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Kreung and Ha’s Dac Biet Leave Brooklyn’s Outerspace

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Ha’s Đặc Biệt’s Anthony Ha and Sadie Mae Burns earlier this year.
Photo: Poupay Jutharat Pinyodoonyachet

An enthusiastic restaurant review in a large publication can be a double-edged sword for a small business. On the one hand, it can bring international attention to a project that might otherwise have remained a small, local favorite. On the other, that attention can easily overwhelm an operator who might not be prepared for a massive influx of curious new customers with lofty expectations. I remember being in Flushing after the small shop Dumpling Galaxy got a review in the New York Times, in which critic Pete Wells praised the “exhilarating harmonies” that chef Helen You packs into her $8 plates of dumplings. It was absolutely jammed — much busier than I had ever seen it on my previous visits — yet a number of the new customers did not give Dumpling Galaxy or You the benefit of the doubt. Instead, they took to Yelp to complain.

But last week saw a more unexpected turn of events following a standout Times review. In that piece, Wells offered his take on Outerspace, an open-air project in East Williamsburg where a collection of chefs — Chinchakriya Un, from the popular pop-up Kreung; and Anthony Ha and Sadie Mae Burns, from Ha’s Đặc Biệt — had joined forces on a new menu. (Ross Warren worked with the chefs as the general manager.) The review’s headline declared Outerspace to be “the restaurant of this New York summer,” and Wells offered nothing but praise for the project. But then, less than a day later, another piece by Wells appeared, with the headline: ”Hours After a Glowing Review, Three Chefs Leave Outerspace.” And that’s just the beginning of the story.

Indeed, Un, Warren, Ha, and Burns had all left the project that same night, though the residency was originally planned to last through the end of summer. They, however, did not talk to Wells for the follow-up Times story. Instead, in an Instagram post announcing their exit, they posted a joint statement that they “realize this is extremely short notice,” expressed gratitude to supporters, and said that they are looking for new spaces to continue the collaboration. Meanwhile, on Kreung’s Instagram account, Un offered a lengthier statement, starting off by writing “When we are ready, the chefs will speak on why we left Outerspace.” The post then describes the ways in which Ha, Burns, and Un were being overworked and undercompensated, while their concerns went unheard. She writes that they “worked 20 hour days and were struggling to keep a restaurant flowing just off of food revenue” while the owners raked in all the bar revenue. She was also critical of the Times report on their departure, which she described as benefitting the owners’ narrative.

Un’s comments clearly struck a nerve: The post has been widely shared — so far, it has been viewed 98,000 times — and there are now nearly 400 comments, with many coming from other chefs, restaurant and bar workers, and industry professionals who have rallied around the pop-up chefs. The cook and writer Millicent Souris wrote “respect for walking away from that cycle” and the chef Victoria Blamey described it as “same old same old story.” Monica Bryne, who runs the food business Home/Made Hudson, commented on “the broken system” that serves as the foundation for the entire hospitality industry. In a report for Eater New York, former staffers paint a picture of a project that was mismanaged from the start, run by inexperienced operators who didn’t provide the necessary support, not only for projects for things as basic as how to deal with inclement weather. (In a statement to Eater, the owners, who hired crisis-management firm Trident DMG, say it’s “not appropriate to characterize Outerspace’s shortcomings as emblematic of the restaurant industry.”)

The departing chefs didn’t return requests for comment for this story. Their exit has captured the attention of the industry because it seems to speak to so many conversations that are being had in the food world right now. Regardless of whatever happened behind the scenes at Outerspace, it remains very easy for restaurant workers to understand the feeling of being overworked, undercompensated, and taken advantage of in a job that ultimately benefits someone else’s public profile or bottom line.

And who hasn’t dreamt of simply walking away from a job that makes us miserable? To see a group of chefs (apparently) do just that — at the exact moment when a media spotlight is shining on them — offers a vicarious sense of satisfaction.

While reporting on the kitchen culture at Mission Chinese Food, I spoke to Burns, who had worked there at the same time as Ha. “It’s really insane to be making $500 a week and have a whole slew of abuse when you walk in the door,” she said at the time. When she and Ha decided to leave the restaurant, she said of the decision, “We got really, really tired of seeing the same pattern over again, and that’s why we’re hoping not to enter into that same system again.”



EARTHQUAKE | Latest Hollywood Movie 2021 | English Movie 2021

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Former ‘That’s So Raven’ Star Kyle Massey Wanted After Missing Court Date | Celebrities

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Former Disney star Kyle Massey is reportedly a wanted man after failing to show up to a court date.

According to PEOPLE, July 12 marks the 29-year-old’s second time missing an arraignment appearance in Washington state, for a felony charge of communicating with a minor for immoral purposes. The first missed arraignment was on June 28.

A representative for the King County Prosecuting Attorney’s Office told the outlet, “Mr. Massey did not appear. A judge signed a $100,000 warrant for his arrest.”

Massey’s attorney, Lee Hutton, told TMZ that he reached out to the court about the missed appearance and he’s “concerned with the misrepresentations made in court.”

Hutton claims Massey has not been served, however, King County Prosecuting Attorney’s Office said in an additional statement, “There’s no misrepresentation here. Quite simply, Mr. Massey did not appear in court.”

RELATED: Raven-Symoné Reveals Why She Was ‘Scared’ To Play A Lesbian On Screen

Back in March of 2019, TMZ reported that Kyle Massey was being sued for at least $1.5 million by a 13-year-old girl who alleged the That’s So Raven star sent her a sexually explicit video, along with risqué photos.

According to the news platform, the girl, who has long been interested in a career in entertainment, claims that in December of 2018, Massey spoke with her mother to invite the teen to fly out to L.A. to stay with him and his girlfriend. The alleged reason was to help her get an agent.

Days later, the mother and daughter claim, Massey began sending the teen “numerous sexually explicit text messages, images, and videos” including “a Snapchat image of Massey holding his penis with a corresponding text message that reads ‘LOL/Just me messing with u LOL.'”

The girl also claimed in the lawsuit that she and her mom met Massey back in 2009 at Universal City when she was just 4 years old.



Disney+ Will Air a Special Episode of Disney Gallery: The Mandalorian Season 2

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Disney+ Will Air a Special Episode of Disney Gallery: The Mandalorian Season 2

Shortly after The Mandalorian wrapped up its second season last December, Disney+ released a 70-minute making-of documentary under its Disney Gallery banner. However, the special conspicuously lacked any insight into how the filmmakers pulled off the season’s biggest reveal, which notably featured a digitally de-aged Mark Hamill reprising his role as Luke Skywalker in the action-packed finale. Now that fans have had seven whole months to catch up, the streamer is finally delving into this instantly iconic Star Wars moment. Next month, Disney+ will debut a bonus episode of Disney Gallery that focuses entirely on Luke’s surprising return (via SuperHeroHype).

The Mandalorian’s season 2 finale, “The Rescue,” wasn’t the first time Lucasfilm utilized de-aging tech to re-create Hamill’s Return of the Jedi-era visage. Star Wars: The Rise of Skywalker previously accomplished this feat in 2019. Regardless, his appearance in the episode was much more extensive this time around. The new episode will explore the “cutting-edge” strategies the producers employed to bring the famed Jedi Master back to screens. This means we will learn how they personally worked with Hamill to develop a “authentic and fitting” facsimile of his ‘80s countenance.

RELATED: The Mandalorian Season 3 Production Update, Boba Fett Crossover Details

Presumably, the episode will feature interviews with writer/showrunner Jon Favreau, executive producer Dave Filoni, and director Peyton Reed. It also seems likely that we will hear from Max Lloyd Jones, the body double for young Luke. And who knows? Hamill will probably have some thoughts to share as well.

Disney Gallery: The Mandalorian – Making of the Season 2 Finale will hit Disney+ on August 25.



Your EDM Interview: 3D The Boss Encourage Fans to ‘Push It’ With their Debut Fitness – Inspired Album

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The members of Atlanta-based funk pop group 3D the Boss have been working together for over a decade in some capacity, even though their debut album Push It just released this past April. Musical veteran Chanda Leigh (stage name: Boss Lady) and fitness guru/musician Day Adeogba began as trainer and client, initially. Leigh was an accomplished jazz musician while Adeogba wrote songs in his spare time while developing his fitness app, the YourDay 3D Balance Game.

At some point, the pair realized they should try doing music together, all while working to grow the online fitness and wellness community that YourDay had become. In 2016, another YourDay denizen, Donna Hawkins (Lady Boss), joined the team and the three of them began making music, coaching and building their brand. Now with the release of Push It, all the dimensions are coming together for the trio.

Musically, Push It is heavily funk-inspired and has great throwback 80s vibes. Inspired by a Pantheon of pop, rock, dance, funk, jazz and soul artists, Leigh, Hawkins and Adegoba are focused on fun, motivation and musical play on this album. There’s also a strong element of fitness/dance music running through the album. To that end, their music videos all have a fitness and dance element to them, and on the 3D the Boss YouTube page, there are also actual workout videos set to the tracks.

It’s all integrated for this trio, and the lifestyle app created by Adeogba and spearheaded by Leigh and Hawkins doesn’t just cover fitness and music. It’s the mind/body connection, the honesty and accountability and what they call “Abundant Love” that makes 3D the Boss not just a music group but a lifestyle brand.

Your EDM sat down with 3D the Boss to get some more information on this expansive concept that covers mind, body and soul, and why it may quickly turn into a movement.

Starting from the beginning, how was 3D the Boss formed?

Day Adeogba (DA): Chanda (Boss Lady) started personal training with me in 2008, so that’s how the fitness element started. When we all came together with the music, I started thinking about what we would stand for. I thought about what brought us all together and it was the fact that we all played the YourDay 3D Balance Game. We address fitness, lifestyle and consciousness, so that is where 3D came from. We evolved it to a three dimensional approach to music: deep with meaning, wide with variety and high with excitement. During our recording of a few songs, one of our past members used a lyric that alluded to being the Boss. 3D The Boss clicked and I brought it to the team. They liked it and 3D The Boss became our name.

Boss Lady (BL): We first started writing songs together. We were not a band, but rather a songwriting team. I (Chanda Leigh) had my own music that I was working on and recording, and I’d agreed to come on board with the team and collaborate. After writing together for a while, we were like, “hey, why don’t we sing our own songs instead of trying to get them placed?” That was the beginning of the conversation about being a pop group. I was a jazz artist at the time, and I was not crazy about that idea. I always loved pop, but didn’t see how I could make a real musical impact on that world, the way I was with jazz. It took me about 9 months to warm up to the idea because I was used to being a solo artist, but I realized that I wasn’t going to go much further than I already had on my own. Once I understood how important it was to have a team, I was in.

Lady Boss (LB): I didn’t become an official band member until 2016 and 3D was already rolling very powerfully by then. I can remember Boss Lady sharing that the initial intention was to collaborate with Day and a former member, Theo. It was exciting to watch 3D become this dynamic movement. Everyone was already living a healthy lifestyle and trained together; and they all had the passion, talent, musicality and love for performance. I was already a professional musician and performer and was beginning to venture into becoming a solo artist. I was definitely honored when they invited me to become a part of the movement.

How did you come up with the idea to incorporate your music with fitness?

BL: The way we all initially met was through Day. He was already my lifestyle coach and personal trainer, and the same was true for the others. I didn’t even know he was into music like that! He’d told me he wrote songs, but I didn’t really take him seriously. But after a while, I started to hear some of the songs he wrote and was inspired to ask him to write a song with me. It came out beautifully. So here we were, working out, writing songs. Two things I love to do. Also there were a lot of musicians and colleagues of mine dying around that time. Everything from diabetes to cancer to heart disease. These guys were my age! We started looking at that for what it is, an epidemic due to the typical musician’s lifestyle. And we wanted to do something to change that. To offer a new paradigm. Eventually, we realized that we could use our music to introduce and inspire others to choose their health and fitness.

LB: I’ve always wanted a musical family. I didn’t know, at the time, that I was calling it into existence through 3D. I wasn’t even into my health when I envisioned this family. I was a divorced mother of two, bitter, recovering from a heart attack and, at my heaviest, 214 pounds before moving to Atlanta. I’ve always known Boss Lady to be healthy. She was a vegetarian for more than 20 years, so it didn’t surprise me that she was a part of the YourDay Balance Game. She invited me to join the Game to support my health. Move ahead a few years and the Game has literally saved my life and enriched it as well. So 3D is the true definition of family for me. What better way to combine my passions – health and fitness – with music! I’m grateful for choosing to live Life with them and I’m grateful that they made the space for me to do so.

DA: I am the architect and co-creator of the YourDay Balance Game which is in the world of health and fitness. I have 26 years of experience as a trainer and lifestyle coach. I spent 15 years pursuing a career in music as an artist and writer before fitness. Chanda has over 30 years in the music game as an artist and writer and she has always been into her health and fitness. After we became a group, we asked the question, what has not been done yet and 3D The Boss was and is the answer from countless hours of downloads and tweaking from there.

Do you plan to make a whole series of workouts that go with the album? Will they get more complicated as they go?

DA: Yes! Our intention is to create a video for each of the cardio dance routines and we currently have three videos. Also, we plan on making a series of exercise videos from beginner to advance while using our own music in the videos.

BL: We currently have a cardio dance routine for each of our songs on the new album, Push It. These routines are easy to follow, yet challenging enough to raise your heart rate and get you to sweat a little. The goal is to continue to create content that people can follow and enjoy without getting too overwhelmed.

LB: Our goal is to inspire our listeners to enjoy moving their bodies to our awesome original music. There are so many people who don’t believe that they can dance, move or enjoy being healthy and fit. We give them a simple way to challenge themselves and have fun at the same time.

It seems on the debut Push It album, you’re representing a lot of styles and eras of pop music, including workout music. What are each of your main influences for your musical style?

BL: I have several musical influences, personally, beginning with classical and gospel, then jazz, neo soul and R&B. Pop music has been a staple throughout all of those other eras in my life as well. I used to listen to my sister’s tapes when I was really small. She loved Prince, Michael Jackson, Rick James, Level 42, Phil Collins…. you name it. So I had an amazing tapestry to lay my musical ears on.

LB: Well my list may be a little unique in that I grew up in a very conservative home, being a pastor’s daughter. Listening to secular music wasn’t allowed and I was so conditioned to that, that I still didn’t listen to much of it even as an adult! I did manage to get a sneak in here and there. Michael Jackson, Prince, Rick James, Thomas Dolby, Nu Shooz and Cheryl Lynn are a few that come to mind. Walter, Edwin and Tremaine Hawkins, Andre Crouch and Russ staff would be a few from the gospel side. I listen to everything that inspires me, now.

DA: Music genres for m are pop, dance music, soul, R&B, jazz, new wave, neo soul, rock, funk, et cetera. I am influenced by Michael Jackson, Quincy Jones, New Edition, Boyz II Men, Salt N Pepa, Dr. Dre, OutKast, Earth Wind and Fire, Cool and The Gang, Isley Brothers, R-Kelly, Jodeci, N-Sync, Backstreet, New Kids, etc.

What is the overall message you’re looking to get across on this album? A lot of it seems to be about perseverance, but what specifically do you want fans to take away other than physical fitness?

BL: Great question. We want to emphasize loving yourself and being the Boss of your life, by making powerful choices for yourself. Creating a standard for how you will live, no matter what others may think of it or of you. In our song “Go,” we say “love’s taking over now” and that love is self love. Self worth. Valuing yourself. That happens when you make deposits into yourself, and a great place to start is health and fitness. Those are just a couple of examples, yet the whole album is coded with self-affirming messages.

LB: I agree it’s definitely love. The message is “love yourself abundantly.” When that happens, life opens up and it’s easier to see health and everything else as a possibility. I mean, that’s actually how it happens. Love is powerful and it is the Source.

DA: I agree with everything Boss Lady and Lady Bass said. You are fully responsible for how you experience your life. Love is a choice and you can learn how to love the whole experience. Also, your self-worth is unique from your net-worth.

Now this album’s out, have you started work on follow-ups? How do you see your style possibly evolving?

LB: I see us continuing to grow and become more powerful as influencers in the health and fitness realm. I love that we’re using this unique angle of combining it with music. We’re passionate about inspiring musicians as well to secure their health. It’s time to change the belief that musicians go hard with the wild lifestyle and die young. There are musicians looking for support in feeling great offstage as well as onstage, which is why I’ve become a Musician Lifestyle Coach. We’re looking forward to some awesome musical collaborations with other musical performers who value healthy living.

BL: We have lots of songs already in the works for our next album. I see our style continuing to evolve as life does. There will still be the elements of R&B, pop and funk and I see us collaborating with some other artists to pull out a different uniqueness to our sound. I’m excited about continuing to evolve.

DA: I see us continuing to create three-dimensional music (exciting, variety, and deep) in pop, R&B, funk and jazz. We have a dozen or so new ideas for songs and we will continue to stay relevant. Also, I can see Boss Lady doing another solo jazz album in the future and Lady Bass doing another funk/soul solo album as well.

Re: some of your videos on YouTube, how does polyamory factor in with the music? Was the ‘3D’ in your name a nod to a triad?

BL: We are Abundant Loving Coaches, which means that we teach people how to create principle-centered and accountable practices around sexually intimate relationships. Everything we do is highly intentional. This is a separate concept from polyamory, although it is inclusive of polyamory, monogamy and many other love styles. Day and I are primary partners (we live together and have 3 children) and have been together about ten years. I also have several other male partners as well. We see how we can use our music to also spread the idea of loving in healthy, sustainable ways. Sexual intimacy is one of the biggest pillars to health. Abundant Love is a system we created to help others learn how to use sexual energy to heal, manifest and sustain joy in your life. The first, most important relationship is the one you have with yourself.

DA: I can’t say that our videos are a nod to a triad because each and of us has several secondary lovers who are aligned with Abundant Love. Chanda is my primary lover and Donna is my secondary lover. We are creating a whole new paradigm for sexual intimacy that will transform how people view and practice sex. It is time for us all to mature our sexual intimacy.

LB: Ah yes, that one? I’m so grateful for this modality! I can tell you before Abundant Love, I was flailing around and fucking up! Abundant Love has been such an empowering, confronting, scary and healing experience for me. I’m clear that I would not have seen the possibility to fully accept myself without it. I love that it’s a principle centered and accountable practice. Everyone is transparent and we move through our humanity together. For years, I observed Boss Lady and Day cultivate it in their relationship and it really inspired me! I have four powerful Kings in my life, who love, honor, support, and inspire me. You couldn’t have paid me to call a man a King five years ago! So instead of “sex, drugs and rock ‘n roll,” we are Abundant Love, orgasmic/God/Source energy and dope ass music from the heart!

This project has “movement” written all over it. Are you wanting your fans to get involved in this fitness/music/feel-good lifestyle? How else do you plan to get the community involved?

DA: I love your intuition. We are playing the YourDay Balance game (The YDBG) to influence millions of people to play this game with us and billions of people to watch us so we can awaken the greatness in them. We have created a platform that others can connect to through IOS and Android, and slowly we hope to attract one watcher at a time and transform them into one player at a time. We also plan on using our YouTube Channel as the main source for edutainment.

BL: I love it! Movement literally is what we are promoting. Get off the couch and move those hips! And yet what we offer is definitely much bigger than that. 3D The Boss is one of the brand ambassadors for the YourDay Balance Game, a health and fitness game inspired by love and balance. The game teaches our audience how to make sustainable life habits a new way of life that ultimately creates many more magical moments in their lives. That is the true movement we are playing for. We would like our audience to love abundantly and live a healthy lifestyle that they love!

LB: Water that isn’t moving is stagnant. So many people are literally afraid to move. I’ve been there and know how it feels. I started with baby steps, lots of conversations and the TDBG app. One step becomes two, then three and so on. Feeling the energy of being connected to a community of love and support continues to keep me focused, reminding me of what I said I would do and be for myself, and it can do that for everyone.

Push It is out now on the group’s YourDay Massengers label. Check out their YouTube channel for more videos and information on getting involved with the YourDay community.



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YVPG WITH. UA LZ DELTAS

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Deltas goin in with Sherri b doin ber thang….

Latin Jazz Soundtrack for Alternative Lounges

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[FREE] Trap Chill Guitar Swing Type Beat "Swing~~" (PROD.ItxMasteRz) // บีท Trap ชิลๆ

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0:00 84bpm A# Major
0:22 Hook 1
0:45 Verse 1
1:30 Bridge
1:52 Hook 2
2:14 Outro

📌 This Beat is Free for non-profit must put a credit “(prod.ItxMasteRz)” in your song 📌
📌 บีทนี้ฟรีสามารถใช้ได้เฉพาะไม่หารายได้ ต้องใส่เครดิต “(prod.ItxMasteRz)” ในเพลงของคุณด้วย📌

💰บีทที่เขียนว่า [SOLD] แปลว่า บีทนี้ถูกซื้อขาดไปแล้ว ไม่สามารถซื้อได้💰
💰The Beat [SOLD] ment This Beat is SOLD OUT can’t Purchase💰

•Download this beat (with tag):
•BPM+KEY/ความเร็วบีท+คีย์: 84BPM A# Major
●This Beat is Prod.ItxMasteRz
●บีทนี้ Produced โดย ItxMasteRz
●Mixing & Master: ItxMasteRz
●เมโลดี้ Melody: ItxMasteRz
●เรียบเรียง Arrange: ItxMasteRz
●แนวบีท Genge: Trap chill + swings
●อนิเมะ Anime: Osamke
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●How to use a beat (FREE & NON FREE)
●How to purchase a beat/sample pack kit + project
●go to website: (open the first link in the video)
●Search the name of beat in the search bar
●Proceed to check out

●วิธีซื้อบีท/sample pack+โปรเจค
●เยี่ยมชมเว็บไซต์: (เปิดลิงค์แรกในวิดีโอ)
●พิมพ์ค้นหาชื่อของบีทในแถบค้นหา
●ดำเนินการต่อเพื่อตรวจสอบ

This beat is FREE FOR NON-PROFIT USE ONLY, for example , NON Monetized youtube & soundcloud tracks.

●วิธีใช้บีท (ฟรีและไม่ฟรี)
บีทนี้ให้บริการฟรีสำหรับการใช้งานโดยไม่หวังผลกำไรเท่านั้นตัวอย่างเช่นแทร็ก youtube และ soundcloud ที่ไม่สร้างรายได้

●Using this beat for profit
Using this for profit requires a license, an example of profit is a release on spotify or iTunes or Youtube Music. Anythings that generates money and includes this a profit use.
IF YOU USE THIS BEAT YOU MUST CREDIT “ItxMasteRz (prod.ItxMasteRz)” IN TITLE or Description for the song.

●สำหรับคนที่จะสร้างรายได้
การใช้บีทนี้เพื่อสร้างหารายได้จำเป็นต้องมีใบอนุญาตตัวอย่างของกำไรคือการเปิดตัวใน Spotify หรือ iTunes หรืออะไรก็ตามที่สร้างเงินและรวมบีทนี้คือการใช้หาสร้างรายได้ หากคุณใช้บีทนี้คุณต้องให้เครดิต “ItxMasteRz (prod.ItxMasteRz)” ในชื่อคลิปหรือคำอธิบายใต้คลิป

For more details on commercial use, please check the license provided w/the beat purchase

สำหรับรายละเอียดเพิ่มเติมเกี่ยวกับการใช้งานเชิงพาณิชย์โปรดตรวจสอบใบอนุญาตที่ให้มาพร้อมกับการซื้อบีทการใช้งานสำหรับ

●USE FOR YOUTUBE VIDEOS BACKGROUND
I do not advise you to use my beats for your channel, that being said you are allowed to use the beat for free in your youtube video. (only as a background song). By doing so, your video will receive a content ID claim and you will not be able to monetize it any further. ItxMasteRz will monetize it on your behalf.
●ใช้บีทนี้เป็นเพลงประกอบคลิป
ฉันไม่แนะนำให้คุณใช้บีทของฉันสำหรับช่องของคุณเนื่องจากบอกว่าคุณได้รับอนุญาตให้ใช้บีทฟรีในวิดีโอ YouTube (เป็นเพลงประกอบคลิปเท่านั้น)
เมื่อทำเช่นนั้นวิดีโอของคุณจะได้รับการอ้างสิทธิ์ Content ID และคุณจะไม่สามารถสร้างรายได้จากวิดีโอได้อีกต่อไป ItxMasteRz จะสร้างรายได้ในนามของคุณ
=========
Inspired for this type beat
แรงบันดาลใจสำหรับบีท
•loop
=========
Relevant Type Beat:
Trap chill type beat
Trap Guitar Type Beat
=========
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Please support my official releases on Spotify, Itunes etc. Also, if you like this one please consider giving a thumbs up on my page or following me in IG: ItxMasteRz
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Thank you so much for your support!!
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Top Delicious Watermelon Cake Recipes | So Yummy Cake Ideas For Every Occasion

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