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How an Acid Trip Gave Birth to The Marías’ Latest Album, CINEMA

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The MarĂ­as

Photos by Bethany Vargas.

This summer, The Marías released CINEMA, a full-throttle, debut studio album. Despite their limited discography—the enigmatic soul pop outfit previously had two EPs under their belt—The Marías’ oeuvre has all the polish and silky suaveness of a legacy operation. Perhaps it’s for this reason that the band, made up of Puerto Rican-American singer María Zardoya and Josh Conway— her partner and the band’s drummer—has accumulated a dedicated following in recent years. Listeners have come to expect synth and smooth vocals from the band, but CINEMA offers a deviation from their typical fare, with sweeping string arrangements, reverb-filled garage pop, and grungy electronica on full display. “We have no idea if people are going to like these songs,” says Zardoya. One person who likes them very much is Sven Eric Gamsky. In fact, Gamsky—known to listeners as Still Woozy—liked CINEMA so much that he recently remixed “Hush,” in collaboration with the band. Below, Zardoya sat down with her biggest fan to discuss everything from ghosts, to costume contests, and acid trips.

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GAMSKY: Okay, so the first question I have for you is where did you grow up?

ZARDOYA: I was raised in Atlanta—I usually just say I’m from Atlanta, because nobody knows Snellville, Georgia, which is the tiny town where I’m actually from. It’s a church on every corner, Stranger Things kind of town.

GAMSKY: Oh boy.

ZARDOYA: They have a motto, “Where everybody’s somebody.” There were rumors that some of the houses were haunted. We’d ride our bikes to those houses and poke around.

GAMSKY: You’re brave.

ZARDOYA: I loved things that were haunted for some reason. I have never experienced anything supernatural, but I was always curious to entertain it.

GAMSKY: Well it’s weird, last night I woke up in the middle of the night, and it felt like there was something in the room with me. I was so freaked out, and I had to play music to distract myself. Do you have nightmares?

ZARDOYA: I’ve had nightmares and sleep paralysis, since I was a kid. Sometimes I’ll just wake up screaming. When Josh and I first started living together, I would get up screaming and he’d be terrified. Now he’s so used to it that he just puts me back to bed.

GAMSKY: How did you and Josh meet? How did you form the band?

ZARDOYA: I moved from haunted Snellville to Los Angeles, after I won a Halloween costume contest in Georgia. I won $5000.

GAMSKY: What were you dressed as? $5000 for a Halloween contest? That’s sick.

ZARDOYA:  I was dressed as a market. I created this wooden market over my shoulders and I made money and little vegetables, this whole thing. Anyway, I won that costume contest and I bought a car and just drove out here. I was like, “I’m just going to play wherever they’ll have me,” so I did open mics and just tried to get to know the city. One night there were like three people in the audience, and Josh was running sound. He came up to me after I played and was like, “I really like your voice. Would you be down to record in my studio?” We met up and started writing a lot of the songs. Eddie and Jesse are childhood friends of his, and that’s how we all came together.

GAMSKY: Did you play any songs off this album when you were playing by yourself?

ZARDOYA: One that we ended up releasing from those days was “Ruthless.” I wrote that a long time ago. My dad taught me how to play a lot of Latin standards on guitar and every time he would teach me a new one, I would just use those chords and different variations to write a song. What did you start on?

GAMSKY: Piano. My mom made me take lessons with this old man named Earl. Earl had this train track and this whole nativity scene that would be up year round, like he had a lot of time on his hands, you know? He would fall asleep while teaching us. He’s the reason I decided I wanted to be a rock star.

ZARDOYA: Earl started it all.

GAMSKY: So how is the music written, do you focus on your individual roles or is it more free-flowing?

ZARDOYA: Josh and I write and record everything, and Josh produces. He comes from a music theory background and I approach it more conceptually. I’m like, “What would this sound like if it was in the middle of a jungle?” Once the songs are fully fleshed out and all the instruments are there, the guys come in and add their magic touches.

GAMSKY: That’s awesome. You’re a Spanish speaker and you write songs in Spanish. I speak German and if I tried to write a song in German, it would be such a different song in the end. Does that creative process feel different at all?

ZARDOYA: Both languages are so integrated into my life. When I’m with my Latin friends I just go back and forth as if it was one language. If a song starts in English, but then something comes out in Spanish, we’ll just use that. It’s never a conscious thing, it just kind of happens.

GAMSKY: That’s beautiful. I’m not fluent in German so it wouldn’t be this seamless thing. I would have to force something really ugly and disgusting out.

ZARDOYA: How do you know German?

GAMSKY: My mom is Danish. She grew up in a town that was on the border of Denmark in Germany and for hundreds of years, there have been border disputes so the town that she was from was actually Germany for a while. A lot of people in the town speak German and that’s how I communicate with all my relatives.

ZARDOYA: Is your dad from the States?

GAMSKY: Yeah, he’s totally midwestern and the sweetest role model. He loves his garden.

ZARDOYA: My dad loves his garden, too. He’s like, “The secret is that you have to sing to your plants.”

GAMSKY: One of the first things that I noticed about the album is all the way through you have a lot of themes, it’s like finding all these little clues. It’s so cool. What were your reasons behind all those?

ZARDOYA: We wanted the album to feel like a movie. Some of my favorite soundtracks are full of little motifs. There’s this 1968 Italian movie full of beautiful, luscious strings. That melody carries the movie, and we had always wanted to do a song that was entirely a string arrangement, because we’re suckers for string arrangements.

The MarĂ­as

GAMSKY: I had goosebumps at the end of the last song on the album. It is just so well-done. Can you tell me about where that song came from?

ZARDOYA: It’s from a journal entry that was titled “somewhere in Minnesota.” It was a tour that was really difficult for all of us,  because it was a support tour. The headlining band had this big tourbus, so they would drive at night, get to the venue early and all that—so the route and schedule was set according to that.  We were in our little van getting up early and trying to make it to these venues, playing when the lights were still on and people were still walking in. Our younger fans couldn’t make it, because of the ticket price, so it was really difficult for us to be traveling for an audience that really didn’t care. I wrote that entry at a very dark point towards the middle of the tour where we were all just over it, and tired and exhausted. Like I said in the song, the only source of comfort that I could find was curling up like a little ball in the hotel and pretending like I was still in my mom’s womb.

GAMSKY: How long was the tour?

ZARDOYA: A month.

GAMSKY: I did the same thing actually when we first started. We opened for the Dirty Projectors and they were also on a bus, so we drove the whole length of the U.S. in a Honda with three of us and all our gear. That car still stinks. I have to just blow it up  because it’s just not usable anymore.

ZARDOYA: Headlining is different, because it’s this exchange of love and energy. I’m ready to tour again, but touring has always been difficult for me. Knowing your limitations and setting those boundaries early on is hard.

GAMSKY: Is there friction, being in a relationship and having this professional and this personal dynamic?

ZARDOYA: It’s really difficult. The two become so intertwined, it’s difficult to compartmentalize them. We have great creative chemistry and we’re good communicators, which is all you can ask for.

GAMSKY: What is your favorite song on your album?

ZARDOYA: “All I Really Want Is You.” It takes me back to mid-quarantine. We were taking it very seriously and weren’t going out much.  But we were like, “Okay, if we can’t travel, then let’s trip in our minds.” So we took a little bit of acid and went on a 10-hour walk around our neighborhood. We took ourselves on a trip.

GAMSKY: Oh my god. You were probably in the same spot the whole time, too.

ZARDOYA: I know! We were climbing trees and that song is about that moment of wanting to go back to that time tripping.

GAMSKY: How intense was it?

ZARDOYA: It was a little bit of both. We did half a tab, but it was just enough to take our minds to a different place and cleanse all of this cabin fever that we’ve been experiencing. It took us on a mental experience of reconnecting with nature and experiencing things that we wouldn’t normally, like noticing this tree that has always been there that we didn’t notice until then, or this really cool mailbox, things with so much story that you don’t realize until that moment of tripping.

GAMSKY: Sometimes tripping can bring you out of yourself and back into the world. I think a lot of people really need that. Are there songs on your album which you aren’t sure how people will react to?

ZARDOYA: Every single one. Because the album is different from what we have previously released, we have no idea if people were going to like the songs or not. The ones that stuck out the most are “The Mice Inside This Room” and “Talk to Her.” They’re so different from what we’ve done in the past.

GAMSKY: Have you gotten feedback about either of them?

ZARDOYA: For some people, those are the favorites.

GAMSKY: Those two songs have a theme, and that was such a cool thing to hear. It’s like you’ve been on this journey and you’ve heard the same thing through different lenses and now you’re almost at the end and the tune has changed. I thought it was a really beautiful way to symbolize this journey. None of us are the same as we were when all of this started.

ZARDOYA: Absolutely. It’s just about letting it all happen.



Chico DeBarge – Love Still Good

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From his 1997 album Long time no see. Great song.

Elizabeth Bruenig’s Grub Street Diet

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An illustrated portrait of a brunette in a black turtleneck against a background of pumpkins and cups of Siggi's yogurt.

Liz Bruenig is not above pumpkin spice.
Illustration: Margalit Cutler

“I work on morality and public life, which is kind of douchey,” says journalist Elizabeth Bruenig, who in June moved from the New York Times Opinion pages to a staff gig at the Atlantic. A Texan Christian socialist, Bruenig is known for many things: her reporting, obviously, as well as her podcast (The Bruenigs, which she co-hosts with her husband, Matt), her robust Twitter presence, and, lately, her constant baking projects; for the past year, she has been on a (well-documented) tear of macarons. “You can do all kinds of ridiculous crap with them!” she raves, explaining the meticulous multi-step process and all the things that can go wrong.

Thursday, September 9
Dawn broke and the kids came marching up the stairs, little pilgrims with offerings in their arms. My oldest, now 5, is into breakfast in bed — which meant, on this day, a pack of peanut-butter-filled Ritz crackers and a tube of strawberry GoGurt she’d decanted into a recycled-glass ramekin swiped from a low shelf. She was like, “There you go — I’ve plated it!” She’s very hard-core into being a cook. The younger, freshly 2, can’t keep up in the kitchen, but she still wanted in on the gifting: She presented me with a miniature pumpkin she found recently at Stop & Shop.

We whisked the kids downstairs to get them scrubbed and shod for preschool and school respectively, and by the time they were off, my phone was already ringing. I’m doing some capital-punishment reporting right now, and working on more sexual-assault stories. I’m interested in the ways that we think about these big questions that are, well, subterranean. Good and evil. Right and wrong. This stuff that’s floating around the periphery of everything we’re talking about. I’m always trying to bring those things to the fore.

Around nine, I broke for breakfast. There’s a habit I’ve had since I was a teenager, and I’ve honored it every place I’ve ever lived, every continent and country I’ve ever visited: The day begins with a frosty Coca Cola Zero, or a Diet Coke if I must. It’s the combination of caffeine, carbonation, and icy cold that really gets the day going for me. And though I skipped the lukewarm cup of yogurt my oldest whipped up, I did take her up on the peanut-butter crackers. Those things are good.

It was one of those days where I wound up inadvertently skipping lunch, both because I was engrossed in work and because I’m regrettably back on my epilepsy medication, which is notorious for killing appetites. I was born with epilepsy and I’ll always have it, but most of the time I don’t take medication for my seizures because the side effects are so awful. (Don’t worry; I don’t drive.) But it’s critical I keep my ass out of the hospital for the time being seeing as other people are using it, so I’m back on the stuff. I figured out that I was hungry and not just some kind of sick around seven in the evening.

By then, I’d fed the kids their dinner — pigs in blankets, which is to say cocktail weenies in puff pastry. One of them dipped them in ketchup, the other skinned them and mainly ate the dough, and then they haggled for grapes, yogurt, and a sugar cookie each. I’m always like, “But wait, what about things that have some amount of vitamins or minerals or protein?” And they’re like “no.” So that’s the debate. We wrestled them into bed, and then I consulted the fridge for my turn.

Around this time of year, Siggi’s, the Icelandic skyr brand, starts selling their Pumpkin & Spice flavor — an orange, faintly cinnamon joint that feels more than a little like an indulgent sop to their white-girl-customer core. What can I say? They get me. I cracked one open along with a sleeve of cinnamon graham crackers and scooped the skyr out with the little cracker quadrants, sort of an autumnal cheesecake-esque Dunkaroo. I pioneered this, uh, meal in college, and I’ve been obsessed since.

When I was done, I puttered around downstairs for the requisite hour of tidying, organizing, and preparing for the next day, and then it was back up to bed. I struck a match, lit a candle, lit a jay off the candle, and fell asleep. Used to be that when people found out I have epilepsy, they’d ask if I’d ever tried weed — the industry has done a great job evangelizing on that count — but nowadays people just ask me if I’ve tried keto. I haven’t, and I wouldn’t, not even if it worked.

Friday, September 10
I had to drop a birthday cake off in Hartford — no time to explain! (I volunteer with this group that matches home bakers with cake requests from foster kids.) This one was a six-layer princess-themed chocolate birthday cake filled and frosted with milk chocolate buttercream, and wrapped in pink ombrĂ© buttercream ruffles. I made a gold fondant crown for the top, which took three or four days to dry. I thought the thing was going to feel like play-doh forever.

Before we dashed out the door, I made some oatmeal. The Silver Palate has started selling this incredibly thick, toothsome, hearty oatmeal at my local Stop & Shop, and I’m hooked. All it needs is a spoonful of sorghum, a handful of chopped pecans, a dash of cinnamon, and a whole banana sliced into coins. Delicious.

I was on the phone with sources about an impending story all the way to Hartford, but we did drop off the cake in time. I can’t drive, as I said, so my husband, Matt, was my ride — and has been since we met on our North Texas high-school debate team.

Once we were back in town, we stopped at this out-of-the-way diner, the Stamford Diner — they deserve some recognition. They have this “Provençal style” seafood soup that’s so good. It’s, like, $10, which is crazy, because you get a quart of soup full of scallops, shrimp, mussels, and calamari. You think, Okay, I’m getting seafood soup from a diner; the calamari is going to be like biting through a rubber band, but no! The scallops are falling-apart tender. It’s just remarkable. They also hit it with a bunch of cilantro, which is nice. Matt got a Reuben. And hey, I’ve got nothing against a Reuben either.

Friday night is Planet Pizza night in the Bruenig household; both the kids know it, and there was a thick tension in the air as soon as they got home. I’ve never failed to deliver on the deal, and I don’t want to know what would happen if I did. The pizza showed up, the kids dug in and then they requested their dessert du jour: chocolate milk. Again, resistance is futile.

It’s a funny thing, being somebody who makes a lot of fancy cakes and cookies and macarons and whatever; you’d think the kids would be all over that stuff, but they don’t care how it looks — they just want something yummy, accessible, and familiar. A glass of chocolate milk with a blast of canned whipped cream and a smattering of sprinkles is worth more to them than a double batch of apple-cider-salted caramel macarons, which suits me, at the end of the day.

I make a lot of macarons. I got into it about a year ago just watching YouTube tutorials. They’re so damn fancy — they’re just the fussiest little bitches. There’s so many things that can go wrong. They can be lopsided, they can crack, they can stick, they can fail to have feet, they can get discolored, they can be too dry, they can be too wet. I think that what’s so special about them is they’re labor-intensive — they’re kind of a labor of love. When I make a batch for someone, every hour I have spent learning to do this right is part of the gift.

After the kids were asleep, Matt settled in for some Friday-night sports entertainment, and I headed out to Parkway Diner to hang out with one of my closest friends. This spot is great — unassuming, cheap, un-self-consciously retro, with red vinyl booths, mirrored walls, and a menu to match. They’ll serve you a Waldorf salad in half a pineapple like it’s 1964! I ordered it. Waldorf salad and half a pineapple — it just can’t be missed!

Saturday, September 11
Coke Zero and buttered wheat toast. I also shared some goldfish with my two-year-old as we watched her older sister kick ass on the misty soccer field. We used to pick up munchkins from Dunkin’ Donuts on the way home from soccer practice, but this created too much chaos within the organization (i.e., the kids would be fucking berserk for hours or even days afterward). We settled for getting ice cream after lunch later on.

Before that, though, we hit the Whole Foods. I don’t really care about organic this or that; I figure crops and animals are changing genetically all the time, so who cares if humankind has a hand in it? Haven’t we always? As for pesticides and the like, I guess I’d rather roll the dice with that shit than peel a banana full of spiders or something. Anyway, what I’m mainly here for is the dairy: I prefer the goat- and buttermilk they stock around here for my baking, though I was bummed to see there had been some kind of run on the seasonal Siggi’s.

Back at home, I made grilled cheeses for the kids and a turkey sandwich for myself, heavy on the tomato — I was thinking this was gonna be sort of my last shot for the season, but when I bit in, I realized the moment had already passed. Just a few weeks ago, they were full of life and acid with flesh like ripe peaches. Not anymore.

As luck would have it, I’d already reconciled myself to this somewhat by planning a low-key end-of-summer dinner with friends tonight. BBQ pulled pork for the main event, and I threw together some soft white dinner rolls using a King Arthur Flour recipe so we could make sliders, preferably with thin-sliced white onion and pickles. I blackened some poblanos under the broiler for some smoky, homey mac ‘n’ cheese and tossed together a funfetti cake out of batter scraps and leftover buttercream piped into roses. It’ll do, I thought.

I love to cook. I think people on the internet sometimes get mad at me about the optics of it — not that there aren’t perfectly good reasons to get mad at me. I just think the cooking gets misinterpreted, because, y’know, being from Texas, being a Christian. But I think where they kind of read me the wrong way is that they mistake my happiness and joy with my home life — enjoying my kids and my cooking and my husband and just kind of keeping house — with an expectation that people inhabit certain gender roles. But if you know me in real life, that’s not the case. I mean, I think about Martha Stewart a lot because she also loves keeping house, she loves cooking, entertaining, giving gifts, wrapping gifts, yadda yadda, but she’s a bad bitch, right? Like, she did time. If you’re a man, you can be Anthony Bourdain, and you can be a cooking person who also loves travel and is a gentle, generous soul, and at the same time be, like, a cool rock-and-roll motorcycle guy. But if you’re a girl and you like cooking and you’re a gentle, generous soul and you’re religious and you love your family, that’s a problem. You’re a pussy. You know, you’re betraying the feminism and so forth.

For me, it’s like, no, this stuff is great. It’s work that sucks. I thought the socialists were all on board with, like, screwing around at your house and doing your hobbies. It’s going to work and doing shit for your boss that sucks. Read your Oscar Wilde, guys! But that’s the problem — so many people think of liberation as having cooler work. And I do think my work is very cool. It’s a passion for me, too. But this stuff is life. Work is work.

Sunday, September 12
It was early, so I broke the glass and I wolfed down the last Pumpkin & Spice Siggi’s while flipping pancakes for the kids. They had a birthday party to go to, a fact of which I was keenly aware because I was supplying the cupcakes — all 48.

It’s not as tough as it sounds. Cupcakes freeze well and defrost quickly. A week or so ago, I made royal icing 1’s for the tops of the cupcakes — those little decals last damn near forever once they’re dry — and then I made a batch of cupcakes a day last week until I had a solid 48 (which took some doing, seeing as the kids kept stealing them). I left the buttercream work for today, which doesn’t take much time at all. A little butter, a little shortening, some vanilla, some magic — and I’m packing the treats into boxes and sending the girls on their way.

Granted, I was a little worn out from the week, but nothing waits, you know? That’s the thing about being a mother. It can feel liberating in a surprising way. It doesn’t really matter what chaos gets ahold of you. You stand in a suddenly quiet house on a Sunday wondering what to do, but then the dust motes floating in the sun settle and you put one foot in front of the other. The dishes have to be done, the lunches have to be packed, the laundry washed, the clothes folded, the homework checked, the shoes paired and put near the doorway.

In the late afternoon, a friend dropped by to chat, and I made us lunch: Fuck it, a cheese plate. Sliced Honeycrisp apples, red grapes, Ritz crackers (they’re good), some salted mixed nuts I buy in five-pound increments from Costco, buttermilk bleu cheese, a nicely aged cheddar, and — a personal favorite — a wedge of sweet Prairie Sunset. I finished it off with butter snap pretzels and a cup of Mustard & Co.’s heavenly honey-curry mustard and Rare Bird’s peach-lavender preserves. There were some chocolate-covered almonds on there, too, but we never got around to them; I just always feel obligated to include dessert.

Eventually my husband got home with the kids, and they bounded all over the place telling me and my friend about the cupcakes they ate and the birthday party they attended and the crime they saw in the woods (apocryphal and unconfirmed). We all grazed on the cheese plate until night fell and then we ordered sushi.

My order’s always simple: just salmon maki, cucumber maki, and maybe asparagus, if they have it. Miso on the side. I was ready for bed, though the kids were still bouncing off the walls and would be for a few more hours. I should frost those cupcakes with Benadryl, man.

Monday, September 13
Another Monday, another day I woke up not totally sure who or where I was, in part because I had consumed an eighth of mushrooms the night before. Both kids started sleeping happily in their own beds years ago, and yet 50 percent of the time we wake up with both of them wedged in between us. We herded them downstairs and got them fed — Special K Red Berries tricked up with two extra bags of freeze-dried strawberries per box of cereal for the older kid and buttered toast for the younger — and off they went.

Here’s where it got ugly. It was a busy day, okay? We hit the ground running. He had his shit going on; I had mine. I ate three packs of peanut butter crackers for breakfast and two more for lunch. Then we went to Home Depot in the afternoon, because he’s doing God knows what to the garage, and in the checkout line, while he was scanning infinite plywood panels, I threw a bottle of Diet Coke and a sleeve of Twizzlers on the heap. I’m not holding myself out as a role model here!

The rest of the day I was on the phone for work and writing in between calls. Before the kids got home from school, I made the easiest baked ziti on earth: Salt the pasta water until it’s seawater-salty, boil the ziti, dump it in a colander and then dump a whole 28-ounce can of tomatoes over it with a bowl underneath to catch the liquid. Then I snatch up the tomatoes one by one and squash them — just squeeze all the liquid out, huge stress reliever — and toss the smashed corpses into the now-empty pasta pan, leaving the tomato-y noodles to chill. Toss a knob of butter into the pan with the tomatoes, set it all over medium heat, and cook the tomatoes a bit to concentrate their flavor, maybe even getting some caramelization on there — at the end, I add in a little sweet oregano and grated garlic, though you can go bigger if you’re not cooking for kids.

Once the tomatoes are cooked down, add the liquid from the bowl underneath the colander to the pan, stir, and stir in the noodles. Get it all nice and coated. Tomato chunks will remain. Perfect.

For the cheese portion — who could forget? — grate as much mozzarella as you want, decant as much ricotta as you want into a bowl, hit it with an egg yolk, and mix the two cheeses together until you’ve got a somewhat unwieldy modeling-clay situation. Now all you’ve got to do is get a baking dish out and layer: noodles, cheese, noodles, cheese.

Bake at 350 until you can see some really desirable crunchy noodle action happening on top. And if your kids, like mine, have some kind of objection to tomatoes in principle, tell them there are no tomatoes in this dish, only ketchup. They won’t know. They’re very gullible. Ketchup and cheese. Just ketchup, noodles, and cheese. That’s right. Nirvana.

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Madonna Shocks Crowd w/ Cheeky 2021 MTV VMAs Appearance

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Madonna Shocks Crowd w/ Cheeky 2021 MTV VMAs Appearance

There’s only one Material Girl! Madonna brought the MTV VMAs crowd to its feet and left jaws on the floor with her eye-popping surprise appearance at Sunday’s show. Madge kicked off the night with an ode to her decades-long connection to the music network, which is celebrating its 40th anniversary this year. The icon strutted onstage in a trench coat before putting her mile-long legs on display in a black leather ensemble.

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Access Hollywood is a nationally syndicated daily entertainment news show. Access Hollywood delivers the most comprehensive coverage of entertainment news and personalities on television, featuring in-depth celebrity interviews and behind-the-scenes accounts of the most important events in Hollywood.

Madonna Shocks Crowd w/ Cheeky 2021 MTV VMAs Appearance

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Meet the Breakout Stars of the 2021 Emmys

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We like them. We really, really like them.

Today, Sept. 19 marks the 2021 Emmys, where television’s best and brightest will come together to celebrate the greatest performances, laugh-out-loud comedies, moving dramas and more. Yes, this awards show is ripe with A-list attendees, but we’re more excited about the breakout stars, whose lives are bound to change after tonight.

If you’re like us, you’ve been burning for RegĂ©-Jean Page ever since he burst on to the scene as the handsome Duke of Hastings in Bridgerton. Thankfully, we’re set to see more of the swoon-worthy British actor, as he’s up for Outstanding Lead Actor in a Drama Series at the 73rd Primetime Emmy Awards.

Of course, Page isn’t the only actor to leave an impression on us this past year. Bowen Yang and Hannah Einbinder had us keeled over laughing thanks to their work in Saturday Night Live and Hacks, respectively.

And we’re not the only ones taken by Yang and Einbinder, as they too are up for top prizes at the Emmy Awards.

JONTY’S HALLOWEEN (Unfinished Business) by BARBARA ELSBORG

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“Look at the stars,” Jonty whispered. “They’re so bright tonight. Makes me feel small and insignificant and a bit dull.”
“You’re not small, dull, or insignificant. You’re the most important thing in my world.”

We could read about Jonty’s shenanigans till the cows come home. He makes us laugh, we want to hug him and wow did we want to go to his spooky Halloween party! If you haven’t met Jonty yet you need to go pick up The Making of Jonty Bloom which is a standalone! Jonty’s Halloween is a follow-on and should not be read as a standalone. Jonty’s adorably endearing, he gives us whiplash, he has the biggest heart and he speaks at warp speed. He’s one of our favourite characters by Barbara Elsborg. We are loving these catch up’s and hope there’s more to come as it gives us a chance to catch up with Tay and Ink, Cato and Vigge as well as Ru and Jasim whose book we’re yet to read.

In Jonty’s Halloween, we find Jonty home alone as Devan’s had to go home due to his mum being sick. Jonty being his true self decides to organise a Halloween party at the hotel, and as we know he does not do things by halves. Whilst planning and plotting the ultimate spookfest, he also manages to uncover some underhanded funny business and gets embroiled in criminal drama. There were some real laugh-out-loud moments again because
.Jonty!

“There’s no point spending your life feeling angry about stuff that’s happened. It doesn’t change a thing, doesn’t make you feel better. No one should let their past define them. It’s the way they handle the present and deal with the future that’s important.”

Devan is the calm to Jonty’s storm, he is the quiet to the exuberant. He is the perfect soulmate for Jonty. Their relationship is still swoon-worthy, cheeky, and hot. The love they have for each other is so intense, loyal, protective, and filled with sexual chemistry. There’s no more perfect case of opposites attracts, it just works and we still believe in their love! The banter between them had us in stitches, the tender moments and vulnerability had us melting into puddles. This was another wonderful installment of Jonty’s escapades with the gorgeous Devan standing a few steps behind ready to catch the love of his life. Sigh



‘Jonty deserved to be happy, and Devan’s life mission was to make that be the case for the rest of their days.’



Mojo Rawley’s WWE Past Helped Him Be Prepared for Snake Eyes Role

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Professional wrestler Mojo Rawley — also known as Mojo Muhtadi — made an appearance in the recently released Snake Eyes: G.I. Joe Origins. According to the wrestler, his experience in the world of WWE helped him prepare for what life was like on movie sets.

RELATED: Interview: Comic Book Legend Larry Hama Talks Snake Eyes & Asian Representation

Speaking in a recent interview with Wrestlezone, Rawley touched on the fact that having to perform near perfectly in the world of professional wrestling helped him immensely when it came to getting takes right in the world of film.

“I know when I was filming Snake Eyes, just that awareness of working the cameras and ‘living the gimmick,’ that kinda thing. That really helped, just being on set and if I messed up, I could do it again. That’s not a thing in WWE,” Rawley said. “You’ve got one shot to make it right and that is it, that’s all you get. If you’d screw up, so be it. Just having that attitude and coming in and being like a one-take guy, that just helped out tremendously.”

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While Rawley did note that he learned a bunch from the world of acting, he also noted that he had to “unlearn” some aspects of his wrestling career when it came to working on a movie set. Namely, the concept that not everything has to be larger than life to come across as realistic in a film.

“What I was careful of, to answer your question, was sometimes we get too hokey with it. Sometimes we’re doing these crazy, off-the-wall sells and sometimes it’s like a caricature of a real character,” said Rawley. “It’s played up and turned up to one thousand, so going into a street fight with Snake Eyes, I wanted it to seem authentic. I wanted it to seem like a real fight, so I was very careful about checking some of those wrestling sells we would do in a match.

“That was just one thing, probably the only thing I had to worry about because a career in professional wrestling really did prep me for a life on camera, whether it’s filming a movie or hosting a TV show or anything to that extent. It’s all fairly similar, of course you’ve just got to scale it back a bit or turn it up certain elements of yourself. Overall, it was pretty seamless, I’ve got to say.”

RELATED: Snake Eyes Final Trailer Debuts Ahead of Friday Premiere

The G.I. Joe spin-off stars Henry Golding as the titular ninja assassin, Andrew Koji as Storm Shadow, Iko Uwais as Hard Master, Samara Weaving as Scarlett, Úrsula Corberó as Baronness, Peter Mensah as Blind Master, Haruka Abe as Akiko, Takehiro Hira as Kenta, and Steven Allerick.

AREA21 drop new song ‘Followers’ & announce release date of debut album

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Today AREA21 (Martin Garrix + Maejor) released their new song + video, “Followers,” and announced the release date of their debut album, live onstage, from the iHeartRadio Music Festival in Las Vegas. To an excited crowd, they revealed that their highly anticipated album is set to land on planet earth on November 12th. The album will include earlier releases ‘La La La,’ ‘Pogo,’ ‘Mona Lisa,’ their current single ‘Lovin’ Every Minute’ and the just released track ‘Followers.’

This will be the first album from any Martin Garrix-related projects. Check out the video for “Followers” below!



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Grupo Da IrmĂŁs Ad Bras Vila Miriam

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