Saturday Night Live has announced three upcoming sets of hosts and musical guests. Jason Bateman will host SNL on December 5, with country artist Morgan Wallen serving as musical guest. The following week, TimothĂŠe Chalamet will host an episode that features Bruce Springsteen & The E Street Band. And, finally, on December 19, Dua Lipa is the musical guest while former cast member Kristen Wiig hosts. Check out SNLâs announcement below.
Morgan Wallen was previously scheduled to perform on Saturday Night Live on October 10, but had his appearance canceled after video surfaced of him appearing to party with no mask and kiss people in a crowd. âI respect the showâs decision because I know I put them in jeopardy, and I take ownership for this,â Wallen said in a video. Jack White took his place as the episodeâs musical guest.
Earlier this year, Bruce Springsteen released Letter to You. He and the E Street Band last performed on SNL in December 2015.
Tracklist :
00:00 – 03:10 It Must Be Magic – Teena Marie
03:11 – 05:50 Are You serious – Tawatha Agee
05:51 – 07:52 Straight From The Heart – Fat Larryâs Band
07:53 – 10:00 Get Off – Foxy
10:01 – 11:12 Can’t Help The Way I Feel – XL Middleton
11:13 – 12:00 Yes Iâm Ready – Unlimited Touch
12:01 – 14:25 Keep It Live – Dazz Band
14:26 – 16:50 Here’s To You – Skyy
16:51 – 21:15 Love Fever – Gayle Adams
21:16 – 23:45 I Want Money – Serge Ponsar
23:46 – 26:36 Don’t Say Goodnight – First Love
26:37 – 28:55 Falling In Love – Surface
28:56 – 31:05 Feel Good Party Time – J.R. Funk
31:06 – 33:25 Cold Cash – Brenton Wood
33:26 – 35:00 Our love is hot – Alphonse Mouzon
35:01 – 37:30 Put Your Hands Together – The O’Jays
37:31 – 40:30 Love Situation – Mark Fisher
40:31 – 45:00 What Goes Around Comes Around – Brandi Wells
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Unofficial anthem of this years’ 3FM Serious Request!
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I worked my first training shift at my first restaurant job on November 9, 2016, the day after Donald Trump was elected president. We somberly folded napkins at the bar as the floor manager briefed us on menu changes, cover counts, and the rest of the minutiae that constitute a pre-shift meeting at a fine-dining restaurant. It was surreal to hear about that dayâs cheese selections while simultaneously contemplating the monumental political and cultural shifts we would soon see in our country. The mood was subdued, and upon seeing how upset many of us were, our floor manager abruptly stopped her monologue on the subtle differences between the dayâs bleu and Gorgonzola.
âI know a lot of you arenât in a good place right now,â she intoned, âbut weâre going to get through this together because weâre family.â
I immediately recoiled from the intimacy of the word. Who exactly was family? I looked down the bar at the servers, runners, and backwaiters seated next to me â strangers I had known for only a few hours. Were they family? The sous-chefs to whom Iâd never spoken? What about the chef who owned over 40 restaurant properties internationally and would no doubt never know my name? Was he family?
I was familiar, too, with the way employers can use the term family to their benefit â manipulating employees to pick up extra shifts, work longer hours, and commit to unpaid training all in the service of some kind of âfamilial obligation,â which, no doubt, wouldnât extend in the other direction should the employees find themselves in need. So I was wary of the term when I heard it used by management at meetings and equally so when I heard it from co-workers over drinks after work. I entered the restaurant on that first day determined to keep everyone at armâs length.
These people, I decided, were co-workers, not family.
Serving was always supposed to be a day job to pay the bills. I had been warned by friends with experience in the service industry not to get too attached. One close friend gave me this advice in the days before my first shift: âDonât go out for drinks with them, donât sleep with any of them, and donât get involved in any of their lives.â Many others told me how difficult it had been to transition away from the stable money and employment of server life and into a ârealâ job.
But a year after that first, melancholy training shift, and despite my best efforts, I realized that, yes, this was my family â whether I liked it or not.
We spent some important moments together; everyone cheered for me when my first piece was accepted for publication, and we had seen one another through births, deaths, addictions, and recoveries. But these milestone moments werenât what made us a family. Nor was it our shared language of 86âs and FOJGâs and PPX tickets. Nor even our shared secrets, like the time a famous director came to dine and gave me flirty eyes.
They were my family because they annoyed the hell out of me but I had to spend time with them regardless. We were family because we didnât choose one another, but we had to find a way to get along anyway.
My coworkers had become a sort of un-chosen family, and almost four years after that first training shift, when the coronavirus shutdown meant we would no longer see one another every day, I was surprised to find that I, unfortunately, missed them.
I missed the way Tom surreptitiously slid me a bitters-and-soda under the bar at the end of a particularly grueling shift. I missed Robbie waxing poetic about malolactic fermentation while I frantically tapped an order into the computer, my section absolutely burning to the ground. I missed the collective dread of a menu quiz at a pre-shift meeting, and I missed the sweet silence that hung in the air as we sat at the bar after a long shift in the wee hours of the morning, counting tips.
Work at my restaurant was loud and chaotic, and itâs easy to remember it only for its unpleasantness. A shift often felt like seven consecutive hours of wealthy older women screaming at me about bottled water, but as I spent the past months sifting through my years there, I realized that what made it even remotely bearable was my co-workers and the camaraderie we built because we had no other choice.
Itâs tough to cling to a life in New York City without a source of income. As the months wore on, many members of my own un-chosen family were forced to leave the city, creating a sort of restaurant-staff diaspora. The literal and metaphorical distance between us raised a key question about the state of our bond: If we were no longer obligated to spend time together, would we stay in touch?
The fact is, many of us have moved on. While so much of our time used to be spent focused on the restaurant, a lot of us have started down the path to new careers and, in some cases, completely new lives. A few former co-workers have banded together to create a record label, some have gone back to school, many have moved back home, and, ahem, at least one of us has begun a full-time freelance writing career, wherein, on a good day, I donât put on pants until 2 p.m.
I suppose these relationships are necessarily mercurial and finite. No one can stay at the same job forever â especially servers. Iâd like to think, though, that our familial ties havenât dissolved. Rather, they have rearranged themselves as we once again subvert a traditional definition of family. We donât have to see one another every day or constantly text memes to our group chats, because thatâs the thing about family â you canât really ever get away from them. Theyâre still in my corner, and Iâm in theirs. Weâre rooting for one another as we each take steps toward our new and uncertain futures.
It just goes to show dedicated Kurt Russell is to his craft, and for the current generation of children, thereâs a strong chance he could become their Santa Claus, like how Tim Allen was the Santa for many â90s and 2000s kids thanks to The Santa Clause. Itâs definitely his most family-friendly project of late, with the last closest thing being Guardians of the Galaxy Vol. 2, where he played Ego the Living Planet, the main antagonist. Russellâs other recent credits include The Hateful Eight, Deepwater Horizon and The Fate of the Furious.
Itâs somewhat impossible to speak about Your EDMâs online presence without mentioning Rukes in the same sentence. As one of the most prolific event photographers in dance music, his photos has graced the cover of innumerable articles on our site â I personally have over 2,000 of his photos saved to my hard drive.
This holiday season, Rukes â real name Drew Ressler â is giving back to all of his fans with a special Black Friday / Cyber Monday sale, beginning tomorrow through Monday. Read below to find out what heâs been up to during COVID, and how to take advantage of this fantastic deal!
How have you been these past eight months? What have you been up to, how have you supported yourself, what do you miss the most?
I have mostly been taking it easy. With a combination of pandemic relief and having time to sell old stuff on eBay, I was able to pad my savings quite a bit so I can thankfully hang in there until things get back to normal.
I miss pretty much everything. I miss travelling most of all; flying internationally was always my favorite thing to do. Going to be a bit difficult to see how cruise festivals might ever come back, and those were always uniquely fun.
You recently began offering prints of your photos, something you hadnât offered before. What drove you to finally take the plunge?
I did offer some poster prints of Deadmau5 many years ago, but back then it was just mostly for fun. I sold the poster prints for almost nothing, and they didnât make enough to make sense continuing to sell them.
I decided to use my free time to set up a proper prints store, and actually have lots of high-quality pictures and prints, since most people are just one-time buyers. Let people get something that lasts awhile or makes a quality gift, compared to a basic poster print. There isnât really any other place online that sells high-quality DJ prints in the world; I even tried to partner with more rock/pop oriented print sites and they werenât very receptive.
What is the process for what artists you put on the prints site?
For starters, since I own the copyright to a majority of my photos, I can go with US Copyright law which lets me sell any print I want as fine art, as long as itâs numbered up to 200 and signed. That is something I do eventually plan on doing on my site with certain artists that I canât work something out with.
In the meantime, I am discussing approval to just produce prints on-demand without singing or numbering them, which is a lot easier. Every artist you see on the site so far graciously have given their approval in a mutually beneficial way, so everyone is happy. I thought I would hit tons of roadblocks, but for the most part people have been very receptive.
I actually still have a list of artists Iâm working out approval with, itâs just that with the lack of gigs, some managements are kind of in âout of officeâ mode so anything work related is pushed back a bit. Itâs taking a lot longer than if I just discuss it at a festival or during work. My current plan is to still release one new artist once a month!
We hear that you have something in store for fans this Thanksgiving, can you tell us a little more about it?
Iâm doing a huge Black Friday / Cyber Monday sale, using code THANKS2020 for 30% off anything on my site, from Thursday through Monday!
If you miss this sale, subscribe to my mailing list on rukes.com, you will get notified when a new artist drops along with any sales that happen.
SIGA MARA KISSINGER NAS REDES SOCIAS.
INSTAGRAM: MARA SELTING
FACEBOOK: MARA SELTING
CONTATO PROFISSIONAL: arteesom1@hotmail.com
ROBERTO CAMPOS(Diretor) ARTE E SOM (21)99256-1526