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Watch Smashing Pumpkins Play ‘Quiet’ for the First Time Since 1994

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Whitney Houston Johnny Gill El Debarge Kenny Lattimore LIVE – Luther Vandross Tribute Medley

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Lisa Stansfield (6/17)- Someday

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Lisa Stansfield – Live At Ronnie Scott’s

Mo’s General, a New Pizza Shop, Opens in Williamsburg

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Photo: DeSean McClinton-Holland

Every New Yorker has at some point been asked this question by a friend visiting from out of town: Where do I go for great pizza? Surely the person asking could easily jump onto Google and find the best-of lists that tend to include Di Fara and Lucali and John’s of Bleecker Street — the places that people who live in New York don’t tend to go to very often, or at all, because waiting in line for two hours to eat some pizza is fundamentally at odds with the point of pizza, which is food to be consumed quickly and with some degree of regularity. Indeed, the true New York pizza experience is served by the slice, preferably from a place that’s no more than a block away from your apartment. The tourists who come here looking for a transcendent experience through pizza are missing the point. All the famous pizzerias are good and sometimes great, but our slices, and the countless unfamous places that serve them, are what make New York the best pizza city in the world.

The shop has a small selection of groceries, as well.
Photo: DeSean McClinton-Holland

Max Katzenberg and Mac Murdock also think a lot about slices. And they’ve based their new Williamsburg venture, Mo’s General, around them. A decent slice is a neighborhood staple, so they’ve added other staples to their business, too, like coffee and groceries. But the slice is the heart of the enterprise. They don’t serve pies. They might at some point, but for now, you go to the walk-up window or go inside and order a slice just like God intended.

“Slice-shop culture is what sets New York apart,” says Katzenberg, an East Coast native who was a founding partner of the Prospect Heights hot spots Olmsted and Maison Yaki. He and Murdock are not alone in thinking this, of course, and they are not the only people who believe that it is time for the slice to finally get its due. Mo’s joins a small handful of new-look slice joints — F&F, Baby Luc’s, L’industrie, Paulie Gee’s — that have sprung up around New York in recent years. Although Mo’s might be the only place where you can also grab a bottle of Japanese mayonnaise.

The Kewpie is there for a reason. Mo’s General is, you can tell, the product of two very pragmatic operators. It’s a slice shop so people can drop in, but the pizza is designed to lure connoisseurs to Williamsburg to give it a try. It’s a general store so, if necessary, it can be considered an essential business. It has coffee because the stretch of Lorimer that leads to the subway needed a good coffee shop. There’s merch like hats and shirts because any food business opening in 2021, in the midst of this ongoing pandemic, needs all the revenue streams it can get. Who knows what will happen?

But Katzenberg and Murdock are confident in the idea of being, first and foremost, a “neighborhood” spot. The word comes up over 30 times in our conversation outside on their beautiful streetside patio. Murdock lives a block away from the shop, and they both stress that they’ve taken time to know their neighbors, and that they want to respect its history as a little Italian American enclave. They know that if they’re going to serve pizza, it had better be the real deal. “As long as you’re bringing something good, something they like,” Murdock says of the locals who have lived in the immediate area around the store for decades, “then they’re all about it.”

Of course you have those sorts of things when you’re opening a new restaurant in New York, but look a little closer and the dedication to local businesses pops up again in the shape of glass Manhattan Special bottles, which Mo’s sells. It may seem like a small gesture, but carrying the Brooklyn company’s bottled iced coffee while also boasting a coffee program helmed by Sey, another small local business — albeit a newer one, especially compared to Manhattan Special, which has been around since 1895 — is a choice. It’s a subtle tribute to the place. Plus, Manhattan Special is uniquely delicious.

Always go for the corner slice.

Mo’s take on a white pie.

Mozzarella sticks, or, as they’re called on the menu, “fried cheese.”

Katzenberg, left, and Murdock.

Outside Mo’s.

Photographs by DeSean McClinton-Holland

But the reason you’ll go to Mo’s General is for the slice. At Mo’s, those slices are square. The style sits right between L&B Spumoni Gardens’ fluffy Sicilian slices and the crispier crust of Detroit-style pies. Every bite comes with this little shot of fatty goodness that mingles with whatever toppings you ended up getting. Mo’s doesn’t get too outré in that department, either: there’s tomato, cheese, pepperoni, a white slice, or something called “barbeque,” which is topped with cumin hot sauce, jalapeños, and red onion. Murdock says it’s a nod to a pizza place where he once worked while growing up in Cincinnati. There, it’s called “Virginia BBQ,” for reasons he could never quite understand. (All slices are available, as the sign inside says, “Until sold out.”)

There are purists who will doubtlessly contend that Mo’s is an outlier. The place is new, and the slices are not triangles. But that’s what makes Mo’s such a worthy addition to the always-growing list of New York City pizza joints. Everyone can do things their own way, and as long as the pizza is good, the locals will show up. In New York, the slice is the lifeblood of our pizza culture, and Mo’s makes a damn fine slice.

Latest Hollywood Dubbed Movie 2018 Online Release New Hollywood Hindi Dubbed Action Movie 2018 HD 3

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Latest Hollywood Dubbed Movie 2018 Online Release New Hollywood Hindi Dubbed Action Movie 2018 HD 3

Stay and watch to enjoy the movie

Chaka Khan – "I'm Every Woman"

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Chaka Khan closes out the Phoenix Awards 2021 with her classic hit “I’m Every Woman.”

Sion Sono Views Prisoners of the Ghostland as a Fresh Start

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Acclaimed Japanese director Sion Sono makes his English language debut with the release of Prisoners of the Ghostland. Starring Nicolas Cage, Bill Moseley, and Sofia Boutella, the film takes inspiration from Westerns and follows Cage’s Hero as he attempts to rescue the granddaughter (Boutella) of the mysterious Governor (played by Moseley). The opening portions of the film see Cage strapped into a suit that includes testicle grenades that activate if he gets “overly excited” and it only gets wilder from there.

RELATED: Prisoners of the Ghostland Interview: Bill Moseley on How Nicolas Cage Inspired Him

After seeing Prisoners of the Ghostland, it becomes hard to imagine anyone else in the lead role of Hero as not many actors could play the role straight with so many ridiculous things happening around him. That’s why it is no surprise that Sono always envisioned Cage in the role.

“Nicolas Cage was the first choice and luckily he said yes to the project,” Sono told ComingSoon via a translator. “We met up at the very early point of the project when he decided to publicly come on board. Nicolas had already seen some of my films including Anti-Porn and some other stuff, so we immediately got along with each other.”

While getting Cage attached to the project was a big milestone, shooting didn’t go as planned. The film was originally meant to be shot in Mexico rather than Japan and much of the film was redone after Sono suffered a heart attack and production was moved to Japan. According to Sono, about 70% of the script needed to be rewritten as it wasn’t suitable to be shot in the land of the rising sun.

“The original script was already something like Mad Max and my intention for the rewrite was to go as far away from that as possible,” said Sono. “It was almost the opposite, as I didn’t get any influence from [Mad Max or Fist of the North Star]. Since I was doing the Japan shoot, I wanted to put some samurai sword action into it.”





One unlikely source of inspiration for Sono has always been the great Japanese mystery novelist Edogawa Rampo. [one more sentence briefly describing who Rampo is and what he has done in a way that also links the two]

“[I view him] more like a horror creator. I was greatly influenced by him in that way. Edogawa Rampo’s novels are very eccentric and there’s a certain craziness there in a way that we find in horror movies as well [which have influenced me].”

Crafting an English Film is a Dream Come True

Creating a primarily English film has always been a desire for Sono. Back in 1990, the eccentric director was admitted into UC Berkeley. However, rather than spending time in class or learning English, Sono spent most of his time watching B-movies and other English films for 15 months.

“I’m so happy I could finally have this English language film,” Sono explained. “From now on, this is actually the starting point for me. In the past, I’ve always directed from my own scripts, so with English language films [in the future] I want to direct with my own script.”

Sono’s new start also coincides with his breakthrough film, Suicide Circle (also known as Suicide Club internationally), becoming 20 years old. The 2001 horror film found success in film festivals and eventually won Most Groundbreaking Film at Fantasia Film Festival.

Suicide Circle was a lot like Prisoners of the Ghostland. Back then, it was my very first major film debut. Now 20 years later, I’m having the debut of the English-speaking film. I’m very grateful that almost after 20 years that I have a next step to go.”





Besides his own taste aligning more with English films, Sono has found that his work fares better internationally than in his native Japan. Back in 2009, Sono entertainingly told 3:AM Magazine that he doesn’t like Japanese audiences and that “truly every Japanese person hates” Suicide Circle.

“[My work is viewed] completely different,” Sono reiterated to ComingSoon. “Of course, Americans like certain things and [they’re] completely different from what Japanese people like. In the past, my films have been always accepted in a different way [and] positively internationally. The films in the past have made me feel like I should already be making English films.”

In recent years, streaming has made Sono’s Japanese films more widely available. The director even released The Forest of Love on Netflix to audiences worldwide. Despite the advent of streaming, Sono doesn’t believe that these deals have made a major change in his popularity.

“Even for The Forest of Love, Netflix says that it’s going to be viewed by the entire world or many territories. I don’t really believe that. I think that only Japanese people watched the film.”

Looking Forward to Sion Sono’s Future

While viewers can expect more English films from Sono, they won’t be seeing any manga adaptations. Despite adapting The Virgin Psychics, Shinjuku Swan, and Tokyo Tribe into live-action movies, Sono has no desire to continue to do that.

“I feel like the comics should just stay as comics. Those are mostly not movies to be made. In terms of Tokyo Tribe, I turned it into the musical style, so it doesn’t feel like I adapted the manga. For Shinjuku Swan, I thought it would be fun to go ahead and make it, but the producers gave it to me.”

Considering Sono’s prolific output, which has seen him release up to five films in a single year, it’s likely fans won’t have to wait long to see another film. As to why he doesn’t take much time between projects, it comes down to doing what he loves.

“I love filmmaking and want to keep shooting all the time. Because of that, I am always trying to come up with new ideas and to be ready for the next project. I keep thinking about new ideas all the time so at any point I can go ahead and move forward with new projects.”

Lakeyah Announces New Project With DJ Drama, Shares Video for New Song: Watch

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Milwaukee rapper Lakeyah is releasing a new Gangsta Grillz project with DJ Drama. The full-length, called My Time, is out September 24 (via Quality Control). Below, watch the music video for the new single “313-414,” featuring Detroit’s Tee Grizzley. (313 is the Detroit area code, and 414 is Milwaukee’s.) Plus, check out the tracklist and album cover, which celebrates Lakeyah’s hometown champions, the Milwaukee Bucks.

Lakeyah released her Quality Control debut In Due Time earlier this year. Also earlier in 2020, DJ Drama collaborated with Tyler, the Creator across Call Me If You Get Lost.

Read Alphonse Pierre’s “An Introduction to Milwaukee’s Fast-Emerging Rap Scene” on the Pitch.

My Time:

01 Out Your Mind
02 Reason
03 GOAT Talk
04 In Person [ft. OG Parker and Tyga]
05 Shots Fired
06 313-414 [ft. Tee Grizzley]
07 Check [ft. Moneybagg Yo]
08 A Letter to You
09 Upset [ft. Bankroll Freddie]
10 Step 1
11 Loving Me



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Yuri Yradi Na Batera Louvor Ad Brás Vila Miriam 2021

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VA – Diggin' The Crates For Afro-Cuban Funk (Full Album)

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Rare tracks exploring the influence of Afro Cuban funk in a variety of settings including Salsa, Cuban Rock, Latin Jazz and other forms. Featuring popular Cuban artists including Willy Chirino, Patato Valdes, Gina Martin and many others.

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