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Some tracks are muted or delate due to copyright.I’m Sorry.
【Playlist】
Butta Love /Next
Meeting In My Bedroom/ Silk
What’s It Gonna Be? /Busta Rhymes Feat.Janet Jackson
Down Low (Nobody Has To Know)/ R Kelly Feat.The Isley Brothers
Get It Together /702
G.H.E.T.T.O.U.T. /Changing Faces
Not Gon’ Cry /Mary J. Blige
What Kind Of Man Would I Be/ Mint Condition
Nobody /Keith Sweat Feat. Athena Cage
I’ll Do Anything/ Aaron Hall
I Belong To You (Every Time I See Your Face)/ Rome
My Body/ LSG
Nobody’s Supposed To Be Here/ Deborah Cox
Secret Love /Kelly Price
If This Is Love Again/ Men Of Vision
15 Minutes /Marc Nelson
Is This Pain Our Pleasure/ Mint Condition
All I Do /Marc Dorsey
Body Bumpin’ (Yippie-Yi-Yo) /Public Announcement
Feenin’/ Jodeci
GKIDS has announced a United States release date for Chicken for Linda!
Directed by Chiara Malta and Sébastien Laudenbach, Chicken for Linda! is a hand-painted animated dramedy movie that was released in French theaters in October 2023. The movie has already received a number of accolades, including Best Animated Film at both the César Awards and the Lumières Awards.
GKIDS has announced that the movie will be released in New York City on April 5, 2024, at the Angelika Film Center before it then begins playing at Los Angeles’ Laemmle Royal on April 12, 2024.
Following that, Chicken for Linda! will come to additional theaters across the United States on April 15, 2024, in its original French language.
Watch the trailer for Chicken for Linda! here (watch more trailers):
What is Chicken for Linda! about?
“Paulette feels guilty after unjustly punishing her daughter Linda and would do anything to make it up to her,” the synopsis reads. “Linda immediately asks for a meal of chicken with peppers, which reminds her of the dish her father used to make. But with a general strike closing stores all across town and pushing people into the streets, this innocent request quickly leads to an outrageous series of events that spirals out of control, as Paulette does everything she can to keep her promise and find a chicken for Linda.
“Directors Chiara Malta (Simple Women) and Sébastien Laudenbach (The Girl Without Hands) unleash a unique visual marvel of hand-painted animation with bright, color-blocked characters, and a story that is an intoxicating blend of slapstick comedy, musical, and family drama, as Paulette and Nina ultimately confront the grief of an unspoken tragedy, and the meal that could finally bring them closer together.”
The voice cast for Chicken for Linda! includes Melinée Leclerc, Clotilde Hesme, Lætitia Dosch, Estéban, Patrick Pineau, Claudine Acs, Scarlett Cholleton, Alenza Dus, and Anais Weller.
After weeks of teasing, Charli XCX has released her new song “Von Dutch.” The Easyfun-produced track arrives with a music video that was filmed at France’s Charles de Gaulle Airport. Watch the clip, directed by Torso, below.
Easyfun has produced tracks for Charli XCX’s Number 1 Angel, Pop 2, and Charli. He also worked with her on “Speed Drive” and made a remix of “1999.” In return, Charli XCX contributed to Easyfun and A. G. Cook’s debut Thy Slaughter album.
Yesterday, Charli XCX announced the title of her new album: Brat. The pop musician’s follow-up to Crash will arrive in the summer. Charli XCX has describedBrat as “a club record,” explaining, “i was born to make dance music.. i came from the clubs.. xcx6 is the album i’ve always wanted to make.”
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Superman: Legacy director James Gunn has posted a behind-the-scenes photo following a table read of the DC Universe movie’s script.
On Instagram, Gunn posted a photo of himself with the cast of Superman: Legacy with the caption, “After the table read with the #Superman cast. Eve, Mr. Terrific, Superman/Clark, Otis, Lex, producer Peter Safran, Jimmy, Metamorpho, Lois, Hawkgirl, me, Guy, The Engineer all together for the first time! What a wonderful day.”
You can see his Instagram post and the photo below:
The titular role in Superman: Legacy is being played by David Corenswet (Pearl, The Politician), while Lois Lane will be played by The Marvelous Mrs. Maisel star Rachel Brosnahan. They’re joined by Nicholas Hoult, Skyler Gisondo, María Gabriela De Faría, Sara Sampaio, Isabela Merced, Nathan Fillion, Edi Gathegi, Anthony Carrigan, and more. The film is set to release on July 11, 2025.
What will Superman: Legacy be about?
“Superman: Legacy tells the story of Superman’s journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas,” reads the movie’s official synopsis. “He is the embodiment of truth, justice and the American way, guided by human kindness in a world that sees kindness as old-fashioned.”
YEDM introduced K4LT as a new artist in July 2023, with his pensive, ambient track called “LCPD”. It was a follow-up to his first EP, Endgame, and was two years in the making as well as a departure from his original style. Now focused more on electronic production, “LCPD” has seen an intriguing amount of buzz, both from the industry and fans. Audiences are put on notice, however, not to settle into the dreamy, celestial vibe of “LCPD”. A very different mood is incoming with K4lT’s latest track, “This Room (Reprise)”.
The Belin-based K4LT, whose artist name is a stylized version of the German word “kalt” (trans. “cold” in English), has said his new rash of songs is a reflection of the isolation created by the COVID lockdowns and the struggle of people even now to remember how to socialize. “This Room,” released early this month, with its pseudo-goth synth styling, relentless, quick-paced beat and the ennui and anxiety heavy in the lyrics, gives a disturbingly accurate picture of what many people are experiencing post-pandemic.
…the experience of more and more of your friends (and probably yourself too a bit) turn into modern day hermits, giving up on parts of life like relationships or having fun in life at all. Just trying to make it without giving any efforts into what would make them truly happy. And the songwriter being afraid how that ends (reading the “list of deaths per year”). In the end the song is about not accepting this defeats and fighting to get up, be motivated (“up to interfere”).
“This Room (Reprise)” is also meant to be throwback to a song of the same name by The Notwist, one of K4LT’s biggest influences. This is not a remix or a cover, but a complete re-imagining of the track, as The Notwist’s original is more directly shoegaze and post punk with some interesting vintage and experimental interludes, which might remind some fans of mid-era Radiohead or Death Cab for Cutie merging with Venetian Snares. Refreshingly honest about naming his influences and inspirations, K4LT’s version is both a continuation of the original tone of the track and a reversal. Where The Notwist’s original is soft, vulnerable and largely rock-based, K4LT’s reprise semi-industrial and itchy, pacing, impatient, bordering on frustrated. A contrary statement to the original, but no less impactful.
Perhaps “This Room (Reprise)” meant to show the difference in the way we manage relationships and interact with each other since the lockdown. Rather than focusing on a relationship and where it’s going, we’re constantly looking outward whilst staying inward, not satisfied but not willing to do anything about it. A tech-driven futility and an inability to process emotions through relationships – or even at all – stamps this track. That itch is there though, K4LT warns, and it’s ready to break the surface, the portends of the last line repeated before the song cuts off: “…up to interfere; up to interfere.”
“This Room (Reprise)” is out now and available to stream along with K4LT’s other works on Spotify. They can also be purchased on Bandcamp.
Saturday Nights – Pop R&B Chill music mix – Khalid, Justin Bieber, Ali Gatie ,
Saturday Nights – Pop R&B Chill music mix – Khalid, Justin Bieber, Ali Gatie
Saturday Nights – Pop R&B Chill music mix – Khalid, Justin Bieber, Ali Gatie
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“I like the old Kanye,” a line from a song that stuck in my head while I sat in the 405 gridlocks. Yet, it might have been in the gym, when I was about to finish my fourth set. It does not matter, but brings me to my point. I believe the old Kanye successfully paved the way for the new Ye, who seemed to pick up, where Prince left off, without the blessing from a billion corporate entities.
I became a believer in the invincibility of Kanye after watching his Netflix documentary. To me, he set himself to become a modern-day, musical Magellan…or better yet, a time traveler dispatched from the Planet Rock, gifting him the ability to solidify himself as music’s Teflon Don, avoiding cancellation like an Iverson Crossover. Instead of a leather Spaulding, he used a crystal ball.
I remember when Kanye snatched Taylor Swift’s airtime and reputation, besmudging the politics of the Grammys. Let’s not forget the time he claimed on National TV, “George Bush hates black people!” Calling out, the then President, for fumbling Hurricane Katrina, as Mike Myers gawked on helplessly.
These words would be the death decree to any other Hip-Hop Mogul. But not the modern mastermind from the city with big shoulders. In my opinion, the old Kanye was a modern version of a Great Lakes Amadeus, leaving his mark buried into American culture – like an artifact to be studied by future generations.
The old Kanye could have stopped there. Maybe, he should have stopped there. Without pause, he brought his voice to any platform that provided a microphone and airtime. He delivered his well-crafted, tyrannical rants to the likes of: Sway, TMZ, and everywhere in between. Talking about everything from the failings of American Society, the evils of the music industry, and slavery. For anyone to even broach these topics, would have led to monumental career suicide, leading to a media hanging in the rafters of the Blogosphere.
Instead, Yeezy turned the media into his proverbial bottom bitch, who he forced to stand on the corner called public perception, while pimping the entertainment landscape without retracting one word, but instead doubling down, pointing out the media’s own bias led to his very comments they were reporting to the masses. The same media Kanye seemed to have in his grasp. If he eats, they ate!
Yeezy had the audacity to record a gospel album on the outskirts of Sodom and Gomorrah, hosting open-air masses like some sort of Calabasas Lil’John the Baptist. Bringing Christianity to the city of sinful angels, was a no, no and should have put him in a monetary Camel Clutch. His marriage was constantly front and center to face the ridicule of the world. He stayed rigid in his stance, showing the center its finger to all trying to destroy his name. So, he changed it.
Then, came Ye. The new Kanye, but not Kanye any longer. Ye did the unspeakable, challenging the Jewish community’s authenticity, calling himself a Jew self-affirming the black man was the original Jew. Allegedly, in his mind clearing the way for him to rail against members of the Jewish community that had done him wrong in the past, leaving Noriega speechless and sober. That very act seemed to spearhead the anti-Jewish movement of today, as the world wags its finger at Israel.
Finally, he had done it. Put the nails in his coffin. The only thing I could compare it to was the death of Superman. The immortal King of Hip Hop was dethroned waiting to be sent to a deep, dark dungeon – where no one would see or hear him. That dungeon was called cancellation. Ye was declared dead by the entertainment media
A small, smoldering ember started to burn at the Superbowl during Ye’s ad: simple and plain. Just a dark image on an iPhone with a basic improved tagline. He doesn’t even look into the device because he knows we are watching – all of us. We can’t take our eyes off him. Love him or hate him, we are listening to his every syllable. We are all captivated by his gold front that slightly gleamed as he mumbled, “we spent all the money on the ad space, so we had no money for the ad”
Simplistic brilliance was what I witnessed leaking out of my cheap Android screen. A true savant had spoken again, pushing against the multi-million dollar commercials that dotted the plasma screen of the American, football-fandom.
The mega-influencer knew we would be watching. He’s already entrenched into the subconscious of the subculture. Ye did it again. On the largest stage in America – he has again taken front and center, maybe trumping Taylor Swift once more – if only for the moment. Kelcie had to bump his coach to get significant air time. Ye just pulled out his phone.
Ye probably made minimalism the new thang. The less, the better. Maybe that’s the future. The time traveler brought a message from the future via Planet Rock. We have already surrendered ourselves to him because we are still watching. It’s very hard to get on any screen-big or small-yet, he was always there.
In the end: Why can’t they cancel, Ye? He is a Deep-Dish Microchip embedded into our media-soaked minds. If you cancel, Ye – you cancel us – all of us.
Jazz Relaxing Music in Cozy Coffee Shop Ambience ☕ June Jazz Instrumental Music for Studying, Work ,
Jazz Relaxing Music in Cozy Coffee Shop Ambience ☕ June Jazz Instrumental Music for Studying, Work
📺 Calm Jazz Music to Relax in a Cozy Coffee Shop Ambience is the perfect blend of soothing melodies and a comforting atmosphere. The gentle sound of the jazz instruments, such as the saxophone, piano, and double bass, creates a serene ambiance that effortlessly transports you to a state of relaxation. As you step into the cozy coffee shop, the aroma of freshly brewed coffee fills the air, mingling with the soft melodies in the background. The smooth jazz tunes provide a harmonious backdrop, allowing your mind to unwind and focus, making it an ideal companion for studying or simply enjoying a moment of tranquility. The combination of the soothing jazz instrumentals and the comforting coffee shop ambiance creates a serene haven where stress melts away and creativity flourishes. So sit back, sip your favorite brew, and let the calming jazz music transport you to a place of relaxation and concentration.