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How Insensitive – Latin Jazz

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Vocal: Sabrina Fernandez
My Instagram: @saeedshams89

Jacopo's Simple Squash Soup Recipe | Vegan Soup Recipe | Cooking With Jacopo | Aimee Song

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You loved Jacopo’s everyday pasta recipe, so I begged him to share another one of his favorite simple recipes. This time it’s a soup recipe that he makes for us whenever the weather gets cold in Los Angeles. This easy soup recipe is great for cold weather wherever you are. And contains only four ingredients, so it’s VERY easy, and cheap to make. This is the cheap affordable soup recipe for those on a budget, too. Affordable, delicious, easy, what more do you want for a winter soup? Oh this butternut squash soup recipe is also a vegan soup recipe.

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Dave Grohl and Greg Kurstin Tackle Drake’s ‘Hotline Bling’ for Second Night of Hanukkah

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Hollywood Stars Caught Bribing College Admissions | The Daily Show

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Hollywood Stars Caught Bribing College Admissions | The Daily Show

Federal prosecutors uncover a complex web of bribery, cheating and even tax fraud among affluent parents – including Hollywood actors – in order to pay their kids’ way into top colleges.

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Blxst Is In ‘First Impression’ Mode

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COVID-19 pandemic has severely impacted the nightlife industry, including the kickback — a party’s relaxed cousin. It’s a modern staple of a mellow night out pre-COVID — often consisting of you, a group of friends, red disposable cups, and music to listen to while getting in the zone to potentially party afterward (but, nine times out of ten, you just end up going home).  

There isn’t a lot of music coming out during the pandemic that captures this missed experience like there is for party songs trekking our favorite new moves. But Los Angeles’ rapping-singer Blxst has this particular niche covered with his debut album No Love Lost, which came out in September with a follow up of its deluxe edition that dropped earlier this month.

Blxst’s age and real name aren’t necessary, so that’s why they aren’t publicly available. The South Central-born rapper is less of an artist and more of an idea — that tightly-rapped R&B songs have a place in the market next to melodic rappers and whispering singers. He packs the narrow focus of soul music on particular experiences and relationships into sizable records that are more lyrical showcase than a ballad. Take “Wrong or Right,”  for instance, where he lovingly contemplates the weight of the empire that he’s building while softly serenading a lover who’s sitting on the bed next to him, listening intently.  It’s not often you hear this eclectic mix of styles, and listeners have taken note. This has led to 2020 being a breakout year for him all around. 

Blxst explains over Zoom how weird this year has been because of the juxtaposition of finally making a name for himself and having to deal with the pandemic’s impact on his mobility. “It’s like a gift and a curse for me,” he says. “Because, of course, I’ve been putting out music and getting a good reception, finally, but I feel like the only downfall is that  I ain’t been able to really do live shows, and that’s what I am really look forward to doing, just feeling that energy from the crowd. So yeah, it’s been half and half.”

Once the world opens back up completely, it’s a safe to bet that Blxst will be even bigger than he is now. The world’s already taken to the collection of lurid, nostalgic, and two-step worthy songs that comprise No Love Lost and now, they’re becoming familiar with its deluxe edition that features six new songs with artists like Tyga, Ty Dolla $ign, and Dom Kennedy on them. Though deluxe editions have become a bit par the course, Blxst’s reason for releasing one makes the most sense since he produced the entirety of No Love Lost’s original album by himself. “I brought in some of the producers that I rock with,” he says. “And then I wanted to do some features as well, so I grabbed the big dogs of West Coast just to showcase I can hang with them.” 

Here’s Blxst on his breakout year, his deluxe edition of No Love Lost, and more below.

This year has presented many challenges, yet 2020 happens to be your breakout year. How does it feel to have had that happen during the pandemic? 

It’s like a gift and a curse for me. Because, of course, I’ve been putting out music and getting a good reception, finally, but I feel like the only downfall is that  I ain’t been able to really do live shows, and that’s what I am really looking  forward to doing, just feeling that energy from the crowd. So yeah, it’s been half and half.

Does that build the anticipation for when the pandemic’s over? Does it make it more nerve-wracking?

I feel like it does build up the anticipation. Because I see a lot of tweets, like, “I can’t wait till I can go see Blxst live.” People are all waiting for shows, so it’s going to be big when that time does come around.

It’s been a few months since No Love Lost has been out. How does it feel to see people still responding to it?

Man, it’s been great. And I feel like the pandemic was part of the reason why I got a good reception. People were able to sit down and  actually listen to what I’m saying, to actually feel the words, instead of just vibing to the music.

To me, it sounds like you can have a kickback to this kind of music. So, I just wanted to ask you, what was your inspiration for making it?

It came out of me going through a transition, just as a man. I felt like I owed something to myself at this moment. Sometimes, the ones around you don’t understand the mission that you’re on. So it’s just another saying for no hard feelings. But I felt like No Love Lost just hit harder. That’s what it represents for me.

What made you decide to release a deluxe edition?

The deluxe came from me listening to my fans. After I put out the original, they were saying, “We want more music.” The songs are short, but it was a good project. I also wanted to work with other producers on the deluxe because the original was all produced by me. . So I brought in some of the producers that I rock with. And then I wanted to do some features as well, so I grabbed the big dogs of West Coast just to showcase I can hang with them, the Ty Dolla $igns and the Tygas and Dom Kennedys. Shout out Bino, as well.

What was the decision like to release the songs that have the collaboration? Because I saw the DJ Booth interview. You had made a point of releasing the debut without any features.

Yeah, I think it was a good tone to set, especially closing the year off. The original project did so well, which is me. I felt like it would only add icing to the cake to bring in some dope features. So it was all up for me.

Would you say you prefer collaborating with other producers and other artists or working alone?

I mean, I’m always more comfortable working with myself, being that I record myself and I do everything at  home. That’s my comfort zone, though. So stepping outside of the box, working with other people is always dope to me because it’s something different. It’s something new, it’s a different perspective, but I’m still getting used to that.

Yeah. So, my next question is about the song that you collaborated with Dom Kennedy on. I feel like we don’t hear too much from him, so how did you make that happen? 

Man, that was an inside connection. Dom is from the trenches of LA. So, we got a couple of mutual friends, though, and they pretty much plugged us together. I was telling him I felt like Don fit perfectly for this record. And his voice is just so unique. I felt like he would set that tone and that LA vibe. So, shout out Archie Davis and shout out my boy Moe at Def Jam. They pretty much plugged the whole situation.

You collaborated with Tyga and Ty Dolla $ign for “Chosen.” And I saw on Twitter that Ty Dolla $ign, called you his little bro. I just wanted to ask you, how was it collaborating with him? And did he give you any advice?

Man, I’ve -always respected his grind, seeing where he started from it and where he took it. So we got a relationship beyond the music and I felt like he just always be uplifting me, just telling me, “Go crazy.” He always believed in me since I first started doing music, so just to have an official song with him is dope. It came around full circle.

When you spoke to DJ Booth, you talked about the importance of putting out No Love Lost with no features and you hinted at expanding the sound. Now that you’ve done that, what’s the next chapter look like to you right now? 

Just continuing to put out quality music. I feel like I’m still in first impression mode, so I want to showcase that I’m able to stay consistent with it as well. Next project, I want it to be bigger and better, with more live instruments. A  full length project. This was just an EP, so it’s just a teaser to what I really can get into.



Why Twilight Fans Are Living For Taylor Swift’s Willow Music Video

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See her? This photoshop proves the point quite well because of how well she fits into this group shot of the Volturi. Some fans took the outfit as a way for the singer to show her secret love for the series, and well, who can blame her? She’s clearly had enough time to write two albums in 2020, so why not sneak in a read of Stephenie Meyers’ latest bestseller Midnight Sun, or rewatch the movies on Amazon Prime? It may have been unintentional, but the parallels are seriously there:

Your EDM Premiere: Killbox Back in the Lab to Conjure up ‘Beaker’ [RAM]

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Unless you’ve been living under a rock or completely ignoring D&B for the past few months, you’ll know that Killbox are back on the prowl, releasing a series of singles on RAM that are teeth-crunchers no matter what system you’re listening on. Combining that classic neurofunk/techstep rawness with modern clean production as they do, the newest single “Beaker” will drop on Monday, unless you read this article (which clearly you are).

All the tracks thus far have been teasers to Killbox’s upcoming album Devine Profits, which will obviously be a smasher in its own right, but the guys are purposely spacing out the singles because they want fans to really let each one sink in. With “Beaker,” they’ve brought out the fast snares in a big way plus lots more so it’s a good thing we’re getting a minute to adjust.

From pretty much the first phrase of “Beaker,” listeners will know they’re in for it with an eerie sine wave synth rattling in and out as the drums, crunchy mid-bass synth and grinding, metallic sounds start to stack up on each other. The drop is about as heavy as they come from any era and from there the weedwacker snares come in and that actually, interestingly, also comprise the main beat. The boys have built the kick into those cool, circular snares and subtle though it may be, it makes a big impact on the way the track moves.

Driving the track even further is that crunchy mass synth, a creepy ambient melody and something we haven’t seen in hard drum and bass for quite a while: the deep bass amen break. It used to be a stable for phrase transitions in the days of techstep and darkstep and it’s what it sounds like: an amen break tying two phrases together with a short, extremely heavy deep bass melody consisting of two or three layered chords.

That little break, though smalle, is one of those things that make acts like Killbox so important: they have this library of sounds that they can pull out at any time and apply to modern techniques to make a new level of production and merge the best of all eras. “Beaker” will remind old school heads of things they forgot they missed while continuing to push the boundaries of the new era of D&B. To that end, it’s almost a perfect track, and thanks to Killbox and RAM, there’s more coming.

“Beaker” will drop on RAM Monday, December 14. Keep an eye on the RAM website for links to stream and buy.



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R&B Review 85 Teena Marie Lady T/ Announcements

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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Behind The Groove

Lonely desire

Aladdin’s Lamp

Can It Be Love

Young Girl In Love

YA TE OLVIDÉ de Marco Antonio Solís interpretado por Indira Sanchez

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Jaaaaa! Por fin un nuevo video!!! Mi gente hermosa, cómo les he extrañado!
😍😍😍😍😍😍
Con todo la situaciĂłn en el mundo, ha sido un desafio difĂ­cil filmar nuevo contenido para ustedes, pero lo logramos! En este video les presento la canciĂłn ‘Ya te OlvidĂ©’ del cantautor Mexicano Marco Antonio SolĂ­s. Originalmente estuvĂł cantado por la cantante española Rocio DĂșrcal en 1988. Luego fue popularisado por la cantante mexicana Yuridia en 2011.

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Robert Miles – Children [VoiceSampler Remix]

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The best remix of this song ever.

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