Jeremy Renner Has Been Attached As Detective Twitch Williams Since 2018
Jeremy Renner, who is no stranger to comic book movies, has been attached to the role of Detective Maximilian Steven Percival “Twitch” Williams III in the Spawn reboot since as far back as 2018 when it was announced that the Hawkeye actor would be joining Jamie Foxx in Todd McFarlane’s directorial debut. For those not familiar with Twitch Williams, in the Spawn comics, the character is an NYPD detective who helps the anti-hero achieve his goals after returning from the pits of hell.
In July 2018, Todd McFarlane credited Jamie Foxx with helping him convince Jeremy Renner to join the project after seeing the pair in Foxx’s Off Script interview series sponsored by Grey Goose vodka. After McFarlane asked Foxx to pitch the movie to Renner, the actor talked to his fellow comic book star and the rest is history.
Jack White has announced the release of Jack White: Live at the Masonic Temple, the 47th installment in Third Man’s Vault subscription series, with a live version of his song “Missing Pieces.” The package comprises a recording of his July 30, 2014 show at Detroit’s Masonic Temple on four colored LPs, as well as a 7″ featuring a recording of his 2020 performance on Saturday Night Live. White’s history with the Masonic Temple stretches back decades; his mother was once an usher there, and he saved the building from foreclosure in 2013. Check out the live version of “Missing Pieces” below.
The package is currently only available via Vault subscription; signups are available until midnight CST on January 31. White released a 20th anniversary edition of the White Stripes’ De Stijl in February 2020 as part of the Vault series. In August, White and Third Man auctioned off instruments, gear, and other memorabilia from their archival collections to benefit the John Peel Centre, Gideon’s Army, and the Detroit Phoenix Center.
Lana Del Rey might want to be a bit more careful as she promotes her upcoming album, Chemtrails Over the Country Club. The “Summertime Sadness” singer took to Instagram yesterday to awkwardly point out that the newly released album cover features people of color (including “My best friends are rappers my boyfriends have been rappers” and “I’m not the one storming the capital, I’m literally changing the world by putting my life and thoughts and love out there on the table 24 seven”).
Del Rey then went on BBC Radio 1 to further discuss the album, which quickly devolved into a rambling discussion about her post, politics, and the state of the nation in general.
“Before I even put the album cover up, I knew what people were going to say,” Del Rey said. “So when they actually started saying things, I responded and I just said ‘I got a lot of issues, but inclusivity ain’t one of them.’ It just isn’t. You can’t just make it my problem. My friends, my family, my whatever, they’re not all one way, and we’re not the ones storming the Capitol. We voted for Biden. My girlfriends come from all over the world. They have children from all different types of people.”
As the conversation ranged from COVID-19 to Trump, the singer’s strange takes continue. Of course, none of this should be surprising considering that she seemed equally tone-deaf when calling out people like Beyoncé last year and then stirring up more trouble in trying to defend herself. When her rant came to the disgraced president, Del Rey called Trump a “live-television psychopath crazy person” while blaming both television and Instagram for normalizing people like him. But in her eyes, the politics of the last four years haven’t been all terrible.
“As bad as it was, it really needed to happen,” Del Rey said. “We really needed a reflection of our world’s greatest problem, which is not climate change, but sociopathy and narcissism — especially in America. It’s going to kill the world. It’s not capitalism, it’s narcissism.”
According to Del Rey, the “big issue in the world” is what to do with the jerks, assholes, and “people who don’t know they’re hurting other people.” She did offer a solution though. “Do we put them all on an island together?”
Check out the whole thing at BBC Radio 1 to hear more of the wide-ranging interview.
Massih opens Edy’s Grocer in August. Photo: Christian Rodriguez
Walking through Greenpoint with a pink beanie scrunched over his head and a surgical mask over his nose and beard, the chef Edouard Massih points out the neighborhood’s many delis and markets. He praises a small unassuming produce store run by Korean immigrants, JSS Manhattan Fruit, where he used to buy supplies for his catering business. The owners live upstairs, he says: “That’s such immigrant dedication.” A block north, he pauses at Polka Dot, a Polish deli serving comfort food like pierogi and borscht. It is, he says, one of the markets that made him wonder why he couldn’t have something similar but with flavors from Lebanon, where he was born.
Massih’s favorite market in the neighborhood, where he has lived since 2015, was Maria’s, a Polish American deli run by Maria Puk, where Massih would order chicken cutlets on a hero with lettuce and tomato. “We’re pretty chatty, both of us, so we used to talk a lot,” says Puk. When Massih told her he was a chef, “I says to him, ‘Oh, maybe one day the store will be yours.’”
During COVID, Puk closed Maria’s, at first temporarily. Then, in May, Massih made his pitch: He’d take over the business, as they’d often discussed. At the urging of her adult children, Puk, who is now in her mid-60s, agreed, offering Massih two months of free rent and six months of reduced rent.
And so, with $65,000 of savings and no outside investment, Massih transformed Maria’s into Edy’s Grocer, reopening in August with Lebanese spices, oils, and baked goods. Lines to enter the 850-square-foot store snaked around the corner, as customers (who were allowed in three at a time, with masks required) stocked up on garlic labneh, briny marinated Feta, and brick-red muhammara. Some lingered out front at café tables and benches to try prepared foods like labneh toast and puffy za’atar-crusted man’oushe. In a nod to the history of both the neighborhood and the store, Massih also decided to sell some Polish foods like potato pancakes and borscht and kept Maria’s old sign on display.
Just one week before Edy’s opening, an explosion in Beirut killed 204 people and injured more than 7,000. Massih was shaken by the news but determined to help. In its first days of business, Edy’s raised more than $2,000 for humanitarian aid, rewarding donors with imported Lebanese snacks like Master potato chips and Dabké lemon cookies — the kinds of products that made Massih want to open Edy’s in the first place: “As a teen, when I missed home, I wanted to walk into a familiar grocery store,” says Massih, who is just 26 but appears older with square-rimmed glasses, a trim beard, and a shaved head. He longed for Bonjus, the pyramid-shaped cartons of orange juice that Massih now stocks in a dedicated mini-fridge. “I’ve seen lots of Lebanese people walk into the store, and they almost start crying when they see it,” Massih says.
There was no Bonjus in Canton, Massachusetts, the white suburban town where Massih’s family relocated from Lebanon when he was 10. Back in Anfeh, a small Christian fishing village located between Beirut and Tripoli, Massih’s life had revolved around food. For lunch, the day’s main meal, he would return from school and his parents would leave work to gather at his grandparents’ home around a large spread of traditional food: kibbeh, Lebanon’s national dish of ground meat and bulgur; local grilled fish; and mezes prepared by his grandmother, Odette, and his parents’ live-in housekeeper, Kivi. Massih calls them the queens of his childhood: He admired his grandmother’s elegance, her blown-out hair and shoulder-padded blazers, and marveled at her mastery of the kitchen despite one disabled hand. He loved the way Kivi, an immigrant from Sri Lanka whom Odette taught to cook Lebanese food, indulged him in the kitchen — then whisked him out when his parents returned home. This was no place for boys, Massih was taught.
Massih’s parents were well to do in Lebanon, but they feared the country’s unstable politics and crumbling infrastructure. After the move to America, Massih’s lunch transformed from a colorful spread of dishes on a familial table to plastic trays of carbs in various shades of beige at the school cafeteria. It was a scene familiar to Massih through his favorite American TV exports like Lizzie McGuire, but in real life “it was very jail-like,” Massih says. Still, he embraced American foods: Loaded potato skins from TGI Fridays, big boxes of Cheez-Its, and Oreos by the sleeve.
Massih continued to gravitate toward the kitchen, eventually petitioning Canton High School to add a cooking class. A fan of TV hosts like Oprah and Rachael Ray, Massih emulated them with his own cooking show on Canton Community Access Television. Wearing his first chef’s whites in his home kitchen, he enthusiastically prepared burgers and chicken Alfredo for his family. In 2012, Massih enrolled at the Culinary Institute of America in Hyde Park, New York, where he bristled at the outdated curriculum: “They’re still teaching you how to make a stupid espagnole sauce.” A unit on Middle Eastern cuisine especially rankled him. Too much was bastardized, Massih complained to a dean. “‘Don’t forget where you are,’” he remembers being told. “We’re at the Culinary Institute of America.” At first, the comment annoyed Massih, but eventually he understood. “In America, Chinese food is not Chinese; Italian food is not Italian” — it’s all an adaptation, he realized. “If you want to make it here, you’ve got to Americanize this.”
Vermicelli rice, Edy’s Grocer, and polenta cakes with lemon and rose water. Christian Rodriguez.
Vermicelli rice, Edy’s Grocer, and polenta cakes with lemon and rose water. Christian Rodriguez.
Massih’s most instructive culinary experience in college came far from the CIA, when he staged at a restaurant in Orvieto, Italy. “They’re so Italian in Italy,” he says, “They love their culture. If something’s made in Sicily, you go get it in Sicily — they don’t have it in Orvieto or Florence.” Lebanese people can be that way too, he realized, and it reinvigorated a long-lost pride in his upbringing: “They’ll be like, ‘This is a Lebanese fig. This is a Lebanese pistachio. Nothing’s better than a Lebanese pine nut.’” While in Italy, Massih had a second revelation: Far from home, with help from lots of Italian wine, Massih came out. “It was the first time that I really dug into myself, and there I was, finding my identity: I’m truly Lebanese, and I’m truly gay.”
Returning to Hyde Park was like withdrawal, and Massih landed in academic trouble. During a semester-long suspension, he moved to New York City, working days as an intern at Wine & Spirits magazine and evenings as a line cook at Corkbuzz in Chelsea Market. After a few months, he moved to Greenpoint and took a job as a server at Danny Meyer’s North End Grill in Tribeca. Working for the founder of Shake Shack, Massih studied the kind of restaurant marketing they don’t teach in culinary school. “In NYC, shit, you are in brand-mania,” says Massih. “It’s the mecca of the brands.”
When his suspension was up, Massih took online classes, then commuted a few days a week to Hyde Park to complete his degree. He graduated in 2015 and came out to his parents that weekend. “They stopped talking to me for a while, and that’s when I took it upon myself to do this on my own,” Massih recalls. (They later reconciled and are now close.) He found his calling, and financial stability, working for high-end caterer Pamela Morgan. “I started seeing all these invoices, and I was like, Holy shit, this is where the money’s at,” he remembers.
In 2017, he started his own catering company, working out of a home kitchen in the basement of his building — an illegal but common practice — and growing his client list along with his Instagram following. At his peak, Massih catered ten to 18 events per week: bar mitzvahs, weddings, and Victoria’s Secret photo shoots. Abundant spreads served on sheets of brown paper became his signature. Much of his cooking was Middle Eastern, but when models demanded low-carb health foods, or 13-year-olds begged for sliders, he gamely obliged. The money — over $200,000 in his last year — was more than Massih knew what to do with, so he both saved and spent. He purchased a Peloton bike and banked almost $75,000 with plans to lease a commercial-kitchen space.
Then, last March, Massih returned from a monthlong vacation in Australia to an in-box stuffed with cancellations. As COVID shut down the city, clients were asking for refunds. Massih shifted to delivery. Selling bulk orders of a Lebanese “quarantine survival menu” was successful enough to ensure its demise: An article in the New York Post featured him and his basement operation, and, responding to the press, the Health Department threatened to shut him down.
“I was like, This is the end of me,” Massih thought at the time. He returned home to his parents in Canton for a couple of months, where he calmed himself and wrote a business plan for a storefront that could carry on despite COVID: “If I was really running a restaurant, see you later on having a life.” A grocery, technically an essential business, fit both his aspirations and the moment.
Massih’s parents were skeptical. Would he have enough Lebanese customers to sustain a business?, his father wondered. “I’m like, ‘It’s not the Lebanese that are gonna buy,’” Massih explained.
(He also ignored his dad’s other business advice, gleaned from the gas stations he runs in Massachusetts: Sell cigarettes and lottery tickets.)
Instead, by adapting Lebanese food for American palates, as he does at Edy’s Grocer, Massih widens his potential customer base, since only about 40,000 of Brooklyn’s 2.6 million residents are Arab American, according to the Arab-American Family Support Center. But this common act of culinary translation also puts Massih in a bind. “You’re not cooking real Lebanese food!,” a Lebanese customer recently told the chef. For other customers, Edy’s Grocer isn’t American enough: “They’re like, ‘Oh, you don’t got no roast beef?’ And I’m like, ‘No, darling.’”
Many of Edy’s items do adhere to tradition, like riz a jej, a chicken and rice dish studded with ground beef, caramelized onions, and pomegranate seeds. It’s listed on the menu as “Lebanese Dirty Rice,” for the benefit of the uninitiated. But marketing Lebanese cuisine to outsiders is nothing new — it’s part of the country’s culinary tradition, says Akram Khater, a professor of history and director of the Khayrallah program for Lebanese American studies at North Carolina State University. By catering to European and then American and Arab tourism in the 1950s, “Lebanon positions itself as this entrepôt between the Middle East and Europe,” Khater says.
Massih has likened Edy’s to a mini-Sahadi’s, his main supplier of spice blends and bulk foods. Christine Sahadi Whelan, the store’s third-generation Lebanese American owner, is flattered by the comparison. As a wholesale customer, Massih is “the perfect demographic for us,” she says, an Instagram-savvy culinary ambassador for Lebanese ingredients.
But Edy’s Grocer is more than a next-generation Sahadi’s, and Massih’s aspirations are broader. He wants to publish a cookbook by age 30, and his long-term sights are set on a career in television — the real real money in the cooking world. “The goal,” he tells me, “is to be the Middle Eastern Martha Stewart.” After all, she too started her business as a caterer working out of her basement. Someone should fill the role, he suggests, citing the dearth of Middle Eastern and openly gay chefs on television.
Right now, Edy’s has yet to turn a profit, and Massih doesn’t expect it to in his first year of business — especially without catering, which he plans to add. But he’s able to employ a staff of 12, including friends from culinary school, and a consultant who manages finances. Massih could also conceivably add more locations, such as the West Village, ideally. “It’s goals for a gay person,” he says. “That’s where our ancestors were and fought for us and where I want to make my voice heard.” The neighborhood could also use a Middle Eastern deli, he adds. Right now, “it’s Citarella, Whole Foods. The usual bullshit.”
In the meantime, Massih is also getting a handle on the behind-the-scenes reality of food TV. In June 2019, he taped an episode of the Food Network’s Chopped. It aired this past July, shortly before Edy’s opened. Massih was eliminated in the second round — his cauliflower gnocchi were too gummy — but a producer on the show took a liking to Massih, he says, while the winner, a white vegan chef who received what’s known as “the villain edit,” presented to appear pleased with Massih’s failure. “She messaged me after it aired and said ‘I promise I wasn’t that mean!’” He could have played the victim, but the truth is that Massih didn’t mind: “I think it made America like me more.”
The Left Uses Black People to Blame White People for Everything
#TheWaltDiddyShow #CapitolHill #WhiteShame
In this episode of The Walt Diddy Show, we are exploring a #NBC News story that makes the claim that if the protester/rioters of the #Capitol Hill events of 1.6.2021 were black men and women they would have been shot and killed immediately. We will read some of the points the writer makes in the article and afterward Walt Diddy will give his commentary along with some encouraging words.
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Miya Ponsetto, the 22-year-old woman also known as “SoHo Karen,” was interviewed by CBS This Morning’sGayle King last week, and now that the interview has aired, it’s sparking plenty of backlash.
The first part of the interview aired on Friday (Jan. 8), and on Monday (Jan. 11), the second and final segment of the interview was released. In it, Ponsetto is asked to address accusations of racially profiling a Black teenager who she believed stole her phone and tackling him. It ended up that Ponsetto left her phone in an Uber.
Ponsetto said it’s not possible for her to racially profile someone or otherwise be racist because she is herself a woman of color. She insisted to King that the false accusation against Harrold’s son was not about race but that she thought “any person” walking out of the lobby might have had her phone.
“I wasn’t racial profiling whatsoever. I’m Puerto Rican,” Ponsetto said. “I’m, like, a woman of color. I’m Italian, Greek, Puerto Rican.”
When asked whether she thought she couldn’t be racist because she was a woman of color, Ponsetto told King, “exactly.”
“Well, I would disagree with that,” King said. “People of color can be racist too. Do you believe that you should pay a price for this?”
“I don’t feel that my accusation is a crime,” Ponsetto responded.
King then confronted Ponsetto during the interview about her apparent lack of remorse for the incident. Instead, Ponsetto says she is also traumatized.
“He’s 14? That’s what they’re claiming? Yeah. I’m 22,” Ponsetto said. “I’ve lived probably just the same amount of life as him. Like, honestly. I’m just as a kid at heart as he is. I feel sorry that I made the family go through, like, all of that stress. But at the same time, it wasn’t just them going through that.”
Watch the full segment below.
Miya Ponsetto, the 22-year-old woman also known as “SoHo Karen,” was interviewed by CBS This Morning’s Gayle King last week, and now that the interview has aired, it’s sparking plenty of backlash.
The first part of the interview aired on Friday (Jan. 8), and on Monday (Jan. 11), the second and final segment of the interview was released. In it, Ponsetto is asked to address accusations of racially profiling a Black teenager who she believed stole her phone and tackling him. It ended up that Ponsetto left her phone in an Uber.
Ponsetto said it’s not possible for her to racially profile someone or otherwise be racist because she is herself a woman of color. She insisted to King that the false accusation against Keyon Harrold’s son was not about race but that she thought “any person” walking out of the lobby might have had her phone.
“I wasn’t racial profiling whatsoever. I’m Puerto Rican,” Ponsetto said. “I’m, like, a woman of color. I’m Italian, Greek, Puerto Rican.”
When asked whether she thought she couldn’t be racist because she was a woman of color, Ponsetto told King, “exactly.”
“Well, I would disagree with that,” King said. “People of color can be racist too. Do you believe that you should pay a price for this?”
“I don’t feel that my accusation is a crime,” Ponsetto responded.
King then confronted Ponsetto during the interview about her apparent lack of remorse for the incident. Instead, Ponsetto says she is also traumatized.
“He’s 14? That’s what they’re claiming? Yeah. I’m 22,” Ponsetto said. “I’ve lived probably just the same amount of life as him. Like, honestly. I’m just as a kid at heart as he is. I feel sorry that I made the family go through, like, all of that stress. But at the same time, it wasn’t just them going through that.”
‘He was the sea. Rough. Dangerous. Dependable. No matter how far he travelled or how long he stayed away, he always returned to me.’
An outstanding and epic tale, Sea of Ruin was stunning yet dark, passionate yet disturbing. A story we will think about in the days, even years to come and without question pick up again and again. Dipping into the backlist on our kindles has -without question- unearthed a jewel which consumed all our senses. It’s one of those books we bought on release day yet saved until the mood caught us, and we can without question say that this is why we are mood readers! It makes the reading experience that much more powerful and exciting! Captured from the first word until the last, we lived and breathed the sea, pirate life, love, heartbreak, and misfortune.
“It doesn’t matter how far we fall, how much pain we inflict, or how dark it becomes in the ruin. I’m going to be with you, waiting for you, loving you, forgiving you. I’m never letting go, Bennett. Never.”
Bennett’s story is steeped in tragedy, in love lost and hearts torn apart. From an early age, the sea called to her, the salty tang of the air, the spray of stormy waters and the thrill of adventure, ingrained in her bones and soul. Bennett Sharp, a fierce and incomparable Pirate Captain, she was formidable. She was the very definition of a heroine. Fierce and brutal, she stood her ground amongst men!
“I’ve never met a siren, but you must be of the same ilk or nature. Unchristian, mysterious, dangerously enticing…If you think you lure me with those eyes and enchant me to shipwreck, you have the wrong sailor.”
Love played such a huge part in this intense and densely packed story, which was in no way predictable, nor did it ever slow down in its drama, intensity, or passion. We had our theories along the way of the possible twists to come and whilst one came to be –our favourite one– the process of its revelation was both surprising and thrilling. Sea of Ruin was action-packed, highly brutal and passionately erotic. When you hear readers say, “I didn’t merely read it, I experienced it”, then know that this is the most accurate description of Sea of Ruin. It was an experience in every way that counts!
“Love isn’t a decision. It arrives unannounced, breeds madness, and leaves a sea of ruin in its wake. Hate him or love him. Either way, he’s in certain hell.”
We cannot express the utter love we have for Sea of Ruin; it was incredible, it was more than we ever imagined. The vivid and emotive led depiction from Pam Godwin enthralled our senses as we fell in love with a historical pirate romance. We fell in love with the characters, we cried, we swooned, and it made us want to pick up a cutlass and board The Jade and sail into the deep waters. Searing chemistry, intense relationships, dramatic and dark we cannot recommend Sea of Ruin highly enough! You will go through hell and high waters, you will experience a poignant love affair so intense and soulful, you will feel despair and mortification, yet you will feel joy, hope, and magic too!
“To know with certainty that we exist, we must love and be loved, even through the pain. It’s the inexplicable fever inside us, which drives us to battle, to sacrifice, and to surrender. Deny it…and all you have left is a starving emptiness.”