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Galantis Remix Benny Benassi’s Iconic Dance Hit “Cinema” ft. Gary Go [LISTEN]

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Galantis just remixed Benny Benassi‘s “Cinema” featuring Gary Go, bringing the classic dance hit into 2021.

It’s been nearly a decade since “Cinema” released, which went on to become one of the biggest go-to dance records of all time. The song attracted a number of remixers, most notably Skrillex, also Laidback Luke, Alex Gaudino & Jason Rooney, Congo Rock — and now Galantis.

The newest “Cinema” remix is a bright, explosive production with uplifting dance chords and nostalgic lyrics intact, paying much homage to the original from a new perspective. With this, Galantis drop their first remix of the year, following up their blissful pop single “Dandelion” with JVKE.

Now, this is the part where we’re wishing Galantis were playing this for a live festival crowd, so we could turn to our friends and scream out:

You are a cinema, I could watch you forever
Action-thriller, I could watch you forever
You are a cinema, a Hollywood treasure
Love you just the way you are
A cinema, a cinema

Listen here!

Benny Benassi – Cinema feat. Gary Go (Galantis Remix)

Stream/download: ffm.to/cinema-grmx

 

Photo via Rukes.com



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Galantis Remix Benny Benassi’s Iconic Dance Hit “Cinema” ft. Gary Go [LISTEN]

0


Galantis just remixed Benny Benassi‘s “Cinema” featuring Gary Go, bringing the classic dance hit into 2021.

It’s been nearly a decade since “Cinema” released, which went on to become one of the biggest go-to dance records of all time. The song attracted a number of remixers, most notably Skrillex, also Laidback Luke, Alex Gaudino & Jason Rooney, Congo Rock — and now Galantis.

The newest “Cinema” remix is a bright, explosive production with uplifting dance chords and nostalgic lyrics intact, paying much homage to the original from a new perspective. With this, Galantis drop their first remix of the year, following up their blissful pop single “Dandelion” with JVKE.

Now, this is the part where we’re wishing Galantis were playing this for a live festival crowd, so we could turn to our friends and scream out:

You are a cinema, I could watch you forever
Action-thriller, I could watch you forever
You are a cinema, a Hollywood treasure
Love you just the way you are
A cinema, a cinema

Listen here!

Benny Benassi – Cinema feat. Gary Go (Galantis Remix)

Stream/download: ffm.to/cinema-grmx

 

Photo via Rukes.com



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TEENA MARIE SHANGRI LA

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AFTER THE SUCCESS OF HER 1984 STARCHILD ALBUMS LABEL RUSHED HER BACK IN THE STUDIO AND SHE REALESEDTHIS 1986 ALBUM EMRALD CITY WITH A ROCK POP/R&B FLAVOR SHANGRI LA IS A GEM AND IS TIMELESS RIP TEENA I OWN NO COPY RIGHT THIS VIDEO IS FOR FANS AND PEOPLE TO ENJOY SUCH GREAT MUSIC FROM THIS LEGEND PAST NEVER FORGOTTEN

Listening to Sofía Valdés is Like Daydreaming on the Beach

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Photo by Julian Burgueno.

The Panama-born songwriter SofĂ­a ValdĂ©s has only ever officially released music during a pandemic. She doesn’t seem to mind, though; enwrapped in her songwriting process and uninterested in letting the last year bring her down, ValdĂ©s crafts music that feels like it was somehow made using beach sand and turquoise water, her voice a comforting breeze over smooth melodies. After an adolescence shaped by her move from Panama to Interlochen, where high school bullies laughed at her then-rudimentary grasp of English, the 20-year old musician immersed herself in music, songwriting for hours a day while upholding good grades. Now, with the release of her new EP Ventura, ValdĂ©s is bringing everything back to earth. 

———

KARL ORTEGON: How did you get into music?

SOFIA VALDÉS: I had no idea what I was doing at the start. I have a vivid memory of my first day learning electric guitar when I was little. My first song was Zombie by The Cranberries. I didn’t know what was good and what was bad, I was just excited to be playing. I think that’s probably the best way to approach it, because then you’re not comparing yourself to anyone else. You’re just doing what feels right and having fun with it. A few years later, I’d watch YouTube videos of kids playing guitar and then I was like, ‘Oh my God, they’re so good.’ And then I suddenly wanted my guitar playing to sound good like theirs, and to sound clean.

ORTEGON: Was there a point growing up where you went from wanting to sound good to wanting to actually make music and perform?

VALDÉS: Yes! I started to get obsessed with the idea of me being, like, a super pop star. I wrote my first song with someone, and I was like ‘Alright. Ready for stardom!’ But then I started talking to my mom’s friend in L.A., who was like, ‘I’ll be your manager, but you won’t get signed unless you start writing your own songs.’ And then I became fixated on becoming a great songwriter, and my pop star dreams disappeared, but it didn’t matter because I was so wrapped up in writing songs.

ORTEGON: You grew up in Panama, but then you went to school at Interlochen in the U.S., right? 

VALDÉS: Right. I left for Michigan when I was like, 15. And then after a couple of years, I left and went to Liverpool Institute of Performing Arts in the U.K., and I was there when the pandemic hit. So I came back home to Panama and I’m here now. But at school, I was literally obsessed with songwriting. Every day I was writing songs, for as long as I wanted into the night, and then I’d go to school and go back home and keep writing. I mean, I was getting good grades, so nobody could get me in trouble. I was basically writing any time I wasn’t in school or asleep.  

ORTEGON: Did you have ideas about what you wanted to do after school, with all of the songwriting building up?

VALDÉS: I remember loving songwriting so much, and my dream was leaving Panama so I could become a songwriter professionally. That’s what I wanted to do with school and beyond. I am so proud to be Panamanian, but I wanted to also be a singer who could speak and sing in English. 

ORTEGON: Why English?

VALDÉS: For a few reasons. At first, when I got to Interlochen, I was teased so much because I didn’t really know English. When I had to go to the bathroom, I would literally ask the teacher if I could go ‘take a bath’ in front of the class. Or when someone would say ‘what’s up,’ I would be so confused, because I was taught you greet people with ‘good morning’ or ‘good evening’ and ‘how are you?’ One time, I dropped something at the airport and was stressed trying to collect my things, and a woman said ‘Oh, you’re fine!’ I was like ‘huh?! How can I be fine?’ I just did not get any sort of slang at first. 

So to get used to my new environment, and to prove the bullies wrong, I was eager to perfect my English. There’s also the music side. I don’t want to limit my success and reach by only singing in Spanish—plenty of English-speaking audiences won’t listen to it. I also don’t want to be seen as just ‘a girl from Panama who sings in Spanish,’ because I think I’m so much more than that. I don’t want to be put in that box. But I definitely would love to write some music in Spanish, it just has to be done right—I don’t want to just do it because it’s trending. 

Photo by CJ Harvey.

ORTEGON: Who is a dream collaborator for you?

VALDÉS: Chris Martin, definitely. He’s just such a smart melody writer and he’s able to take something melancholy and make it into a happy song. I have no fucking idea how he does that, but it’s very happy. I want to do that with my music. 

ORTEGON: I think you have done that already, though! There’s something about your music that feels earthy and natural to me, which in turn feels extremely fresh and happy. Even with songs like “Lonely” or “Little Did I Know,” which are about heavy things, it still feels uplifting and positive somehow. Do you mean to do that with the composition and production?

VALDÉS: Thank you. Everyone says that, the part about my music feeling natural and fresh, and I have no idea what the fuck they’re talking about. I’m like, thanks! There was this artist who I look up to a lot who DM’d me, and said my song “Handful of Water” made him feel like he was by the beach. I think it’s how I play rhythms with my lyrics, and I like to use Spanish guitars and live sounds, especially live drums. I’m glad that it comes across to people, but I don’t think I’m intentionally trying to make the sound beachy or natural, it’s just what feels right. I listen to a lot of Brazilian music, too, which maybe gives it that bossa nova feel. 

ORTEGON: Awesome. My favorite track on Ventura is “Little Did I Know.” That pre-chorus where you sing “Somebody tell me, what’s going on?” is just so beautiful.

VALDÉS: I’m glad you like it, because I kind of see it as the ugly sister. It was one of my favorites, and then everyone around me just did not like it at first. I was the only one who liked it for awhile, but I started to dislike it until my A&R at Warner was like, “That’s the best song.” And now I love it again, it’s a favorite. 

ORTEGON: I’m sure you’re looking forward to being able to perform live. Will you stay in Panama once the pandemic is over? How has it been releasing music during all of this?

VALDÉS: Yes, live elements are so important to my music, so I can’t wait to be able to actually do stuff live. In general, I haven’t been able to make music videos like people are doing in America. In Panama I might get a fine from just going on a walk; it’s very strict here. Once this is over, though, I could see myself living in London. I just love it there. And a bunch of my belongings are literally still in the U.K. at school, since I left last spring kind of suddenly. But I also love Panama, and I also might need to live in L.A. for some time for the music. We will just have to see. 



Lauren Oyler’s Grub Street Diet

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Lauren Oyler among the cookies.
Illustration: Margalit Cutler

As a book critic, Lauren Oyler become notorious for writing the sort of reviews, according to our friends at the Cut, “that nobody wants to write anymore but that everyone wants to read.” And now Oyler has published her first novel, Fake Accounts, which explores the very current, somewhat uncomfortable feeling of being very online. The book’s narrator shares often humorous details about food that capture the way we now see ourselves through our preferences and consumer decisions, one kind of millennial behavior that Oyler is sharply critical of. “I think there’s a temptation to really see them as super, super-meaningful,” Oyler says of these choices. “It’s connected to this general idea of consumerism as being a relevant political act.”

Friday, January 29
A very glamorous day. Big book-signing day!

I woke up and had half a coffee from the Keurig. Usually, we live in Ithaca, New York, but we are staying in an Airbnb in East Williamsburg so I could go to a couple of bookstores to sign books, and there’s a Keurig here. Obviously, we all hate Keurigs, but the coffee isn’t the worst. Usually, we use an AeroPress, which makes the best coffee, or a Chemex, which I am scared of and resist learning how to use. I don’t think that much about coffee. I like coffee that tastes good.

Ran to Prospect–Lefferts Gardens to sign books at Greenlight. I stupidly went to Cinnamon Girl to get an almond croissant and a coffee, but it was absolutely freezing so I couldn’t eat or drink them outside. So I went into the bookstore with a coffee that I couldn’t really drink and a croissant that I couldn’t really eat because of the mask.

When I finished, I ate the croissant pacing in front of the subway even though it was freezing. They very nicely said I could stay in the bookstore, which wasn’t opening for 30 minutes, and eat it there, but I didn’t want to make them uncomfortable!

Around noon, I had to sign books at the Strand and then made the same mistake again: I got a small coffee from Blue Bottle that I immediately could not really drink. So I had another half-coffee.

At four, I went to the Odeon with my editor, Kendall, and my agent, Alia, to celebrate “in whatever way we can in these times.” Great outdoor seating! Not even cold, really!

I’ve only been to the Odeon one other time, for another publishing lunch thing. I think it has this historical glamour that I can’t fully access, but I understand that it is meaningful.

I got a hot buttered rum, because that’s delicious, and we had an order of french fries to share. But I was also starving, and they kept talking about how neither of them ever had any business expenses anymore because of the pandemic so I was like, “Is it weird if I eat dinner?” They had places to go afterward, so they had soup. I had a steak with garlic butter and more fries. Like I said, I was really starving. We had a bottle of Cîtes du Rhîne that I realized, as it was being poured, I used to buy for like $14 at either Olivino or Heritage Wines in Clinton Hill even though I didn’t really like it. Classic restaurant experience.

I was sort of doing Dry January, but I guess it ended early.

Saturday, January 30
Since we moved to Ithaca, I’ve had a beloved ritual on Saturdays, which is that I go to the farmers’ market and buy a bunch of weird vegetables and flowers and whatever and then I get breakfast burritos from this stand called Solaz. They are fantastic, and they are now on holiday until April(!). Sometimes we get them during the week, usually from this perfect restaurant Cafe DeWitt, which is in the basement of a mall (not really a mall, though) that used to be Ithaca High School. I have a nice routine with the manager: When I call in the order and he finally gets to the portion where he asks, “And can I get a name for the order?” I say, “It’s Lauren,” and he says, “Oh, hi, Lauren,” in a very friendly way. Solaz also sells frozen burritos through the co-op, which are extremely difficult to heat through in the oven, but I persevere.

Anyway, all this is to say I didn’t do that because I was in Brooklyn and there were no breakfast burritos around the Airbnb, as far as we could tell, and every Saturday I think about breakfast burritos. What I actually had for breakfast was half a Lavazza Keurig again and oatmeal with blueberries, peanut butter, and honey. I love oatmeal. I had a real oatmeal streak a few years ago, and at one point I tried to use it to make my own face mask, which didn’t really work out. When I recounted this to a friend, he replied in his great Liverpool accent, “You put porridge on your face?” It remains a mantra.

I had to go to Community Bookstore in Park Slope to sign some books. It was very cold, but I walked back to East Williamsburg, which was really nice, and when I got back, I stopped at Variety Coffee to get a small coffee and a chocolate-chip cookie. All the chocolate-chip cookies have flaky sea salt now — it’s not special anymore!

Now that my in-person obligations were over and I could worry less about superspreading on behalf of self-promotion, which would be bad, I had plans to go see my friends Erika and Pete at their apartment, and while I was waiting for her to text me, I ate a piece of salami. Eventually, I went over, and we had sandwiches from Regina’s Grocery. I had an Uncle Jimmy. I should have gotten a smaller one, but I love things that have a ton of ingredients. I also had a Balconi Mix Max, which I had never had before but WOW! Like a Little Debbie but fancier.

Eventually, we started drinking red wines, some of which I wrote down and some of which I didn’t, and we had dates and olives and then ordered pizzas from Two Boots. A cheese and a white pizza with garlic, tomato, and spinach. Great! Great, great.

I hung out there until the end of the night — it was just like old times! At this hangout, my friend told me many people plan their Grub Street Diets so that they eat especially cool and representative stuff during this period. I thought about doing this, but I can’t plan anything! So here we are.

Sunday, January 31
We were supposed to drive back to Ithaca, but the snow started there early so we decided to stay through Wednesday. Oatmeal again, peanut butter, banana, blueberries, honey. Two Lavazzas in the Keurig. Blah blah. I slept terribly, so I took a nap.

We made omelettes with feta, cherry tomatoes, spinach, and onions. I am really good at making omelettes. Then I had a Hobnob, an English cookie made of rolled oats, as dessert. That’s a great little cookie. I love treats. I’m eating treats all the time.

One feeling I’ve always had is Fuck, we have to eat AGAIN?? We have to make these choices and execute them AGAIN?? THREE TIMES A DAY? But in the pandemic, it’s especially bad. We ordered dinner from Sage Thai, which is nearby, and I walked to go pick it up. Pad see ew with tofu and extra vegetables, and green curry with tofu and extra vegetables. Normal order. Technically, I was back on Dry January. Finished strong. Imagine this diary is punctuated throughout with seltzer, usually lime.

Monday, February 1
BLIZZARD!

Oatmeal again, two Keurigs, blah blah.

We were suddenly very hungry. We ordered from Mesa Coyoacan after trying to figure out what was open within walking distance, and I walked to go get it in the snow, which actually wasn’t that bad. We had an order of chips and guacamole and each got enchiladas verdes with chicken. Totally acceptable! My favorite Mexican restaurant, Pequeña in Fort Greene, closed during the pandemic, which is devastating, and I thought about it even though I couldn’t have gone there in the blizzard anyway.

This is going to sound so basic, but I like a little place where the food is good and it’s not too expensive but it’s also not cheap. It’s clear that the food is somehow wholesome. At Pequeña, they had these amazing nachos, but everything they had was amazing. It wasn’t mind-blowingly good Mexican food; it was just really solidly good. You knew what you were getting, the people were fun, and it was a cool little place to sit and have a margarita and nachos.

I never regret spending money on good food. It just makes sense to me that it should cost as much and the labor should cost as much. I really still hate getting delivery. Obviously, I do it, everybody does it, but I would prefer to go pick it up because it’s so exploitative. But then you get into this trap where you’re like, Oh, well, if I’m not ordering delivery, then they’re not getting their tips, and this whole horrible vicious circle that goes back to this idea that consumerism is a relevant political act. “The way you spend your money as a politically meaningful act” fallacy.

I also got a six-pack of Goose Island IPA from the bodega and had a couple over the course of the evening while panicking about various obligations and the fact that my book was coming out the next day.

Tuesday, February 2
My book came out, so my boyfriend went to SHM Bagel and Coffee Shop nearby to get a special breakfast, which was a toasted everything bagel with cream cheese and coffees from Rose Wolf.

I went over to my friend Callie’s to borrow her ring light for my Zoom launch. It was a terrible saga in the melting snow, but I got two more little coffees from Hungry Ghost on the way back. Then I couldn’t even use the ring light because it reflected in my glasses, so it was all for nothing.

Another terrible saga: We tramped around downtown looking for my books in the windows and then we were starving again and tried to just find anywhere that had their outdoor seating open, but no one did! Standing outside Taïm, which we desperately wanted but thought it wouldn’t travel back to Brooklyn, we were bereft and made the difficult choice to get back on the subway and eat in Brooklyn. Then we wanted to order stuff to pick up from Dar 525, which wasn’t open, and then we tried to go to Hummus Market right outside our subway stop, but it was too prissy. So we dejectedly went to Sage Thai again. It’s good, but, you know, we wanted falafel. We got the same thing as the other day but red curry, plus spring rolls.

I did my Zoom event sans comfort beer because I forgot to pick them up and ran out of time. My boyfriend went to his friend’s house to watch it for bandwidth reasons. He returned with beer for himself and a nice bottle of Champagne for me, and I drank the whole bottle myself, celebratorily. We shared the rest of the pad see ew from earlier, just cold, and that was nice.

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Black Market Event Full Explain In Tamil || FreeFire || MR MATHI

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Bob Saget Opens Up About His Close Bond With Mary-Kate & Ashley Olsen

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Once a Tanner, always a Tanner. 

More than 25 years have passed since Bob Saget last played Mary-Kate and Ashley Olsen‘s father in the beloved ABC sitcom Full House, but he says they’re just as close these days—if not closer than they were during the twins’ meteoric rise to child stardom. 

In an exclusive sneak peek from the actor’s Inside of You With Michael Rosenbaum podcast interview, Bob discusses his bond with the girls of Full House, Candace Cameron Bure, Jodie Sweetin and the Olsens. 

“Between Candace, Jody and the Olsen twins, which of the kids did you get along with best?” he’s asked, to which the star responds, “Whoever I was with at the moment, just like my own kids.” 

“I’m very close with Candace, always was since we did the pilot,” the comedian continues. “Jodie used to sleep over at my house and play with my daughter Aubrey, my oldest.”

As for M.K. and Ash, who didn’t sign on for the Netflix reboot Fuller House, Bob simply adores the fashion moguls. 

LATEST BOOK NEWS — February 8, 2021 — Aestas Book Blog

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BOOKWORM NEWS:

  • Only One Touch by Natasha Madison goes live at midnight!! — “When I inherited the Dallas Oilers from my father , I became one of the youngest owners in hockey history. Even though the team was at the bottom of the hockey standings, I had big plans to change that and bring the Cup to Dallas. Falling in love was something I never believed would happen to me. You’d think I was getting everything I ever wanted with the girl and the winning record, but I still have a promise to fulfill to my childhood best friend
”
  • Inked Persuasion by Carrie Ann Ryan goes live at midnight!! — “Years ago, she married not for love but for a promise of hope. When she lost him weeks later, she told herself she never needed those sentiments again. Only when she discovers years later that her new neighbor is her late husband’s brother, she finds she can’t quite shake the emotions she’s long since buried
 He vowed he’d never set eyes on her again. When they’re forced into each other’s lives once more, they realize that no matter how far they run, no distance can keep them apart forever. More than ghosts lay between them, and when they finally give in to temptation, walking away whole may no longer be an option
”
  • Nate by Tijan goes live at midnight!! — “He was gorgeous, obnoxiously wealthy, and a player. He was also the person who could destroy my world with a single decision. I walked into that bar looking for him. He saw me. I saw him. The chemistry sizzled between us, but no. I hated him. I hated him with everything in me, even though my body did not. It didn’t matter. Nothing I wanted mattered. He thought I wanted to get laid. What I wanted was for him to disappear. But first, I had to tell him that he had a daughter.”
  • Reckless Road by Christine Feehan goes live at midnight!! — “While he’s one of the motorcycle club’s roughest members, he’s also one of the calmest. Little rattles him, except for the times his gift gets the better of him. When that happens, he has to just lie down in the dark and hope for the best. But on a night when he’s on the verge of losing it, he meets a woman who manages to soothe his fractured mind
 She’s a striking, ethereal beauty who seduces him with every word and move. Their night together is one of pure, exquisite bliss. But when he gets confused and thinks their intimate encounter was nothing more than a dream, his careless dismissal leaves her humiliated and angry.  Now, he will have to devote his every breath to convincing her to give him a second chance. Because she might be the only one who can save him from himself.
”
  • The Revelation of Light and Dark by Sawyer Bennett goes live at midnight!! — “My entire existence has been a lie. Now I’m faced with a new reality that’s as implausible as it is fantastical. Filled with realms and veils, light and dark, fae and daemons, gods and angels—things I don’t understand but am forced to acknowledge. It doesn’t help that the man teaching me about my unique gifts is the gorgeously handsome Carrick Byrne, one of Seattle’s richest and most powerful men. He intimidates, annoys, and intrigues me all at the same time. I don’t trust him and yet there’s no one else to help me. No longer certain who to put my faith in, what to believe, or how I fit into it all, one revelation is clear
 The world as I know it will never be the same again.”
  • Rafael by Laurell K Hamilton (Anita Blake Vampire Hunter series) goes live at midnight!! — “Rafael, king of the wererats, must fight to the death to defend his crown. He wants Anita Blake, one of his closest allies, with him as he faces an opponent unlike any he’s faced before. He will ask Anita to risk everything to be at his side.
 But some of the wererats fear that Rafael depends too much on Anita and her ties to the vampires. They believe that there is only room in America for one supernatural king, and Rafael will turn them into nothing more than food for the bloodsuckers. Among his enemies, a new challenger has arisen who is younger, hungrier, and has dark secrets that could destroy both the wererats and the vampires. Rafael will go into the magical heart of his people to find the power and violence that he needs to save them all, or die trying.”
  • Blackout After Dark by Marie Force (Gansett Island series) goes live at midnight!! — “An island-wide power failure has thrust Gansett into darkness. We’ll take this opportunity to catch up with each of the couples we’ve come to know and love, and meet a few new characters who’ll appear in upcoming books. It’s the heart of summer, the power’s out and things are getting hot on Gansett Island!”

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The Monument

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The Monument · Zpectre

Enchanted Forest EP

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Released on: 2021-01-19

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