Popcorn by Miles Aldridge.

2020 was chaotic, traumatizing, and the majority of it felt like a fever dream. While the year was riddled with both turmoil and existential dread, there were a few moments that provided a short reprieve from the weight of the world. Below, the Interview editors give their picks for their favorite pop culture moments of 2020.

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BEN BARNA, EXECUTIVE EDITOR

If you plan on watching The Mandalorian, or haven’t finished the second season, consider this a spoiler warning. Maybe it’s recency bias, but the surprise return of Luke Skywalker in the season two finale of the Disney Plus hit was the most thrilling thing I’ve seen on screen this year. I’m not even someone with a deep connection to the Star Wars franchise, but I couldn’t help but feel emotional when a de-aged Mark Hamill emerged from his X-wing to rescue Baby Yoda at the last minute. But no matter how much I loved it, it was nothing compared to these folks.

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NICK HARAMIS, EDITOR-IN-CHIEF

I wracked my brain thinking about things that I could like ironically, since the truth is that I hated this year. But there were bursts of optimism and goodness in 2020, chief among them being that instantly iconic, meme-worthy video of Vice President-elect Kamala Harris, mid-run, on the phone with President-elect Joe Biden when they realized they’d won the election. “We did it, Joe” became not just an admission of victory, but a collective sigh of relief. And I’m excited for all of us to make sure that this new administration does, in fact, do it in the new year, Joe.

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RICHARD TURLEY, EDITORIAL DIRECTOR

Mine was pretty low key but the petty handwringing and mock horror at the Red Scare girls years-old Visitor Design merch line blowing up on clickbait sites (entirely to the benefit of Anna and Dasha’s bank balance as they shifted warehouse-loads of product), was both beautifully idiotic and symbolic of how brutalized our relationship to media has become, where the role of “reader” is now one where you’re trolled by the very news sites that were built (a generation ago) to inform you. And yet so few seem to recognize the game being played. We’re so keen to publicly balk at the most recently committed societal atrocity, throw up an angry post, and get in line at the protest, just so we can fit in a bit a more, get rewarded by likes and by some attention, any attention. Maybe it’s a hedge against how isolated and alone many have felt this year. But I don’t know about that. I think it’s more that we’re so burnt by the social media machine we don’t know how to behave otherwise other than to create yet another new enemy and have an epileptic fit in honor of their crimes. It’s the written rubric of our times.

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ALEXA LANZA,  MARKET DIRECTOR

I May Destroy You, MadFit, Verzuz, The Last Dance.

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JULIANA UKIOMOGBE, EDITORIAL ASSISTANT

I’ve waited many years for a Fresh Prince of Bel-Air reunion special and just a few short weeks ago, that dream became a reality. Seeing the entire cast together (RIP James Avery) reminisce about being part of one of the best shows to ever air on television was such a delight. Shoutout to the OG Aunt Viv for making an appearance.

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SARAH NECHAMKIN, DIGITAL EDITOR

While most of my cultural consumption in 2020 came from a decade other than our current one—one scroll through Twitter and I often found myself wishing for a portal through time—this year also brought some new cultural fare to devour with takeout. Thanks to the pandemic, films like Never Rarely Sometimes AlwaysAnother RoundDa 5 Bloods, and I Used to Go Here didn’t get their proper due, though you can still watch them at your convenience, from bed, in pajamas. Also thanks to the pandemic, I was able to finish The UndoingBig MouthHow To With John Wilson, McMillions, and Tiger King (never forget) in record time. Music-wise, there was “WAP,” “Fetch the Bolt Cutters,” and everything else. Jeff Bridges got a puppy, Taylor Swift got indie, America got rid of Trump, and New York got drunk. It was the worst of times, but hey, it could’ve been worse.

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JACK VHAY, DESIGNER

Three pop cultural moments that come to mind: First, Parasite becomes the first foreign-language film to win Best Picture at the Oscars (and the slight pause Jane Fonda takes before announcing the winner was perfect); Second, music, generally, was a savior this year, but specifically new music from Arca, Christine and the Queens, Kaytranada, The Weeknd, Charli XCX, Lady Gaga, and Oneohtrix Point Never; Lastly, The Fly—capital T capital F— that foreshadowed Mike Pence’s fall from the Vice Presidency by landing on his head for over two minutes.

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MEL OTTENBERG, CREATIVE DIRECTOR

First of all, Miss Rona is THEE culture of 2020, she ruled fiercely and things will never be the same, periodt. Black Lives Matter. Janaya. Stacey Abrams. “WAP” was, is, and will always be everything. I loved J Lo and her hair at the Super Bowl. I enjoyed Hillaria this week. I watched Seasons 1-10 of Real Housewives of Beverly Hills and that was THE pop cultural moment for me this year. It’s really, really good and it helped me get through some really bad months. I’m proud of the accomplishment. Teddi ruined the franchise but they had a good run. I’m excited for Kathy. The fly was good. Tik Tok is really great although I wish the white girls would stop shhhhhhing and just pick another song. Mullets. Really hardcore mullets. Way more hardcore than any other time they ever came back. So good. Lakeith Stanfield. KJ Apa. Emma Corrin. Jeremy O. Harris Coronavirus Mixtapes. Telfar, and all the Telfar bags. City Girls.

New York Nico being the good guy that NYC needs and helping to save New York institutions like the Astor Place barber shop. I’m so here for it and it makes me so happy to see from someone I know and admire.

I’ve lived in NYC for a hundred years and I’ve been really over it and hating it and wanting to leave but I am into NYC again in a big way. The energy and culture of NYC is returning. I live on Washington Square and it’s been so whatevs for years and now it’s feeling fucking major again. Lots of the Karens moved out and will never return, and all the protesting was really meaningful and really changed the whole vibe.

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SARAH MORRISON, PRODUCTION DIRECTOR

“We did it. We did it, Joe.”

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MICHAEL QUINN, PHOTOGRAPHY DIRECTOR

Brandy and Monica’s Verzuz battle—a moment of major major significance. For the world. For music. For me.



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