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– Jazzy Vibes-Soulful Jazz Licks from the 70S
Jazzy Vibes-Soulful Jazz Licks from the 70S
jazz boogaloo – lou donaldson – alligator boogaloo, live 1970.
ıvan “boogaloo joe” jones – ıntroducing the psychedelic soul jazz guitar of joe jones (full album). latın jazz funk boogaloo – compilation n°2. lou donaldson quintet – alligator bogaloo.
boogaloo joe jones psychedelic jazz guitar 1967 full album lp. “latin music power” boogaloo & latin 60’s on vinyl! ıvan “boogaloo” joe jones – my fire! latinement soul ‘ afro cuban latin jazz and boogaloo ‘.
The initial Back Beats series extended over ten issues, with the promise that further volumes might follow. This release is part of the promised second batch, being Volume 20 in the series originally “conceived and compiled with love by Ian Dewhirst”.
The stated aim of the collection remains the same, to “entertain and educate” whilst bringing “some of the best music in the world from some of the greatest independent labels over the past 50 years..(using)…only the full 12″ or album versions”.
This is a sentiment previously expressed by Dewhirst in his previous role as conceiver and compiler of the Original Mastercuts collection – a series that provided a musical education in quality black music.
Since the demise of the Original Series Dewhirst has continued his engaging in the issuing of quality driven music compilations, always displaying the light touch expertise and willingness to guide, in a manner that is never patronising.
For this volume the responsibility for the process of compiling falls to the very experienced Dean Rudland, a man renowned for his involvement with the Acid Jazz label in the early 1990s and the very successful Blue Break Beats compilations.
Rudland has also previously worked on the Back Beats series by helming Crate Diggin: The Cult Of Rarity issue (BACKB018).
This time around Rudland writes of the period, “…when Jazz was losing its mainstream appeal… (with)…a level of wilful obscurity…losing its relevance to ordinary people”.
He writes of a large Urban audience that had an appetite for Jazz that could be listened to, and this need was taken up by producers such as The Mizell Brothers, Creed Taylor and Sonny Lester, creating a musical fusion where melody and rhythm still mattered.
Fans of the slap bass technique will smile at the opening of Micheal Pedicin Jnrs Sneaky Return (1979), which features some great saxopohone work, conducted over a tight groove, whilst In Good Faith (1980) by Norman Harris (taken from the album The Harris Machine) is a wonderfully atmospheric and melodic groove featuring strings and a rather lovely female vocal accompaniement.
Leon Huffs Latin Spirit (1980), as the title suggests, has an insistent rhythm with percussive lead piano work. Again, a very strongly melodic track and clearly composed with a romantic eye (and ear) for the dancefloor.
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Jazzy Vibes-Soulful Jazz Licks from the 70S
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