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In mid-March, when the then-new pandemic halted New York City’s restaurant business, the rarefied world of fine dining came to a crystal-shattering halt. As a research and fermentation chef at Aska, the Nordic tasting-menu restaurant in Williamsburg, Tyler Lee Steinbrenner was furloughed indefinitely.
As everyone knows, things soon got even worse. And after the killing of George Floyd prompted millions to protest systemic racism — and the hospitality industry’s own systemic injustices came into sharper focus — Steinbrenner started to bake.
“At that point of hopelessness it was like a defense mechanism,” Steinbrenner says. He began ACQ Bread Co., which operates out of a small kitchen in a townhouse in Carroll Gardens that was previously occupied by a catering business. There, he began donating loaves of crisp, wild-leavened, slow-fermented sourdough for protesters, hospital workers, community meetings of political activists, volunteers at community cleanups, and organizers of other mutual-aid projects around the city, hoping they could make sandwiches with them.
“Everyone should have good bread,” Steinbrenner explains, pulling elastic bands of wet dough up from a large vat and gently smacking them back down. “It shouldn’t be impossible for everyone to eat good bread.”
ACQ stands for Anti-Conquest, and is a reference to the Russian anarchist Peter Kropotkin’s anti-capitalist classic, The Conquest of Bread. At first, Steinbrenner — a graduate of Rhode Island School of Design — saw it as an art project, one that he hoped would highlight the real cost of food, and all of its necessary labor, by donating his time to making bread for a month out of ingredients that patrons donated. Soon, though, he began thinking of starting a bakery as a cooperative mission. Since July, he has been baking bread for neighborhood residents and restaurants, the only advertising coming via a handmade sign placed outside the rental kitchen, encouraging neighbors to place their order in the morning, which they can then pick up later in the day. He also brought on a part-time assistant baker, Raina Robinson, a worker-owner at the Woke Foods cooperative food-justice mission, two months ago, and has recently begun sharing his kitchen space with Nina Park, a chef intent on building her own Asian pastry business.
A sourdough boule.
Alex Lau
The sourdough sandwich loaf.
Alex Lau
Get one of each!
Alex Lau
For now, the bread comes in three varieties: ACQ sourdough boules and sandwich loaves, using house-milled einkorn wheat; ACQ Milk Bread that blends Thai sticky rice with heirloom wheat, and defies categorization; and a new, experimental rye bread using freshly milled rye and einkorn wheat, stout, agave syrup, and sea salt that is slowly being rolled out, offered occasionally. Prices range from $9 for a half loaf of the rye to $12 for the milk bread.
The early hit has been Steinbrenner’s milk bread — a “bastard shokupan,” as he calls it. “It is luscious,” says the novelist Monique Truong, a neighbor. “A bit of chew, a bit of tang.”
To make it, Steinbrenner cooks sticky rice — sourced from paddies in a region of Thailand where he has relatives — down to an aromatic sludge, and scorches the bottom just a little for a toasted flavor. (He says that he once had congee from a stand in Bangkok where they intentionally burnt the bottom — a major taboo, typically — and its taste was unforgettable.) The cooked rice is then mixed with freshly milled Redeemer wheat flour — a hard red heirloom wheat variety from Pennsylvania — along with a creamy emulsion of local eggs, milk, and butter. It’s almost like an ice cream base, Steinbrenner says, that leavens naturally and results in bread that offers far more complexity than the Wonder Bread–like, soft nothingness that’s often associated with Japanese milk bread.
It was actually during Steinbrenner’s time in Thailand that he began to teach himself how to make naturally leavened bread, finding few local sources for it — and to pull inspiration for how he’d eventually run his own kitchen. In 2017, he left a position at Atelier Crenn in San Francisco to work at Nahm, a fine dining institution in Bangkok. That restaurant’s enormous kitchen was like nothing he’d seen before at the Western, French-influenced restaurants in the U.S.
Each cook’s station was operated with a degree of autonomy that would have been ostentatious elsewhere. In stark contrast to the tightly controlled recipes in French fine-dining kitchens, if one of Nahm’s cooks decided that one day, more cumin was needed for a sauce, they would simply add it. This, Steinbrenner says, allowed for the magic to happen. “The flavors were amazing because of the disorganization,” he recalls.
In Brooklyn, Steinbrenner tries to run his bakery with a holistic philosophy that treats everything with the same level of respect. And he’s tried to shake off the sterile, stainless-steel trappings of professional kitchens that emphasize efficiency over the well-being of workers. He wants every task, every ingredient, and every person, treated equally. “I believe in decentralizing power as a way to diffuse egotistical concentrations which spawn unequal human relationships,” he says.
The bakery is, for now, an evolving experiment, one that will continue to grow and change. Steinbrenner hopes to share space and resources with other bakers or chefs, working in concert but separately, as a cooperative of sorts. He wants to find alternatives to the profit-sharing investor model of food businesses, and maintain his bakery’s independence. He plans to empower Raina and other apprentices to exercise their judgment and work their own magic, however that manifests. And he wonders how we can better support everyone who creates our food, without automation and mass production.
The pandemic has laid bare the dysfunctions of our food-and-restaurant industry, while it also threatens these businesses’ very existence. We might start to envision a future where they are rebuilt in radically different ways, one small business at a time. ACQ Bread Co. is not the first bakery or restaurant to emphasize the real cost of food and highlight specific ingredients from the region’s farmers and small food producers. But Steinbrenner says it all goes back to the concept of mutual aid.
“When it’s all about money, then farmers get lowballed, your dishwashers get lowballed,” he explains. “As soon as it’s like that, people complain about avocado toast being $12.”
Instead, he hopes that people can feel that they’re actively engaged in supporting their community by spending money on neighbors who make food, using truly nourishing ingredients that are priced in a way that supports everyone who makes it.
“Food has to be made by neighbors,” Steinbrenner says, “in order for there to be any semblance of ethics and morality in the colosseum of commerce.”
The Kevin Costner/Diane Lane drama Let Him Go topped the streamings lists on Vudu and FandangoNOW over the last Monday to Sunday period. Also making their debuts were the R-Rated action comedies Buddy Games (No. 4 on Vudu and No. 2 on FandangoNOW), starring Josh Duhamel and Fatman (No. 5 on Vudu and No. 3 on FandangoNOW), starring Mel Gibson.
Otherwise, the Top 10 on both lists were fairly similar, albeit in a slightly different order, with the exception of Elf, which landed at No. 10 on Vudu, bumping off The Informer, which reached No. 8 on FandangoNOW.
RELATED: CS Video: Let Him Go Interview With Star Kevin Costner
Following the loss of their son, retired sheriff George Blackledge (Costner) and his wife Margaret (Lane) leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas, headed by matriarch Blanche Weboy. When they discover the Weboys have no intention of letting the child go, George and Margaret are left with no choice but to fight for their family.
Pick up a copy of the book here!
Let Him Go is led by two-time Oscar winner Kevin Costner (Dances with Wolves) and Oscar nominee Diane Lane (Unfaithful), who first appeared together as Jonathan and Martha Kent in Zack Snyder’s 2013 Man of Steel. It also features Lesley Manville, Will Brittain, Jeffrey Donovan, Kayli Carter, and Booboo Stewart.
Based on the novel of the same name by Larry Watson, the film is written and directed by Thomas Bezucha (The Family Stone) Paula Mazur and Mitchell Kaplan of The Mazur Kaplan Company will produce alongside Thomas Bezucha. Kimi Armstrong Stein, Jeffrey Lampert, Kevin Costner, and Rod Lake will executive produce.
RELATED: CS VIdeo: Let Him Go Interview With Writer/Director Thomas Bezucha
Vudu’s Top 10 Titles
1. Let Him Go 2. Love and Monsters 3. The New Mutants 4. Buddy Games 5. Fatman 6. Unhinged 7. Come Play 8. Iron Mask 9. Mulan 10. Elf
FandangoNOW’s Top 10 Titles
1. Let Him Go 2. Buddy Games 3. Fatman 4. The New Mutants 5. Come Play 6. Unhinged 7. Mulan 8. The Informer 9. Love and Monsters 10. Iron Mask
Dolores Diaz & the Standby Club, a casual country cover band that Conor Oberst formed in 2015, have announced a new live album called Live at O’Leaver’s. It’s out digitally next Friday (December 11) via Cursive’s 15 Passenger label. They’ve shared versions of Bob Dylan’s “You Ain’t Goin’ Nowhere” and Loretta Lynn’s “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind),” which you can hear below. Vinyl editions of the record are due April 9, 2021.
Oberst formed Dolores Diaz & the Standby Club with Miwi La Lupa. They recruited Oberst’s then-wife Corina Figueroa Escamilla to be the band’s frontwoman. Other Standby Club members include: Bright Eyes producer Mike Mogis, Roger Lewis, Matt Maginn of Cursive, Dan McCarthy, Ben Brodin, Phil Schaffart, and Jim Schroder.
According to a press release, Dolores Diaz & the Standby Club played just five shows. Live at O’Leaver’s features recordings from shows at the titular Omaha venue in January 2016 and September 2018.
Live at O’Leaver’s:
01 Your Good Girl’s Gonna Go Bad 02 Once a Day 03 The Weather Is a Dead Man 04 Is Anybody Goin’ to San Antone 05 Jolly Coppers on Parade 06 Amos Moses 07 Just Someone I Used to Know 08 Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind) 09 You Ain’t Goin’ Nowhere 10 So Long, Charlie Brown, Don’t Look for Me Around 11 Crazy 12 Stay All Night (Stay A Little Longer)
The International Jazz Day All-Star Global Concert which took place on April 30, 2017 in Havana, Cuba is hosted by Will Smith and features more than 50 renowned artists representing 14 countries, including Ambrose Akinmusire (United States), Carl Allen (United States), Melissa Aldana (Chile), Francisco “Pancho” Amat (Cuba), Marc Antoine (France), John Beasley (United States), Richard Bona (Cameroon), Till Brönner (Germany), A Bu (China), Igor Butman (Russian Federation), Bobby Carcassés (Cuba), Regina Carter (United States), Kurt Elling (United States), Roberto Fonseca (Cuba), Kenny Garrett (United States), Herbie Hancock (United States), Antonio Hart (United States), Quincy Jones (United States) Takuya Kuroda (Japan), Ivan Lins (Brazil), Sixto Llorente (Cuba), Marcus Miller (United States), Youn Sun Nah (Republic of Korea), Julio Padrón (Cuba), Gianluca Petrella (Italy), Gonzalo Rubalcaba (Cuba), Antonio Sánchez (Mexico), Christian Sands (United States), Esperanza Spalding (United States), Chucho Valdés (Cuba), Ben Williams (United States), Tarek Yamani (Lebanon), Dhafer Youssef (Tunisia), and more!
Close your eyes and open your mind! Hard Bass Episode #3 here it is! 🙂 Enjoy
Next episode: 8.7.2013
Tracklist:
01. Psyko Punkz – Psyko Foundation
02. Ran-D – MyWay
03. Da Tweekaz & Marion Kelly – Become (Wasted Penguinz Remix)
04. TNT aka Technoboy N Tuneboy – Utta Wanka (Psyko Punkz Remix)
05. Coone – Chapter 20.12
06. DJ Mystery – Punani (Psyko Punkz Remix)
07. Scope DJ & Coone – Free Again
08. Frontliner – Phaseriffic
09. Psyko Punkz – Lets Get Ill
10. D-Block & S-Te-Fan – Rebel
11. Coone – Music Is Art
12. Substance One feat. Ruffian – Trust
13. Josh & Wesz – Statement
14. Wildstylez, Alpha2 vs. DV8 Rocks! – Gotta Leave It
All Behind
15. Noisecontrollers – Break The Show
16. T4T4NK4 – Lets Rock
17. Psyko Punkz – Left With The Wrong (TNT Remix)
18. The Prophet – Mindkiller
19. Coone – Dedication
20. Wild Motherfuckers – We Dont Care
21. Frequencerz – Bitch
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The Star Wars franchise has been entertaining audiences for decades, and with Disney now in charge of Lucasfilm there’s been no indication of this slowing down. While the nine-film Skywalker Saga has ended, the narrative continues to be expanded through Disney+’s The Mandalorian. The latest episode offered a ton of backstory for Baby Yoda, and now one fan has edited the little green guy into a pivotal scene with Anakin Skywalker.
Fela Kuti’s son Femi Kuti and grandson Made Kuti have announced their new joint double album Legacy + with two new songs. Set to be released February 5, 2021 via Partisan, Legacy + features Femi’s album Stop the Hate and his son Made’s album For(e)ward. Both records were produced by Sodi Marciszewer, who worked on Fela’s last six albums. Check out Made Kuti’s “Your Enemy” and the video for Femi Kuti’s “Pà Pá Pà” below.
Much like Femi, who got his start playing in Fela’s Egypt 80 band in 1979, Made cut his teeth as a child touring with his father, playing bass and saxophone in his band Positive Force. Now, Made plays bass, alto saxophone, and percussion on Stop the Hate and is responsible for all the instrumentation on his own For(e)ward.