Charlie Wilson – You Are (Audio)
Music video by Charlie Wilson; Charlie Wilson performing You Are. (C) 2010 JIVE Records, a unit of Sony Music Entertainment
#CharlieWilson #YouAre #Vevo #RandB #VevoOfficial #audio
Top Streaming Films for the Week of April 10
Watched at Home: Top streaming films for the week of April 10
Welcome back, fellow couch potatoes, to another edition of DEGâs Watched at Home Top 20. Â This week was, well, more or less similar to last week. Wonder Woman 1984 took the top spot again and seems to be engaged in a never-ending âmortal kombatâ with Tom Hanksâ News of the World (No. 2) and The Croods: A New Age (No. 3). Will anything unseat this dynamic trio in the coming weeks?
RELATED: Carey Mulligan Joins Adam Sandler in Netflixâs Spaceman Movie
Elsewhere, Barb and Star Go to Vista Del Mar made its debut at No. 10, while the Nicolas Cage dark comedy Willyâs Wonderland popped in at No. 11, giving the actor two flicks on the list if you count his voice work on Croods. There has to be some kind of an award for this achievement, right?
Otherwise, several titles just rotated spots. Harry Potter: Complete 8 Film Collection moved up one spot to No. 8, while Christopher Nolanâs Tenet plummeted to No. 20. Perhaps the best part about this week is Promising Young Woman, which made it back into the top 5 for the first time in weeks â itâs a great flick if you havenât seen it, by the way.
Until next time!
DEGâS Top 20
1. Wonder Woman 1984 (Warner Bros.)
2. News of the World (Universal)
3. The Croods: A New Age (Universal)
4. Monster Hunter (Sony Pictures)
5. Promising Young Woman (Universal)
6. Girl in the Basement (A+E)
7. Greenland (Universal/STX)
8. Harry Potter: Complete 8 Film Collection (Warner Bros.)
9. Soul (Disney)
10. Barb and Star Go to Vista Del Mar (Lionsgate)
11. Willyâs Wonderland (Screen Media Films)
12. Wrong Turn: The Foundation (Lionsgate)
13. Let Him Go (Universal)
14. Yellowstone S3 (Paramount)
15. Godzilla: King of the Monsters (Warner Bros.)
16. The Ten Commandments (Paramount)
17. Yellowstone S1 (Paramount)
18. Shadow in the Cloud (Vertical Entertainment)
19. The Vault (Lionsgate)
20. Tenet (Warner Bros.)
MORE: Mondo Reveals Zack Snyderâs Justice League Soundtrack Box Set!
ARC Music Festival Brings ZHU, Eric Prydz, Adam Beyer, Nicole Moudaber & More to Chicago
The birthplace of house music gets its own house and techno festival with ARC Music Festival, set to take place September 4 & 5, 2021.
The festival is ushered in by a star-studded lineup including Adam Beyer, FISHER, ZHU, Eric Prydz, Meduza, Bob Moses, Hot Since 82, Deborah de Luca, Luciano, Nicole Moudaber and more. Chicagoâs Gene Farris, DJ Heather, Derrick Carter and Hiroko Yamamura represent their city on the lineup.
Notably, ARC Music Festival is the first to offer all three Eric Prydz aliases in one weekend. The festival includes sets from Eric Prydz and Cirez DÂ â and a ticketed closing party, headlined by Pryda, will be held at the Radius in Chicago.
With many in-demand international acts, ARC Music Festival is âbringing the global scene to the birthplace of house music.â But Joe Calderone, director of marketing for a co-presenter of the festival, Auris Presents, says the festival will represent all things Chicago:
We want to make sure that the music festival is really representative of the city⊠Weâre from Chicago, so itâs a festival by Chicago for Chicago. So we want to make sure (thatâs reflected in) every aspect, from the culinary, to the sound, to the music production, to experience.
Organizers say this is the first phase of the lineup reveal, with more to be announced in the coming months. The event will offer four stages and immersive art installations during its two-day run at Chicagoâs Union Park.
Tickets are on sale today at 12 PM CST.
See the lineup here!
ARC Music Festival 2021 Lineup

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Insane Latin Jazz Trumpet Solo by Yuliesky Gonzalez on "Sofrito" (With the Mambisimo Big Band
Here is a pretty insane Latin Jazz trumpet solo transcription for ya, from a fellow band member in Mambisimo, Yuliesky Gonzalez! He is Cuban and plays in this untranscribable way that latin feel, it’s pretty amazing so I wanted to share that with you. Can you grab the rhythmic feel that is played?
This is from a cool International Latin band project I, Jorre, am a part of. Feel so fortunate to play with these kind of inspiring musicians from all over the world! The Mambisimo Big Band consist of more than 7 nationalities from 3 continents. The tune is called “Sofrito” from Mongo Santamaria and conducted and arranged by the amazing Michael Mossman (Tito Puente, Michel Camilo, etc). You can follow the band on instagram @MambĂsimo Big Band or here on Youtube, or on Facebook if you like what you hear!
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SPIN Sets Presents: Motez
An emotionally conscious artist, Motez stands for authenticity. Always paying attention to the details, Motezâs music radiates his drive for honest expression by carefully piecing sounds and lyrics that instill a purposeful message. Release by release, he continues to open the portal to his artistic mind and the path to the new world the new world he is visually and sonically creating. Motez sat down with SPIN and to talk about music making, collaborating, musical influences and more. Catch his new video for âGive Me Spaceâ here.
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Who is Motez and what do you stand for?
Motez is a music-making, coffee-loving football fanatic born in Baghdad and resides in Australia. I stand for emotional connection and having a good time through music.
Tell us about your sound â where does your style originate from and what have been your biggest visual, social, and sonic influences?
Earliest music influence would be Vangelis, Boards of Canada and Jean Michel Jarre. The latter has definitely influenced not only my music, but the visual side as well. I guess my sound has changed a lot over the years but one thing that I have always made sure is present (consciously or unconsciously) is having an emotional component there through cohesive, life-driven themes. I rarely do music that doesnât come from personal experience or isnât rooted in my own reality, even the more strict dance music pieces.
Was there a definitive turning point to your success? When did you realize the magnitude of your impact within the industry/community?
I think I was well into touring the country and playing shows and festivals, I still had a part-time job, I just finished my Masterâs degree so it was natural that Iâd be looking for work in that field, but then it took my parents to tell me that I need to drop that to continue pursuing music properly for me to realise that itâs a reality. It was pretty big coming from immigrant parents who have struggled to bring us to Australia, it was hard to get my head around making music for a living not long after immigrating to a country full of brilliant musicians.
As one of Australiaâs top electronic acts, youâve cemented a good foundation by producing some infectiously ambient chill-house tracks. What do you find your biggest challenge to be when producing these hits and how do you work through those struggles?Â
I never have tried to make it deliberately âchillâ, I just make what I make but as mentioned earlier I have always wanted to make music with an emotional overtone as that is who I am. But for example, when I made Soulitude it sounded very chilled and downtempo, but that was on purpose. The entire world went into full lockdown, I thought making somewhat of a âtime-capsuleâ of those times was important and so it was the response to that. I have always made sure I communicate to my fans and listeners that (in Soulitudeâs case) it is snapshot of the weird time that the world was going through and it is not indicative of where I want to take my sound.
Your most recent collaboration was with multi-instrumentalist, The Kite String Tangle on track âGive Me Spaceâ Â How did this opportunity arise and what did the songwriting/production process look like?Â
Iâve been a big fan of Danny aka The Kite String Tangle, since his first single âGiven the Chanceâ and have always wanted to work with him. I remixed his song North a couple of years ago and thought his voice definitely mixes well with my sound so we started chatting. Heâs sent me a bunch of demos and Give Me Space really struck a chord with me, it was quite telling of the time weâve all been going through and so I immediately made the song around it. It was almost effortless and easy because we really worked well together, especially in the way I wanted to explore the 80âs sounding synths and dance music, and mix it into his voice.
What was the biggest takeaway you had from that collaborative session? In what ways did your outlook on music change after that project?Â
It just affirmed my view on music that should be thematically and sonically cohesive with the message it portrays, itâs important to make music with purpose.
As weâre looking ahead seeing the light at the end of the tunnel, how are you planning to propel your career forward in 2021?
I think making more music from the same world as Give Me Space, but also venturing a little bit left and right from there.
Is there anything on the horizon that you can share with us?
Thereâs a lot in the works⊠I think itâs safe to say that Give Me Space is not a singular idea but it is facet of a whole new world Iâm trying to create both visually and sonically. I cannot wait for you all to hear how it all ties in together, all I can say is watch the video for Give Me Space for clues.
What do you wish for the future of electronic music? In what ways would you like to see it evolve?
I think as genres come and go, good music will always be there. I think itâs important for any budding music producer (or even more established musicians for that matter) to make music that is objectively good regardless of the âwhatâs coolâ. Deep and meaningful music is timeless and will always stand on its own feet.
Any last words for the SPIN-verse?
Just wanted to say thank you for having me and for being on this journey with me. There is more to come so watch this space
Check out Motezâs set below! Want more SETS? Head over to SPIN TV to keep up with all the latest and greatest DJs breaking the electronic charts.
Jason Concepcionâs Grub Street Diet

Jason Concepcion and his pasta.
Illustration: Margalit Cutler
When Jason Concepcion moved to Los Angeles, he had a revelation the first time he ate Night + Marketâs pad thai. âItâs something you have a million, billion times from any number of places,â he says. âI just was not aware that the dish could actually taste like that.â After spending the past decade sharing his pop-culture enthusiasms and NBA hot takes for Grantland and the Ringer, Concepcion joined Crooked Media, where heâs hosting the web series ALL CAPS NBA and co-hosting the podcast Takeline with former WNBA player and activist Renee Montgomery. In L.A. this week, he made spaghetti with pesto sauce, ordered his preferred comfort food (fried rice) from his regular Chinese restaurant Northern Cafe, and ate a whole lot of peanut butter.
Monday, April 5
The cup of strong black coffee I started the day with was especially welcome because of the earthquake that struck at 4:45 a.m. like a goddamn coward. At the time, I wasnât sure what had happened, just that my eyes were open when they definitely should not have been. Twitter confirmed the tremor and informed me, much to the detriment of my prospects for continued sleep, that it was preceded by a âswarmâ of smaller quakes. I lay there thinking about my emergency kit and batteries and bottled water and how much gas was in the car and where the safest places in wood-framed buildings are â and, you know, just survival in general â until my alarm went off. Then I rose from the sheets like Dracula squinting against the daylight. The coffee was French vanilla flavor, from Hemisphere Coffee Roasters.
Pre-pandemic (P.P.), I did not cook. Iâm a busy guy, and I figured, Hereâs a way to save time. Kind of like the way Einstein and former Sixers General Manager Sam Hinkie wear the same outfit everyday to reduce âdecision fatigue.â For a long time, I subsisted happily on oatmeal, yogurt, granola, and various nut-centric snacks from Trader Joeâs. I had a handful of recipes I could pull off: scrambled eggs, omelets, my grandmotherâs fried rice, spaghetti alla puttanesca. I just chose not to. Plus, in Los Angeles it is easy to get healthy food on the run.
In lockdown, my recipe list has grown. Iâm baking bread now. As many people noted on my Instagram when I first posted my bread, everybody did that Q1 quarantine, and I didnât start doing it until Q3 or Q4. If I interrogate why I decided to bake, itâs probably because I was crushing episodes of The Great British Bake-Off. I was just like, Bread is good, I enjoy bread, why donât I start making some at home? That show is extremely soothing for my anxiety. Itâs also one of those shows where I watched two episodes, and I knew next to nothing about baking, and I was like, âCome on, that will never rise like that, youâve underbaked it, what are you doing?â All of a sudden, Iâm yelling at the screen at these people: âYou canât do that!!!â
I mention this all because my first meal this Monday was a basic-protein shake and I donât want the readers of this diary thinking Iâm one of those dudes who drinks weird green drinks all the time. I do drink them, but definitely not all the time. They actually taste good. Anyway, the shake was one scoop of chocolate-flavored whey-protein powder, some peanut butter, and some almond milk, which is bad for the environment. I drink it while on a Zoom call.
That afternoon, after recording my podcast, Takeline, I had a chicken-pesto-parm salad from Sweet Green. Iâve gone through phases where I order this exact salad three or four times a week. Thereâs a particular kind of disappointment that I relate with stepping outside my comfort zone, and then thinking, That sucked, Iâm so mad, and it just ruins my day. So, when I like something, I have no problem eating it every single day. There was a taco place, Tacos Moreno, near me when I lived in northern California, and I think I ate there 14 days in a row at one point. Same order every day.
At 6:30, I have a couple spoonfuls of peanut butter straight out of the jar while watching Baylor breakdance on Gonzagaâs face in the national championship game.
I try not to eat after 7 p.m. unless itâs peanut butter, again, straight out of the jar.
Tuesday, April 6
This is mostly a day for creative meetings for my web show, ALL CAPS NBA. I start the day, again, with black coffee.
For lunch, I have some Shake Shack chickân bites and fries. As a New Yorker who recalls having to log into the webcam to check the length of the line at Madison Square Park, ordering Shake Shack on my phone and having it arrive in a reasonable amount of time is bizarrely thrilling. Are the squirrels there still monstrously huge? I once saw Phillip Seymour Hoffman tucking into a double cheeseburger at the Madison Square Park Shake Shack as a Kaiju-size squirrel stood on the chair next to him waiting for a chance to strike. This squirrel had a beer belly and plumberâs crack and was the size of a toddler. All these thoughts go through my mind as I eat. I donât know if Iâm imagining this, but I think, back in those halcyon days when there was only one Shake Shack, Goldman-Sachs had a dedicated cashier or a direct hotline that allowed them to skip the line. I might be inventing that, but Iâm pretty sure it happened.
Coming from New York, tacos and Thai were the two revelations around L.A. cuisine for me. Everything they do at Night + Market is amazing, and just kind of changed what I thought Thai food could be. Luv2eat, on Sunset in Hollywood, is another one. If you are a person who is not prepared for heat, just hold on to your horses.
After getting screamed at by Cody Rigsby for a half-hour, dinner was a post-Peloton protein shake with, once again, peanut butter. I love peanut butter. A couple years back, I traded in basically all my snack options for peanut butter direct from the jar. It began as a form of existential surrender and has since evolved into a lifestyle.
Wednesday, April 8
After recording ALL CAPS, I ordered poke from a place that will remain nameless because I hated it. To be frank, I was feeling the pressure of writing this diary and the dread of having my food choices immortalized and so I reached for something I hadnât ordered in a while from a place I had never ordered from. It was a mistake. I ate it joylessly out of a sense of duty. As an attempt to just, like, feel something good, I chased the poke with a Munk Pack keto nut-and-seed bar.
For dinner, I made spaghetti with Osteria la Bucaâs pesto sauce. (Their pesto is really, really good, and it is an extreme pain in the ass for me to make. I also just donât have that much basil around.) The first time I dined there, soon after moving to Los Angeles, I saw Andre Holland eating at the bar. That was my second L.A. celeb sighting, the first being the time Brett Gelman warned me that the foxtails in Elysian Park could get in my dogâs ears. That was solid advice.
The spaghetti Iâve had around. One of the things I did early in quarantine was buy 25 boxes of both linguine and spaghetti, and Iâve just been working my way through them. I have not yet expended the entirety of my very, very early pasta purchase. Iâm down to maybe the last 12. I do make a good pasta sauce, a decent bolognese. I let it cook all day. I would credit Anthony Bourdain and his various adventures for that, but Iâve always had an affinity for the cuisine of the Italians.
I stay up until about 2 a.m. writing with only occasional visits to the peanut butter jar. I might have had some unforeseen snack bars.
Thursday, April 9
Breakfast was a PB&J bowl from Backyard Bowls, a place thatâs like the avocado-toast meme in physical form. They do have avocado toast, and itâs great. My friend and co-host of the Old Man and the Three podcast Tommy Alter introduced me to Backyard Bowls and it quickly became one of my favorite places to work on the weekends. I also ordered a Hercules smoothie (acai, banana, blueberry, pea protein, and peanut butter), which I save for lunch. My smoothie habit is reluctant. It feels very easy to do and healthy, but also the picture in my mind is of the person who has all the jars of the smoothie stuff. Iâm not that person. But I am that person. I have become that person.
Thursday was wall-to-wall meetings and interviews. I had an in-person interview with a trading-card show scheduled. Then I started thinking about how shockingly dumb it would be to contract COVID days before my final shot just to do a trading-card podcast. So I rescheduled. The producers were understanding.
I skipped dinner and stayed up late to catch the latest episode of The Falcon and the Winter Soldier. After starting the outline for an upcoming Twitch stream, I went to bed around 2:30 a.m.
Friday, April 10
I skipped breakfast and, since it was Friday, splurged for lunch: a Nozawa Trust Me sushi spread from Sugarfish. It came in a handsome tray-shaped take-out box which had detailed instructions printed on the inside of the lid. Folks, I didnât follow the instructions. I apologize to the chefs. When Iâm back to eating inside the restaurant, I will honor the chefâs wishes and do as Iâm told. But my apartment is my castle, and in here, I choose.
For dinner, I ordered Chinese from Northern Cafe: fried rice with chicken, stir-fried green beans, soup dumplings, and pork-and-fennel dumplings. Chinese food is one of the things I really miss about New York. I like rice dishes, and fried rice in particular. I think I make it really well, actually, and when I want something thatâs comfort food for me, thatâs what I order. I grew up on my grandmaâs. She made it the way Filipinos do â garlic-fried rice with soy, onion, occasionally Spam, and an egg mixed in there. You can make it in 15â20 minutes with day-old rice. Iâm not eating Spam on the reg, but it was definitely a thing my grandmother introduced me to.
When I was a kid, before my father passed away, my parents used to take me to the old 456 restaurant in Chatham Square in Chinatown. It served mainly southern Chinese classics â pan-fried noodles over beef in dark, salty sauce; soup dumplings. I loved those weekend excursions; they felt special and worldly and adult. Northern Cafeâs pork soup dumplings bring all of those feelings and flavors back.
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Emma Watson Talks Turning 30, Working With Meryl Streep, And Being Happily Single | British Vogue
Emma Watson Talks Turning 30, Working With Meryl Streep, And Being Happily Single | British Vogue
Emma Watson was just nine when she was picked out of a line-up of would-be actors in her school gym to star in a film that would change her life in unimaginable ways. Twenty years on, her Hogwarts days far behind her, Watson is one of Britainâs most bankable stars â not to mention an influential activist lending her voice to causes like gender equality and sustainability.
Ahead of her return to the screen in this Decemberâs Little Women, the actor sat down with fellow activist Paris Lees to reflect on her extraordinary journey so far. Watch the video to see Watson talk candidly about life in the spotlight, turning 30, and the thrill of working with Meryl.
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Emma Watson Talks Turning 30, Working With Meryl Streep, And Being Happily Single | British Vogue














































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