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Wynter Gordon – Til Death (TJ's Candlelight Mix) || COMING SOON ||

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When details of Wynter Gordon’s 2nd Australian single – the official follow up to this year’s highest selling single ‘Dirty Talk’ – surfaced a few weeks ago the blogosphere was sent into a frenzy of excitement… and with good reason given the massive success of her debut. With stats like #1 ARIA Singles Chart, #1 National Airplay Chart, #1 iTunes Chart & Triple Platinum sales accreditation under her belt, Wynter is undoubtedly 2011’s brightest new star.

The Australian release version of ‘Til Death’ with its infectious vocals, anthemic riff’s and thumping percussion courtesy of Australian production wizard’s Denzal Park, is set to pick up from where ‘Dirty Talk’ left off when it gets unleashed to the World on April 15th.

Now with a huge Electro Rock re-work from Argentina’s Polen.

Wynter will also be gracing our shores once more for the national Creamfields Tour in April so check the website for more details.

Afro Cuban Jazz Project featuring Maraca – Campiña

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Music Video by Afro Cuban Jazz Project performing “Campiña” (P) 1998 Lusafrica.

iTunes:

From album “Descarga Uno (featuring Maraca)” originaly released on 11 January 1999.

(P) 1998 Lusafrica

(C) 1998 Lusafrica

YOU'VE NEVER SEEN SUCH A RECIPE! GENGHIS KHAN FAVORITE DISH | MEAT COOKED IN STONES đŸ„©

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Do you know what the terrible Genghis Khan liked to eat most of all? Naturally, this meat is fried as a real man should be. Genghis Khan is a real discovery for gourmets. You will definitely be able to impress the guests and feed the whole crowd. Meat on rocks is a very interesting dish, watch this video to the end. As always, cook with us.

🍳 Ingredients:
⚫ Meat
⚫ Onion
⚫ Salt
⚫ Pepper

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❓ ABOUT US:
Wilderness Cooking channel about cooking delicious dishes in the wild.
We live in a village and try to find very beautiful places to shoot.

⏩ A few ultimate-delicious recipes from my channel:
◌ Guinea fowl cooking in oven:
◌ Bull tail stew with chestnut:
◌ Chestnut dish with lamb meat:
◌ Bull heart dish recipe:
◌ Liver kebab of lamb:
◌ Cooking lamb brains recipe:
◌ Lamb testicles kabob:
◌ How to cook rabbit in the wilderness:
◌ Vegetables and lamb bbq kebab:
◌ The best buglama recipe:
◌ Spicy lamb shish kebabs recipes:
◌ Garlic Grill Lamb Caucasian style:

#recipe #cooking #meat

Black Monday TV Show on Showtime: Season Three Viewer Votes – canceled + renewed TV shows

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Black Monday TV show on Showtime: canceled or renewed for season 4?

(Photo: Nicole Wilder/SHOWTIME)

What will become of these underdogs in the third season of the Black Monday TV show on Showtime? As we all know, the Nielsen ratings typically play a big role in determining whether a TV show like Black Monday is cancelled or renewed for season four. Unfortunately, most of us do not live in Nielsen households. Because many viewers feel frustrated when their viewing habits and opinions aren’t considered, we invite you to rate all of the third season episodes of Black Monday here.

A Showtime dark comedy series, Black Monday stars Don Cheadle, Regina Hall, Paul Scheer, Andrew Rannells, Casey Wilson, and Yassir Lester. The story began with Maurice “Mo” Monroe (Cheadle) and his group of outsiders taking on the old-boys club of 1987 Wall Street, ultimately leading to the largest stock market crash in history. Season two followed Dawn (Hall) and Blair (Rannells) as they took over the TBD Group, while Mo (Cheadle) and Keith (Scheer) fled to Miami. At the end of season two, Dawn took the hit for Black Monday, and Mo reigned supreme as head of the newly minted The Mo Co. Season three tells the story of what lies in store for him, his band of underdogs, and his enemies.

What do you think? Which season three episodes of the Black Monday TV series do you rate as wonderful, terrible, or somewhere between? Do you think that Black Monday should be cancelled or renewed for a fourth season on Showtime? Don’t forget to vote, and share your thoughts, below.

Tom Odell is Listening to Lorde, Nina Simone, and Bob Dylan

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Photos by Netti Hurley.

This is “Add to Queue,” our attempt to sort through the cacophony of music floating in the algorithmic atmosphere by consulting the experts themselves. Our favorite musicians tell us about their favorite music—the sad, the happy, the dinner party-y, the songs they want played at their funeral. In this edition, we speak with the English singer-songwriter Tom Odell on the occasion of the release of his fourth studio album monsters, and his recently announced 2022 North American tour. From Radiohead and Lorde to Olivia Rodrigo and Bob Dylan, Odell tells us everything he’s blasting this summer.  

———

JULIANA UKIOMOGBE: Let’s begin with your new album monsters. What was the inspiration behind the title?

TOM ODELL: One of the songs from the album is called “monster” and I was looking around me at some of the destructive anxiety that I was experiencing. I was having panic attacks every day and part of overcoming a panic attack is to try and convince yourself that the fear you’re feeling is not real. As I got deeper into that, I realized more and more that so much of the modern world that we live in is defined by our fears. The album is an exploration of fear, both from inward and outward pressures. So, monsters felt like the best summary of the songs.

UKIOMOGBE: Is “monster” your favorite song on the album?

ODELL: As the creator, it’s difficult to pick your favorite. It’s like picking your favorite child. I feel that I’d be dishonoring the other songs by picking one over the rest of them. I don’t think it’s my favorite, but the ones I enjoy listening to the most are those that have the least amount of my voice on them. I don’t like listening to myself that much.

UKIOMOGBE: I saw that you’re going on tour soon. What’s your favorite part about performing live music?

ODELL: The escapism. Also, you feel so present when you do a live gig. When I play live, I’m not thinking about the future or the past. I’m just performing. When people buy a ticket, they’re paying for the experience. They only take away the memories and I think that’s very beautiful and rare in this incredibly materialistic world we live in. I’ve missed it so much and I can’t wait.

UKIOMOGBE: What was your first concert?

ODELL: I was like three or four and I was living in New Zealand. There was this Christmas event at the local park in Auckland. They had a band and I just remember being totally mesmerized by it. It’s probably one of my earliest memories. It was so otherworldly, and they just seemed like the coolest people ever. They had a great effect on me.

UKIOMOGBE: Who have you not seen live that you’d love to see?

ODELL: I’ve never seen Radiohead live.

UKIOMOGBE: Do you have a favorite Radiohead song or album?

ODELL: In Rainbows is probably my favorite album. It came out when I was a teenager, and I don’t think I quite realized how good it was when it came out. To be putting out a classic album like that so late in their career
 I love that record. It takes me back to that time.

UKIOMOGBE: Do you listen to other people’s music while making your own?

ODELL: Definitely. I make better music when I’m listening to others. It can be quite easy to get so stuck in an echo chamber, so it’s important to listen to music. Every Friday, I listen to all of the new songs that come out. I really enjoy that.

UKIOMOGBE: What was the last song you listened to?

ODELL: I just listened to Lorde actually. The one that just came out.

UKIOMOGBE: “Stoned at the Nail Salon.”

ODELL: Yeah, it’s really nice. I think Lorde is great.

UKIOMOGBE: I love that she’s back.

ODELL: She’s an incredible artist. It’s amazing when you stop and look around and realize how much influence she’s had on pop music. She certainly opened the door for alternative music being the most popular music in the world. Same with Olivia Rodrigo, you can really hear the influence. Lorde was just so forward-thinking. You go back and listen to “Royals,” and she was like 16 and that’s so crazy and phenomenal. It’s transcendent.

UKIOMOGBE: Do you make playlists or listen to albums straight through?

ODELL: These days, it’s rare that I listen to an album straight through. The other night, though, I did listen to all of Joni Mitchell’s Blue. It was such a great experience. I immediately went back and listened to it again. I think what’s quite nice about Spotify and Apple Music is that they consolidate your albums and make a catalogue for you. It’s nice that if someone listens to one of your songs, they can carry on and listen to all your work. It’s been crazy for me because one of my songs, “Another Love,” was never really listened to in America and suddenly this year it’s gotten loads of streams. It’s so amazing that it can happen at any time, irrespective of when it came out. As a songwriter, that’s a nice feeling.

UKIOMOGBE: Do you have a song that always puts you in a good mood?

ODELL: “My Life” by Billy Joel. I toured with him and did some shows at Madison Square Garden in 2014. I spent three months living in New York and listening to that song takes me straight back to that time.

UKIOMOGBE: What’s your go-to breakup song, if you have one?

ODELL: “Nobody Does it Better” by Carly Simon. I’d say that’s up there for me.

UKIOMOGBE: What song would you use to describe yourself?

ODELL: It’s not so much a song, but it’s a piano piece called “Hymn to Freedom” by my favorite piano player Oscar Peterson. It just moves me to tears every time I hear it. It’s so profoundly deep. It does everything for me. If you were to ask what I’d play at my funeral


UKIOMOGBE: That’s the next question.

ODELL: [Laughs] Well, maybe, I’ll choose one of my own songs. The song I’d play at my funeral would be “Somehow” from my second album. In the last verse, I was imagining my own death, which is something that every great narcissist will do very commonly. But all jokes aside, that song sums everything up. It’s a correct farewell.

UKIOMOGBE: In your opinion, what’s one album that has zero skips?

ODELL: That’s a hard question. Blood On The Tracks by Bob Dylan.

UKIOMOGBE: What’s a song that everybody should know about?

ODELL: One of my favorite artists is Nina Simone and I haven’t mentioned her yet. I like “Lilac Wine.” That recording is so stunning.

UKIOMOGBE: If you were to have dinner with four artists living or dead, who would they be?

ODELL: David Bowie, Elvis, John Lennon, and Aretha Franklin.

UKIOMOGBE: If your life were a TV show, what would be your theme song?

ODELL: Let’s say “Earth Song” by Michael Jackson.

———

Listen to Tom Odell’s “Add To Queue” playlist below, and follow Interview on Spotify for more.



time will reveal – El Debarge with lyrics

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love this song so much

im 18 and this song is way back 70’s not sure but really love this song

Lisa Stansfield – All Around the World [Live 2018]

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Lisa Stansfield @ Donauinselfest 2018 performing ‘All Around the World’

Produktion: HEY-U Mediagroup,
© 2018,
Produzent: Herwig Ursin
Regie: Ernst Neumayer

Kamera:
Richard Marx, Herbert Kunst, Gustl Gschwandtner, Paul Prinz, Robert Pammer, Alexander Muliar, Rasto SlezĂĄk, Walter König, Matthias BruckmĂŒller, Christian Dex, Michael Grössler, Niklas Tesch, Pertti Pullinen

Baby Luc’s, a Lucali Slice Shop, Is Now Open in Brooklyn

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Brooklyn’s most-coveted slice.
Photo: Clay Williams

Mark Iacono is a star. This is true in the literal sense: He makes late-night-TV appearances, he knows BeyoncĂ© personally, and prestige food shows regularly visit — and praise — Lucali, his candlelit Henry Street pizza mecca that is a must-visit for pizza diehards from around the world.

Iacono is also a star in the anecdotal sense. When you sit down with him anywhere in Carroll Gardens, the neighborhood where he grew up and still lives, you’re suddenly aware of strangers staring at you. Couples pushing strollers gawk and sheepishly wave; Italian ladies blow kisses; hip-hop moguls perpetually text his iPhone; even “competing” Italian restaurateurs, like the owners of Court Street’s Cremini’s, stop by to hug and kiss him hello. Iacono is warm, generous, and just the right kind of enigmatic. He embodies everything that old and new New Yorkers love.

So it was a huge deal when the city learned that, 15 years after opening Lucali (and eight years after opening a Miami offshoot), Iacono was going to expand a few blocks east of his flagship with a new slice shop where — at least in theory — people not named David Beckham or Jay-Z would be able to eat Iacono’s fabled pies whenever they wanted. Fittingly, he planned to call it Baby Luc’s.

“When Mark explained this vision to me, I knew that if he had the right support he could do it all,” says Cobi Levy, the restaurateur behind  Lola Taverna and Little Prince in Manhattan. “I said, ‘Let’s put a system on it so you can grow all these dreams you have.’ If I do my job effectively, I won’t change anything about what he’s created here in the neighborhood.”

The full menu, the very cute logo, and the even cuter bottled Negronis. Clay Williams.

The full menu, the very cute logo, and the even cuter bottled Negronis. Clay Williams.

Along with Aminu Tedla, a former college athlete turned classically trained chef and pizza prodigy, the three opened Baby Luc’s on July 16 in a sunny corner space on Court Street. They started with 50 pies; the line of customers stretched down the block almost immediately.

“The concept is something I always wanted to do,” Iacono says. “Originally Lucali was supposed to be like this place, a slice shop. It morphed into a brick-oven joint. But nothing about Lucali was planned; the success was all so organic. Then recently, my old neighborhood buddy found this location and was like, ‘Yo, I’m signing this lease; you want in?’ And I was like, ‘Yeah. Let’s rock.’”

The Baby Luc’s team: Mark Iacono, Cobi Levy, and Aminu Tedla.
Photo: Clay Williams

Iacono is genuinely excited about making Baby Luc’s an integral part of the neighborhood. Inside the restaurant, there are “old lady tables,” as Iacono calls them. He insisted on having them — perfect circles, gold-rimmed, familiar to anyone who’s picked up cannoli at an Italian bakery — so that the old ladies from the neighborhood would feel comfortable. The outside tables, street-side and in a large garden, can hold another 80 customers. And whereas Lucali is BYOB (for now, but hot tip: Iacono says that’s changing in the near future), Baby Luc’s has a full liquor license. So there are bottled Negronis. Other Half’s beer is on tap. A full wine list is in the works.

And there is the pizza, $4 per slice or $3.50 for plain. Unlike Lucali, the Baby Luc’s pies are square. The crust is almost surprisingly thin and satisfyingly crisp. Every slice gets topped with grated Parm and leaves of fresh basil, in keeping with Lucali’s signature finish. The lines and hype at Baby Luc’s are already following in Lucali’s footsteps, too. But unlike Lucali, Baby’s Luc’s will soon be open during the day, giving it a more casual and accessible advantage. For now, it’s open daily at five. By Labor Day, those hours should be 11 a.m. to 11 p.m.

The all-day hours, they hope, means more neighbors will be able to drop in whenever they want, that teenagers can stop by after school. That old Brooklyn and new Brooklyn can join together to get a slice whenever they want. It’s a neighborhood place, and Iacono is a neighborhood guy 
 who just happens to know some of the world’s most famous people. When I ask if Jay and Bey have been by yet, he hesitates before caving and admitting that some of Jay’s friends had stopped in the night before, but they were already out of pizza. As a follow-up, I ask if the rumors are true and that the Lucali pepperoni is all-beef because BeyoncĂ© doesn’t eat pork. Iacono grins. “Actually,” he whispers, “it’s Jay who doesn’t.”

One of each is a perfect order.
Photo: Clay Williams

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