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Ozark on Netflix: cancelled? season four? (release date) – canceled + renewed TV shows

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Ozark TV show on Netflix: canceled or renewed for season 4?

(Netflix)

Vulture Watch

The Television Vulture is watching the Ozark TV show on NetflixCan the Byrdes keep their family safe while managing their empire? Has the Ozark TV show been cancelled or renewed for a fourth season on Netflix? The television vulture is watching all the latest cancellation and renewal news, so this page is the place to track the status of Ozark, season four. Bookmark it, or subscribe for the latest updates. Remember, the television vulture is watching your shows. Are you?  
 

What’s This TV Show About?

Streaming on the Netflix subscription service, Ozark stars Jason Bateman, Laura Linney, Sofia Hublitz, Skylar Gaertner, Julia Garner, Lisa Emery, Janet McTeer, Tom Pelphrey, and Jessica Francis Dukes. The story centers on Marty Byrde (Bateman), a Chicago financial advisor who, along with his family, becomes entangled with a dangerous drug cartel. In season three, the Byrdes are back in business and the stakes have never been higher. As tensions mount surrounding their new casino, The Missouri Belle, Marty, and Wendy (Linney) struggle to balance their family’s safety with the growing success of their money-laundering empire.
 

 

Telly’s Take

Unless they decide to publicize viewership, it is difficult to predict whether Netflix will cancel or renew Ozark for season four. Generally speaking, Netflix TV shows which are going to be renewed are usually picked up within a month or so of the series or season premiere. Given the cast and reviews, I suspect Ozark will be renewed, as long as the cast and creators want to keep the show going. I’ll keep my ears open and an eye out for news, and will update this page with breaking developments. Subscribe for free alerts on Ozark cancellation or renewal news.

7/1/20 update: Ozark has been renewed for a fourth and final season on Netflix.
 

Ozark Cancellation & Renewal Related Links

 

What do you think? Are you glad that the Ozark TV show has been renewed for a fourth season? Are you sorry that there won’t be a fifth season on Netflix?

Miley Cyrus Tells Lars Ulrich How She Found Her Inner Rock Star

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Coat by Gucci.

“Yeah, I really am a rock star.” Back in 2007, Hannah Montana tried to tell us who Miley Cyrus truly was. Fourteen years later, Cyrus has fulfilled her alter-ego’s prophecy. After running her natural pop instincts through hip-hop, country, and psychedelic filters, Cyrus has, at 28, reached her final form, a zero-fucks-given rocker blessed with an instrument more powerful than the heaviest guitar: her voice. And if her latest album Plastic Hearts left any doubt that her rock bona fides were for real, then her cover of Metallica’s “Nothing Else Matters,” which she performs on the tribute album The Metallica Blacklist, is further proof that at this stage of her career, Cyrus, as she tells Metallica drummer Lars Ulrich, knows exactly who she is.

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MILEY CYRUS: Hi, my friend Lars. How are you?

LARS ULRICH: Hey, my friend Miley. You know what? I’m rocking it. I’m in San Francisco. The sun is shining. It’s a good day to be alive.

CYRUS: That’s what I like to hear. I’m feeling the exact same way. I think I’ll get to see you in person soon. We’ve done all this collaboration from a distance, and I’m excited to start getting back in a room together. I’m on a festival run right now, so I’m actually performing for human beings.

ULRICH: We’re going to see you at BottleRock in, what, two weeks?

CYRUS: I look forward to that.

ULRICH: It’s going to be quite a weekend with you, Guns N’ Roses, and the Foo Fighters. It’s 30 minutes from where we live, so we’re going to be there with bells on, ready to hang out.

CYRUS: I just played Lollapalooza. Beforehand, I was torn. I wasn’t sure if it was going to be this bicycle moment, where you pick up right where you left off like nothing ever changed, or if it was going to feel completely new, and I was going to fall back in love and remember why I do this in the first place. In the end, it was somewhere in the middle.

ULRICH: It’s such an awesome stage to walk out on. You got the whole skyline of Chicago and 100,000 people. Has it been a year and a half since you last performed

CYRUS: Yes. On these festival runs, you almost get desensitized to the energy and the impact of that many souls filling up a space.

ULRICH: You didn’t do any warm-ups or club shows to get your feet wet before Lollapalooza? You just walked right out on that stage for the first time in a year and a half?

CYRUS: Pretty much. I’m an extremist in that way.

ULRICH: That’s fucking crazy.

CYRUS: It felt like jumping out of an airplane in front of 100,000 people. It brings back that tingle of fear, or maybe anxiety, which I haven’t felt in a while. But it reminded me, again, of how all of that’s erased when you perform. There’s so much less judgment in a live music setting than exists anywhere else at the moment. 

Romper by Buci. Socks and Shoes by Gucci.

ULRICH: Especially in a moment like this one. We’ve all been through the craziest 18 months of our lives. Obviously, so many people have been through worse shit than you and I have, but I’m sure you felt the energy flowing through that crowd. It must have been a beautiful moment.

CYRUS: It actually made me think of all the amazing footage and photographs of Marilyn Monroe performing for the troops. I couldn’t stop thinking of that iconic image of her, bringing people hope in the form of sexuality and wit and beauty and joy. But at the same time, she was able to offer that because she was so insulated from the experience that the soldiers were living through. She was this breath of fresh air because she didn’t have the same darkness and pain and death taking over her aura. But in this case, we’ve all been soldiers, in our own way. Of course, as you said, you and I have not had the same pandemic experience as most of the population, because our sanctuaries and our homes are truly safe.

ULRICH: Exactly, but even so, we’ve all been in the trenches. How did it feel when you walked out on that stage?

CYRUS: Weirdly, this peace came over me. After the chaos of the last year, it was almost like, “This is it? This is what I’m going to feel?”

ULRICH: It’s funny you say that, because we’re getting back into the trenches ourselves soon. And obviously, it’s a whole new world out there. We’ve been talking with our team about COVID protocols, and it seems like the safest, most peaceful place you could be these days is onstage. The phone doesn’t ring, nobody can bother you. You’re alone up there.

CYRUS: No politics, no news, no pain. 

ULRICH: Exactly. You leave all the horseshit behind when you walk out on that stage. It’s the greatest feeling. Speaking of iconic festivals, you were at Glastonbury in 2019, and so were we. I missed your performance, but I know that you played “Nothing Else Matters,” I believe for the first time. What brought that song to Glastonbury?

CYRUS: I have two notebooks that I take everywhere I go. One of them is filled with my morals, my values, my purpose, my potential, my capabilities, and my commitments—to others, and to myself. I’m constantly writing things in there. Recently, I wrote down something very wise that I heard, which is related to your question. It was about how lyrics are one of the most resonant aspects of a song, and of why an audience connects with a song. It has to do with the words, and to challenge that is to say that there’s no difference between lightning and a lightning bug. But there’s a big difference. When I think about the sentiment behind “Nothing Else Matters,” it aligns completely with my morals and my values. When I listened to “Nothing Else Matters,” and I knew that I was confirmed for Glastonbury—I actually have chills talking about this—it was the only song that I could imagine playing.

Dress, Tights, and Boots by Miu Miu. Custom Headpiece by Nicholas Des Jardins.

ULRICH: I’m getting chills hearing you say that. We went there for the first time in 2014, and you know the English press—they can be fairly precious, and they can be very protective of their institutions. And here comes this big, loud American rock band playing Glastonbury, which is an iconic thing to most Brits. But we just brought the spirit of togetherness and unity. And we ended up spending the whole weekend walking the entire festival grounds. I would never venture out and walk around at most festivals.

CYRUS: But at Glastonbury, you feel safe.

ULRICH: Right. You never get scared or overwhelmed, or wonder, “Why am I out here?” It’s this family farm, there’s no corporate energy at all. It’s this pure thing of all of England coming together for a weekend. We fell in love with it.

CYRUS: It ties into something that struck me about the Blacklist album. There’s a lack of judgment of the artists that are featured on the record. You’re bringing in Elton John, Yo-Yo Ma, me, and it feels like no one’s excluded from this party. The door is fucking open. It’s almost like we spent the last year living in these multiple dimensions where we have experienced more division, but also more unity. At the same time you’re seeing the divide, you’re seeing the glue. We’re bringing people together, and we’re stronger together. Aloneness is special, but togetherness is powerful.

ULRICH: There’s nothing better than knowing that other people are going through the same experience, at some level. The most basic human desire is not to feel alone.

Top and Boots by Chanel. Bodysuit by Baserange.

CYRUS: This eclectic mosaic of a collaboration that we’ve brought to life is reflective of that. It’s like, “Fuck the divide.” For you to listen to my cover of “Nothing Else Matters” with an open mind is an example of that—you don’t judge who I’ve been, what I’ve done, or how people see me. Then, by allowing me to cover “Nothing Else Matters” on the record is like you guys validating my relationship to this song. It feels like it was written for me, and it was something that I was able to make my own. And now, my fans have that connection to it as well. That’s what happened when I covered “Jolene,” too. That’s another perfect song.

ULRICH: Right.

CYRUS: What I love about that process is that it makes my fans go, “Oh shit, Metallica?” You’ve opened this door for them.

ULRICH: I can relate to everything you’re saying, because we began as a cover band. When we first started playing in L.A. back in the early ’80s, we did nothing but obscure covers. We didn’t play Van Halen and Journey and Kiss songs, we played a bunch of cool, underground, British metal songs. Out of that setlist came our own sound. We didn’t have the patience to curate our vibe, we just wanted to get out there and play. Playing other people’s material, and reinterpreting it—with respect, obviously, to the original vision—is so freeing. You don’t have to be so precious about where to put the double chorus, or whether to go to the bridge before or after the solo. All these things that you drive yourself nuts over in your own songs just melt away.

CYRUS: Absolutely.

ULRICH: It’s amazing to look at this list of 53 artists who have come together and taken the time to record all these songs. There are all these versions of “Nothing Else Matters” by different artists. To hear the song filtered through everybody’s voices, approaches, and visions is an incredible thing. We know we’ve been around for a while. We can certainly feel it in our bodies, but at the same time, our spirit is young. And our spirit is always about the next album.

CYRUS: Yeah.

ULRICH: So when the press and fans are gracious and respectful enough to say, “Oh, this is classic Metallica,” or, “We’re celebrating the 30th anniversary of this album,” we sit there like, “Holy fuck. We still think all our best years are ahead of us.” When people ask me, “What’s your favorite Metallica album?” I say, “The next one.”

Bodysuit by Judy Turner. Bikini Bottom by Mirror Palais. Socks by Brother Vellies. Shoes by Versace.

CYRUS: Agreed.

ULRICH: That’s the spirit that keeps us young and hungry. It’s why I’m so appreciative of what you’ve done, of the whole team that came together on this project. I mean, hearing Elton play the intro—

CYRUS: It’s the fucking coolest thing.

ULRICH: And then Yo-Yo Ma.

CYRUS: I felt chills.

ULRICH: Every time I hear it, I get goosebumps. As you know, Andrew [Scheps, Metallica’s mixing engineer], has a lot of youthful energy. He would text me every three days and go, “You don’t understand what’s coming together here. This thing is crazy. Elton just did this. Miley’s taking the vocals to a whole new place.” I’d read those texts with the biggest smile on my face. Usually we record a song before we play it live, but you covered this live before you came into the studio to record it. Was there something different that came out of it because it had already been in your live repertoire?

CYRUS: More than that, it was embedded in my soul. That’s the way I related to this song. I didn’t go in to cut just any vocal. This song means something to me on the deepest level. What’s funny about that recording process was that I cut the vocal in a place that was the polar opposite of where I was the first time I sang it. I recorded it at home, in the middle of a fucking global pandemic, because I couldn’t leave my house.

ULRICH: Where?

CYRUS: I was in my studio, and it was a completely different experience performing it in that solitary way. It was no less poignant than playing it at Glastonbury—if anything, it was more powerful. The lyrics truly fucking resonated. There was nothing that I couldn’t try, because I wasn’t in front of 250,000 people. I was in this safe place. We’ve talked about how lucky we are to have that. I stuck, on some level, to the melody. I even went down to some of those octaves, because singing those super-low lead vocals is so satisfying. My whole life, whether in vocal training or just continuing to hone my craft, it’s always been about, “Why do you sound like a man? Where’s your fucking falsetto, bitch? Why can’t you sing the high octave of ‘Party in the U.S.A.’ anymore?” In this song, I get to sing in that low register, and I get to live in that authentic, genuine sound. My voice is how I represent myself. It’s how I express myself. I’ve worked with so many people who tell me, “We’re going to have to bring in a singer to hit those high parts.” You know, “falsetto” is this Latin term for when a boy goes through puberty, but they still want him to sing in the choir. It means “false.”

ULRICH: Right.

CYRUS: I don’t have a false voice. You know me personally, we’ve hung at parties. I am who I am. I say what I mean in the moment, even if that changes tomorrow. I was honored by the fact that I didn’t have to sing this song in the way that females are “supposed” to sing. You can hear that at the end of the song, when I take the gloves off and just start flying. That part of the song really grabs people. It’s that lower register of my voice. So I’m grateful to have a song where I can lean into that.

ULRICH: Well, it’s fucking insane. I can’t wait to experience it again one day. The last time I saw you, you were performing at the Chris Cornell tribute in L.A. like, two years ago?

Briefs and Socks by Gucci.

CYRUS: Yeah.

ULRICH: You obviously fucking killed it that night with “Say Hello 2 Heaven.”

CYRUS: You killed it, too. I left right after I got to see you, because you guys are who I was waiting for. That night had the same spirit that you described at Glastonbury. I had a connection with Chris’s daughters. They came to the Hannah Montana set a long time ago, and they introduced him to me and my music. That was a special moment in their relationship with their father. I was there because they knew it would make his daughters happy if I did this tribute to their father. And again, to be allowed to be a part of that beautiful memorial, and playing his music without being judged, that was really special to me. I just played “Say Hello 2 Heaven” at Lollapalooza. I have a fucking killer band. Chris Chaney from Jane’s Addiction is in it.

ULRICH: I guess we were all leaving at the same time, because when we were waiting at the Bristol airport, your whole band was there. I remember Chris and the rest of the gang. I know you have this crazy tight group that has played with you for a long time.

CYRUS: That’s right.

ULRICH: It’s so cool that you have that family to depend on. It’s not just some faceless guys.

CYRUS: They are my family when I’m on the road. They’ve been through everything with me. Dude, this is going to freak you out—my band has been my band since I was 12 years old.

ULRICH: That’s crazy.

CYRUS: I’m about to turn 29. We’ve been through so much. When we’re out on the road, we talk about loneliness. It really can get that way. I have such a support system in them. I love having these authentic, real rock dudes in my band. We even revisit songs that I wrote before I was able to make this huge sonic pivot in my career, before I discovered rock and roll. Now, we cover my own songs. We take my original songs, and turn them on their head, and make them kick ass.

ULRICH: It’s the best thing.

CYRUS: I can’t thank you enough for having me on the record, having me on “Nothing Else Matters,” and doing this phone call today. I appreciate it so much.

ULRICH: Of course. See you at BottleRock. 

Bra, Skirt, and Shoes by Gucci.

 

Dress by Kenzo. Shorts (worn underneath) by Melitta Baumeister. Leg Warmers by Angel Chen.

 

Top and Shorts by Saint Laurent by Anthony Vaccarello. Socks by Brother Vellies. Shoes by Christian Louboutin.

 

Coat, Socks, and Shoes by Gucci.

———

 

Hair: Cervando Maldonado at 454 North Salon and The Wall Group

Makeup: James Kaliardos using Gucci Beauty at The Wall Group  

Set Design: Nicholas des Jardins at Streeters Agency

Production: Chloe Mina

Photography Assistants: Adam Kim and Joshua Wilkens, 

Fashion Assistants: M.E. Clark, Lucy Gaston, and Leslie Stephens 

Manicure: Katie Tran

Production Assistants: Adrian Kohan and Ian Thompson

Tailor: Pam Lisenby



R. Michael Gordon’s: The Aftermath of the War of the Worlds (Part-35)

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Underground power station

[PART 35]

Editor’s Note:

The second portion of this historic recorded document was not in as good condition as the first section – Consequently there appears to be small gaps in the author’s narration – These small gaps have been filled in as best can be accomplished with other documents un-related to Committee operations held in Terra Project files, as well as additional off-world documents, and statements from individuals familiar with the general history of Earth during the period the original document was recorded – It is my hope that we have sufficiently augmented these small lost periods with enough information to continue the narration without any significant interruption in the historic story line – It is noted that Earth leadership was never able to fully unite their species into a single centralized Earth government such as one finds on Mars Prime – It is especially noteworthy that they were unable to accomplish this primary first component of all advanced planets even when they were confronted with possible complete extermination of their species on their home world – This human trait, although not unique, is extremely rare among developing planetary civilizations and is found mostly among warrior species usually much less developed than the one found on Earth.

R-Michael Gordon

Editor – Earth Studies Directorate (eESD)

m.p.12,915

The Martians: Committee Field Notebook Number Three

1921-1935

THE FIRST MARTIAN WAR AND ITS AFTERMATH

Chapter Six – 1921-1925

The Earth’s Recovery Continues

Chapter Seven – 1926-1930

Of Rockets, Technology and Martians

Chapter Eight – 1931-1935

The Earth goes on the Offensive

CONTINUING THOUGHTS OF THE DAY

Near Grover’s Mill, New Jersey, United States

Afternoon, 30 October 1938

Despite the extensive loss of life during and after the First Martian War, the Great Earth War and the Martian induced “Spanish” Plague which followed that particular great human folly, by early 1921 work was progressing quite well on the massive underground facilities being designed and built under the supervision of Directorates B, C, and J of the Executive Committee of Twelve.

It had been nearly 20 years since the devastating war with Mars and the aftermath that followed which had taken the lives of half of humanity yet by this time after great efforts by survivors around the world we were well on our way to achieving many of our original rebuilding goals. Where only rubble had remained after the First Martian War, mankind had rebounded to rebuild large areas of once and future great cities now just beginning to be largely populated by people who looked more towards the future then the past. A new generation had grown up since the war with Mars; many however were still living mostly in the rubble and confusion of a world struggling to find its way. All of us knew that on the shoulders of this new generation would fall the assumed responsibility of defending our planet from wars yet to come of which we were certain Mars would be their origin.

From our work in the Committee we had discovered that the Martians had spent a great deal of time and effort learning not only about the Earth before they attacked, but they had acquired a great deal of knowledge about humanity itself. The Martians had taken people in the distant past and were still abducting humans almost at will. That had to change if we in power were to ever succeed in uniting our planet for what was to come.

We were learning a great deal about the Martians as well. Mankind had learned to hide much of what humans revered and to live and work underground much as the Martians had been forced to do for many thousands of years on their still slowly dying planet. We understood the Martians better and better as the years rolled on. It was not something many wanted to do, but it was something that was critical to our survival. (Know thine enemy!) And even though humanity was not yet fully united, as the Martians appeared to be, we were much better organized and better prepared than we had been in 1901. Nevertheless, we were still weak when faced with the awesome powers possessed by those who looked with envious eyes from Mars. The Lawless Zones were of course still a problem, but we had formulated plans to bring them under control with the rule of law as well. Sometime in the future they would need to be brought back into the world of nations. We understood that as long as they remained lawless they were open wounds easily infected by Martian influences.

There was no doubt these future days would hold much terror along with much promise. Which would reign supreme was very much a matter of conjecture and doubt. We as a planet were still subjected to the occasional kit-and-run attack by the forces of Mars as the Martians were still a factor of daily life at least for those who tracked such efforts as part of their official duties. For those in the know this was just a pause in the fight for humanity. As for the Committee, if we were being honest with ourselves, none of us could ever remove ourselves completely from doubts brought on by the immense power and control that small group of men, “The Twelve” held. I still questioned our correctness in assuming such total control over the lives of so many for so long a period of time, yet on some level I fully understood that without such overt as well as covert control there would be little chance of beating the Martians when once again they were expected to attempt to capture our small world nestled in the dark vastness of space and time. To defeat the Martians humanity needed to be as united as possible, at least that was the thinking at the time. I realized that it was good to have such doubts, but like many of my thoughts recently these doubts were best kept to oneself. If we were made strong by the truth than the truth would be known, but if a lie would serve as well than the lie would hold the high ground for as long as the need was there. Powerful enemies create powerful adversaries on both sides of the equation.

In 1921 the Executive Committee of Twelve still held sway over much of the Earth by one way or another, even as newly re-constituted nations began to once again feel the freedoms of action and individual rights expected of a still suffering humanity. This was the natural way. Internally some were now asking, “Could we now turn over much of the work to the nations of the world and step back from the control we have held for so long?” I for one did not have a satisfactory answer. I did not think anyone did so we continued on. It was of course easier to simply continue on as we had for these 20 short years. Nevertheless, it was very prudent to develop international political cover for much of our continuing planetary-wide work and that is why the idea of a League of Nations first came to the fore.

The individual Directors within the Executive Committee still had much responsibility as well as the means to administer their duties with large staffs. The World Farm Recovery Administration, World Railway Recovery Administration, World Shipping Recovery and Development Administration were all still operating with much increased budgets and staff. Along with the Ports Recovery Program and the Manpower Commission the Committee had been able to create what really amounted to a miracle of recovery around the world even though much work still lie ahead.

World economic markets were also expanding thanks to individual nations especially the United States backed by the World Banking Committee. And our efforts in aviation had been pushed not only by back engineered work on Martian technology, but by the direction and funding from the World Advisory Group for Aeronautics. The GEW had been a driving force as well.

By 1921 much of the world was linked by several new means of communication dreamed of but not yet available in 1901. These new links had become critical to our recovery. The sea lanes were once again being sailed regularly by all manner of craft with what seemed like endless goods from one far flung area of a still recovering Earth to many others.

For the most part war crime trials were a thing of the past, even as a few individuals still found their way to the certain justice of these world bodies. Some still found early graves before any court had a chance to pass their inevitable judgments. Few now paid close attention to these events. Many, but not all, were moving away from the post-Martian trauma of the First Martian War and looking forward. This psychological movement held both good and bad prospects for the future. We still needed to keep the general public focused on enemies both powerful and determined to end man’s fragile dominance on Earth. Yet we also needed to keep the public informed of our planet’s advances and preparedness – to a certain level.

Mankind could now fly in powered craft of course, but not nearly as well as we would need to in the future in order to face our enemies from Mars – much work remained to be completed in that area. Helped along by back-engineered Martian machines thousands of our scientists and engineers were developing many new devices that would directly aid in our planetary survival. New energy sources and new methods of warfare were also being developed, many of which came purely from the minds of man. We were designing larger, more powerful and more complex rockets we hoped would someday place instruments into orbit around the Earth in service to all of mankind. We were even exploring areas of Earth where, before the war with Mars, no one had ever dared attempt. Nothing was going to be allowed to hold us back, certainly not the Martians.

We had learned to fight Earth based terrorists who continuously worked for the Martians to disrupt our progress – we were determined not to allow that to happen. And as stated alone even with Martian aerial flybys and harassing attacks still occurring every so often, either by the Martians themselves or their hybrid allies, mankind was certainly much stronger than we had been in 1901 in nearly every area one cared to name. The Martians had so far failed to stop our progress, and they knew it, and from this we could take great pride. Now it was mankind who was keeping a close eye on the Martians. We were determined never to be caught off guard again. They knew that as well.

As for myself 20 years hardly seemed that long at all. Being fully involved in the work it had consumed the time perhaps much faster than one could have realized had I had the chance to step back and reflect. Even now it seems only yesterday I picked myself up from the rubble of our wounded planet along with the rest of the survivors, dusted myself off, and began my work with the Committee. There was of course a great deal more work to be done, as we all needed to keep focused on the days and years ahead. My primary fear was always the thought that we may not have enough time to get the work done. After all, the brutal Martians were still out there waiting, watching, and planning every conceivable detail for their expected next inter-planetary war – no matter what they needed to do to be prepared they would do it, and so would we. The desperate race for the survival of all mankind continued. And so did I as this preparation continued to consume all that I was and all that I could ever be. Even as I continued on with this critical work my hate for all things Martian grew or perhaps it was a hate only for what I had become because of their efforts to capture our world. The Martians, always the Martians.

A member of the Committee

Chapter 6

1921-1925

The Earth’s Recovery Continues

“It may be… that the destruction of the Martians is only a reprieve.”

H. G. Wells – 1902

The cities beneath the Earth – Paris, Berlin, Seoul and the Swiss – More underground work – The Secret Intelligence Service – League of Nations – The death ray at Wardenclyffe – Marconi’s signals from space – Brotherhood attacks on the armories – Aircraft carriers – Egypt – Rocket tests at White Sands – A crack in the Committee wall – A Martian city confirmed destroyed – Earth radio progresses – The great Kanto earthquake – Military preparations – Around the world test flight – The great Zeppelin mystery – A Martian secret discovered – The Phoenix II – Radio Mars – The Tunguska project continues.

I found myself running, hard, and in a direction I could not fully understand. Why I was running was also a mystery, but the fear I felt was all too real. The terror was there. I kept looking back and seeing no one. Behind me there were only the black/gray smoke-filled ruins of a once great city. In my path of flight I saw nothing save a thick gray fog. My world had become one of destruction with all of the sights and smells of death I could always recall whenever my mind ripped me from my earthly tasks. Then suddenly, in my path as if it had been waiting for me stood a Martian in full battle gear. This was the unsuspected monster of the dark nights and shadowed paths. Yet, there was something… It seemed to be smiling – deeply. I had never seen such a sight before. I ran towards this demon of death, this creature of my nightmares, arms reaching out, yelling, as I prepared to do battle with this supreme enemy of all mankind. My enemy. For some reason the Martian did not move as I closed in. I had the strangest feeling that the Martian was familiar. Did I somehow know this creature? New fears now came on as I took those last few steps. As I made bloody contact the Martian, my sworn enemy, my personal target for destruction, faded into an image of myself.

I woke up screaming… again!

As my numbed mind escaped from my usual nightmare, once again drenched in a cold sweat, shaking, breathless and jerked awake by the image of a Martian; I got out of bed and took a stiff drink and steadied myself for work. As always it had seemed so real this night terror of my restless mind, yet it was just the start of another day working for the Executive Committee of Twelve. This work was slowly killing me, of that I was certain. As usual I did not have time to ponder this daily torture. We still had a planet to save from enemies that were all too real both near and far.

The Cities Beneath the Earth

LOWER-LONDON

Excavation of the primary “London Project tunnels” had been completed ahead of schedule primarily due to the efforts of the many new tunneling machines we had deployed and the fact that older railway tunnels were no longer needed and a few very old forgotten ones had become available for the project. Tunnels, which were dug in consequence of the Great Earth War as extended bomb shelters, were also becoming part of the mix not to mention the ‘transformed’ sewers made ‘almost’ habitable. In effect these new tunnels, added to old abandoned rail tunnels, were now spread out under the old City of London like a giant underground spider web covering almost 65% of New London’s upper surface (both rebuilt and ruins). Lower-London was now prepared to build additional factories, expanded bomb shelters, storage facilities, hospitals, private businesses and massive living quarters for well over two million people, all underground. A new underground university was also under construction. In fact, just about any type of facility found above ground had its reflection under the Earth. By now several million people around the world were spending much of their lives under ground. They were still greatly outnumbered by people living on Earth’s surface but living under the surface of the Earth was no longer an anomaly. It had become a normal way of life – especially for the younger generation.

We had by now in operation world-wide by my count at the time at least 1215 tunneling machines now working in just about every conceivable major location on Earth (48 in Lower-London) with more machines on the way as fast as we could build them. Most built completely underground. We also hoped to have the truly massive Martian tunneling machines in operation soon. Actually, it was a bit more than a hope – the Committee had made this back engineering program one of our top priorities.

Even though my responsibilities did not include construction projects above or below ground, whenever I got the chance I would take a walk in Lower-London just to see how far along we had gotten and to get a real feel for the lower city. The facilities in Lower-London had, at this time, 460 or so primary openings by which workers and those who now lived and worked underground could enter in order to build the facilities. (There were many more secondary entrance ways.) As work was completed section by section these entrances would be closed to only 200 and further to only 100 if war came to Earth from Mars. (Of course all of these would be sealed off if London came under direct attack.) Cover and concealment was still the key. Each opening on the surface has a fake building or hill or park of some type in order to conceal it from the Martians (an open secret to be sure, but from the air most could not be spotted. Many could not be spotted from the height of a Martian Walker). Indeed, over half of the tunnel complex openings could only be accessed by going underground to the rail system already in place and then to the underground facility. It is also noted that two independent rail systems had been tunneled into the underground facilities, one from the north and the second from the east, both of which were seven miles long. These were new primary supply lines. One other particularly difficult tunnel project had recently been completed south to the Thames River by which small underwater craft could pull directly into an underground port facility. It is planned as a small facility, but could become vital if other portals of supply had been somehow lost. This new area had been built directly off of the old “Tunnel under the Thames” which had been in place for many years. Massive so-called “bomb proof” steel doors protected the entrance.

By this time the Lower-London facility as well as other large city projects was beginning to have the look and feel of a true city. With new electric street lights, supplied with the new longer lasting bulbs recently completed along several major L-streets, the underground facility seemed to be a normal city at night rather than just a series of long badly lit tunnels. Some of the work crews had even applied a psychological aspect recommended by Dr. Freud and his group at Directorate L. They had painted bright stars on the higher rounded tunnel roofs, which had been painted an overall dull gray suggestive of a night sky in the larger tunnels. When the people walked from a lower-roofed and smaller L-street (usually built as a long square tunnel with an almost “hallway appearance”) to a higher and wider L-street the effect was dramatic, almost as if one was actually outside above ground. A new sound absorbing material was also being built into many of the walls and many of the tunnel ceilings in order to cut down on the “tunnel echo effect” which had become a problem. The echoes did not do any physical harm, but psychologically it made it difficult to forget one was underground. After the problem was solved the underground city became even less noisy than the surface one. It was an advantage to be sure.

As before local artists had been invited to continue painting many of the walls with reproductions of well known art pieces as well as painted red brick walls and street scenes. Small cut-out stone benches had by now become a familiar and much welcome part of the ever expanding facility. If one did not look too closely Lower-London was even starting to have the sound of a real “above ground” city. ‘Homes’ which had been cut out of the rock as well as many of the new offices were painted mostly white with the usual Victorian red brick trim. This had more than a superficial benefit of familiar tones as the generally light colored walls made better use of the limited lighting resources available in the L-tunnels/streets. On many of the L-streets where pedestrian only traffic would be allowed, red bricks were used to cover the ‘floors’, which really enhanced the look and feel of these L-streets. They looked as if they were above ground and were “familiar.”

It was at this time that Dr. Freud and his Directorate L were circulating a controversial idea that not only did he feel that humans could have “come from the same stock as Martians” (He was referring to the Martian B species rather than the octopus looking Martian As.), but that eventually, thousands of years in the future, humans would ‘devolve’ into Martians. He was careful to state that no one or group of people should be allowed to spend their entire lives underground fearing that a prolonged separation from above ground could lead to a separate species, or at least develop below-ground mental problems, perhaps believing they could only live underground. In a short research paper Dr. Freud brought up the subject of “troglobites”, defined as a species that lives, or can live, its entire life in caves and tunnels and never see the surface. His report did mention several species of fish and animals that had adapted to underground conditions thus changing their basic physical composition. Changes could include loss of skin or eye pigmentation, loss of eyesight, elongation of arms and legs as well as other senses being enhanced, closely related to the enhanced senses of blind people to touch and sound. It would be a very slow change physically to be sure, but his main concerns focused on the cultural changes which would manifest themselves between the people who lived on the surface and those who were “underground dwellers.” Very few worried about that prospect, but it was an interesting thought. Nevertheless, with that in mind police forces in London at least, moved their people from ‘top’ to ‘bottom’ patrols and reverse on a regular basis.

The North City (there are also South, East and West Cities in work) was completed first with real cobblestone streets (small L-streets still used red brick) with of course the same names as the ones above with an “L” added in front. Sidewalks, with the new electric street lamps on the walking side, were now patrolled by constables; many of whom now lived underground much of the time. The North City also included four full hospitals, ten large cafeterias, supply and storage facilities, 285 small factories now in full operation (mostly engaged in military production or research of one nature or another), as well as over 43,000 private living quarters – small, but very comfortable. There was even an underground jail, which would be fully manned by officers and detectives from Scotland Yard in the near future. These were manned by the now famous “L-Squads”. Although not yet complete, a small electric rail system was being constructed along four major avenues in the North City. The North City had been completed first because most of the manufacturing facilities were in this area before the war. South and East would be mixed and West would house the primary locations for large bomb shelters and housing as well as underground growing facilities for food production. Storage of grains and other dried food stuffs in sealed drums placed into crude cut tunnels and elongated caves had begun in earnest in many areas.

By this time the River Thames had been tapped to flow into two sections of the underground city, but not just for the aesthetic value. The river was being partially diverted to supply water for drinking, waste removal and for the production of electric power. In five years the underground power plants were expected to be in full operation as was the waste removal plant. Naturally, all of the water that flowed into the city was filtered. During a war the flow would be reduced to 25% and double filtered. Three aquifers had also been tapped bringing in a separate source of fresh water to the underground city. (One was accidentally discovered by tunnel work that had to be repaired and redirected to a safe flowing situation.) One was in use at this time, all three would “come on line” in time of war. Large fresh water storage containers had also been constructed in line from the aquifers that would be constantly refreshed until they were needed.

Backup for the power plants would be supplied by long banks of batteries that were constantly being recharged with small amounts of current. Venting any gases, which may be present, was accomplished by holes drilled down to them from the surface. These vents would be sealed off for short periods of time in case of war. The batteries, situated in hundreds of critical locations, were not expected to be able to provide a great deal of energy, but there would be enough to dimly light all of the main L-streets for at least three weeks. Their primary purpose was to insure that no one would get lost in the dark if the main power supply was somehow cut off. This was a rather fortunate bit of planning as not more than two years later a major power failure did occur in Lower-London (man-made, no Martians involved) giving this backup system a rather robust test. The lights were kept on for six days using only battery power as work crews repaired the failure. This unscheduled ‘test’ proved to be a complete success. It is also noteworthy to recall that panic in the darkened streets was not widespread.

Underground power station

For the most part movement by the general underground population was still on foot or by bicycle. There was of course a good deal of electric car traffic, which included the now famous red single deck underground electric buses (electric charging stations were pretty much spread out all over the facility), but not nearly as much as in the above ground cities even though ten new entrances (heavily reinforced and easy to close off with massive doors) to the underground city allowed individuals to drive approved electric vehicles directly from Upper-London to Lower-London; having recently been completed. During a war these tunnels would be completely blocked off and sealed airtight. Later small gage light rail systems would be in place, but that was still a few years off. For now many bicycles were being built for this purpose and as construction continued they were being stored underground for public use. Anyone underground could take one and ride to any of the open operational areas. However, they could not be taken above ground. They were all painted bright yellow and sporting a British flag on the tail fin for identification and everyone knew what they looked like. (Green bikes were used above ground.) The bicycle factory was in fact one of the first fully operational factories to begin full time operations in Lower-London. However, it was not the first business to open. And even though there would be several establishments who would claim “First Open” that honor properly went to the very popular Hound & Fox Pub on L-Whitechapel Street. The sign on the door reads “Open Since First Shovel – 1902”. It had originally been a small office in the Whitechapel underground station before the war. The pub never closed. That small fact I am able to personally attest to. They put out a good stew as well.

In order to make it easier for people to find their way along these unfamiliar “L-streets” the “Lower-London Committee” published, from an underground print shop no less, new three color maps of the lower ‘city.’ Each visitor was given a map, which had to be signed for to insure security, not that anyone really believed that some of those maps would not find their way to Martian eyes, and was returned to any of the entrance booths upon departure. Those who worked or lived in the facility were issued I.D. cards, which were checked upon entrance and exit. It was not long before all of the underground facilities used these security methods by order of the Committee. Naturally these facilities were all Martian and Brotherhood terrorist targets. To keep the public aware posters had gone up reminding Londoners to keep an eye open for anyone (by which they generally meant hybrids) who may be acting suspiciously. “Trust, but verify.”

It would probably not surprise many people to learn, as if they did not already know, that there was also a very active red light district in Lower-London that was, well, not exactly indicated on any official maps. Crime of course knows no upper or lower city exclusivity so we knew we had a real city when the first underground murder was committed on 19 May 1921. The only surprise, I would suppose, was that it took so long for one to occur underground! One man when interviewed about the murder stated, “Well, I guess that makes the underground complex a real city now.” Shocking as it was, the underground areas still had some of the safest and certainly the best patrolled streets of London. It was understood to be a prime target of the Martians.

At one point I decided to pull away from my other duties and take a close look at some of the work being done under the expanding surface streets of New London. Much of the digging had moved out from underground work which had been completed well before the First Martian War. One of the more interesting and certainly more historic was the underground prison next to Clerkenwell Green locally known as the Underground House of Detention. It had begun life as the basement of an above ground building from which cold-dank tunnels had been carved to form a cross. Small damp cells carved on both sides of these tunnels served to hold an unlucky few for over 250 years. Closed in 1877 we re-opened the now red-brick-worked facility in 1915 after the facility was enlarged and greatly improved. Nevertheless, the prison still has a distinct feel of loathing death about the place.

There are of course many and extensive catacombs to be found under New London but not nearly as extensive as the famous ones to be found under what remains of Paris now being re-built as fast as it can. However, much use is being made of the catacombs in the Camden Town area as are the ones dating to prehistoric times under Greenwich Park. Shoring them up for the expected heavy traffic to pass through is the biggest concern in those areas as is the need to insure proper circulation of air and removal of excess water.

Even before this Martian “inspired” grand building program there were a few underground streets generally familiar to the inhabitants of Old London. Probably the best known and to say the least, most forbidding is Lower-Robert Street. Known to have been the site of the murder of a well known prostitute its written history began in a work by Thomas Miller in 1852. His description weaved the tale of the murder victim’s ghost haunting the deeply shadowed street which takes its place between the River Thames and the Strand with its “black-browed arches that span right and left, before and behind, covering many a road of ground on which the rain never beats, nor sunbeams sleep, and at the entrance of which the wind only seems to howl and wine, as if afraid of venturing further into the darkness.” It is to say in a word or two not a place of calm retreat. London underground is just as colorful and mysterious as the New-London remaking itself as best it can on the sunlit surface of England.

By this time in Lower-London there was an area being cut into the rock walls known as the sleeping zone which was well on its way to completion (at least the first one was). Rectangular niches, reminiscent of a railway sleeping car, were being cut eight feet back with a four foot square opening in the front covered by a privacy curtain. These were planned to be wide enough to allow one or two people to crawl into and sleep. These niches, when complete, would have four cuts per vertical row and show a front over two hundred yards long on both sides of the L-street until the next cross L-street was encountered. To avoid a “tunnel feeling” two hundred yards was considered the longest sleeping zone constructed in any one place. Many would be much smaller, some only 20-40 feet long. Most of the “sleeping cuts”, as they are popularly called, were being used by the workmen at the time, but when all were finished it was expected that some 20,000 people would be able to use them during an emergency in just this area alone. Plans called for the construction of over 300,000 individual sleeping cuts spread out over the city. Naturally nearby underground restrooms with showers were built as part of the program as well as places to change clothes and eat. There were of course shelves cut into the sides near the “cuts” for the placement of books, which were put there by anyone as “take-a-book and leave-a-book” areas.

The local Press at the time noted that “Mr. Wells is said to be well known for taking his ‘evening’ walks in different areas underground with a few books under his arms and dropping off a few here and a few there.” It became quite the thing for some well known and perhaps some not so well known authors to take a walking tour of the L-streets and put out some of their own books on the stone cut shelves. In fact, it became such a fad for writers to place one’s own books on these shelves that if you did not have an “underground collection” one’s fellow authors would ask why not! Due to the popularity of the book shelves it was not surprising to learn that one street in Lower-West London, which could not be dug into too deeply along its sides due to technical difficulties, had one complete side of street cut into a series of book shelves. For over 240 feet anyone could browse through thousands of books and make a selection. It did not take long for Lower-New York City and Lower-Sydney to put together their own underground “book streets.”

For years the public would hear about a book drive by school children who had adopted a section of a sleep area as their own to fill with as many books as they could find. Needless to say, there would be plenty of books and magazines to read in the underground cities. Many of course were for children. It is also interesting to note that for some reason nearly all of these “sleep area book deposits,” supported by the Committee, featured many of the works by H. G. Wells. And then there was the first underground London newspaper vender “Peter’s News”. His tiny ‘cut’ would become locally famous because he took two years to dig into the rock wall himself behind his stand enough to eventually allow him to cover his entire newsstand. Because of his fame and jolly good nature a group of North London hard-rock mine workers decided to present him with a weekend’s worth of work tunneling back into the rock wall, enough to create a living area for Pete. Pete now had a new home of his own. He would later host “every year thank you day” to his hard rock miner friends with a fish and chips dinner for those who had helped him cut out a new home.

[END PART 35]

Copyright © R. Michael Gordon, 2020

[NEXT WEEK: PART 36: THE CITIES BELOW AND THE COMMITTEE BUILD’S ITS STRENGTH.]

Chante Moore (My Ultimate Whistle-Tone Singer Strikes Again) "It's Alright" LIVE

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Oct. 2010, I posted “Chante Moore (My Ultimate Whistle-Tone Singer) It’s Alright LIVE” video to YouTube. To date, it has 38,766 views and is often shared in the discussions of best female and/or whistle-tone singers. Here’s another UNBELIEVEABLE PERFORMANCE from one of my favorite artists of all-time. Chante Moore performed four shows over 2 nights at Yoshi’s Oakland (Fri.. 03-07) and at Yoshi’s San Fran (Sat. 03-08) …this is from the 4th set on Sat. 10PM set in San Fran.

“It’s Alright” from her first CD Precious is now a crowd favorite as Chante shows out with notes in the “whistle tones” for minute after minute. MUST WATCH VIDEO TIL END. 4:30 on is simply amazing! Chante’s new CD Moore Is More is available on all download sites and includes the jazz classic “Cry Me a River,” also the inspirational song featured on R&B Divas: LA “Jesus, I Want You.”

Charlie Wilson Opens Up About Sobriety Struggles, Gap Band Origins, Hometown Racism + More

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KELSI ARMIJO APPOINTED EXECUTIVE CHEF AT THE HERMITAGE HOTEL, NASHVILLE

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The Hermitage Hotel, Nashville’s premier luxury hotel, in partnership with internationally acclaimed chef and restaurateur Jean-Georges Vongerichten, announced the appointment of Kelsi Armijo as Executive Chef. Armijo, who has helmed the kitchens of prestigious establishments throughout the United States, will work under Jean-Georges to launch and oversee the hotel’s new destination restaurant, Drusie & Darr, and The Pink Hermit café. She also will work closely with Jean-Georges in the execution of The Hermitage Hotel’s culinary program, from weddings and events to its iconic weekend Afternoon Tea.

 

“Kelsi is a great talent who distinguished herself when we worked together at Jean-Georges Steakhouse at ARIA,” said Vongerichten. “She has helmed some of the most innovate Michelin-starred kitchens in the U.S. and I am delighted to work with her in her new role as Executive Chef at Drusie & Darr to bring the restaurant to life and introduce a spirited new dining experience to Nashville.”

 

Armijo joins The Hermitage Hotel with over a decade of culinary expertise from top restaurants and hotels across the United States. Most recently, she led the culinary team at Southern California’s The Peninsula Beverly Hills, where she rose from Chef de Cuisine to Executive Chef during her nearly six-year tenure. Before that, Armijo worked alongside renowned French chef and restaurateur Joel Robuchon in Las Vegas at the Michelin-starred L’Atelier de Joël Robuchon. During her time in Las Vegas, she also worked with James Beard Award-winning chef, Shawn McClain at Sage, where she helped create contemporary American dishes that showcased farm-to-table produce and sustainable ingredients. Armijo began her career as a member of the opening team of Jean-Georges Steakhouse at ARIA in Las Vegas and quickly rose to Sous Chef. She is a graduate of the College of Southern Nevada.

 

“With an incredible track record of working alongside top chefs in the industry and illustrating an innate ability to create and flawlessly execute spectacular dining concepts, we are confident that with Chef Kelsi executing Jean-Georges’ vision, Drusie & Darr will quickly become a Nashville icon, much like The Hermitage Hotel itself,” said The Hermitage Hotel Managing Director, Dee Patel. “We are thrilled to welcome her to the team and look forward to a new era of elevated, approachable dining at The Hermitage.”

 

Opening later this fall, Drusie & Darr is Jean-Georges’ new restaurant and bar at The Hermitage Hotel. Drusie & Darr will be a convivial, contemporary restaurant and bar that will showcase the abundance of Tennessee’s regional produce, some of which will be sourced from The Hermitage Hotel’s Garden at The Land Trust for Tennessee’s Glen Leven Farm. An international menu, inspired by the seasons with Asian influences and ingredients sourced locally, will welcome hotel guests and neighbors alike for any occasion – from cocktails and a sophisticated evening out, to a glass of wine and pizza from the wood-fired oven, or a relaxed family dinner.

 

“It is an exciting time for Nashville’s culinary scene,” said Armijo. “By translating chef Jean-Georges’ vision into fresh, locally-inspired dishes and concepts, I am honored to help establish The Hermitage Hotel, and the greater city of Nashville, as an international culinary destination.”

 

The Hermitage Hotel is a timeless icon of best-in-class, five-star service. In 2021, the hotel is undergoing a top-to-bottom design refresh seamlessly blending the past with the present. From the renovated restaurant and bar, to refreshed guest rooms, lobby and common spaces, the hotel is meticulously preserving its cherished architecture while introducing a fresh, new color palette, updated furnishings and more. To learn more about The Hermitage Hotel, please visit TheHermitageHotel.com or follow the hotel on Instagram and Facebook.



Megan Fox Stuns In Sheer Dress & Thong w/ Machine Gun Kelly At MTV VMAs

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Megan Fox Stuns In Sheer Dress & Thong w/ Machine Gun Kelly At MTV VMAs

Megan Fox and Machine Gun Kelly sure know how to work a red carpet! The couple hit the 2021 MTV Video Music Awards in show-stopping outfits. The “Transformers” actress rocked nothing but a silver thong and a see-through dress. Megan paired the look with a set of sky-high, metallic heels and wore her hair down in long beachy, waves. Machine Gun Kelly wasn’t looking too bad himself, rocking a sparkling red tuxedo.

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Access Hollywood is a nationally syndicated daily entertainment news show. Access Hollywood delivers the most comprehensive coverage of entertainment news and personalities on television, featuring in-depth celebrity interviews and behind-the-scenes accounts of the most important events in Hollywood.

Megan Fox Stuns In Sheer Dress & Thong w/ Machine Gun Kelly At MTV VMAs

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Selena Gomez’s New Bob May Inspire Your Next Salon Visit

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When you’re ready come and get a look at Selena Gomez‘s fabulous new ‘do. 

The 29-year-old singer debuted a beautiful bob on TikTok Monday, Oct. 18. In addition to giving fans a peek at her hair, Gomez—who was previously rocking longer locks—invited them to join her Oct. 19 for a virtual watch party of the final episode of her show Only Murders in the Building, which she executive produced and starred in along with Steve Martin and Martin Short.

Needless to say, followers couldn’t get enough of the chop. “YOU LOOK SO GOOD WITH SHORT HAIR SELENA,” one wrote. Added another, “I LOVE THE HAIR OMG. 

For some, the cut transported them back to 2017 when Gomez sported a similar look. Of course, the “Wolves” star has played with a number of different hair colors and lengths over the years, rocking everything from long brunette waves to short blonde styles. 

“So recently I went blonde, and I had the best time,” she told Vogue last month. “I think I’m definitely more of a character when I’m blonde. I felt like I could do crazy looks with my hair, I could, you know, try new things with my makeup and it was just so much fun. I think that for a little bit it was hard to keep up with. But yeah, I don’t know, I felt so cool and edgy, and it was just a whole phase that I went through. I’m honestly missing it, I’m not gonna lie. Blonde Selena is not gone forever.”

LATEST BOOK NEWS — October 18, 2021 — Aestas Book Blog

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BOOKWORM NEWS:

  • Window Shopping by Tessa Bailey is now live!! — “Two weeks before Christmas and all through Manhattan, shop windows are decorated in red and green satin. I’m standing alone in front of the famous Vivant department store, when a charming man named Aiden asks my opinion of the décor. It’s a tragedy in tinsel, I say, unable to lie. He asks for a better idea with a twinkle in his eye. Did I know he owned the place? No. He put me on the spot. Now I’m working for that man, trying to ignore that he’s hot. But as a down on her luck girl with a difficult past, I know an opportunity when I see one—and I have to make it last. I’ll put my heart and soul into dressing his holiday windows. I’ll work without stopping. And when we lose the battle with temptation, I’ll try and remember I’m just window shopping.”
  • Promise Me Forever by Layla Hagen is now live!! — “As a divorced single father, I live by three rules: 1. Make sure every day my daughter, Paisley, knows she’s number one in my life. No. Matter. What. 2. Keep contact with my cheating ex-wife to a minimum. 3. Turn Maxwell Wineries into a legacy that keeps Paisley set for life. When I hire Lexi to look after my daughter, I realize I need another rule: don’t pursue Paisley’s nanny. But even if I had that rule it wouldn’t matter. Because I’m breaking it already.”
  • Boyfriend by Sarina Bowen is now live!! — “The hottest player on the Moo U hockey team hangs a flyer on the bulletin board, and I am spellbound: Rent a boyfriend for the holiday. For $25, I will be your Thanksgiving date. I will talk hockey with your dad. I will bring your mother flowers. I will be polite, and wear a nicely ironed shirt… Now everyone knows it’s a bad idea to introduce your long-time crush to your messed-up family. But I really do need a date for Thanksgiving, even if I’m not willing to say why. So I tear his phone number off of that flyer… and accidentally entangle our star defenseman in a ruse that neither of us can easily unwind. Because Weston’s family is even nuttier than mine. He needs a date, too, for the most uncomfortable holiday engagement party ever thrown. There will be hors d’oeuvre. There will be faked PDA. And there will be pro-level awkwardness…”
  • Sealed With A Kiss by Erin Nicholas is now live!! — “What’s a girl to do when faced with a hurricane, her celebrity crush, and a power outage in their shelter? Keep her damned feelings to herself. And her clothes on… Naomi LeClaire is just a small-town girl who loves her quiet, simple life. Donovan Foster is a sexy, charming, wildlife rescuing internet sensation who loves the spotlight. What do these opposites have in common? Only an impossible-to-resist chemistry that, when they’re stuck together in a storm becomes, well, impossible to resist. But the aftermath of the storm gives them something else in common—a rescue mission to help victims. Oh, and a heat-of-the-moment kiss caught on camera by the local paparazzi. Not to mention an offer for a reality TV show documenting them falling in love while saving animals from crazy, dangerous situations…”
  • Well Matched by Jen DeLuca is now live!! — “Single mother April Parker has lived in Willow Creek for twelve years with a wall around her heart. On the verge of being an empty nester, she’s decided to move on from her quaint little town, and asks her friend Mitch for his help with some home improvement projects to get her house ready to sell. Mitch Malone is known for being the life of every party, but mostly for the attire he wears to the local Renaissance Faire—a kilt (and not much else) that shows off his muscled form to perfection. While he agrees to help April, he needs a favor too: she’ll pretend to be his girlfriend at an upcoming family dinner, so that he can avoid the lectures about settling down and having a more “serious” career than high school coach and gym teacher. April reluctantly agrees, but when dinner turns into a weekend trip, it becomes hard to tell what’s real and what’s been just for show…”
  • Serendipity by Kristen Proby (Bayou Magic series) is now live!! — “My sight is a gift and also a curse. It cost me the love of my life. We may have been young, but some things you don’t get over. Like being the cause of the biggest tragedy of your boyfriend’s life. It’s something I’ll never forget, and a reflection of who I am. But now that Jackson’s back in town, with scars and a hero’s badge of honor, it’s time for me to be brave, too. A malevolent evil hell-bent on making my sisters and me pay for rebuffing him is still stalking my family, and some ancient writings portended that the six were the only ones who could defeat him. Jackson Pruitt and I round out that magical number, which means I have to face the evil and the things Jack makes me feel, to save my family and my city…”
  • Infamous Like Us by Krista & Becca Ritchie (Like Us Series: Billionaires & Bodyguards) is now live!! — “22-year-old Sullivan Meadows knew dating Akara & Banks would be complicated, but now that her relationship is public, everything has been put on blast: @HeatherB: Can’t believe Sullivan Meadows is dating TWO men and they’re like all together. Like OMG. Totally didn’t think the rumors were true. @YuiK: anyone know what happened to Sullivan Meadows? News is saying something bad went down. Seems bad. @PaulieP: Why is there no reporting on the thing that “allegedly” happened to that Meadows girl? They aren’t saying whether her boyfriends were there??? @TiffanyW: Y’all I can’t with Sullivan’s boyfriends. They just sandwiched her in PUBLIC to avoid cameras lmao @RiverT: Banks Moretti & Akara Kitsuwon are totally banging. I don’t make the rules @CarlaR: OMGOMGOMG Sullivan Meadows qualified for the Olympics! THIS IS NOT A DRILL! @LacieA: Celebrity Crush is saying ALL the families will be at the Olympics to root for Sullivan. Im dead #HalesMeadowsCobalts @GeorgieO: Dude no way she wins a gold medal. Sulli the Slut is too busy screwing anything that walks @VenusQ: I bet her boyfriends will distract her. Last Olympics, she was single. This one, she’s a MESS. Messiness isn’t getting gold #sorrynotsorry”
  • A Shadow in the Ember by Jennifer L Armentrout is now live!! — “Born shrouded in the veil of the Primals, a Maiden as the Fates promised, Seraphena Mierel’s future has never been hers. Chosen before birth to uphold the desperate deal her ancestor struck to save his people, Sera must leave behind her life and offer herself to the Primal of Death as his Consort. However, Sera’s real destiny is the most closely guarded secret in all of Lasania—she’s not the well protected Maiden but an assassin with one mission—one target. Make the Primal of Death fall in love, become his weakness, and then…end him. If she fails, she dooms her kingdom to a slow demise at the hands of the Rot. Sera has always known what she is. Chosen. Consort. Assassin. Weapon. A specter never fully formed yet drenched in blood. A monster. Until him…”
  • House of Shadows by KA Linde (Royal Houses series) is now live!! — “Kerrigan Argon, a half-human, half-Fae, has joined the Dragon Society against almost everyone’s wishes. A year of training is required with her dragon. First she must travel with the dark Fae prince, Fordham Ollivier, back to his home in the House of Shadows. Nothing but slavery and death has ever awaited a half-Fae in their halls. But something is wrong within their wicked world. A thousand year old spell is weakening. Cracks forming in the foundation. And Kerrigan may just be their ruin or their salvation.”

WEEKLY NEW RELEASES RECAP

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Danny DeVito Joins the Cast of Disney’s Haunted Mansion

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Danny DeVito is the latest addition to Disney’s upcoming Haunted Mansion film.

THR is reporting that the Taxi and It’s Always Sunny in Philadelphia star has an undisclosed role. The film is based upon the popular Disney ride of the same name. DeVito joins a cast that already features Owen Wilson, Rosario Dawson, LaKeith Stanfield, and Tiffany Haddish.

RELATED: The Lion King Prequel Casts Kelvin Harrison Jr. and Aaron Pierre

Haunted Mansion will be directed by Justin Simien (Dear White People) from a screenplay written by Katie Dippold (Parks and Recreation). Further details about the new adaptation’s plot are still being kept under wraps, but Stanfield will reportedly play a widower who once believed in the supernatural but is now a rather lifeless tour guide in New Orleans’s French Quarter. Meanwhile, Haddish will portray a psychic hired to commune with the dead.

The titular theme park was first adapted into the 2003 film which starred Eddie Murphy as a workaholic realtor who along with his family gets trapped inside a mansion inhabited by ghosts.

RELATED: Emma Stone to Return for Disney’s Cruella Sequel

The new Haunted Mansion movie is being produced by Dan Lin and Jonathan Eirich (Aladdin) of Rideback. Rideback’s Nick Reynolds will serve as executive producer.

The project comes after the recent successful launch of Jungle Cruise starring Dwayne Johnson and Emily. A sequel to the action-adventure film is currently in the works.

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