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Kevin Holliday on OMNI, Dinner with Beethoven, and the Joys of Being Anti-Pop

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Kevin Holliday

Photos by Tamara May.

This is Nice to Meet You, your go-to source for all the need-to-know information on the newest voices in pop culture. Think of it as a blind date, if the date were cooler than anyone you’ll ever go out with. Allow us to break the ice; we promise you’ll fall in love.

In this edition of NTMU, we shine the spotlight on the Brooklyn-bred artist Kevin Holliday. Since his debut EP, 2019’s Space Cadet, put Holliday on the map, the genre-bending artist has been hard at work on his latest offering. Earlier this year, Holliday’s latest single, “Tennis Courts,” landed him a highly sought-after place on Spotify’s “anti-pop” playlist. Now, he’s doubling down on his notoriously label-defying sound with OMNI—out today. The sophomore EP sees Holliday demonstrate a newly-acquired confidence, flexing his musical muscles with nods to the likes of Prince and Pharrell. To mark the release, Holliday spoke with us about the new project, his ever-so-eclectic list of musical inspirations, and the “art of disguising your sources.”

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On the process of recording OMNI: “This EP is a collection of all my influences—family, friends, and the stuff I grew up listening to. Everything that’s ever made an impression on me was very monumental to my music. So this project is paying homage to my upbringing. It’s called OMNI because everything is coming together. My main goal when I make music is to make people feel good. Even if it’s a sad song, if it makes me feel something, then that’s all that matters to me.”

On evolution: “Space Cadet was me figuring out everything that I like. It was me throwing ideas at the wall. Whereas with OMNI, I was really focused on the execution. With my vocal delivery and my cadence, everything sounds more confident. I think it really comes through in the music.”

On growing up in Brooklyn: “I feel like Brooklyn has played such a huge role in the way that I think about music. My brothers would always listen to Dipset and Max B. It definitely opened my eyes to the fact that there are no rules, really. You can approach music from any angle. As long as you’re being authentic, people will fuck with it one way or another. Brooklyn taught me how to be myself.”

On being classified as “anti-pop”: “I don’t really like my music to be labeled. First and foremost, I’m an artist. Anything past that is just people’s opinions. Obviously, I appreciate being added to playlists like that, but I feel like people naturally just want to categorize things. Not everything belongs in a box.”

On disguising your sources: “I definitely like to listen to other music while I make my own when I’m lacking inspiration. Experimenting with different ideas is essential. It’s gonna sound weird, but so much of making art is really just the art of disguising your sources. Nothing comes out of thin air. Everybody is influenced by something. It’s a matter of taking your influences and twisting them in a way that’s completely different.”

On his retro sound: “I’m influenced by a lot of ‘70s funk. I love Rick James and Stevie Wonder. I have an eclectic taste in music. I’ll listen to country, too. Music is like a painting. You want to draw from everything and create layers. That’s how I like to think about it. I’m really influenced by my parent’s taste in music. Growing up, they would play Marvin Gaye, Commodores, and Earth, Wind, and Fire. I think that’s why a lot of my music has a retro feel.”

On astrology: “I’m a Libra. My girlfriend is really into it. She’ll tell me all these different things about why I act a certain way and I’m just like, ‘okay.’”

On films: “I’m a big fan of Hayao Miyazaki. My favorite movie is Spirited Away. It’s so good and eerie in a weird way, but still beautiful. I’m also a sucker for Forest Gump. That movie is fire. The only thing is that it’s like ten hours long, but I highly recommend it.”

On Prince: “I wasn’t a kid who played instruments growing up, but when I heard his album For You, it made me want to make music. It completely blew my mind. My favorite song off of that album is “Soft and Wet.” It’s the production, honestly. I also love “I Wanna Be Your Lover” and “If I Was Your Girlfriend.”

On his dream dinner guests: “I’m gonna say some wild shit just to make it interesting. Beethoven, Kanye, Ginuwine, and Bobby Brown. I feel like I wouldn’t even have to say anything.”



Taja Sevelle – Fleet Of Angels

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Taja Sevelle – Fleet Of Angels (1998)

Prince Royce – El Clavo (Remix – Official Video) ft. Maluma

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Prince Royce & Maluma “El Clavo Remix”

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Choose Your Platform:

FOLLOW PRINCE ROYCE!
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LYRICS:

Hmmm no me digas
Que piensas en el baby
Y con lo mal que
Te fue, Maluma baby

Si esta noche tu novio te bota
Dile que tu no estas sola
Que tu estas conmigo, que yo si te cuido
No como ese idiota
Si esta noche tu novio te bota
Dile que tu no andas sola
Que yo soy el clavo, que saca ese clavo
Y dile que se joda, Maluma baby

Yo llevo la cuenta, esta es la quinta vez
Pero yo no entiendo por que no lo ves
Tu estas demasiado buena para estar con él (mamacita)
Tremenda mujer, para estar con el

Y si te busca a las 4: 20, por que te llama borracho
Ahora te quiere, pero mañana vuelve hacerte daño
Por ese bobo no llores, deja que yo te enamore
(Deja que yo te enamore)

Si esta noche tu novio te bota
Dile que tu no andas sola
Que tu estas conmigo, que yo si te cuido
No como ese idiota

Si esta noche tu novio te bota
Dile que tu no estas sola
Que yo soy el clavo, que saca ese clavo
Y dile que se joda
Dime, dímelo, dímelo mami
Por ese culo yo te entrego hasta mis Grammy’s
Así yo no tenga cuando tu te vengas
Sin ser italiano te regalo mi salami (grazie mile)

Ambos sabemos que el no te trata bien
Yo tengo claro por que no estas con el
No me digas que no te enamore
Si te ríes cada vez que toco
Ese to to toca besarte lento

Si se va Gina por ahí viene Tatiana
Esta Susana, yo la visto bien Dolce (Gabbana)
Para todo quiero ser su esclavo
Y darle el clavo

Si esta noche tu novio te bota
Dile que tu no estas sola
Que tu estas conmigo, que yo si te cuido
No como ese idiota
Si esta noche tu novio te bota
Dile que tu no andas sola
Que yo soy el clavo, que saca ese clavo
Y dile que se joda

Si esta noche tu novio te bota
(Mamasita)
Dile que tu no estas sola
Que tu estas conmigo, que yo si te cuido
(Dile que tu no andas sola)
No como ese idiota
(Dile que tu te vas conmigo por ahora baby)

Si esta noche tu novio te bota
Dile que tu no estas sola
Que yo soy el clavo, que saca ese clavo
Y dile que se joda

Ro Ro Royce

#ElClavo #PrinceRoyce #Maluma

Official Video by Prince Royce & Maluma performing El Clavo Remix. (C) 2018 Sony Music Entertainment US Latin LLC

CONSTELLATION CULINARY GROUP LAUNCHES EVENT AND EDUCATION CENTER

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Constellation Culinary Group unveiled its latest event space in the heart of Wynwood, Miami’s arts and culture district. SGWS Wynwood is a 17,000-square-foot, state-of-the-art, multi-purpose center with a focus on hospitality and education. The expansive, modern-industrial venue features four versatile event spaces for meetings and events with state-of-the-art audiovisual technology. Constellation will provide culinary offerings for corporate, culinary and social events and activations of all sizes.

 

Guests are greeted by a stylish lobby area that leads directly into the venue’s Mixology Lounge (1,624 square feet), which features an expansive 30-foot bar with state-of-the art equipment. This space is ideal for a seated or reception-style event, as well as mixology courses, and comfortably accommodates 120 standing, 90 seated and 50 for a classroom setup.

 

Situated on the east side of the lounge is the Demonstration Kitchen, led by Constellation Culinary Group’s exceptional culinary team. The Demonstration Kitchen, which has been fitted with Titan equipment, is a chef’s dream to provide the best-in-class dining experiences and custom-crafted menus with locally-sourced ingredients.. Whether clients are looking to host a wine or cocktail-focused dinner, chef pop-up, master class, pairing seminar, or product launch, SGWS Wynwood has access to the best beverage and culinary talent – including renowned sommeliers, mixologists, and chefs – to help curate a custom experience for you and your guests to enjoy.

 

The Founder’s Room (1,302 square feet) is an intimate space for dinners, wine tastings, or meetings with a 24-foot long custom-built walnut table as its centerpiece. High ceilings and natural light create an open yet warm atmosphere for one-on-one connections and engaging conversations.

 

The Tasting Room (1,297 square feet) is equipped with a built-in bar, as well as high ceilings and extensive seating options. This room is designed for interactive events such as wine tastings, cocktail receptions and seminars.

 

SGWS Wynwood incorporates the industrial style found throughout Wynwood with warm neutral tones and natural light to provide a highly customizable space for clients.

 

The venue is taking rigorous safety precautions including the use of an infrared thermal imaging system, daily self-screening, a facility mandate on face masks/coverings, the enforcement of social and physical distancing, and housekeeping services with scheduled surface sanitation guidelines. In addition, events must follow all city, county and state safety regulations. Valet parking and self-parking are available.

 

For event inquiries, please call 305.490.0711, email Sharla.Evans@constellationculinary.com or visit https://sgwswynwood.com/.

 

About SGWS Wynwood

SGWS Wynwood is Southern Glazer’s Wine & Spirits’ multi-purpose hospitality and education center, located in the heart of Miami’s most eclectic and creative arts and culture district. The state-of-the-art, 17,000 square-foot center offers industry-leading beverage education programming and serves as the home to the Company’s Artisanal Fine Wine & Spirits Division, Communications & Corporate Social Responsibility and Special Events teams, and a Direct Warehouse Store location. The versatile, modern-industrial venue is also available as a private event and meeting space, with full-service catering provided exclusively by Constellation Culinary Group. It is located at 2105 N. Miami Avenue Miami, FL, 33127. For more information, call 305.490.0711 or visit https://sgwswynwood.com/. Follow us on Instagram @SGWS_Wynwood and on Facebook at Facebook.com/SGWSWynwood.

 

Constellation Culinary Group

Launched in 2008 and reimagined in 2018, Constellation Culinary Group provides best-in-class dining experiences for one-of-a-kind events, cultural centers, professional settings, restaurants and cafes. With over nineteen locations in eight cities, including internationally renowned cultural institutions Carnegie Hall, the Philadelphia Museum of Art, the New York Botanical Garden, Clark Art Institute, and the Pérez Art Museum Miami, Constellation brings culinary visions to life. As part of the Elior North America family, Constellation Culinary Group consistently creates unforgettable experiences with the help of its skilled and thoughtful people, who believe in the company’s mission and philosophy that good food connects us. For additional information and a full list of Constellation dining and venues, visit constellationculinary.com.



Galley Molina's Hollywood Story

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Galley Molina's Hollywood Story

Screenwriter and producer Galley Molina shares the behind-the-scenes of his faith journey and talks about his movie, “I’m in Love with a Church Girl.”

Machine Gun Kelly Reveals Dramatic Head Tattoo as He Shaves Hair Off

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If you were to say Machine Gun Kelly needs to get his hair under control, that would be a bald-faced lie. 

The 31-year-old rapper posted a photo to social media on Tuesday, Aug. 10 revealing he had recently shaved off all his signature blonde locks. This is quite the identity shift, given that his Instagram bio simply reads, “the Blonde Don.” 

This pic showed off a prominent tattoo on the top of his head, which can be seen in the screenshot below. 

His social media post was part of an effort to promote his music video for the first single from his upcoming album, Born With Horns. The video, directed by Cole Bennett, drops Wednesday, Aug. 11, and MGK captioned his post, “i shaved my head for this @_ColeBennett_ ‘papercuts’ tomorrow 9pm.”

That said, his fans appeared to be skeptical that the hairstyle change is real, with one fan writing, “don’t lie we know it’s a bald cap.”



Rob Zombie Gives Production Update on The Munsters Movie

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It was in June that Rob Zombie confirmed he was working on a new The Munsters movie. Now we have a small production update as the musician and actor showed off the current status of Mockingbird Lane.

“Mockingbird Lane now has a paved street!” Zombie revealed on Instagram. “Things are moving and grooving.”

Check out the early production photo below:

RELATED: The Munsters Film in the Works From Rob Zombie

The Munsters is a classic television series that aired from 1965 to 1966 for 70 episodes. While it didn’t have a long run, it’s a classic and the entire Transylvanian-American family is beloved. Zombie says the rumors are true, which gives some potential casting details. It was previously reported that the film will star Jeff Daniel Phillips as Herman Munster and Sheri Moon Zombie as Lily Munster. Other actors include Dan Roebuck, Jorge Garcia, Richard Brake, and Cassandra Peterson. It’s said the film will air on Peacock in addition to a release in theaters.

While Zombie is best known for his music career, the “Dragula” singer has found a successful career as a director as well. His filmography includes House of 1000 Corpses31, and most recently 3 from Hell.



NNAMDÏ Fractures Wrist in Scooter Accident, Will Miss Wilco and Sleater-Kinney Tour Dates

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Just before a scheduled show opening for Wilco and Sleater-Kinney this week, Chicago musician NNAMDÏ was riding a scooter when he swerved to avoid an oncoming vehicle, hit a pothole, and fractured his wrist. “Shitty way to start off 1st tour in a year but still optimistic,” NNAMDÏ wrote. The injury required surgery not covered by his insurance, so his label and friends launched a GoFundMe (which has already met its initial goal) to cover medical expenses.

“We wish him a speedy recovery and look forward to his return to the tour post-surgery,” Wilco said in a statement. “We’re sending our love and are eager to perform together post-recovery,” Sleater-Kinney added.

Read about NNAMDÏ in Pitchfork’s feature “What It’s Like to Be Black in Indie Music.”





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Rose Meire Zyradi Ad Bras C.Pirituba Kadosh Gestos Igreja Antiga

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A Cuban Blues – CUBAN JAZZ REPORT

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