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Warner Bros. Announces Furiosa Release Date & More!

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Warner Bros. Announces Furiosa Release Date & More!

Warner Bros. Announces Furiosa Release Date & More!

Warner Bros. Pictures announced today the release dates for three upcoming theatrical titles: Furiosa, Coyote vs. Acme and The Color Purple musical feature. Each film is scheduled to hit theaters worldwide in 2023. The announcement was made today by Toby Emmerich, Chairman, Warner Bros. Pictures Group.

RELATED: George Miller Gives Update on Three Thousand Years of Longing & Fury Road Sequel

Up first in the lineup will be writer/director/producer George Miller’s Furiosa, a prequel to his hit Mad Max: Fury Road that introduced the wildly popular character. Set for June 23, 2023, it will star Anya Taylor-Joy in the title role, alongside Chris Hemsworth and Yahya Abdul-Mateen II. Miller penned the script and produces alongside his longtime partner, Oscar-nominated producer Doug Mitchell (Mad Max: Fury Road, Babe).

Also that summer, Warner Animation Group (WAG) delivers the live- action/animated hybrid Coyote vs. Acme, racing into theaters on July 21, 2023. From director Dave Green (Teenage Mutant Ninja Turtles: Out of the Shadows), it will feature the age-old rivalry between the Roadrunner nemesis and his preferred mail order supplier. The screenplay is from James Gunn, Jeremy Slater, Jon Silberman and Josh Silberman and Samy Burch, based on the Wile E. Coyote character and fictitious Acme corporation from the Looney Tunes and Merrie Melodies series of cartoons, and the fictional New Yorker magazine article entitled “Coyote v. Acme,” written by Ian Frazier. Chris DeFaria and James Gunn will produce, the latter under his Two Monkeys, A Goat and Another, Dead, Monkey production banner.

RELATED: CS Editor Max Evry Talks Looney Tunes: Back in Action on This Means Podcast

The Color Purple musical feature comes to theaters around the globe on December 20, 2023. Based on the Tony Award-winning Broadway musical, the film will be directed by Blitz Bazawule (Black is King, The Burial of Kojo, Cherish the Day), and produced by Oprah Winfrey under her Harpo Films production banner, Steven Spielberg under his Amblin Entertainment production banner, Scott Sanders and Quincy Jones. The executive producers are Alice Walker, Rebecca Walker, Mara Jacobs, Carla Gardini, Kristie Macosko Krieger and Adam Fell. The script is by Marcus Gardley (The Chi), with a score including music and lyrics from the stage musical by Brenda Russell, Allee Willis and Stephen Bray. Both the new film itself and Gardley’s script are based on Alice Walker’s book, the 1985 Warner Bros. Pictures film and the stage musical.



Maliboux Drops Hyper Dancey Remix Of Zedd’s “Inside Out” feat Griff

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Our 40 Artists To Watch are already reinforcing our choices with new, lively tracks that make us remember why we fell in love with dance music in the first place. Jinx recently dropped a new dubstep banger, and now Maliboux is here with a winning remix submission for Zedd’s “Inside Out” featuring Griff!

The original reflects Zedd’s transition to the pop realm, with soft chords and melodies and an instantly catchy topline. Maliboux’s take on the track brings it to the next level with some subtly chopped vocals-turned-into-melody and a super dancey rhythm that turns this from radio hit to dance floor bop.

Listen to the other remixes from 3SCAPE DRM and Dominuscreed here, and check out the Maliboux remix and original below!



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Teena Marie – DĂ©jĂ  Vu (I've Been Here Before)

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From the 1979 Gordy album, “Wild And Peaceful”

Cuban

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Provided to YouTube by TuneCore

Cuban · Don Camillo

Trap Rap Beats, Vol. 1

℗ 2020 Don Camillo

Released on: 2020-01-01

Auto-generated by YouTube.

Gabriel Ocasio-Cortez Is Building the Inclusive World He Wants to Live In

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Gabriel Ocasio-Cortez. Jacket and turtleneck by GABRIELA HEARST.

For many white people, 2020 was the year that they began unlearning racism. It’s a daunting, lifelong project, to be sure, and that’s mostly because though racism can be evaluated on its jagged surfaces, it is a deep-rooted disease that lives in the mind and heart. Eradicating it requires expansion, a whole new pair of collective glasses with clear lenses, rather than rose-colored ones. In the poem “Song of Myself,” from 1855’s Leaves of Grass, Walt Whitman, a white man, wrote that he was a bundle of contradictions, but nevermind those because: “I am large, I contain multitudes.” People of color, meanwhile, are rarely extended the same courtesy for their own multidimensionality. This past summer, America witnessed a series of nationwide uprisings supporting Black Lives Matter amidst a pandemic, protesting ongoing police brutality and systemic violence against Black and brown people. However, people of color are so much more than the oppression they face. They contain multitudes.

Gabriel Ocasio-Cortez—the younger brother of Alexandria Ocasio-Cortez, the 31-year-old, history-making Democratic Congresswoman representing the 14th district of New York—knows these truths to be self-evident. He’s her biggest fan. He’s also an ascending artist and musician, an advocate for the Deaf and hard-of-hearing, a voice for ending homelessness, a queer liberation activist, and a native New Yorker with Puerto Rican heritage. He’s been told he looks like a young Marc Anthony—by the one and only Cardi B, no less. He’s a free-spirited, forthright and strong-willed Sagittarius who cares deeply about ensuring those who share his lived experience have the support and community they so richly deserve. At times, he’s had to build himself up from ground zero, having lost half his hearing and his father as a teenager, leaving him to help fend for his family. Nevertheless, Gabriel’s story is one of the transmutation of personal experience into a vehicle for helping others. For example, when he first began to lose his hearing as a teenager, Gabriel taught himself guitar and piano, which he still uses to compose his own original music. Years later, his passion has evolved into a Deaf-centered arts collective, Deaf Collective, which he is turning into a nonprofit. 

On a brisk late-November afternoon in New York, I met Gabriel at Washington Square Park to sip lattes and discuss his life’s work, his upbringing, his sister’s rise to fame, and how his life has changed as a result. As a queer Black artist who has also built myself from scratch, I have so much in common with Gabriel. He too has overcome seemingly impossible odds to become an agent of change, a tireless co-creator of the inclusive world he wants to live in.

———

MICHAEL LOVE MICHAEL: It appears that you juggle so much between being an artist, activist, and community organizer. And these days, it seems that standing up and owning our points of view is paramount to the progression of culture and society. Would you agree? 

GABRIEL OCASIO-CORTEZ: We’ve had so much time lately to reflect as a culture. Each of us is having a long overdue “Man In the Mirror” moment, if we’re paying attention. Being saturated with a lot of activism, it is easy in this day and age to be overwhelmed, but the reality is that if you are not going to pioneer something or campaign for something, the problems we face are just not going to go anywhere. If I am not actively fighting for change, I am going to feel helpless. Being a voice for others is the only way that I am going to ever really calm my own nerves.

MLM: Was fighting for the things you cared about part of how you grew up? In other words, have you always been a kind of activist, even before you knew what that was?

GOC: I think so, but fighting for the things we cared about back then was a little bit more survivalist. What we cared about was keeping a roof over our head, and when you grow up fighting for yourself, it makes it easier to fight for others, because you know how to at least play defense, and then as you master defense, you can get on the offense. Looking out for other people is also being on the offense for yourself ultimately.

Jacket and button-down by LANVIN.

MLM: I know what you mean. It’s like discovering a higher purpose beyond yourself, understanding that your liberation is tied to the liberation of all, and vice versa. How do you embrace the parts of you that are vulnerable?

GOC: It is funny because I think some of the sweetest people have had to fight for themselves, no matter how hard they try. It is so hard for them not to be the heroine, but the reality is that even the greatest superpowers sometimes are hollow. I grew to love failure—that is something recent for me. I was 15 when my dad died. It was a very progressive, degenerative, visible decline for two years, and I remember having this overwhelming feeling of doom, knowing that when he passed we would all be free of this constant worry and fear. But then the fear came back tenfold, as he was the main provider. Where were we going to live? Where will we be? He wanted to take his family, put them somewhere safe, and get his kids out of the Bronx, and at least that came to fruition, but there was more going on at the same time that made it all so hard.

MLM: What else was going on? 

GOC: I also lost half of my hearing, and it was just like I literally had no sense of direction when it came to sound or even when it came to my life. I was also coming to terms with my sexuality and wanting to come out, but always having the fear, a very valid fear, that I would be rejected from my house. [Because of my sister], many people assume that there were many progressive values in the way we were raised, but the reality is that we were righteous when it came to our beliefs and morality about class. My dad instilled in us that we would have to always be ten steps ahead, had somebody passed the ladder back down.

MLM: That’s all so stressful. I grew up similarly. For me as a Black person, internalizing the idea that you have to be “twice as good” as a white peer in order to survive or even make it half as far in life, is certainly its own kind of burden. 

GOC: Precisely. Add to that, at the time, I am like 15 going on 16 years old, and scared of being homeless because they were going to foreclose on our house. I immediately had to start working, start hustling, doing things that are not necessarily done in daylight in order to obtain income for the sake of trying to keep our day-to-day going, but at the same time, still not being able just to be myself. So it’s like, what do I do? Do I become homeless with my family or without my family? These were the things going on in my head, and that was my reality for a long time. I did not feel comfortable coming out to my family until I was 150 percent financially stable because I felt that it was just simply going to rock the boat to launch.

MLM: That’s so tough. I understand that choice—of needing to withhold something really important about yourself until you knew without a doubt that you could take care of yourself. That’s something most people never have to experience.

GOC: Right, and it’s not necessarily the right choice. The right choice is always going to be situational. My story is never meant to be a how-to guide.

MLM: A moment ago, you said you weren’t afraid of failure. What does that mean to you exactly? 

GOC: I had that fear of just having the carpet pulled out underneath me for so many years in a row. When my sister got elected, it did pull the carpet out underneath me, and at the time, I was a real estate broker. I was very successful. I was really proud of the business that I had built, and when I nominated my sister for a Congressional bid to run, I remember thinking that I always knew she could do it. There was never a question about it. For me, it has always been a matter of fact. I am not surprised by who she is. This is the person I have always known, and the reality is that before I hit send on that letter, I remember thinking to myself: this could fuck shit up.

MLM: Fuck shit up in a good way? 

GOC: Meaning that this could be a direct threat to my safety. This could be a direct threat to my family.

MLM: Because Alexandria would instantly become a public figure.

GOC: Exactly. I could lose my business. I definitely weighed the fact that every facet of my life that I considered positive could go negative, and everything that I took for granted could be flipped. But I believe people like my sister are everywhere; people with her goodwill and brilliance are all around us. The problem is that often, as a society, we do not spotlight the right people and we do not believe enough in ourselves to change anything for the better. Alexandria did believe in herself, and so did I.

MLM: How did her rise to fame affect you?

GOC: When she first started getting a lot of attention, I got a call from the FBI saying that I could not open my mail because there were mailing bombs. We do not have any address out. It is definitely tricky. I had to stop working because I could not post open houses as a real estate broker, because people would come and be weird. People would wait outside, and it got to a point where it was genuinely overwhelming. I would say it definitely splintered me. I actively worked as much as I could for a few months just to try to save as much as I could, and I basically had to quit because it was what I had projected as my worst-case scenario. But was it worth it? Yes. I had already been through so much, I thought it couldn’t be as bad as it was when we were about to get foreclosed on. I didn’t know it would be a thousand times worse, but I am so grateful for it because I needed to lose my mind. I needed to allow myself to fail, and I did. I quit. I burned out. I moved. I changed everything.

MLM: That’s wild. But on the flip side, I read once that you said that it was Alexandria who gave you faith in government that you hadn’t had before.

GOC: It’s true. I never felt represented in government. I have never felt cared about by the system. I never saw a cop that I trusted. There was nobody on the government payroll that gave me any type of joy, but once she got involved in politics, it was the first time I ever felt hope in the government. It’s one way I knew I was doing the right thing by supporting her.

MLM: The last four years have been difficult in terms of division within political parties. While Alexandria has been a lightning rod for younger Democratic voters, what do you believe can still be done to unite Democrats? 

GOC: Perhaps it will change with Biden in office, but I still think the Democratic party is totally splintered at the moment. Luckily, we’ve been able to get through this past November, but there is just so much finger-pointing in the party. There can be an incumbent who is choosing to campaign on stances that are repeatedly proven to lose elections, and then they lose the elections and blame young progressives.

MLM: The youth are often accused of being apathetic about politics, especially young progressives. What sorts of organizing efforts would you like to see take place to help shift that perception?   

GOC: Well, how are you going to create a lasting snowball effect for the power of the party if you cannot appeal to the people who are going to carry the torch? I think that the Democratic party is so bought and paid for. I think both parties are, to be extremely clear. But trust: corporate America succeeds regardless of who exactly wins. It is just perhaps different sectors.

MLM: That’s a fair point. 

GOC:  The reality is that we need to get corporate money out of the election—out of elections, period. You need to get corporate money out of politics altogether, and then people are actually going to see politicians running on actual stances that affect our communities because the communities are going to be the number one priority.

MLM: I’d like to think that with this incoming president, the tide is shifting toward greater accountability. 

GOC: Exactly. Even once Joe Biden is sworn in, anybody that has been paying attention knows that you still have to hold him [and Vice President-Elect Kamala Harris] accountable for everything that they’ve said. Even if you are just looking at student loans, then you have a vested interest. If you are looking at the fight for the equality of Black lives, you have a vested interest. If you look at anything that our generation distinctively cares about, then you have to aggressively campaign for that president’s administration to care, too.

Pant by GABRIELA HEARST.

MLM: Have you been asked about running for office yourself?

GOC: Yeah, for sure.

MLM: What is your answer to that question?

GOC: It’s interesting. That question is always paired with some question or comment about the Kennedys. I understand how hopeful my sister makes people feel, and I think that is something really special and sacred. I bring up the Kennedys because it was another time back then when people felt really hopeful. That said, I would never want to win an election just because of my last name. And I do not want to encourage and further set the precedent of family dynasties in politics.

MLM: We’ve been talking a lot about how the country could be run. What are your hopes and dreams for the communities you’re specifically part of? 

GOC: For me, it is about getting people into more of a mindset to create organizations. I think people are starting to wake up, but there are many more steps. You still have to look at your immediate community. You have to look at your zoning board. You have to look at the things that are directly affecting you. But for me, to practice what I preach, I created Deaf Collective, which is going to be an organization that is applying for nonprofit status and is going to be essentially a gallery and a spotlight for Deaf queer talent. It is going to be a fundraising platform to go ahead and pay for sign language classes, direct-to-you grants, and scholarships—you have so much visibility in the queer community, especially right now. But when you think about Deaf representation it’s fractional, even though we outnumber the queer community in the U.S. When you think about representation in the Deaf and hard-of-hearing community, you might think of someone like Nyle DiMarco or Deaf U—which is great. However, considering we outnumber the queer community, we should strive to get to their level of representation.

MLM: So how do we broaden the scope of understanding how Deaf and hard-of-hearing people can be represented more fully?

GOC: You start asking questions. How are the Deaf and hard-of-hearing being represented in our architecture? Where is it in our visibility of others? Where is it in public health and safety initiatives? And the reality is that you have twice as many people who are Deaf and hard-of-hearing than you have queer Americans. There are about five percent of Americans who are openly identifying as queer, which likely means more, of course, and about ten percent of Americans are Deaf or hard of hearing, so the margins are way off in terms of visibility. You also have huge numbers of mental illness and severe depression for people who are Deaf and hard-of-hearing, and I experienced that. You are less likely to ask people to repeat themselves because you are tired of asking people to repeat themselves, and people get tired of repeating themselves. You are tired of not hearing that joke that everyone is laughing at. You miss the train because you did not hear it. It’s all these things that start to snowball, but if you are partially still hearing, then it just might not be enough of an issue for you to go ahead and learn sign language, because you are not integrated in the Deaf community. Each of the problems—along with, say, if you’re part of the queer community, too—it can be almost too much.

Trench and button-down by COACH.

MLM: I am just taking it all in. When you were talking about the intersection of challenges that you and other members of the Deaf and hard-of-hearing communities face, I got curious about what helps you counteract depression or feelings of hopelessness that may come up. 

GOC: I think happiness is a daily struggle. I do not feel the need to pretend that I am overflowing with an abundance of joy and happiness when I am not. And as queer people of color, we are taught that in order to be palatable, we have to be outwardly joyful. We are more likely to be accepted and loved and integrated if we are on-demand quirky. These days, if  I am having a bad day, I am going to tell you because telling you is going to make me feel like I am communicating. It all comes down to language, the ability to empathize with and understand one another.

———

Grooming: Mark Alan

Set Design: Izabelle Garcia

Production: Shane Moran

Retouching: Justine Foord

Location: Warehouse Studios

Styling Assistants: Gabriella Matos, Gabrielle Narcisse, Anna Davis



Why I Miss Indoor Dining So Much

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This is the feeling we miss.
Photo: Peter Turnley/Corbis/VCG via Getty Images

I have never had as many conversations about the weather as I did in 2020. There are many ways the pandemic has brought us back to nature, but the weather is the one I think about the most. You can still see your friends, but not if it is raining, or heavily snowing, or if it’s too hot or it’s too cold. Did I always talk about the weather this much? I’m pretty sure I had other interests, although I can no longer remember what they were. “The weather” was a neutral topic designed to fill silence unobjectionably in elevators. Now that public life is on the sidewalk, it defines every interaction that I have.

We used to go to friends’ apartments. We went inside nonessential stores, just to stare at things and touch them. We went inside restaurants, which serve many important social functions, but their most underrated quality might be that they are indoor spaces with chairs.

I am not saying restaurants should open up their dining rooms anytime in the near future; I am saying that, while we had them, indoor spaces were pretty good.

It is upsetting to acknowledge this because I have been very committed to my willful embrace of the outdoors. “Actually, outdoor dining is pretty great,” I have been arguing for months, when I am not espousing the many virtues of spending time in public parks.

And it was nice, for a while, to be at the mercy of the elements. “I would love to see you,” I would say, “but, alas, there is a thunderstorm.” What could I do? I was so small. It was liberating to surrender to the forces of nature. At any time, whatever plans you’d made could be washed away by rain. This was humbling, and occasionally convenient: There is no luxury quite like a no-fault cancellation. And, when it was nice, the streets were lined with laughing people sipping cocktails under colorful umbrellas. I wasn’t having much fun, personally, but I liked that other people were. “This is so great!” I kept saying. “Isn’t this so great?”

I spent the summer watching people eat wood-fired pizzas in repurposed parking spaces, and I spent the autumn watching increasingly fat squirrels hoard acorns in sidewalk planters. I understand why David Attenborough does it, I thought, over tofu bĂĄnh mĂŹ in the park.

Then it got cold, and a blizzard arrived, and I realized that, for months, I had basked in the delusion that inside was overrated, but it isn’t true. Actually, inside is incredible.

I am not saying we cannot make the best of winter. Of course we can! All we have to do is wear base layers and good parkas and hats and mittens and warm socks, because there is no bad weather, only bad clothing. My Lands’ End parka, which is the color of electrocuted salmon, is as warm as it is ugly!

But do you know what else is warm? Inside spaces. “Inside” allows for many of the same benefits we have learned to enjoy outside, but there is almost always electricity and usually heat. It is easy being inside. It requires no preparation. This is not a coincidence. The inside has been designed for your comfort. You can emerge from inside, for example, and be shocked to discover that, in your absence, it has gotten dark or snowed.

This is not the same as being inside at home. I have always spent an inordinate amount of time inside at home, on account of it also being my office, or at least that’s what I thought, until I wasn’t allowed to go anywhere else. I did not realize how much time I spent indoors at restaurants, and bars, and cafĂ©s, and cafĂ©s that were also bars, and bars that doubled as restaurants until the option went away. I went to a lot of other inside places, too — friends’ apartments, or drugstores, and occasionally airports — but it is restaurants I miss the most. I thought I appreciated restaurants before, but I only appreciated restaurants as concepts. I did not appreciate restaurants as structures with temperature control.

Many pleasant aspects of the restaurant experience can be captured outside, especially during this, our golden age of outdoor-dining setups. But I find myself craving the homey Hallmark Channel comfort of casually sliding into a booth and taking off my coat. Restaurants were places to go for meals, but they were also places to go when it was raining. If a friend was running late, you might, for the price of a small coffee, buy the luxury of warmth. Now there is no choice but to stand on a street corner in a slush pile and feel increasingly annoyed.

When the weather was nice and there was daylight, I was able to successfully delude myself into believing that moving everything outside was not just a response to global suffering but also a fun lifestyle choice, like gardening or recreational adult ballet. Then the temperature dropped below a balmy 40. The problem is not the weather; the problem is that the delusion has worn off. It’s much more difficult, when it is sleeting, to convince yourself that, actually, all of this is pretty okay.

Restaurants have built all kinds of amazing outdoor setups, and a whole lot of diners seem game to try them. Look at these people, eating outdoors in a snowstorm at the Smith! It is heartwarming, in an I Am Legend kind of way. In the summer, you could forget the reasons, sort of. In the winter, you cannot; who would choose this?

The outdoor setups, thousands of them, are a testament to resilience, but they are also reminders that it has been almost a year since any of us could go inside and feel really, truly comfortable, ten months since we could see enclosed spaces and think Shelter! instead of Viral threat. More than anything, I miss taking that feeling for granted.

Pandavulu Pandavulu Tummeda Full Movie || 2014 || Mohan Babu, Vishnu, Manoj, Hansika, Praneetha

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Pandavulu Pandavulu Tummeda Full Movie || 2014 || Mohan Babu, Vishnu, Manoj, Hansika, Praneetha

Watch Pandavulu Pandavulu Tummeda Full Telugu Movie.
Subscribe to our channel for more latest Telugu movies –

Starring Mohan Babu, Manchu Vishnu, Manchu Manoj, Raveena Tandon, Hansika, Pranitha, Varun Sandesh, Tanish, Brahmanandam, Vennela Kishore Among Others. This Movie Is Directed By Sriwass And Produced By Manchu Vishnu & Manchu Manoj. Music Of The Film Composed By Bappi Lahiri/ Bappa Lahari & Achu Rajamani.

Story : In the Andhra Pradesh-Karnataka border, there are 2 villages named Pandavapuram and Kauravapuram. Dharmanna (Giri Babu) is the Head of Pandavapuram village who is considered as the latest descendant of the Pandavas while Suyodhana (Mukesh Rishi) is the Head of Kauravapuram village who too is considered as the latest descendant of the Kauravas. As expected, Dharmanna is a good Samaritan while Suyodhana is a dangerous criminal who runs a quarry business. Similar to the tale of Mahabharatha, here in this film too, Dharmanna and Suyodhana play the game of cards in which Suyodhana fails which makes him to follow the stipulation of the game – No celebration, marriage and any good events should not be conducted for 14 years. This leaves Suyodhana swearing vengeance and exactly after 14 years, by manipulation, Suyodhana wins the game and asks Dharmanna to give his daughter’s hand with his youngest son’s marriage.

First Naidu and Varun enter into the good books of Suyodhana’s elder sons Guna (Supreet) and Gana (Bharani) and then enter the house as Graharaja, a powerful astrologer and Upagraharaja, his assistant. Finally Ajay makes an entry in a female attire as Mohini, Gambler Gopi’s sister-in-law who loves Gopi.

Finally Bapure is forced to accept the marriage of Ajay and KuKu after he comes to know the truth since the couple is in love.

Evan Bass Shares Sweet Comment About Carly Waddell After Breakup

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Evan Bass cherished falling in love with Carly Waddell on Bachelor in Paradise just as much as fans enjoyed watching it happen.

As if it weren’t tough enough that the couple announced their separation on Wednesday, Dec. 23, Evan posted a heartbreaking comment to social media later in the day.

Back in June, the 38-year-old erectile-dysfunction specialist shared a cute throwback pic to Instagram to mark the pair’s three-year wedding anniversary. “There’s never been a better paradise love story,” he captioned the shot that showed himself and Carly covered in body paint from their time on Paradise in 2017. 

On Dec. 23, in light of the sad news, a fan commented on the post, “This didn’t age well,” followed by a frowning face. 

Evan succinctly responded to the fan’s remark with, “still true.” 

Evan and Carly, who released a statement that day referring to the choice to part ways as a “difficult” one, are parents to 13-month-old son Charles “Charlie” Wolf and two-year-old daughter Isabella “Bella” Evelyn. Additionally, Evan has three sons from a prior marriage.



THE RELATIONSHIP PACT (Kings of Football #3) by ADRIANA LOCKE

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‘She’s a chance encounter. Temporary. The perfect solution to an imperfect situation.’

Adriana Locke finished this series of standalones -about three best mates, River, Crew and Hollis- off with a bang. The Relationship Pact was such a fabulous read. It had great humour, we still crack up over the three blokes group texts. It had such depth of emotion and introspection. It was incredibly sweet at times and had genuine moments where tears rolled down our faces. What a wonderful series this has been. A special mention goes out to Pops from The Romantic Pact and Grandma Judy in The Relationship Pact, they made us cry and our hearts fit to burst! Between Ilsa Madden-Mills, Meghan Quinn and Adriana Locke, we were kept riveted, entertained and ultimately we fell in book love. The best feeling in the world.

‘Anyone that has ever known anything about my life’s history has done one thing of two things – pitied me or judged me. It just depends on how much they know.’

Hollis is such a wonderfully written character. Hiding behind a ‘life of the party’ façade, a player status, he shields his past of where he came from, who he is and his feelings of insecurity. A man who believes himself incapable of being loved with heavy abandonment issues will never feel safe in a relationship. The chemistry between Hollis and Larissa was palpable from the first page till the last. Hollis has a vulnerability and sweet romantic side to him underneath all the bravado, a side brought to the surface by the wonderful Larissa. From a cheeky friendship and fake relationship pact grew healing and a fierce and passionate love.

“I’m not the guy that people keep around. And that’s cool. I’ve accepted it by myself. But that doesn’t mean it doesn’t hurt like a motherfucker
You wonder if everyone is looking at you – like can they see the stain on your soul?”

This is a series where the women are fierce, strong and emotionally powerful.  They know what they want, they’re compassionate, with big hearts and so much love to offer. The men are all fighting their own demons and circumstances which come to a head in their last football season leaving them standing at a crossroads in their lives. Important messages of family, friendship, loyalty and never judging a book by its cover are prevalent in this series. The chemistry was scorching, the banter on point and the depth of their characters’ stories passionate and emotional.

“I wanted someone to look at me like I was the most important thing in the world to him. That would tell the whole universe that I was his girl. That’s all. I didn’t want money or cars or fame. I just wanted to find my best friend and to create a beautiful corner of the world just for us.”



Destiny 2: ALL RECIPES & INGREDIENTS! | The Dawning 2020

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Guide for ALL of the Ingredients and Recipes in the Dawning 2020 Event for Destiny 2! This will let you Masterwork your Oven and farm the New Dawning Weapons God Rolls!
→ COMPLETE DEEP STONE CRYPT RAID GUIDE:

Time Stamps:
00:00 – How Baking Works
03:00 – How to get every Ingredient
05:20 – Every Cookie Recipe

— THE BEST GAMING SUPPLEMENTS:

— *NEW MERCH*: kackishd.merchforall.com/

→ SAVE ON ASTRO PRODUCTS:

New #Destiny2 video, showcasing how to get all Dawning ingredients and all recipes for The Dawning Event in the new Season, Season of the Hunt (New Season 12) in Destiny 2: Beyond Light!
Learning all of the dawning cookie Recipes will let you masterwork Eva’s Holiday Oven 2.0, which makes the Essence of Dawning requirements less, so you can farm the Glacioclasm Fusion Rifle, Avalanch Machine Gun, and Cold Front SMG easy! #BeyondLight #Dawning

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