seasons.
GARRONI: As I explained it to Chelsea, they all look like female wrestlers and they want to be their daughters or fuck their sons.
OTTENBERG: It is, dare I say, the most riveting? The people are a new level of sociopath that I haven’t seen before.
FAIRLESS: Before we start our Sex and the City spiral Mel, we have to ask you about Julia and Ye. Tell us everything.
OTTENBERG: Like you, I noticed that Julia and Ye were together—I saw it on Instagram or something. I always hate the first of week of January—it’s such a fucking bummer, and magazines are always bad at that time of year because everyone’s heart just isn’t in it. But Julia in black, low slung hip huggers out at night with Ye felt like the only thing worth living for. I was like, “I’m living, Julia, what are those pants? ” She told me they’re Miaou. Then she and Ye called me and we talked on the phone. They were very cute, they sent me pictures, it was fun. I love their story. Watch this space.
GARRONI: You broke the internet! It somehow took the conversation away from the one year anniversary of the insurrection. By the end of the day, everyone was talking about one thing, and it was this.
OTTENBERG: I know, and I have feelings about that. Okay, let’s deep dive. And Just Like That… is not garbage, right?
FAIRLESS: I don’t think it’s garbage. Even if it were, we have a podcast that dissects every last detail of Sex and the City, so we’d watch it anyway.
From @EveryOutfitonSATC.
OTTENBERG: By the way, I love your podcast. It’s so fun to listen to people you really like bantering. You guys babble, edit it to make sure that you’re not going to be murdered for it, and then move on. Okay, explain to me what happens in the latest episode of And Just Like That... How’s the alcoholism?
GARRONI: It jumps forward. Carrie’s like, “Three months later, I was in heels.” As I said in the last podcast, it took five episodes to get where the series should have started, and now it’s kind of fun again.
OTTENBERG: So Big’s dead and Carrie’s like, “I’m wearing heels.” Is Carrie gonna fuck again? Any predictions?
GARRONI: She goes on a date for the first time! One thing that isn’t discussed in the last episode is that Carrie impulsively buys a super modern apartment. Just Like That… has introduced the idea that Carrie is very into what I call “Dead-Tech Modernism.” Look at Big’s funeral—which looks like what Robert Longbow’s funeral might look like—and this apartment that she buys and sells within one episode.
OTTENBERG: Do you guys think it’s shady that he gave what’s-her-face a million dollars? I asked the right A-list women—who shall remain nameless—and they said it was weird.
FAIRLESS: It’s weird.
OTTENBERG: He was like, “I loved you, we were married, here’s a million dollars, bye.”
FAIRLESS: It’s a bit overdramatic. Big’s dead, it’s in his will, but it still feels a bit attention-seeking.
GARRONI: Especially to not leave a note. The writing in this show is caught between the world they set up in Sex and the City, and a desire to lead the audience down a new path that ultimately doesn’t come full circle. They’re like, “Carrie is going to sell the brownstone, things are changing.” At the end of the episode, she moves into this new apartment and then sells it within a day.
OTTENBERG: Also, the way Carrie smokes? It’s fucked up, and it makes me want a cigarette. I just watched the entire new season of Euphoria, and I don’t do drugs anymore, but it has me like, “Oooh, drugs!” But wait, how are the clothes?
GARRONI: When we talked to Molly Rogers [the Sex and the City costume designer] about the latest episode, she said she wouldn’t have been able to do the show without Century 21. She was sad that it didn’t exist anymore.
From @EveryOutfitonSATC.
OTTENBERG: RIP Century 21. I’ve gotta say, the city’s fucked up and it’s hard to style. There are no weird, mixed bag stores anymore. That place was the biggest mixed bag. Remember those lingerie racks? It was the only place that would have a diamond-studded bra with a matching garter belt, all in chocolate brown! It was a fantasy. What else did she say? Was she cool?
FAIRLESS: She’s so cool. No bullshit whatsoever—very funny, very brash, doesn’t give a fuck. We asked her, “Did you send your assistants to excavate Sarah Jessica Parker’s storage unit? Because SJP kept all of Carrie’s clothes from the original Sex and the City.” She was basically like, “I’m not letting any of those sticky-fingered assistants touch any of that shit!”
GARRONI: She’s amazing.
FAIRLESS: Molly’s done a good job of translating Carrie’s style from the original series—not the films—and that’s particularly evident in episode six. There are a lot of outfits in And Just Like That… which feel like original Sex and The City looks: it’s the ‘50s prom dress, the tuxedo jacket, the pearls. We lost that in the films, because they’re informed by fashion in 2008 as opposed to 1998.
OTTENBERG: Totally. While I was watching the funeral scene I was like, “Why wouldn’t Carrie wear that to Big’s funeral?” It’s very classic Carrie—the vintage shoes and all that. Also, weren’t people being very anti-Miranda on the internet? Her character’s so confusing to me now.
GARRONI: Well, you’re speaking to the authors of We Should All Be Mirandas, and we have a bone to pick.
OTTENBERG: Yes sweetie, I know!
FAIRLESS: Miranda has always been an under-appreciated Sex and the City character. We’ve gone to extreme lengths to reframe her as an aspirational figure in the years since the show ended. But the And Just Like That… writers have taken the wind out of her sails, kicked her down a notch, and made her a bit clueless and doofus-y, which is unfortunate. Maybe if she has enough sex with Che she’ll be her old self again.
GARRONI: I don’t know why they gave three plot lines to Miranda, and no plot lines to Charlotte.
FAIRLESS: Her non-binary child is her plot line.
GARRONI: Chelsea and I have really had to switch off our feelings with this show, because we’ve been pretty anti. We feel that if we were in the writers’ room, it would be a more satisfying watch. Episode six was the first time that any of the characters felt like their old selves, but aged up 20 years. What’s missing from the first five episodes is what made those old brunch, dinner, and cocktail scenes in Sex and the City so great—they each had such different perspectives on an issue. The picnic scene in episode six was the first hint we got of that.
From @EveryOutfitonSATC.
FAIRLESS: I have a more loving view of And Just Like That than Lauren does. I think its biggest weakness is the fact that we have no choice but to compare it to Sex and the City. SATC had such a distinctive structure and format, so anything that just departs from that is going to disappoint us. Even the lack of voice over is jarring.
GARRONI: My stance is, I understand the decisions they’re making, and I don’t disagree with the idea of making it more dramedy than hard comedy. I don’t straight up hate it, but if it pivoted a few degrees, it would be kind of perfect. Like, why is she in this unaddressed career slump?
From @EveryOutfitonSATC.
OTTENBERG: But it’s clear that Carrie’s still cool, right? She’s gotten a little softer, and she’s happy to be a little more random. The girl that had the bus ad, the girl who was “Single and Fabulous?” wouldn’t be on this random podcast that doesn’t exist.
FAIRLESS: By the way, there is a real Carrie Bradshaw—her name is Candace Bushnell. She’s a very successful novelist whose books are adapted into television shows, so that is another potential way Carrie could have gone.
GARRONI: Chelsea learned from Candace that she used to date Gordon Parks in the late ‘70s.
FAIRLESS: There’s a really fabulous photo that he took of her outside of the Plaza Hotel, very Carrie, in a full equestrian outfit.
OTTENBERG: Hot. Lexi is so major.
FAIRLESS: I think Candace is more like Samantha. She’s always with Countess LuAnn and has this pack of Samanthas that she runs around with in the Hamptons and uptown. That’s her vibe.
From @CandaceBushnell.
OTTENBERG: Also, is “Splat!” [Sex and the City Season 6, episode 18] the most major episode of all time? It’s aged in the most extraordinary way, because the world is shit, the world’s O-V-E-R. Nobody’s fun anymore—whatever happened to fun? We’ve been talking about this non-stop since like 2000.
FAIRLESS: The only other episode that has the same camp value is “Fashion Roadkill” [Sex and the City Season 4, episode 2]. You have Kevin Aucoin as himself, you have the fashion show with Ed Koch, and you have Margaret Cho as the producer, most importantly.
OTTENBERG: That episode murdered me. I also feel like it has a positive message. When you live in this town, everyone wants to hate, but you gotta get up and keep doing the catwalk, because you’re fucking fierce. I’ve been here long enough to know when everyone hates what I’m doing, or nobody cares, but you just gotta keep going until the next moment when everyone gets super excited again.
FAIRLESS: I actually experienced a version of that episode in real life. I had a rough year in 2016, and it was the first day of 2017. I decided to go for a jog, and I trip and fall off the curb the second I walk out the door, basically. It was the most ridiculous. I was just lying there in the gutter.
GARRONI: Didn’t you fall in dog shit?
FAIRLESS: Yeah, okay, that detail I forgot. But like Carrie, I just had to pick myself up and move on.
GARRONI: That episode also has the line, where she says, “I used to buy Vogue instead of dinner because I felt like it fed me more.”
FAIRLESS: Amazing. I buy Interview instead of dinner to this day.
OTTENBERG: Oh, thank you so much.
Amy Winehouse – Belgrade 2011 (Last Performance) (Full Concert)
Amy Winehouse performing at the Kalemegdan Fortress, Belgrade, Serbia, June 18 2011
Setlist:
01. Intro/Shimmy Shimmy Koko Bop
02. Just Friends
03. Addicted
04. Tears Dry On Their Own
05. Band Introduction
06. Some Unholy War
07. Boulevard Of Brooken Dreams (Ade)
08. Back To Black
09. Love Is A Losing Game
10. You Know I’m No Good
11. Valerie
12. You’re Wondering Now (Zalon)
This is her last public performance, in a miserable condition: she drank too much that evening…and this is the reason of her death.
I edited the video better than I could.
Enjoy!
Pineville Rising! New Chef, New Menu & New Permanent Garden Greenhouse Debuting in Early 2022
When the Pineville Tavern launches its new winter menu on Thursday, January 6th, Bucks County foodies won’t have far to travel to experience a top chef who has been celebrated in the regional and national press for the past two decades. Matthew Levin, the former Executive Chef at Lacroix in the Rittenhouse Hotel (2006 -2009) and most recently, Culinary Director of Brûlée Catering, is now commanding the kitchen at the historic landmark, and is inspired to elevate the menu while honoring the classics that have sustained it for the past 280 years. “I’m cooking the food I love to eat,” said Levin. “For years I’ve been cooking the food people expected me to cook. I’m excited to launch this new menu and share what I love with our guests.”
“You’ll still find our classics, but we’re putting a fresh new twist on some of the Pineville Tavern’s favorites,” explained owner Andrew Abruzzese. He points to the Seared Salmon, which is served with dates, cucumber and cashews and seared scallops, now accompanied by butternut squash, fried broccoli, vanilla beurre blanc. Levin has also added several vegetarian options due to a high demand for the lighter fare.
“The pantry is filled with things we’ve never seen before – ingredients, seasonings, and herbs from all over the world,” said Abruzzese. “New menu items like Spicy Kung Pao Cauliflower Tacos ($25) are completely different than anything ever offered here. We’ve always had homemade ravioli, but we’ve now added Cacio e Pepe (cheese & pepper alla spaghetti) ($15/20), and added back new versions of Clams Casino ($18), and Lobster Mac ‘N Cheese ($18/30) – which may sound a little cliché, but when Matt works his magic, it makes these classics so incredibly delectable.”
Other new menu highlights include: Bacon Wrapped Shrimp – million dollar bacon, mustard cream sauce ($18); General Tso’s Salad – fried chicken, avocado, honey sesame vinaigrette ($22); Nashville Hot Chicken – fried chicken breast, BBQ pickles, butter lettuce ($18 ); Steak Frites – hanger steak, shoe string fries ($33); and a Bone-In Pork Chop – rye spaeztle, red cabbage, pear & bacon jam, cider sauce ($32).
Rotating daily desserts will be on Pineville’s “Specials” blackboard, but staples such as homemade Rice Pudding ($8), Tiramisu ($8), and Matt’s famous Creme Brûlée ($10), which may have helped him earn a coveted three-bell review from the Philadelphia Inquirer’s Craig LaBan, as Executive Chef of Moonlight Restaurant in New Hope back in 2001, will be available daily.
In addition to all of the culinary excitement, a 2,250 square-foot permanent garden greenhouse structure that seats 70 guests or can accommodate 100 for a stand-up cocktail party, designed by famed local garden designer Renny Reynolds of Hortulus Farm Garden & Nursery, is in the process of being completed so that customers can enjoy temperature-controlled alfresco dining all year long. Abruzzese expects the enclosure to be completed in February.
The Pineville Tavern, located at 1098 Durham Road in Pineville, PA, is open seven days a week from 11 a.m. to 9 p.m. Learn more by calling 215.598.3890 or by visiting http://www.PinevilleTavern.com.
Palm Springs | The Craziest Old Hollywood Celebrity Scandals
Palm Springs | The Craziest Old Hollywood Celebrity Scandals
Palm Springs, CA, has been a hideaway for celebrities since the 1920s; the desert location, with its unique microclimate and dry weather, was seen as a “tonic” for those looking to escape the stress and pressure of Hollywood. In the early and mid-1900s, there was a “two-hour rule,” meaning stars couldn’t live further than two hours away from set in case they were called back to work unexpectedly. Palm Springs became the perfect destination for celebrities who needed to stay close but desired privacy.
There was no shortage of celebrities in Palm Springs, with Humphrey Bogart, Frank Sinatra, Marilyn Monroe, Charlie Chaplin, Lauren Bacall, Bing Crosby, Dinah Shore, Sonny Bono, and briefly Elvis Presley as residents. Even Walt Disney owned a home in Palm Springs.
Many of the famous residents lived in the Movie Colony neighborhood or had their own custom houses built. Futuristic then and nostalgic today, celebrity homes in Palm Springs stand apart from the usual mid-century modern look. These glamorous homes, among the desert landscape, hosted the parties and sordid affairs that defined Palm Springs’s legendary golden era.
Lisa Bonet Hinted at “New” Chapter Ahead of Jason Momoa Breakup
“The revolution is definitely here and we’re all feeling the squeeze,” she said. “If you aren’t, you’re in total denial, and the more you resist, the more you will suffer. Everything is crumbling out there. The personal work is understanding where empire and those archetypes live within us. The revolution is on the inside, and learning to be new in this new world.”
And that means charting a new course with Jason, dad to her kids Lola, 14, and Nakoa-Wolf, 13. (Lisa also shares daughter Zoë Kravitz with ex Lenny Kravitz.) As they shared in their statement, the love between them “carries on” and is still “evolving in ways it wishes to be known and lived.”
Doctor Strange 2 Reshoots Officially Done as Production Wraps
In a recent interview with Deadline, Oscar nominee Benedict Cumberbatch confirmed that Doctor Strange in the Multiverse of Madness has officially wrapped production after undergoing additional photography. The Doctor Strange 2 reshoots were reportedly done in order to add more cameos and character introductions to the sequel following the great response to Spider-Man: No Way Home.
Cumberbatch, who recently nabbed his seventh SAG Award nomination for Jane Campion’s The Power of the Dog, also went on to express his delight with No Way Home‘s successful theatrical release and the fan reactions on the first teaser for the Doctor Strange sequel.
“I’m thrilled at the reaction to the teaser trailer at the end of Spider-Man. I’m thrilled at the reaction that film’s been having,” Cumberbatch said. “I mean, it’s been a bit of a moment, to be honest.”
RELATED: Spider-Man: No Way Home Becomes Sony’s Highest-Grossing Film Ever
Doctor Strange in the Multiverse of Madness sees the return of Benedict Cumberbatch as he reprises his role as Dr. Stephen Strange. This time the Sorcerer Supreme will be joined by Wanda Maximoff/Scarlett Witch, portrayed by Elizabeth Olsen who is coming off from the critical success of WandaVision. The sequel is expected to tie into the events from WandaVision, Loki and Spider-Man: No Way Home.
The sequel will also feature MCU alums Chiwetel Ejiofor, Benedict Wong, and Rachel McAdams, who are reprising their roles as Karl Mordo, Wong, and Dr. Christine Palmer, respectively. It will also feature the introduction of the live-action debut of fan-favorite Marvel hero America Chavez., who will be portrayed by newcomer Xochitl Gomez (The Baby-Sitters Club).
RELATED: Wes Anderson to Direct Benedict Cumberbatch in Netflix’s Henry Sugar Pic
Described as the first MCU horror film, it is directed by Sam Raimi (Spider-Man trilogy) from a script written by Emmy-winning scribe Michael Waldron (Loki). It is executive produced by Marvel Studios president Kevin Feige.
