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– Genius + Soul = Jazz / My Kind of Jazz
Genius + Soul = Jazz / My Kind of Jazz
jazz boogaloo – lou donaldson – alligator boogaloo, live 1970.
ıvan “boogaloo joe” jones – ıntroducing the psychedelic soul jazz guitar of joe jones (full album). latın jazz funk boogaloo – compilation n°2. lou donaldson quintet – alligator bogaloo.
boogaloo joe jones psychedelic jazz guitar 1967 full album lp. “latin music power” boogaloo & latin 60’s on vinyl! ıvan “boogaloo” joe jones – my fire! latinement soul ‘ afro cuban latin jazz and boogaloo ‘.
I love Ray Charles, and out of everything I have that hes recorded, this disc gets played the most. The rich mixture of Latin tempos, big band, jazz orchestra, and Rays intoxicating organ and lyrics jump out and grab you from the first song to the last.
This is music you cant sit still to and just reeks with class and Rays brilliant musical talent. One listen and youre hooked.
This album features Ray Charles with the Count Basie Orchestra (without the Count). Eight of the tracks are instrumental but with the Basie Orchestra playing this not a bad thing.
The arrangements by Quincy Jones and Ralph Burns are naturally superb making full use of the Basie Orchestras majestic pallete. Ray Charles plays Organ on the majority of the tracks.
The three bonus tracks from Genius Hits the Road are equally good and its an album I never tire of listening to.
What can I say? Ray Charles is kickin’ it with my man Quincy Jones on this one. It’s full of jazz, blues, funky R&B and a lot of flavor from the big bands. This is more of a jazz/big band album since Quincy Jones 1969-70 classic WALKING IN SPACE. A must-have.
Just prior to the beginning of the new decade in late 1959, Ray Charles surprised the music industry by leaving Atlantic Records, the premiere rhythm and blues label in America, to sign with ABC Records.
Supported by the deeper pockets of the American Broadcasting Company / Paramount theater chain merger, ABC lured him away with a better contract and, in a deal that should be the legal standard if business was run fairly, ownership of his record masters.
After changing the face of R&B while on Atlantic, indeed almost single-handedly inventing the genre that came to be known as soul music, Charles turned to broader horizons while at ABC.
His first two R&B top ten singles echoed his trademark sound at Atlantic, but his single “Georgia on My Mind” showed his formidable abilities as an interpreter of the great pre-rock and roll American Songbook.
Not only was it his first single to place higher on the main pop singles chart (#1) rather than the rhythm and blues chart (#3), but it became such a signature for Charles that his version of “Georgia” has become definitive.
In 1961, ABC launched its Impulse jazz label, over the course of time linked forever with John Coltrane. However, even with deep pockets and in a time when jazz albums could be profitable, starting up a new label is always a risk.
Under the terms of his unique contract and after issuing two albums of standards for ABC, Charles turned to recording a big-band instrumental album for Impulse utilizing top session musicians including members of the Count Basie band.
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Genius + Soul = Jazz / My Kind of Jazz
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