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In this edition of NTMU, we shine the spotlight on the Brooklyn-bred artist Kevin Holliday. Since his debut EP, 2019âs Space Cadet, put Holliday on the map, the genre-bending artist has been hard at work on his latest offering. Earlier this year, Hollidayâs latest single, âTennis Courts,â landed him a highly sought-after place on Spotifyâs âanti-popâ playlist. Now, heâs doubling down on his notoriously label-defying sound with OMNIâout today. The sophomore EP sees Holliday demonstrate a newly-acquired confidence, flexing his musical muscles with nods to the likes of Prince and Pharrell. To mark the release, Holliday spoke with us about the new project, his ever-so-eclectic list of musical inspirations, and the âart of disguising your sources.â
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On the process of recording OMNI: âThis EP is a collection of all my influencesâfamily, friends, and the stuff I grew up listening to. Everything thatâs ever made an impression on me was very monumental to my music. So this project is paying homage to my upbringing. Itâs called OMNI because everything is coming together. My main goal when I make music is to make people feel good. Even if itâs a sad song, if it makes me feel something, then thatâs all that matters to me.â
On evolution: âSpace Cadet was me figuring out everything that I like. It was me throwing ideas at the wall. Whereas with OMNI, I was really focused on the execution. With my vocal delivery and my cadence, everything sounds more confident. I think it really comes through in the music.â
On growing up in Brooklyn: âI feel like Brooklyn has played such a huge role in the way that I think about music. My brothers would always listen to Dipset and Max B. It definitely opened my eyes to the fact that there are no rules, really. You can approach music from any angle. As long as youâre being authentic, people will fuck with it one way or another. Brooklyn taught me how to be myself.â
On being classified as âanti-popâ: âI donât really like my music to be labeled. First and foremost, Iâm an artist. Anything past that is just peopleâs opinions. Obviously, I appreciate being added to playlists like that, but I feel like people naturally just want to categorize things. Not everything belongs in a box.â
On disguising your sources: âI definitely like to listen to other music while I make my own when Iâm lacking inspiration. Experimenting with different ideas is essential. Itâs gonna sound weird, but so much of making art is really just the art of disguising your sources. Nothing comes out of thin air. Everybody is influenced by something. Itâs a matter of taking your influences and twisting them in a way thatâs completely different.â
On his retro sound: âIâm influenced by a lot of â70s funk. I love Rick James and Stevie Wonder. I have an eclectic taste in music. Iâll listen to country, too. Music is like a painting. You want to draw from everything and create layers. Thatâs how I like to think about it. Iâm really influenced by my parentâs taste in music. Growing up, they would play Marvin Gaye, Commodores, and Earth, Wind, and Fire. I think thatâs why a lot of my music has a retro feel.â
On astrology: âIâm a Libra. My girlfriend is really into it. Sheâll tell me all these different things about why I act a certain way and Iâm just like, âokay.ââ
On films: âIâm a big fan of Hayao Miyazaki. My favorite movie is Spirited Away. Itâs so good and eerie in a weird way, but still beautiful. Iâm also a sucker for Forest Gump. That movie is fire. The only thing is that itâs like ten hours long, but I highly recommend it.â
On Prince: âI wasnât a kid who played instruments growing up, but when I heard his album For You, it made me want to make music. It completely blew my mind. My favorite song off of that album is âSoft and Wet.â Itâs the production, honestly. I also love âI Wanna Be Your Loverâ and âIf I Was Your Girlfriend.â
On his dream dinner guests: âIâm gonna say some wild shit just to make it interesting. Beethoven, Kanye, Ginuwine, and Bobby Brown. I feel like I wouldnât even have to say anything.â